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  • Berceuse: For Flute and Piano

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    Hana
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    The document is a musical score for a Berceuse (lullaby) for flute and piano by Wilh. Taubert. It contains the musical notation across multiple pages with the tempo, dynamics, and other performance instructions provided. The piece moves between variations including an adagio section before concluding with an allegro finale.

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    Original Title

    Berceuse

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    The document is a musical score for a Berceuse (lullaby) for flute and piano by Wilh. Taubert. It contains the musical notation across multiple pages with the tempo, dynamics, and other performance instructions provided. The piece moves between variations including an adagio section before concluding with an allegro finale.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    43 views4 pages

    Berceuse: For Flute and Piano

    Uploaded by

    Hana
    The document is a musical score for a Berceuse (lullaby) for flute and piano by Wilh. Taubert. It contains the musical notation across multiple pages with the tempo, dynamics, and other performance instructions provided. The piece moves between variations including an adagio section before concluding with an allegro finale.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 4

    Berceuse

              
    for flute and piano

            

     
     
    Wilh. Taubert Op.46 No 4


     
    Andante con moto

               
                     
     cresc.

    

    13

           
                 

      
                
    16 Tempo I

                            
                
    rit. 

            
      
    24

         
     
        
      
         
     
       
    Var. I
    33

    
                         

       
         
    42

      
                      
                      
      
    46

        
               
      
                                     
    50

      
              
     
       
                
    Var. II

       
    54 Adagio
         
            

          
            
    62

     
     
         
           
        
       
        

    65

       
             
             
         
        

    69

        

              
    
         
    71

                         
        
         
    73

         


     
    a tempo
    75

          

               
    77

                            

    
    79

                        
       

    
    80

     
          
            
           
    81

    2
    
       
         
       
      
     
                   
      
    82

               
       
                 
                     
    Finale


    85 Allegro

                          
         

    rit.
    92

            
                 
           
    101

             
                  
     
    
    105

              
                  
       
    109

             
                    
         

    113

             
                    
        
      
    116

                                      
     
     
    119

                             

     
       
       

            
    Meno Allegro

       
    122

     

    3
       
        
           
    a tempo

     
    129

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