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    Introdução: Ligados Guilherme Alvarenga

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    Guilherme Alvarenga
    This document appears to be about music notation and contains two musical examples. The first example is written in standard tuning and shows a repeating rhythmic pattern. The second example uses percussion notation and contains rhythmic patterns incorporating quarter notes, eighth notes and rests. Both examples demonstrate basic rhythmic structures.

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    Introdução: Ligados Guilherme Alvarenga

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    Guilherme Alvarenga
    18 views2 pages
    This document appears to be about music notation and contains two musical examples. The first example is written in standard tuning and shows a repeating rhythmic pattern. The second example uses percussion notation and contains rhythmic patterns incorporating quarter notes, eighth notes and rests. Both examples demonstrate basic rhythmic structures.

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    Original Title

    0 - Introdução

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    This document appears to be about music notation and contains two musical examples. The first example is written in standard tuning and shows a repeating rhythmic pattern. The second example uses percussion notation and contains rhythmic patterns incorporating quarter notes, eighth notes and rests. Both examples demonstrate basic rhythmic structures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    18 views2 pages

    Introdução: Ligados Guilherme Alvarenga

    Uploaded by

    Guilherme Alvarenga
    This document appears to be about music notation and contains two musical examples. The first example is written in standard tuning and shows a repeating rhythmic pattern. The second example uses percussion notation and contains rhythmic patterns incorporating quarter notes, eighth notes and rests. Both examples demonstrate basic rhythmic structures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Introdução

    Ligados
    Guilherme Alvarenga
    Standard tuning
     = 120
    Ex I H
    H
    H
            
    1 2
    H
    3
    H H
              
            
    el.guit.

    H
    H H H H H
    5 6 7 8
    5 6 7 8
     5 6 7 8
    5 6 7 8
    5 6 7 8
    5 6 7 8

    H
    H

    4
    H H
    5
          6

                

    H H H H

     5 6 7 8
    5 6 7 8   
    5 6 7 8
    5 6 7 8   

    Ex II P
    P
           P
    P P P
    7
     8
                9

           
     
    P
    P P P P P
    8 7 6 5
      8 7 6 5
    8 7 6 5
     8 7 6 5
    8 7 6 5
    8 7 6 5

    P
    P

    10
    P P
    11
            12

               

    P P P P

     8 7 6 5
    8 7 6 5   
    8 7 6 5
    8 7 6 5   

    Ex III H P H P H P H P

    13         14
            15
           
      
    H P H P H P H P

    5 6 7 8 7 6 5 6 7 8 7 6 5 6 7 8 7 6 5 6 7 8 7 6
      
     
    1/2
    Ex IV
    H P H P H P H

    16 17         18

          
    H P H P H P H

    5 6 5 6 5 6 5 6
          
         

    Ex V Ex VI
    H P H P H P H H P H P H P H

    19         20 21        
          
    H P H P H P H H P H P H P H

    5 7 5 7 5 7 5 7 5 8 5 8 5 8 5 8
          
         

    Ex VII
    P H P H P H P H P H P

    22 23
            24
           
       
    P H P H P H P H P H P

    8 5 7 8 7 5 8 5 7 8 7 5 8 5 7 8
       
      

    Ex VIII
    P H P H P P H P H P H

    25
            26 27
           
        
    P H P H P P H P H P H

    7 5 8 5 7 8 7 5 8 5 6 8 6 5 8 5
        
       

    H P H P H P H P H P

    28                 29 30

       
    H P H P H P H P H P

    6 8 6 5 8 5 6 8 6 5 8 5 6 8 6 5
       
      

    2/2

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