This document discusses issues in musical composition in the late 19th century. It examines the transition between Romanticism and Modernism through four case studies. However, most of the text has been removed through "[snip]" tags, so only the high-level topic and analytical approach can be determined from what is provided.
This document discusses issues in musical composition in the late 19th century. It examines the transition between Romanticism and Modernism through four case studies. However, most of the text has been removed through "[snip]" tags, so only the high-level topic and analytical approach can be determined from what is provided.
This document discusses issues in musical composition in the late 19th century. It examines the transition between Romanticism and Modernism through four case studies. However, most of the text has been removed through "[snip]" tags, so only the high-level topic and analytical approach can be determined from what is provided.
This document discusses issues in musical composition in the late 19th century. It examines the transition between Romanticism and Modernism through four case studies. However, most of the text has been removed through "[snip]" tags, so only the high-level topic and analytical approach can be determined from what is provided.
Excerpts of “Issues in Composition,” from Carl Dahl-
haus, Between Romanticism and Modernism: Four Studies
in the Music of the Later Nineteenth Century. Translated by Mary Whitall. Berkeley: University of California Press, 1980. [snip] [snip] [snip] [snip] [snip]