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NAREA Innovations FINAL 2may2019 PDF
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Peter Moss
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Pe te r Moss is an e me ritus profe ssor at UCL Institute of Education, The stated aim of the Contesting Early Child- Storie s, the n, are how all of us we ave re ality;
University College London. In recent years, he has helped to edit three hood se rie s conne cts thre e important ide as: the y he lp us e xplain and justify what we
books from Re ggio Emilia, by Carlina Rinaldi and Ve a Ve cchi, and a the importance of narratives or stories (I use think and do. De pe nding on your pe rspe c-
selection of the writings and speeches of Loris Malaguzzi. These three the two te rms inte r-change ably); the powe r tive or viewpoint, stories can be good or bad,
books are part of the Contesting Early Childhood Series of which there of ce rtain narrative s – or dominant dis- enchanting or disenchanting, have beneficial
are pre se ntly 18 title s. For more information about books within this courses; and the existence of other narratives, or harmful consequences, trap us in dysfunc-
se rie s, go to https://www.routle dge .com/Conte sting-Early-Childhood/ alte rnative s that re sist or conte st dominant tional positions, or he lp us to move on. But
book-series/SE0623. discourse s. I will atte mpt to e xplain the se whate ve r their conse que nce , the y are storie s.
His othe r inte re sts include the comparative study of e arly childhood ide as more cle arly. (For more on this, se e Perhaps the biggest danger of all is when we
policie s; the re lationship be twe e n care , e mployme nt, and ge nde r, in Chapter 1 in ANEC.) forge t that our storie s are just that – storie s,
particular parental leave policies, and men working in early childhood; be lie ving inste ad that the y are some re ve la-
First, the importance of narratives, that is the tory and fundamental truth.
and the relationship between early childhood and compulsory education.
storie s we he ar and te ll, for how we inte rpre t
He lives in London. This leads me to a second idea: the existence
or make meaning – of ourselves and our lives, We live in a world
of our familie s and othe r re lationships, and of dominant discourses. We live in a world of
about what goe s on around us. As Je rome storie s, or discourse s, ways of thinking and of stories, or
Contesting Early Childhood Book Series Brune r re cognise d, mankind has an innate talking about things. Within this multitude of discourses, ways
tendency to communicate and to make sense stories or discourses, certain ones can become
At the start of e ach book in the se rie s Con- of existence through stories; they are how we particularly influential. For the Dark Mountain of thinking and
testing Early Childhood (CEC) are these words: make meaning of our world and our place in it, Project, as crises multiply and worsen, stories talking about
rendering our existence meaningful. This idea of human se paration from and maste ry ove r
This ground bre aking se rie s que stions the environment become increasingly incred-
things. Within
is captured by the Dark Mountain Project, an
the curre nt dominant discourse s in e arly ible and lose their power to convince. But they this multitude
Ame rican e nvironme ntal group, who write
childhood, and offers alternative narratives have and still wie ld gre at influe nce , shaping
of an area that is now made up of a multitude
that the y “be lie ve that the roots of [the con- of stories or
ve rging crise s of our time s] lie in the storie s e conomie s, socie tie s, and how many pe ople
of perspectives and debates.
we have be e n te lling ourse lve s. . . . We will think and act, in short we aving re ality. The y discourses,
The se rie s, which starte d in 2005, now has reassert the role of story-telling as more than have become, in the words of French philoso- certain ones
mere entertainment. It is through stories that pher Michel Foucault (the subject of Chapter 5
18 title s including thre e from Re ggio Emilia.
in ANEC), dominant discourses.
can become
I had the privile ge of be ing the first e ditor, we we ave re ality” (Dark Mountain Proje ct,
along with my Swe dish colle ague Gunilla 2009a). particularly
Dominant discourses become dominant when
Dahlbe rg. Although we hande d ove r the role
Stories, then, construct or weave reality for us powe rful institutions e( .g., gove rnme nts, influential.
in 2016 (to Michel Vandenbroeck and Liselott busine ss, profe ssional organisations, the
and, as such, have conse que nce s, some time s
Mariett Olsson), I remain closely involved and acade my) take the m up and re produce the m
bad one s, for e xample justifying the de struc-
have written one of the latest books to appear in a symbiotic relationship between discourse
tive relationship that mankind has developed
in the se rie s: Alte rnative Narrative s in Early and powe r. The y be come storie s that have
with the e nvironme nt (and othe r e xploitative
Childhood (ANEC). a de cisive influe nce on a particular subje ct,
re lationships). Confronting this, the Dark
Mountain Project is for e xample e arly childhood e ducation, by
The book is an introduction, aimed at students
insisting that the y are the only way to think,
and practitione rs, to the se rie s and some
walking away from the storie s that our talk, and behave: that they are the only reality.
of the main ide as that appe ar in it. The se
societies like to tell themselves, the stories The y se e k to impose , in Foucault’s words, a
ide as - conce pts and the orie s – can ope n up
that pre ve nt us se e ing cle arly the e xte nt re gime of truth, through e xe rcising powe r
ne w worlds. But the y can also be daunting, introduction, to assist more people to enter the of the e cological, social and cultural un- ove r our thoughts and actions, dire cting
difficult to grasp not least because they chal- exhilarating and liberating world of contesting rave lling that is now unde rway. We are or gove rning what we se e as the truth and
lenge the assumptions and beliefs that many early childhood. making art that doesn’t take the centrality how we construct the world or we ave re ality.
pe ople have be come accustome d to and take
of humans for grante d. We are tracing the Typical of dominant discourse s is that the y
for grante d as se lf-e vide nt. So, although the In this article , I would like to introduce you
de e p cultural roots of the me ss the world “make assumptions and value s invisible ,
authors in the series ground the concepts and to the new book, hoping you will want to dip
is in. And we are looking for other storie s, turn subjective perspectives and understand-
the orie s the y write about in actual, concre te deeper into it and that new world. Let me start
one s that can he lp us make se nse of a ings into appare ntly obje ctive truths, and
examples of practice, I have felt for some time by e xploring two ke y te rms: narratives and
time of disruption and unce rtainty (Dark de te rmine that some things are se lf-e vide nt
the ne e d to offe r an acce ssible and e nticing dominant discourses.
Mountain Project, 2009b).