Professional Documents
Culture Documents
Subversive Motherhood - Maria Llopis
Subversive Motherhood - Maria Llopis
R H C
21st of March, 2015.
At Boiro, council of Ibias, remnant of indigenous Europe, guarded by
the forest of Munierllos. Asturias.
www.rosariohernandezcatalan.com
Introduction
‘S , I didn’t have an orgasm while giving birth (or at least I didn’t have
one like the ones I had had up to that point). I realized that the dilation had ended
because suddenly I felt that I was shitting myself, and like a big ball of fire was bursting
through my ass and vagina. It wasn’t, strictly speaking, pain; it was something savage,
furious, just as if the whole eruptive power of the cosmos was exploding in my pussy. I
remember how, like a possessed person, I would scream with every contraction, on my
knees and grabbing the bed’s headboard. I couldn’t see anyone. I wasn’t hearing anyone.
Me, my body and my daughter—we were somewhere else. I could only feel fire.
Suddenly, Clara came out and that fire which was bursting inside me suddenly came to a
stop. Before they could cut the cord, my daughter climbed all alone up my tits, latched
onto my nipple, and didn’t let go. During the following hours, I felt like a goddess: strong,
triumphant, ready to receive the world’s applause (and rightly so). I felt strong enough to
go through the birth all over again, ready to run a marathon if asked. Instead of that, I
gobbled down two ham sandwiches. While I was devouring them, my partner said what
was to become the leitmotiv of the birth: you couldn’t tell who was screaming, a woman, a
cow or a dinosaur. Anyway. I have never felt any dick burst me open like that, or made me
feel that fire and euphoria. That was a (blessed) madness.’
Sarri Wilde:
Ecstatic birth
S W :
Ecstatic birth Maternity as a sphere of sexuality
A Á -
E
A M
Motherhood in a
A M
Motherhood in a capitalist society
D L
V
D L V
Intersexuality and Gender Queer Parenting
M Y
Feminism, pro-
M Y
Feminism, pro-sexuality, pornography, and maternity
E H
Trans* fatherhood
E H
Trans* fatherhood
M K
Gender Queer Co-
M K
Gender Queer Co-Parenting
P D
Children’s
P D
Children’s sexualities Spontaneous abortion
T ’ , even though it is an
essential part of us, from our earliest age. Every single baby
masturbates, because exploring one’s body is a central part of their
growth. Allowing them to develop their sexuality without fear, freely,
is a challenge to all of us. It’s the other side of the coin: if vindicating
motherhood as a sexual stage is one of the aims of this book, so it is
to vindicate the beautiful sexuality of our babies.
Poussy Draama is a French artist whose work attempts to talk
about sexuality… directly to children. That’s what she does in the
playful and funny video Baby, love your body! which she co-created
alongside the feminist activist Fannie Sosa.
Her work has tackled other issues relating to health self-
management, such as self-managed spontaneous abortion, which
comes up in our conversation as a parallel topic. I include at the end
of the interview my Guide for an easy and (wild) miscarriage which
she makes reference to, and which I published in 2011. The guide
intends to be of help and use to any woman who wants to have an
abortion at home. In hospitals and medical centers we are subject to
a series of protocols which include interventions which are
unnecessary and which are also a form of obstetric violence.
Poussy Draama is an artist, activist and alter-narrator. She lives in
France between Marseille and the countryside. Google her or meet
her on the road, in the School of No Big Deal truck. We know each
other through Fannie Sosa, whose interview is also compiled in this
book.
We talked through messaging services between France and
Canada around early 2014.
María: Tell me how did you end up doing a video to explain sexuality
to children?
Poussy: Our work is considered ‘explicit’ and kind of ‘for adults only.’
We wanted to start working on pieces that were also for children
(and not only for children). Because we love children. Because we
can’t ignore them. And maybe because we couldn’t bear the lack of
confidence we have in children and in ourselves when we censor
ourselves (especially when it’s “unconscious” censorship). So
basically we didn’t want to start any serious/official pedagogical
project, we just wanted to make something that has the same spirit
of our usual work, except that kids under 12 can watch it with no
shame or secret.
María: Do you think there is a need to explain sex to children in a
funny and beautiful way?
Poussy: Yes, of course. If you try to get an overview of sex education
for children nowadays, besides some exceptions, everything is
about procreation. So basically what children are taught (out of
their families) is: first, how to procreate, and, secondly, how to
avoid procreation while having sex. But they have almost zero
spaces to talk about why we have sex, what it is (outside of
procreation) and how various it can be. Then, what happens? Don’t
be surprised if they hate their bodies then. We are in 2014 and we
still tell children their bodies are mysterious machines they can
hardly control. If we do what we do, it’s just because we hope for a
better world for the upcoming generations. For me, there is clearly
no future for the human race, but there’s a present and this present
includes several generations to come. So before the human race
dies, we gotta work hard to tell these generations we love them,
and to minimize their pain. Keeping people in ignorance and
darkness concerning their bodies and sexualities is an excellent
way of controlling them, and it’s just causing pain. . Useless
pain. I don’t like it.
María: You have produced great work around feminism, queer
identity and sexuality. Do you think motherhood could become a
field of exploration in your work?
Poussy: For as long as I can recall, I never wanted to be a mother.
When I was younger I was absolutely sure I’d never have kids, but I
learned to never say never. And my art is always closely linked to
my present life and experience, so I don’t feel very legitimate to talk
about motherhood! But I like to read, listen and learn about it. It’s
very important.
Two weeks ago I was (consciously) pregnant for the 1st time of
my life at 27, and I aborted spontaneously, at home, by myself. I
just could do it because I knew how to, principally from online texts
I used to read (including your Guide for an easy and wild
miscarriage) and plants use. But it is very experimental when
you have no mother/mentor/shaman/doctor to talk with. So it was
very strong for me, because all that I prepared or imagined in case
of pregnancy during all these years of research, I had to put it in
practice, and it became real. Like physically real. It’s the contrary of
going to the hospital and being under anesthesia. It’s feeling and
trusting you. You have to be very self confident to make it happen. I
couldn’t do it at 19 or 22 years old.
I was simultaneously working on a performance where I
impersonate a kind of doctor, which I call “sexologist, witch and
alter-gynaecologist”. So I had to include this experience into my
work. So at the exact same moment, I was both miscarrying and
reading about it, and preparing how to talk about it with my
audience. It was super intense, so much simultaneity. I was happy
and proud at the end of the performance, but i was like: “where are
we living in? In a world where poor young artists and activists like
myself have to experiment on their own bodies, quite alone,
sometimes dangerously, to orally give some knowledge during
ephemeral events?” It’s my work and it’s what I love to do, but it’s
very, very precarious. It was a triple work: I was learning about
myself and teaching my lover and my audience at the same time.
And miscarriage is one of the most global and frequent situations!
María: I consider pregnancy, labor and breastfeeding as sexual
stages. I think feminism should embrace motherhood as the
pleasurable act it can be.
Poussy: Once again, I never experienced motherhood, but yes, what
you say sounds accurate. Fertilization itself is intimately linked with
orgasm. In the minute I got fertilized, I felt it, simply because I’m
both connected with my cycles and my pleasure. A few weeks later,
I was waiting for an abortion, but at some point I said to myself: girl,
let’s live out your pregnancy! Let’s experience it and share it. Of
course I felt nauseous and I had an annoying vaginal mycosis, but I
also felt like a super-ego. I felt desirable, desiring and powerful.
Because I wasn’t considering it as a disease or a problem, and
above all because I was just considering it instead of ignoring it.
Women that don’t want to have a baby are taught to consider their
pregnancy as nothing but a mistake. Hey, it’s not a mistake, it’s life.
Come on.
I posted a picture of me with a positive pregnancy test in my hand
and a half-smile in a social network, and some people were like :
«Congratulations! You’re gonna have a baby!” As if an abortion
was not an option anymore from there. It’s quite a good example of
the hypocrisy of the society we live in.
What was the more shocking for me in the french debate around
medically assisted reproduction & gay parenthood was that
parenthood was only talked about in moral and intellectual terms,
while it’s also super physical. And super sexual. As soon as the
medical system helps you, you have almost no body (you are
nobody). Bye-bye pleasure, hello science! You want a baby? You
are going to be watched and monitored all over. This is such a
violent way to keep people far from their bodies and pleasures.
So if we wanna talk differently about pregnancy and motherhood,
we western people have a double work to do: (re)connecting with
our bodies, and being politically very active (since motherhood is
tied to the classical «family» notion in the dominant narratives).
Today you can’t be lazy about it.
There is no one way to conceive motherhood in feminism. There
is no monolithic feminism. It’s moving, it’s growing, it’s changing.
It’s us. We make feminism.
An Easy (and Wild) Guide to Miscarriage by M
L (published on Mariallopis.com, 2011)
1.- Definition of terms.
What is a spontaneous abortion?
A spontaneous abortion or miscarriage refers to the loss of an
embryo when it is not intentionally provoked. As such, it differs from
an induced abortion. The term only applies where the loss happens
before week 20 of a pregnancy, when it becomes known as
premature birth.
2.- Before aborting.
The causes of miscarriages remain a mystery to Western medical
science, and doctors cannot do anything to prevent them. If a doctor
tries to prescribe progesterone to you, say no. There is no evidence
that it works, and it will just put you in a depressive, suicidal mood.
If anybody tells you not to have sexual relations, don’t believe
them. It is common to advise against sex when there is a risk of
miscarriage (such as spotting), but there is no scientific proof that
sex induces spontaneous abortion. You may find that you start to
miscarry after having intercourse. But the sex isn’t the cause, it
simply stimulates a process that has started inside of you.
It’s like when you get your periods after fucking. You don’t get your
period because you fuck, but because you did not get pregnant.
Don’t let them confuse you. Some gynaecologists love to play
priests.
3.- Don’t go to a medical centre.
If you have an ultrasound and there is no heartbeat (that is, the
embryo has died), you are going to miscarry. It is only a matter of
time. You need to be patient, because it can take weeks. Prepare
your body and say goodbye. Every case is different. You’ll know
when it starts, you’ll start bleeding and having cramps. Don’t go to a
medical centre because you will probably end up undergoing a
highly aggressive and totally unnecessary intervention.
Miscarrying is painful and difficult. It is much more comfortable to do
it in the privacy of your home, or a familiar place, than in a hospital
surrounded by strangers. You can do it yourself, you just need the
help of a good friend. Several friends, if possible.
I personally recommend going to a beach (nudist and deserted, to
avoid an unwanted audience) or the mountains. You will feel the
need to squat down and push. Do it. It’s obviously not very practical
to do this in your living room, as the furniture will end up covered in
blood. That’s why it’s much more practical to do it in nature, where
the seawater and the soil will help you to clean and absorb the flow.
But only if the weather allows, of course. If it’s cold, it won’t be a
good idea, because the cold will make the cramps stronger and
more painful.
But if it’s summer and it’s warm and you have a beach or mountain
nearby, don’t think twice. Ask your friends or your partner to put you
in the car and take you into nature. All you will need is some
painkillers.
If in spite of my recommendations for a natural, wild, miscarriage
you have decided that nature is not for you, and you choose to stay
home, my advice (and that of many manuals) is to sit comfortably on
the WC. You will bleed so much that there’s no point endlessly
changing pads and getting dressed and undressed. Everything will
end up bloody.
One of the main drawbacks of this option is that it will be difficult for
you to inspect the tissue that you expel. And this is a very important
step, because apart from all the blood tissue, you will also expel
what is known as the “gestational sac”. Its size will depend on your
stage of gestation. It is important to expel it, so make sure that it
comes out. When you have it, you can bury it in the ground, throw it
into the sea or carry out whatever farewell ritual you like.
4.- Final ultrasound to check that everything has gone wildly right.
Once you have finished miscarrying, go to a gynaecologist to have
an ultrasound so that you can be sure that the abortion has finished
properly and that no tissue remains in the uterus. Wait a while before
you go, because the process may take up to ten days. It is a routine
visit the gynaecologist. These kinds of visits make gynaecologists
somewhat frustrated, because it is all too obvious that we are only
interested in the gadget for the ultrasound. Look at the scan
carefully, ultrasounds are relatively easy to read. In this case, the
uterus should look smooth and beautiful, with a fine line that
indicates where the gestational sac was implanted.
5.- Don’t stay on your own.
Make sure you line up some help for at least a week. Somebody to
cook for you, to make you got drinks, go and buy you painkillers,
hold your hand when you have cramps, and, above all, to support
you psychologically. If you stay on your own, you will have a very
hard time. Remember that the pain will make it difficult for you to
even walk.
Cancel work and personal appointments as far as possible. For the
next few weeks, you won’t feel well at all. Don’t start a new job or
move to a different country or another house. You will feel very tired
and sad. Make it easy for yourself. Don’t stay on your own. The
weeks after you miscarry are like an eternal downer after taking
party pills. You think you’re going crazy. If you’re by yourself, you
might. If you surround yourself with friends and affection, you won’t.
6.- Don’t blame yourself.
Western medical science does not know what causes miscarriages.
They have only been able to come up with some hypothesis linked to
chromosomal abnormalities and mysteries of various kinds. So don’t
blame yourself.
One of the most highly respected books on the subject, written by
the director of the Recurrent Miscarriage Clinic at St Mary’s Hospital
in London, concludes that a pregnancy is more likely to continue if
the woman feels loved and cared for. The world’s best specialists
have spent years and years on research and studies, in order to
come to this conclusion: the thing a woman needs in order to go
ahead with a pregnancy is tender loving care. As simple as that.
The book in question is called Miscarriage: What Every Woman
Needs to Know, by Lesley Regan. I highly recommend it.
The statistics on spontaneous abortions are very high. In fact,
miscarriage is the most common complication in pregnancy.
Apparently, one in every five pregnancies ends in miscarriage.
Perhaps even more. Nevertheless, it is a subject that is rarely talked
about, and in a sense our society considers it taboo. The tradition of
not announcing a pregnancy until the fourth month is due to the high
possibility of miscarrying in the first three months. But when you
make your own miscarriage public, other women start to talk about it.
Mothers who had never admitted to their children that they had
suffered miscarriages, neighbours, aunties, cousins, admit their
spontaneous abortions when you mention yours. Talk.
7.- Trust your instinct.
Our instinct is all we have. Medical science will try to convince you
that you don’t know anything, that it is impossible to feel the death of
an embryo in your uterus, or to know the moment you get pregnant.
Ignore them. If you listen to your own body, you can be aware of
everything. The hardest thing will be ignoring the outrageous things
that gynaecologists, lovers, friends and neighbours say to you. You’ll
find everybody wants to have a say, and worst of all, many of them
will judge and condemn you for refusing to follow the patriarchal
game rules.
Long, long ago, in the time of witches and matriarchy, women knew
much more about their bodies and their lives. They knew how to
listen to themselves and society respected their decisions in relation
to their bodies and children. Nowadays, any woman who doesn’t
want to obey the orders of an inconsistent medical system is
attacked and insulted. Wait till you see the comments in response to
this post.
I asked the Recurrent Miscarriages Clinic at St Mary’s Hospital in
London what protocol should be followed in the case of miscarriage.
The gynaecologist answered that it depended on the woman’s
wishes. That each woman had different needs. I was incredibly
surprised by the logic of this response. I assure you that this is not
generally the attitude of the health system in Spain. I think that St
Mary’s is a good hospital.
Follow your instincts and insist that your doctors, friends and
relatives respect your needs. This guide aims to assist in a relatively
simple process, so that we can break free from unnecessary, painful
medical practices that have been proved ineffective. As the
gynaecologist at St Mary’s said, let each woman miscarry however
she wishes.
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P P
Traditional birth,
t l
P P
Traditional birth, natural gynecology
K K
Transhackfeminist
K K
Transhackfeminist Motherhood: on the origins of
gynecology
W ’ a punk-gynecology mashup for a long time
now. Transhackfeminist motherhood brings together the strengths of
ecology, of body and machine hackers, of the -
communities (Do It Yourself, Do It With Others, and No Ecology
Without Social Ecology) and of the anticapitalist-punk struggle.
Klau Kinky advocates for the autonomy of our bodily self-
knowledge, and fights against obstetric violence. Her work reveals
the hidden origins of obstetrics, gynecology and urogynecology.
Klau is a spic bitch, tech-witch, junk junkie, machine and body
hacker, and noisex. She lives in Calafou, an eco-industrial and post-
capitalist commune in Vallbona d’Anoia. Her most recent projects are
Pechblendalab, Anarcha and punk.
We have shared projects, friends, dreams and desires throughout
the last few years in Barcelona’s post-porn and transfeminist scene.
It was a pleasure to meet up with her once again at this point in our
lives, when —once again— our work overlapped with our pussies.
I had the chance to meet with her while she, Karmen Tep, and
Diana Pornoterrorista were on tour around the peninsula in April
2015. They were presenting their collective project Anarcha Gland
Gyne Punk as well as Diana’s book, Coño potens. I hosted them in
my humble abode in Benicàssim. While my son was going crazy
over all her chains and mohawk, I soaked in all her wisdom.
María: Subversive motherhood means so much more than biological
motherhood to me.
Klau: Personally, I should say first of all, that reproduction and
motherhood are not for me; my line of research tends towards
contraception, abortion, techniques of menstrual extractions, etc.
This is alongside my attempts to recover the veiled historical
memory surrounding the fields of obstetrics, gynecology and
urogynecology. I consider them to be completely complementary
fields of knowledge.
María: I also consider them to be complementary. Motherhood
encompasses both abortion and contraception. The point is to
empower our uterus, regardless of whether you want to be a bio-
mother or not.
Klau: Both require, very often, the same human and technological
infrastructure (uterine and hormonal knowledge, tools for fluid
diagnosis, ultrasound, cannulas, endoscopes and other medical
equipment). Now, the knowledge acquired and the practices
developed in clinics or hospitals are very often dependent on the
technical infrastructures of hegemonic and institutional gynecology.
Doubtlessly, this has to be subverted at all costs. I strongly and
furiously believe that self-managed, collective and horizontal
healthcare must be radicalized in crescendo and strategically.
That’s exactly what you are doing.
And here’s where I’m bitten by the nosy bug, and my minds
begins to wonder. In your case, for example. How dependent were
you, during the different stages of your pregnancy, on medical
techniques? Did you have an institutional / doctor?
Ultrasounds at the hospital? Hormonal tests? tests?
smears?
María: We have to fight, at every point, so as to avoid an endless
string of tests which are commonly known as prenatal diagnostic,
but should be more accurately named psychological torture to
pregnant women. At the beginning I fell into the trap, maybe out of
the fear caused by my former abortions, and was soon caught up in
that loop of horror. By the third month of my pregnancy they
conducted a test known as the triple screening. It showed a
considerable risk of Down Syndrome, so they suggested an
amniocentesis test. I refused since they have a 1% risk of loss, and
I personally know more than one case that’s fallen within that
percentage. In any case, I also had to consider whether I wanted to
have an abortion in case the fetus had Down Syndrome. It was all
very confusing, so I ended up doing two tests as a substitute for
the amniocentesis, which are less invasive: an analysis of the fetal
blood’s and a morphology scan. With the test I was told
the baby didn’t have any chromosome abnormality, and they also
said it was a boy since the chromosomes where . But that was a
misleading information anyway, because the sexual identity doesn’t
depend on the chromosome reality.
Frankly I had a rough time during the first months of my
pregnancy, particularly as a result of the bad treatment I received
from the medical institutions I went to. From the fourth or fifth
month of pregnancy onward, I discontinued the tests, avoided the
scans, and paid no attention to anything their medical technology
could offer me. I felt it was the safest thing I could do for me and
my baby. It’s very important to follow your instinct during one’s
pregnancy.
Klau: I’m asking because the high tech, “professional,” and restrictive
laboratories tend to be more simple than they seem when it comes
to these kinds of tests. At the end of the day all they create is an
induced dependence on certain technologies that seem complex,
expensive, unreachable and exclusive. Thanks to the time I’ve
dedicated to experimenting with biohacking and biopunk
communities, I’ve confirmed something that I had already guessed,
though I couldn’t really conclude it at the time because I didn’t have
a scientific background. Anything can be learned if you’re bit by the
bug of curiosity: I’ve confirmed that about a 90% of that
technological dependency could be reduced.
María: Wow! We need that form of appropriation! Tell me more about
your research project, about Pechblenda .
Klau: Penchblenda is a Hardlab TransHackFeminist,
experimental lab focused on bio-electro-chemistry and free-
hardware. It’s a mutant that first came to life in 2013, in the
alienated crossroads of darkdrag, and pin & piroska in Calafou, as
a response to the urgent need to create spaces fit for our rituals. It
was something we had dreamt and written about in a sci-fi sort of
way, but which hadn’t taken shape until then. A
TransHackFeminist, non-patriarchal space, where learning would
arise from raw experimentation, encompassing noise music, the
body as a performative and ludic field, electrical household
appliances repair, turbine experimentation, automatization of
processes, sustainable lighting, and the technology of fluids. The
aim is to deactivate the logic of planned obsolescence, thus
producing an active change of behavior in how we relate to our
surrounding technologies, from the perspective of reverse
engineering, and strongly stressing self-taught and - -
elements (do it yourself-do it with others-do it together), which are
crucial for the production of free knowledge, and the advancement
of collective net creation. For the implementation of open and
dynamic webs.
Within this loom of relationships, around 2014 we had the
pleasure of conspiring at the 2014 . There, the
tentacular world of Pechblenda unfolded a rhizome leading towards
self-managed gynecology: punk biolab, which directly
connected with another strand, AnarchaGland.
Penchblenda is a biolab/biopunk research group focused on bio
autonomy, both energetic and diagnostic, and on accessible
laboratory techniques. The idea is for the lab to be capable of
examining blood, urine or other corporal secretions such as tissues
in order to obtain information regarding our health in various fields
such as gynecology, urology, obstetrics ( / & / ),
hematology and endocrinology. Even to be capable of synthesizing
hormones. (You can find more information here:
www.hackteria.org/wiki/Pechblenda; www.pechblenda.hotglue.me/?
transhackfeminismo; www.network23.org/pechblendalab/; y
www.we.riseup.net/gynepunklab.
María: How did you begin to investigate the dark origins of
gynecology and its links to the murder of women in medical
experiments?
Klau: Around early 2013 it was my turn to propose a text for the
reading group at Calafou, and I decided to present “My Pleasure
Comes like Daggers,” by Chiara Schiavon (from the collective
ideasdestroyingwalls), about female ejaculation. While preparing
the presentation for the group, I began to research a bit more about
Skene glands and glands relating to female ejaculation. I read
about everything from the composition of the fluids they secrete, to
the history and origin of its name.
This led me, inevitably, to investigate the origins of gynecology
and to run into Sims, the guru of Skene glands. Sims ran
experiments and studied the vesicovaginal fistula of the black
slaves of his cotton plantation in 1840s Alabama. Anarcha, Lucy
and Betsey were some of his patients. This information has
reached us through Sims’ diaries which document the pseudo-
hospital he set up in his backyard. These women were subject to
an endless series of operations without anesthesia in order to
study the treatment of the vesicovaginal fistula. These and
countless other anonymous and invisibilized women have the
history of gynecology written into their own skin.
María: Tell me about the origins of gynecology.
Klau: William Hunter (1718-1783) and William Smellie (1697-1763)
were pioneers in the field obstetrics. They were also known as
death’s doctors. With their anatomic drawings of dissected uteri,
they set the foundations for what we today call obstetrics.
They even went as far as to confess that it was very difficult to
obtain corpses of pregnant woman in their fifth month of pregnancy
who also had a fetus in a decent birthing position. Apparently there
was a wave of murders, targeting poor and pregnant women in the
last months of their pregnancy. Evidently, these two men were
investigated for these crimes, as they had published books with
detailed drawings, which were the most unquestionable evidence
of their being involved in the murders. A great deal of these
drawings were found in Hunter’s masterpiece, Anatomia uteri
humani gravidi (The Anatomy of the Human Gravid Uterus),
published in 1774. But the investigation was interrupted because
both doctors were widely reputed around that time. The murders
abated while the investigation was being conducted but shortly
after another crime wave ensued.
In 2010, the New Zealand historian Don Shelton proved, through
demographic data and their medical diaries, that it was impossible
for Hunter and Smellie to draw an uterus of a pregnant woman with
such precision without a corpse, and that legally finding corpses of
pregnant women was very difficult at that time.
María: In what stage of your research are you now?
Klau: Since that moment on I continue to research in an independent
and autonomous manner. I investigate the history of gynecology,
the medical apartheid, and the gynecologists and anatomists tied
to this history. I also scour books and the internet for information on
their tools and history, the birth of urogynecology and its
derivations, the discourses regarding the prostate, female
ejaculation, incontinence surgery and vaginoplasty, on the current
assisted urogynecologic practices in Africa. All of these subjects tie
back to the same problem which, 170 years ago, founded what we
known today as modern gynecology: the vesicovaginal fistula.
All of this inevitably led me to the practical and active foundation
of GynepunkLab, developed at Pechblenda.
María: I’d like to know more about the TransHackFeminist event you
organized.
Klau: It took place in Calafou, an eco-industrial and postcapitalist
colony, found 60km from Barcelona, in Catalonia. For seven days,
from the 4th to the 8th of August, 2014, a hybrid of feminists, queer
and trans people of all genders gathered together in order to have
a greater understanding and development of freed and liberating
technologies for social dissidence. One of the areas of
experimentation was the development of our Gynepunk practices.
Gynepunk is about getting involved in a radical change in how we
understand medical technologies and the so called “professional”
medical institutions. Gynepunk is an extreme and rigorous gesture
to unplug our bodies from its compulsive dependence on the
fossilized machine structures of our hegemonic health system. The
aim of Gynepunk is to make - laboratories and diagnosis
techniques visible in experimental spaces— under rocks or in
elevators, if need be. It’s about having these labs and their
manifold possibilities anywhere—in a stable place and in nomad
laboratories—so we can conduct cytologies, fluid analyses, s,
hormone synthesis, blood, urine tests, tests, pain relief or
whatever, whenever we need to do so. It’s about hacking and
constructing our own ultrasound devices, endoscopies or
sonographies low cost. This whole experimentation is done hand in
hand with a deep knowledge about medicinal herbs, oral traditions
and underground recipes, and is led by an unquenchable quest to
generate an array of lubes, contraceptive methods, open
domains for doulas, savage care-work such as menstrual
extraction with the use of visceral and crafted technologies. We
want to bring everything to its maximum potential by sharing
knowledge and radically empowering our bodies.
Gynepunk is based on scientific methodologies and disciplines,
and it springs both from the knowledge extracted from each bodies’
self-experience and from our ancestral bodily wisdom—yet another
example of how crucial memory and archive is, in any given format!
Visual treasures, sound mines, microscopic riddles, biological
showcases, centers of biological growth, online seeds bank,
archives of fluids, fanzines, choruses of oral decoding, vudú self-
healing rituals.
Gynepunk will ferment and mutate alongside all of this, initiating
an expansive and explosive movement in the direction of radical
experiments, and strong collective trust in our body politic. It’s
crucial to share these ideas and make them viral through an infinite
pandemonium! No one can burn us! No one! The witches have the
flames now in their hands!
A detailed report about the event can be found here:
http://transhackfeminist.noblogs.org/post/2015/02/14/informe-del-
encuentro-transhackfeminista-thf-2014/
María: How do you understand motherhood within
TransHackFeminism?
Klau: As a body-hack, as a form of corporal hacking. If “hack” is the
act of making and unmaking things, of understanding them in a
more active and deep manner, then hacking means to resist, to
sabotage and transform. Transhackfeminist motherhood is a
subversive, sexual and battle-ready; it stands against obstetric and
medical violence, which rejects and denounces forced sterilisation;
it collectivizes the knowledge, practices and processes of the body.
It generates particular narratives in the form of how to or collective
decoding tools, which supports abortion, and free, safe births.
The reproductive dimension of motherhood can be read as ‘hack’
from the perspective of infection and pollution. Or, like Sayak
Valencia puts it: motherhood as a subjectivity factory. It bleeds into
concepts like virality, tied to that of authorship and public domain in
the sense that it is there to be re-distributed, re-mixed, re-
understood and logically also hacked, breaking and destabilizing
binary structures (man vs woman, theory vs practice, those who
produce vs those who consume knowledge and technologies,
nuclear family vs an affective, chosen and decentralized family…).
Transhack Motherhood debunks privilege from its source,
depatriarchalizing and decolonizing, as well as making one aware
of one’s own privileges and understanding the relation between
privilege and oppression. Can we conceive a transfeminist
fatherhood? I understand that as a way of collectivizing bodies,
generating networks of support from a libertarian unattachment. It’s
in a constant work-in-progress that creates tools for radical
independence.
I’m reminded of that character, Franck, from the 1982 film
D’amore si vive by Silvano Agosti. Only recently, with the arrival of
Èlia to our community in Calafou (01-10-14), have I begun to think
about this matter from a different angle. But, anyway, I’m not a very
good example when it comes to this theme: I’m quite a greenhorn
when it comes to motherhoods, if not, as it were, consciously
barren.
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Co-breastfeeding Ecstatic birth, sexuality and
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Ecosexuality, motherhood and ecofeminism
R of subverting
motherhood takes me, time and time again, to the same place. Each
time I get there, I’m pleasantly surprised again. At the start of this
journey, I didn’t expect to end up talking about ecofeminism and
ecosexuality so much. But there is no doubt about it: living
motherhood out as a blissful experience takes one, time and time
again, to reconnect with our corporality, with the sensuality inherent
in our bodies, with our wild and free nature. And that’s where the
deep connection with nature lies.
Annie Sprinkle and Beth Stephens have a project titled Sexecology
(www.sexecology.org) in which they put on workshops,
performances, and marriages with natural elements. The goal is to
recover the lost connection between sexuality and ecology. This
buried connection is something I consider fundamental to
motherhood as a subversive act, given that it offers up a much more
complex and encompassing vision of sexuality. There are lots of
stages within the world of sexuality, and in order to live out maternity
and parenting in the most complete way, one must work to
understand and enjoy them.
This is why I want to end the book with this interview. Because I
think Annie and Beth have been able to come to his same
conclusion after having spent many years studying sexuality at its
deepest levels through the field of art. I think they have a lot to say
about motherhood and sexuality, despite—or perhaps because of—
not being biological mothers. As we know, one can be a mother
millions of different ways. I think they are mothers, one can sense
their maternal love, in the same way that I’m sure you will feel too
throughout this interview. One can feel the universal mother in them,
one which is ecosexual and full of joy.
Annie Sprinkle and Beth Stephens are artists and subversive,
ecosexual mothers. Beth is also a professor of art at the University of
California, and Annie is a key figure in the postporn movement. She
was actually the pioneer of this field when in the nineties she began
to put on artistic performances focused on her experience as a sex
worker and porn actress.
We met for the first time in Berlin in 2006, at the Tim Stüttgen’s
mythic event—the Post Porn Politics Symposium. We had run into
each other at various other events before including weddings,
performances, and other postpornographic events, and we had
many friends in common. Our mutual friend Tim Stüttgen left this
world in 2013, leaving us with a legacy of love and post-porn we
carry with us in our hearts and pussy. We talked over Skype,
between their house in California and my house in Vancouver, in
January 2015.
María: I like to think of the earth as , a mother I’d like to fuck,
and I love that part of your work on ecosexuality that talks about
how earth should be as a lover, not a mother.
Annie: We love being ecosexuals! We’ve found our vocation. Most
people imagine that earth as a mother because it feeds us, it takes
care of us, but we feel like the mother is in menopause. And now
she is tired and she has taken care of us for so long, and we are
shitting on it, literally, in a bad way not in a good way, so the Earth
needs more love. So our activist strategy is to imagine the earth as
a lover, so maybe people will treat it better. Just like how with some
lovers there are relationships that are truly reciprocal and
egalitarian, we think the earth needs to feel what it gives
reciprocated, to be told nice things and made love to. We are trying
to create a more equal relationship with the earth as lovers.
However, the earth is still also mother for us, and also father, it’s
queer.
Beth: And our tranny lover!
Annie: It’s a transgender, multi-gender relationship.
Beth: Multispecies too!
Annie: Ecosex is based on a lot of fantasy and imagination. Why do
sexual fantasies only have to exist between humans? That’s a very
limited way of looking at things. When I see a cherry tree covered
in the most electric pink flowers, I see it as a tree wearing the
prettiest lingerie. When I see the ocean, I see a lover with whom I
want to get naked, go under, and taste it all over with my tongue.
Beth: It’s about intergenerational love. It has to do with how old the
earth is and how young human beings are. The older body is the
tired body, the diseased and destroyed body needs as much love
as the young beautiful body, right? The earth is also a (a
grandmother I’d like to fuck)!
María: In which way do you think of yourselves as mothers?
Annie: Sometimes we’re mothers to earth, like when we protest
about the destruction of our planet. We hate to see our baby
abused. We are also mothers to a lot of young artists who are
mothers themselves, like Madison Young and Sadie Lune. We are
like their porn art moms. So we like to nurture them however we
can—they are our chosen, extended family! Well and you are too!
We also like to see ourselves as your grandmothers, as !
María: It’s my pleasure and the biggest honor to feel your motherly
love, Annie and Beth. Thank you. You give so much love to the
world, and its really so generous.
Many people I have interviewed for this book talk about
reconnecting with nature love, and ecology because of the
experience of motherhood. You have made this connection through
art perhaps because of your mothering of other artist mothers. You
also have a deep understanding of sexuality, and I think that that’s
really where one can begin to understand nature.
You have performed a lot of beautiful weddings (eco weddings)
as a way of honoring the earth, the sky, the sea, snow, the rocks,
carbon, and the love that exists between people and in connection
to the earth. Tell me a bit about the importance of ritual in your
performances.
Beth: I think the significance of our weddings is that in some way
they try to create a space for people to connect as communities,
and for these communities to connect with the planet earth.
Ecology is a huge community. We really have to take care and love
and honor our community, and we have to make space for diversity
within these communities.
Everything counts, it’s not just our legal partner. I mean my
partner does count for a lot but... it’s not just that. Communities are
people we don’t even know! It’s people we have just met, everyone
is a potential community. Our eco-weddings also introduce people
to ecosexuality, because we invite them to vow on a specific aspect
of nature to love, honor, and respect. So that whole vow aspect
romantically connects these people with nature and our
ecosystems.
Getting back to the wedding aspect, it’s important to remember
that it’s not just one big important wedding day. I think we need to
renew those vows of love as often as possible. I think that because
our culture fixates on the idea of one wedding day as the most
important day in someone’s life, we separate ourselves from our
community in the act of marriage. So we have to redo and
celebrate these weddings over and over again, in order to reaffirm
and honor this connection with earth and our community.
Annie: So far we’ve celebrated nineteen large-scare eco-weddings in
nine different countries, and dozens of smaller-scale ones. We
don’t ask for presents, though we ask different artists and non-
artists to collaborate. Every time we do a wedding we have a
person object to the marriage in the ‘speak now or forever hold
your peace’ part. There’s a lot to object to in normal weddings, and
in this one too we give these voices room to speak.
A big part of our work over the last nine years has been trying to
make an environmental movement that subversive mothers,
queers, drag queens, sex workers... can relate to and be
comfortable in. So our weddings are for that community of people
that live on the margins of society to come together and care for
the environment. We want to make our environment more sexy, fun
and diverse. We are in a way mothering the earth as well. We are
very protective of the earth, the earth is our baby. We play different
roles and use different archetypes at different moments. We
anthropomorphize earth, we give it human qualities in the same
way we give people qualities attributed to earth. We’re always are
of the fact that we’re made of water, dust, minerals, bacteria….
Annie: Do you know that once when we were doing a performance
about motherhood Beth got pregnant? When we first got together
we were so in love we thought we would be good parents. So we
went to the sperm bank, but we couldn’t decide which sperm to
pick. So we did a performance art piece where we did a sperm
dancing contest.
Beth: We picked ten people from the audience, each one
representing a different sperm donor. We gave them each a hat
shaped like a sperm, and let them dance until we picked a winner
to give us his sperm. But it didn’t work.
Annie: So then we tried it with fresh sperm from a couple of guys,
and Beth finally got pregnant. It was the donation from the artist
Keith Hennessy that did it. But her eggs were too old and she lost
it. But that’s ok, it wasn’t our destiny. We had a great time
throughout that year trying to fertilize
Beth: Our art projects are our babies. Our new dog Butch is, in a
way, our son. He’s a one year old black lab, and we’re both its
mothers and lovers. We also mother our white peacock Albert, our
sequoia trees, the stray cats in the neighbourhood, our zucchinis.
We think about mothers only as those who take care of us, but
really they’re the source of life too. I think that’s where the ecology
connection is strongest. We need to stop seeing the earth as a
resource, we need to see it as source of life. And that is a subtle
shift but also a huge change. I mean, a lot of people don’t respect
their mother. I think it’s really important to know what gives you life
and to love that source.
María: The bonds between a mother and baby are very important.
That special relationship is somewhat sexual, but not in the way we
adults understand sexuality.
Beth: Yeah, one could say that the links between a mother and child
are ecosexual. Eco-sex goes beyond genital sex; it even goes past
romance.
Annie: Ecosex can just simply be an exchange of sensual energy
like smelling, touching, tasting, seeing… it’s really just seeing
sexuality and sensuality in everything that surrounds you, all the
time. That’s what we feel and define as ecosex.
María: Your work is based on a very deep understanding of sexuality.
Annie: Yes, sex has been my job for 42 years now, and the best is
yet to come. It’s a scientific fact, for example, that babies
masturbate in utero. So choosing to not see your baby as a sexual
being is to negate reality. If you’re really a good mother you smell
your baby, you smell different their poop, you feel their skin, their
little head.... It’s really very sensual relationship
Beth: And they feel you up too! It’s an exchange, we don’t just take
from them.
Annie: Of course, we are all connected, we all form an inseparable
part of earth. We’re all water, minerals, stardust, and so we are all
babies, mothers, lovers to each other.
Beth: We’re all each other. There aren’t that many sources of .
Like it all came from a few beings.
Annie: Life-force energy is sexual energy. When a rosebush
explodes into roses, those are its genitals we see. When we smell
the roses, we’re smelling its reproductive parts, its pussy and
sperm. If you have an ecosexual gaze, you see sex everywhere!
It’s not necessarily genital, but a sensual energy too.
María: How does your work continue to evolve?
Beth: We flow towards water! We’re gonna be the wet and wild
ecosexuals. We just came out with a new website,
www.theecosexuals.org where we have published our new movie
and the series of performances we’ve done that focus on pleasure,
politics, and water pollution. Water makes us wet!
Beth: I think it’s really great that you’re a mom, and that you’re now
feeling the connection with ecology thanks to maternity. That’s so
great!
Beth: We float in our mother’s womb as babies, and as adults we
float in our own bodies. Our bodies are about 60-70% water. We’re
floating in our own skin!
Annie: Or one could say that our bodies float over water. Ecosex
poses some interesting questions. Like does water consent to
being used when people masturbate with shower heads? Can we
ask trees if they want to be hugged or not? How can they respond?
Is everything really ecosex? When we make love to someone, is
that just us making waves and splashing?
María: What are you working on now?
Annie: We’re currently organizing a seven week road trip involving a
bunch of performances where we will shoot the documentary Here
Come the Ecosexuals! We’re also organizing a big ecosex group
for San Francisco’s Gay Pride Parade as a protest—we want them
to add an E for ecosexual in the 1 acronym. We also
have a contract with the University of Minnesota Press to publish a
book about our work together over the last twelve years titled
Assuming the Ecosexual Position. It’s going to be the best publicity
we could have dreamed of.
We’re also writing a book about female orgasms with an editorial
called Greenery, in which we use a lot of nature metaphors to
explain how to have a lots of different types of orgasms. Beth is
also finishing her PhD dissertation on environmental arts, focusing
on the work of Joseph Beuys, Helen Mayer, and Newton Harrison.
So there’s definitely a lot of interest in the ecosexual work we’re
doing. We’re also creating a Pollination Pod in a 1976 Perris Pacer
R.V. that’s being painted bright blue right now as we speak. It’ll be
our ‘mobile investigative ecosex vehicle’ and an art installation.
Beth: We just got some money in order to create an investigative
center at the University of California Santa Cruz, where I teach.
We’re calling it the E.A.R.T.H. (Environmental Art, Research,
Theory and Happenings) laboratory. This will be our academic
contribution, our ecosex program that bring together art, theory,
and activism. We’re also buying some land to create an ecosexual
artists retreat. We would actually love it if you could come down to
do some workshops! We’re tired of traveling and want the world to
come to us now.
Annie: Let’s do an ecosexual motherhood workshop! Do you identify
as ecosexual now?
María: Yes, of course! I love the idea of a subversive and ecosexual
maternity!
Annie: It’s good that cool people like you come out as ecosexual!
There are different definitions of ecosexual, and lots of people do it
very differently. For some people it’s about polyamory, or
something like that, with a bit of a new age vibe. Or for some it just
means being involved in anything that involves defending the
environment. The term ecosex is still being defined and created.
We try to make our definition of it a bit queer—whore—punk.
That month we spent with you and Diana Pornoterrorista in
Barcelona and Gijon in 2011 was very important for us. It was great
to all work together inthe Centro de Arte Laboral with all the artists
Pedro Soler brought together for the ecosex workshop and our
wedding to carbon. Spain was incredible and we really felt
influenced by the queer-punk-anarchist aesthetics and attitudes.
We didn’t know if you guys would take to the idea of ecosex at first!
María: It was a great energy exchange!
Beth: It seems like a lot of those people have now left Barcelona.
María: Because there is nothing to do in Spain right now, the
economic crisis created a really difficult situation.
Annie: I hear you. San Francisco has gotten so expensive that a lot
of our friends have moved out. Even luxury escorts can’t afford to
live there, not to mention artists and activists…
Beth: If it weren’t for my job as a professor we’d be down in the toilet
and I would be doing sex work!
Annie: Beth would be a great sex worker. Or a great pimp! I think
pimping is probably illegal in the U.S. now, and if not, it will be soon
if things continue like they do.
María: Any last thoughts on maternity and ecosexual love?
Annie: I would say motherhood is extremely ecosexual, and being a
baby is ecosexual. You know we are born orgasmically, we have
these sorts of energy releases as babies—it’s all in the Kinsey
report. But diapers are put on babies immediately, and they can’t
touch themselves for years. That’s pretty sad. I think that is
important to take the diaper off the baby every once in awhile so
they can discover their genitals. Because babies do have orgasms,
and they do masturbate!
María: Of course they do! And women do experience orgasms while
giving birth!
Beth: Some do, others don’t.
Annie: It’s a shame Beth and I couldn’t have tried it. But we also
enjoy lots of other fun and eco-sexy things. We continue to give
birth to a movement, or at least accompany it. We gave birth to a
new field of study —sexecology— that explores the spaces where
sexology ad ecology meet. We enlighten eachother with multiple
orgasms.
Beth: We all have a lot of nature fetishes, from the most tame to the
most extreme. We massage earth without feet, we give pleasure to
the ground, and we admire the shape and sight of earth….
Annie: Beth and our mutual friend Helena Wilson ran naked through
a field of nettles and got covered in red welts. Ecosex can be super
kinky!
Beth: When we’re performing one of our weddings to the earth, we
always pronounce: ‘I promise to love you until death joins us
forever.’
Annie: When we die and they bury our bodies, they’ll decompose
and give life to other trees, magic mushrooms, and microscopic
creatures. I used to want to be cremated because I didn’t like the
idea of being eaten by insects, but now I’m rethinking it.
Beth: Our dog Butch needs our maternal care now. He wants us to
throw the ball to him.
María: Great! You wonderful s, go take care of Butch and play
fetch!
1. lesbian, gay, bisexual, transgender, transsexual, queer, questioning, intersex, asexual, ally, pansexual.
Conclusion
MaPa, Ma-Paternity:
MaPa is a term many people choose as an alternative to the
mother/father binary. If a person doesn’t identify as a man or as a
woman, they’re also not comfortable with the binaryness of
mother/father. Sometimes, when people refer to their
fatherhood/motherhood in English they use the neutral term
parenting. But paternity in Spanish—and in English—refers to the
latin word pater and so loses its generic nature. For this reason, in
this book I’ve decided to translate the most neutral form of the word
as Ma-Paternity, because it seems more in line with how the people
in this book use it and approaches the message they want us to get.
Ecstatic birth/orgasmic birth:
Childbirth in which the woman experiences pleasure throughout her
contractions that may or may not lead to orgasm.
Birth in which the mother experiences pleasure in the contractions,
pushing, and any other phase of the birthing process, that can lead
to orgasm and may or may not be combined with pain sensations.
Postporn
Annie Sprinkle, the mother and grandmother of the postporn
movement, defines it as such:
“A Post Porn Modernist person creates sexually explicit material which is more artistic,
conceptual, experimental, political, or humorous than conventional porn. It tends to have a
critical sensibility and while it generally contains hardcore porn, it doesn’t center on
‘eroticism.’” Post porn modernism is the field in which a post porn modernist (post porn for
short) works.
Annie Sprinkle first coined the term post porn modernist in 1988 as
the title for her first solo play. She left her work as a conventional
porn actress in order to become a performance artist. Her play
coincided with the Dutch artist’s Wink Van Kempen’s exhibit in
Rotterdam Porn Modernism (1986). Both works involved
pornographic as well as artistic elements. Sprinkle traveled with Post
Porn Modernist for five years and went to over sixteen countries.
She also titled her autobiographical book Post Porn Modernist. The
increased popularization of her play/performance, the book, and her
as an artist became very popular, leading to the mainstream use of
the term.
Veronica Vera, Sprinkle’s longtime friend, frequent collaborator, and
the creator of the Finishing School for Boys who Want to Be Girls,
wrote the Post Porn Modernist Manifesto in 1989. This manifesto
was included by Sprinkle in all the programs for her performance:
“… we embrace our genitals as part of, not separate from, our spirit. We use sexually
explicit words, pictures, and artistic performances in order to relate our ideas and
emotions. We condemn the censoring of sexuality as anti-art and inhuman. We empower
ourselves through sex-positive attitudes. And with our love for our own sexual self we
have fun, heal the world, and go on.”
Other artists and academics have adopted and have been adopted
by this term. A key example is Paul B. Preciado who defined post-
pornography in 2002 as ‘a series of performances, representations,
audiovisual practices, and other actions or activist texts that, inspired
by Annie Sprinkle’s text, decenter the dominant pornographic gaze,
question the normative codes of representation in porn, and create
new spaces for the production of feminist and queer bodies and
pleasures.’ In 2003, Preciado organized a ‘Post Porn Marathon’ in
the Museo de Arte Contemporaneo de Barcelona ( ) which
was “the first international meeting of artists, queer activists,
filmmakers, and theorists who follow Annie Sprinkle’s initiative and
work in post-pornography. “
The artist/theorist Tim Stüttgen organized the 2007
PostPornPolitics Conference in Berlin, and wrote a book with that
same name. He wrote: ‘Aligning herself with joy, independence, and
a willingness to take part in sexual exchange, Sprinkle made us think
about sex as a queer/feminist counter-pleasure, beyond the
discourses of victimhood, censoring, and taboo. Today, many
American and European artists, pornographers, and performance
groups define their work as post porn. This includes individuals and
groups as diverse as: Charles Gatewood, Post Op, Dr. Carol Queen,
Orgia, Girls Who Like Porno, Tina Butcher aka Madison Young,
Tristan Taormino, Sadie Lune, María Llopis, Diana Pornoterrorista
and Del LaGrace Volcano.
Other artists whose work could be described as post pornographic
are Marina Abramovic (Balkan Erotic Epoc), Ron Athey, Matthew
Barney, Fuck for Forest, Jeff Koons, and Cicciolina.”
Postpartum:
The period of time that immediately follows childbirth. In many
cultures it can be up to 40 days, and it can extend to be even more,
depending on the woman, the child, and their circumstances. It’s
very important to respect this as an vital period of time and to allow
the mother and child to enjoy the intimacy they need. It’s also very
important to take care of the woman in this period as birth and c-
sections leave one physically and emotionally tired, and it takes
some time for bodies (and selves) to recover.
Queer, the queer movement
For Paul B. Preciado, this term tries to delineate a:
“post-identitarian movement,” that is, a critical position that is aware of the processes of
exclusion and marginalization that all identitarian fictions create, within both heterosexual
societies and gay culture.’
Trans*
Raquel (Lucas) Platero Méndez defines trans* in her book
Trans*exualidades. Acompañamiento, factores de salud y recursos
educativos (Bellaterra 2014) (Transexualities: Acompaniment, Health
Factors, and Educational Resources).
“The use of the term trans* (with an asterix) is preferable as an umbrella term that can
include different gender identities and expressions such as trans, transexual, transgender,
etc… the asterix points to the heterogeneity of bodies, identities, and lifestyles that go
beyond imposed social binaries. Trans*, trans and transgender are self-labels defined by
their protagonists, in opposition to those that come from the medical sphere and define it
as a pathology. The asterix aims to show that there can be shared struggles as well as
diverging visions on what it means to be trans, trans*, transexual, or transgender.”
Transfeminism:
The feminist Laura Bugalho defines transfeminism as the sum of all
the struggles that originate in society’s margins and intelligently work
together in order to create links between trans, gay, lesbian, whore
and migrant networks, and operating from a feminist grounding.
Índice
Prologue by R H C
Introduction
Interviews
Sarri Wilde: Ecstatic birth Maternity as a sphere of sexuality
A Á -E Creation and parenting in artistic practice
Motherhood’s self-portraits
A M Motherhood in a capitalist society
D L V Intersexuality and Gender Queer Parenting
M Y Feminism, pro-sexuality, pornography, and
maternity
E H Trans* fatherhood
M K Gender Queer Co-Parenting
P D Children’s sexualities Spontaneous abortion
An Easy (and Wild) Guide to Miscarriage by M L
(published on Mariallopis.com, 2011)
P P Traditional birth, natural gynecology
K K Transhackfeminist Motherhood: on the origins of
gynecology
E M Guijarro Lactivism
J R O Matriactivism
B I Co-breastfeeding Ecstatic birth, sexuality and
parenting
H T Parenting, maternity and sexuality
R A
Love, motherhood and feminist activism
F S Motherhood and decolonization Parthenogenesis
A I Today’s Matriarchal Societies
A Guide for a Queer Matriarchy by M L
(published on Maríallopis.com, 2011)
A S and B S Ecosexuality, motherhood and
ecofeminism
Conclusion
To My Mother
Glossary