Professional Documents
Culture Documents
Contributions To The Study of Homeric Metre (I)
Contributions To The Study of Homeric Metre (I)
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .
http://www.jstor.org/page/info/about/policies/terms.jsp
.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact support@jstor.org.
The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to The
American Journal of Philology.
http://www.jstor.org
l
LzVpKKLVc; TeOjietvaL, rLOrTjlevovr; apoLfJevYac; KCaXi\pvaQ, KaXio-rov; roOrqjervat;
pEOUfiEVO Ie eo,oqX7; dyr;teparos. To these examples Solmsen adds a
number of words in which the desired form has been secured not
by metrical lengthening but by an analogical modification, f. i.
TereUxarat for *re)vxarat. The two phenomena, however, should
be kept apart, as the use of convenient analogical forms is not
subject to the restrictions that govern metrical lengthening,
cf. f. i. /.Le1Ia&ros-, and notice that analogy even produces at times
forms, f. i. OvyaTrpos,that are repugnant to the metre. Schulze,
Quaestiones Epicae, p. 15, makes the distinction very clearly, as
does also Danielsson, Zur metrischen Dehnung, p. 6, anm. 4, and
Solmsen would not have been lead into disregarding it, had it
not been for his observation, p. I9, that the supposed cause of
this form of metrical lengthening applies (for reasons which will be
clear later) also to these analogical formations. Words of the first
type that show a lengthening of the second syllable, are; BfhLXcE;
Ipe.LzuOr; ', d e-
Ev-, pET~;L V',Ep aXa, 7relpeXe; KaXj\ropa, KaXiqropa;
OetLeLXia ; aXelara; and 7rwXnro if for *eCdxaTo.
MaKrldova; OaXti\rLa;
epvero
Analogical formations are again added. These words are dis-
cussed by Solmsen, pp. 3-4I, and I may refer to his work for the
citation of the passages and the etymologies. To these instances
are to be added, cf. pp. 47-59, the proper names: Kpovfovor,
MoXfova, MoXfove, No/,Lovor.
Whether the long vowel of 3ofoaL is due to metrical lengthening
or not is considered doubtful. For it, Solmsen offers two expla-
nations, without deciding between them. We may start with
*oFLcr-cowhich will become tcoand explain the forms with long iota as
the result of metrical lengthening; or we may start from *cFrto-to
which will yield Oco. Then, as Schulze's suggestion that 3o is due
to the influence of a'co is extremely improbable, and the form o'lo
is guaranteed by the metre in a number of passages, Solmsen
suggests that oco be read throughout thus removing all supposed
instances of the short vowel in this verb. I believe that there are
additional reasons for deciding definitely in favor of the second of
these alternatives. The instances in the Iliad in which o'io must
be read are all passages which have been considered for various
reasons late or of Ionic origin: E 252. I 315. K I05. A 763. o 298.
P 709. T 71. Y 362. q' 533. ' 310. Q 727, and the passages in which
ot, now stands are all of the same type: A 558. E 894. K 551.
A 609. M 73. N. 153. Z 454. 4 399. r 467, besides three passages
1 III ;2 ' dIvep, -ar, M 421. 447. 11 2I8. M 127; trap' dvep', P 421;
V7r' avpos r 61; ErcTdvipas a 184, H 209; Kal aopt D 208; KaT' oiapeos
(v. 1. o0pea) C I02; 8t' oipeos Hymns (edd. Allen and Sikes) IV 23I.
V 69; ;v o{Spe(L(v) A 479- A 455. t 614. Kar' oiUpa , 485. KaraceraLf3
58. p 537; Ka'l rT'v M 133 and a Trelipa 2 485.
In citing his examples Solmsen lays stress upon the fact that
all of them stand immediately before the Bucolic Diaeresis. This
statement is correct for all cases except IF 255:
ropvcaavro 6 T
arla OEAiEL'Xad Te Trpot3ikovPo,
1In .I 467 the result is: ddssd for the more frequent: dddsd, but this book
has 17 other instances of the former type.
2
The justification for taking Kaiso closely with the following word is to be
found in the fact that it is not permitted to stand at the end of a line nor
before the caesura.
'The references are A 5. 33. 90. 98. 255. 256. 275. 350. 388. 401. 422. 466.
545.565 574 576. Z 3. 44. I6=263=359=369=440=520. 136. 148. 171. I75.
178. 486. 5I2. f2 42. I58=[I87]. 200=424. 223. 283. 322. 348. 374. 570. 624.
661. 754. 766. 785. 788. 802. a 75. 79. II4. II6. 152. 153. 194. 203. 205. 233.
273. 303. 371. 383. 425. t 2. 4. 5. 62=I05=565. 85. 94. 152=I70=307=437
=560. I58. I89=428. 197. 214=514. 234=249. 265. 279. 284. 30I=500. 379.
441. 487. 501. 516. 545. 554. v 53. 56. 84. 99. 143. 201. 225=319. 235. 247. 258.
270. 280. 287. 35. 387.
and
2. vv- -J %J --v
I
v*v\ vv -
I Ivv -
- _v
.vv * vvvIvv.I,
and enable us to account in the same way for the lengthening of
the second and third syllables. From their form some words
were capable but of one treatment; but when this was not the
case usage seems to have settled upon one form or the other
before the composition of our hymns. The factors that controlled
this choice it is impossible to determine. Two may in general be
indicated: ist, the phrases in which a word was most frequently
used, and 2d, the desire to keep the lengthened form as closely
as possible in touch with its kindred. That we have aSavaTro not
*aOavaTro is due in part to the influence of Odvaros; that we have
not *Ni/t1Xos is due in part to the dative with long iota
&8LLX5os
however that ending may be explained.
GEORGE MELVILLE BOLLING.
CATHOLIC UNIVERSITY OF AMERICA.