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Call Sheet Spring Summer 2019 PDF
Call Sheet Spring Summer 2019 PDF
SHEET
The ultimate guide to the
entertainment industry.
CASTING DIRECTORS | AGENTS | MANAGERS
TABLE OF CONTENTS
2019
call
sheet
BACKSTAGE.COM/CALLSHEET
CALL SHEET by BACKSTAGE VOL. 70, NO. 1 (ISSN# 1948-1241 USPS# 017-018) is published twice a year in March and September by
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IMMERSION TECHNOLOGY
IN THE ENTERTAINMENT
INDUSTRY
P H O T O : M AY YA M
By Melinda Loewenstein few years still largely remain unknown by most people,” says May
Yam, film and VR department manager for the Cinequest festival.
The digital age has broadened the scope of the entertainment Christopher Ian Bennett, executive producer at Vancouver Film
field, and the technological developments that have come School, explains that VR is “a fully immersive and interactive
with it are altering the way films are made and stories are told. experience usually viewed via a head-mounted display, such as
Filmmakers, actors, and other creatives should be aware of the the HTC Vive, or Oculus Rift.” VR pairs the simplicity of glasses
changing landscape; two organizations are leading the charge with the tech of Tony Stark.
to educate and inspire filmmakers to take the world of film as
its been known to a whole new dimension. Augmented reality is even less known, but if you’ve played
Pokémon Go, you’ve gotten a taste of that as well. AR or MR
Vancouver Film School is betting on the staying power of (mixed reality) combines computer graphics with an image of
virtual and augmented reality technology, launching a new VR/ the real world; it is real-time visual effects. “These can also be
AR Design & Development program. Meanwhile, the Cinequest interactive similar to the VR experiences; however, they can also
Film & Creativity Festival in San Jose, California, added VR to be viewed using mobile devices such as phones and tablets,
its lineup three years ago, recognizing the importance of the and also via AR headsets such as HoloLens, Meta 2, and Magic
emerging technology. Both Cinequest and Vancouver Film School Leap,” says Bennett.
have been early embracers of VR’s potential to impact the world
of storytelling, implementing programs to provide education on Why filmmakers should care about VR
the technology while highlighting the opportunities it provides and AR.
to move the technology further. “It’s all about storytelling,” says Bennett. “The technology
of VR and AR are new ways of storytelling, so these are the
“Even though virtual reality has been around since the ’90s, the skills that are going to be important to filmmakers and creative
technology and the advances that have been made over the last individuals.” Both the VR and AR experiences fall under XR/UX
How VR and AR affects actors. says students at VFS are “working with industry professionals
While the need for filmmakers to understand and innovate using and companies from day one” since most of the instructors
the technology may be more obvious, as VR and AR find ways are also working professionals. The school also has several
into the industry, actors will be affected as well. The casting of companies onsite, including the AMD Creator’s Lab, which was
Andy Serkis as Gollum in “The Lord of the Rings” is the perfect built in partnership with the global technology company AMD;
example of how VR technology can eliminate typecasting. VR on-location filming and live viewing at VFS for long-running show
has the potential to open up endless possibilities for actors. The Electric Playground; and two-day intensive motion capture
workshops in partnership with Beyond Capture.
In addition to opening up roles to different types, it also
gives actors the chance to stretch their skills. VR provides the Yam points out that global corporations like Microsoft,
opportunity to deliver a story for a character that has multiple Facebook, HTC, and Qualcomm are allocating resources to
endings. “It’s like those ‘Adventure Time’ books where you further the VR technology, and Bennett says that VFS saw the
choose your own adventure,” says Bennett. “Soon you’ll be need to give students the tools to take the technology to the
able to do that with TV and film.” And actors will have to adapt next level at these companies and designed the new program
to play multiple versions of the same character. Netflix recently to address this need.
took the concept for a try with “Black Mirror: Bandersnatch,” an
interactive episode of the popular series that allows the viewer “A recent augmented reality startup, Magic Leap, raised $2.3
to make choices throughout the program. There are other chal- billion in 2018. Flat-screen films will continue to be the dominant
lenges for actors working on VR films. Yam says at last year’s medium for storytelling, but just like smartphones changed the
Cinequest Festival, Nicolas Cage’s first VR film was featured. definition of cellphones, VR will forever change how content will
“I remember him telling us about the challenges he had playing be consumed. That future wave is forming now, and filmmakers
to multiple versus solo cameras,” she recalls. should understand how to work in both mediums to position
themselves for the future,” says Yam.
“VR can be seen as the next evolution of flat-screen films,”
says Yam. “With developments in VR, actors can be placed into This year, Cinequest’s VR speaker lineup will include Emmy-
a fanciful scene during the production shoot where they can see nominated creative director Jim Lima, who has worked alongside
the digital world around them, allowing them to act and interact James Cameron and Steven Spielberg. Yam says she’s looking
naturally.” That evolution has led to “7 Miracles,” a film based forward to hearing “the insights he will bring to aspiring VR
on the Gospel of John from HTC’s Vive Studios and director artists.”
Rodrigo Cerqueira, which will be screened at the Cinequest
Film & Creativity Festival this March. Cinequest Film & Creativity Festival runs March 5–17 in San
Jose, California. Tickets to the festival (including the VIP pass
Learn from the best in the field which gives attendees access to the VR Experience program)
Vancouver Film School’s new program is intensive and when can be purchased at cinequest.org.
students complete it, they are ready to enter the workforce.
The advances in technology have only led to more growth and Potential students can learn more about Vancouver Film
opportunity in the digital sector of the film industry. Bennett School’s new VR/AR Design & Development program at vfs.edu.
CASTING DIRECTORS:
HOW TO USE THIS LIST
IN SIX SIMPLE STEPS
Step One: Find out who is casting the projects that are right for you. Read through the
“Production Listings” on www.backstage.com/resources to find the most up-to-date produc-
tion listings for your area. (Online listings also include theater, so make sure you click on the
appropriate links.) Highlight any productions you would be interested in, whether they are
currently shooting or not. Then, do a search of other casting opportunities at www.backstage.
com/casting to find more opportunities that might be right for you. Once you have a list of
productions you are interested in, make a list of the casting directors linked to each project.
Make note of any casting directors that are linked to more than one project that you find
interesting. Are there any casting directors that seem to be doing a lot of casting for a specific
network or director? Take note of any patterns or correlations that you see.
Step Two: Note the credits and who they represent. In addition to the list you made from
Step One, go through the Call Sheet list of casting directors, and look at each listing’s credits.
Are there any projects listed here that you are particularly interested in? If no credits are listed,
look at the types of performers they cast. Do you fit into this category? If you are interested in
both film and commercial work, it may be good to star the listings that cast both, as you may
discover more than one opportunity if you are able to audition for them. Note that many of the
listings have more than one casting director on staff. Make sure you know which casting direc-
tor casts the projects you are interested in. Also, it may be worth paying attention to who the
casting associates are, as they may be the people who initially bring you in for an audition.
Step Three: Follow the submission policy. Take note of each listing’s submission policy. It
is very important to follow this policy exactly when submitting for any project. If you found a
casting director through an online casting call, always follow the policy listed for the specific
project rather than the more general policy listed in our directory. If you have an agent or man-
ager, make sure they are aware of your interest in this specific casting director, and that he or
she knows how they would like to be approached as well. Submit a professional headshot and
résumé, along with a cover letter explaining why you are interested in working with them. You
can highlight why their work is of particular interest to you, and how your background lends
itself to similar projects. Make sure to invite them to any performances you have coming up, as
you never know when they might be available to attend.
AAAVoice Casting Credits: The Broken Ones - Bully - Burn Country - Keep the Change
c/o City Vox - Larchmont - Frat Star - I Can I Will I Did - Blowtorch - Yellow Fever -
630 Ninth Ave., Ste. 415 The Eyes - Finding Her - A Good Dream - Emotional Rescue - Tragic
New York, NY 10036 917-363-9877 Fairytale - Anatomy of the Tide - Hellbenders - Bereavement - Don’t
917-363-3130 Fade Away - The Mighty Macs - Play the Game - A Beautiful Life
email: aaavoicecasting@aol.com Staff: Adrienne Stern (Casting Director), Nicole Hoffman (Casting
website: www.voiceoversunlimited.com Associate)
Staff: Carole Murray Duckworth (Casting Director), Dan Duckworth Casts: Film - Television
(Casting Director), Jen Duckworth (Casting Director) Policy: Headshot/resume by email only.
Casts: Voiceovers
Policy: Union and nonunion. Demo reel/resume by mail or email. Aibel/Bergstein Casting (CSA)
Address ESL and preteen voice talent information to the attention of c/o Vineyard Theatre
Jen Duckworth. To be entered in active casting files, call to arrange 12 W. 37th St., Third Fl.
an appointment for interview. No drop-offs. New York, NY 10018
Comments: Casts for voice talent only. Particularly interested Credits: Mozart In the Jungle - Frances Ha - At Any Price - Moonrise
in foreign-language voiceover/narrator talent. AAAVoiceCasting Kingdom - Safe - My Best Friend - Devil - The Switch - The Last
is a division of VoiceOvers Unlimited, which provides training and Airbender - The Rebound - The Happening - Two Lovers - Margot
other voiceover services. Florida office: 3105 12th St. North, St. at the Wedding - We Own the Night - Lady in the Water
Petersburg, FL 33704. Staff: Douglas Aibel (Casting Director), Henry Russell Bergstein
(Casting Director), Stephanie Holbrook (Casting Director), Ryan
ABC Entertainment Casting (CSA) Drake (Casting Assistant)
147 Columbus Ave. Casts: Theater - Film
New York, NY 10023 Policy: Accepts submissions through agents and managers
Staff: Marci Phillips (Executive Director, Primetime Casting, East only. No drop-offs.
Coast), Laura Janeczko (Casting Coordinator, Primetime Casting,
East Coast), Blaine Johnston (Casting Coordinator, Primetime Alan Filderman Casting
Casting, East Coast) 333 W. 39th St., Ste. 800
Casts: Television New York, NY 10018 212-695-6200
Policy: Accepts headshot/resume by mail only. No drop-offs. Credits: Master Class - Once On This Island - A New Brain - A
Majority of One - Three Tall Women - From the Mississippi Delta -
ABEL Intermedia Song of Singapore - The Sum of Us - Naked Boys Singing - Broadway
Mailing Address: Damage - Anastasia - Out of the Box
137 Montague St., #190 Staff: Alan Filderman (Owner/Casting Director)
Brooklyn, NY 11201 718-403-0200 Casts: Theater - Film
32 Court St., Ste. 706 Policy: Accepts Headshot/resume by mail only. Accepts postcards
Brooklyn, NY 11201 and invitations. No calls. No drop-offs.
email: abelintermedia@gmail.com
website: www.abelintermedia.com Aleta Chappelle Casting (CSA)
Credits: Cast more than 100 unscripted/alternative and branded 331 W. 57th St., #376
projects since launching in 2001 including “Queer Eye,” “Man vs New York, NY 10019
Food,” “What Not To Wear,” Page Six TV + digital network Cheddar. email: AletaCasting@aol.com
Staff: Barbara Barna Abel (Casting Director) website: www.moonshadowfilms.biz
Casts: Interactive & Digital Media - Documentaries & Reality Credits: Somewhere - Moozlum - Life Support - Trade - Godfather
TV - Television III - Material Girls - The Young Black Stallion - Drumline - Introducing
Policy: Union and nonunion. Headshot/resume/demo reel by mail Dorothy Dandridge - The Nutty Professor - The Gregory Hines Show
or email. Accepts postcards and invitations. No calls. No drop-offs. - Boomerang - Rambling Rose
Comments: Specializes in nonfiction, alternative, reality, branded Staff: Aleta Chappelle (Casting Director/Director/Producer)
entertainment, and new media. For information on media training, Casts: Theater - Film - Television
life/career coaching, personal branding and small classes visit www. Policy: Accepts link to actor’s website by email only. No attach-
abelintermedia.com or call (718) 403-2000. ments. No calls. No drop-offs.
Comments: Aleta Chappelle Casting serves both studio and
Adrienne Stern Casting independent films, and has over 25 feature film credits. In addition,
P.O. Box 1037 Miss Chappelle is the owner of Moon Shadow Films a film production
New York, NY 10028 212-229-2811 company with multiple feature film credits.
email: sternprojects@yahoo.com
website: www.adriennestern.com
World Casting
216 Crown St., Fifth Fl.
New Haven, CT 06510 203-781-3427
Fax: 203-781-3429
Staff: Charles Esposito (Casting Director)
Casts: Commercials - Industrials
Policy: Accepts headshot/resume by mail only. No unsolicited
demos. No calls. No drop-offs.
Wulf Casting
New York, NY 646-926-4383
email: submission@wulfcasting.com
mail@wulfcasting.com
website: wulfcasting.com
Staff: Matthew Wulf (Owner)
Casts: Commercials - Film - Print - Television
Policy: Electronically to submissions email only, include name
and current photos.
Aaron Griffith Casting Dodge - Coors - Old Navy - Kashi - Hanes - Pepsi
6330 San Vicente Blvd., Ste. 550 Staff: Alyson Horn (Casting Director), Maya Adrabi (Casting
Los Angeles, CA 90048 323-654-0033 Director), Lindsay Bronson (Casting Director), Jamie Baer (Casting
Credits: StartUp - No God, No Master - The Take - Jeepers Creepers Assistant)
2 - Pavilion of Women - Speedway Junky - George B. Casts: Commercials - Voiceovers
Staff: Aaron Griffith (Casting Director), Lana Shackelford (Casting Policy: No unsolicited submissions. No calls. No drop-offs.
Associate)
Casts: Film - Television Aisha Coley Casting
Policy: Union only. No calls. No drop-offs. 1149 N. Gower St., Ste. 274
Hollywood , CA 90036
ABC Entertainment Casting (Los Angeles) Credits: Shots Fired - Queen Sugar - For Justice - A Wrinkle
(CSA) In Time - Selma - Blackbird - Book of the Year - Home Again - To
500 S. Buena Vista St. Redemption - Middle of Nowhere - Open Gate - I Will Follow - Soul
Burbank, CA 91521 818-560-1000 Men - The Secret Life of Bees - Welcome Home, Roscoe Jenkins -
Fax: 818-460-6903 All You’ve Got - Akeelah and the Bee - Honey - American Cousins
Staff: Ayo Davis (Executive VP, Talent & Casting), Claudia - 25th Hour - Carmen: A Hip Hopera - Perfume - Stranger Inside -
Lyon (VP, Casting (ABC Studios)), John Villacorta (VP, Casting), Bamboozled - Love & Basketball - In Too Deep - Summer of Sam - He
Jonathan Bluman (VP, Casting), Brenda Kelly Grant (VP, Casting), Got Game - Cosby (TV Series) - Girl 6 - Men of War
Peachy Pascual (Executive Director, Casting), Emily DesHotel Staff: Aisha Coley (Casting Director), Robyn Owen Silvestri,
(Director, Casting), Patricia Yuen (Manager, Casting), Aaron Testa CSA (Associate Casting Director), M’saada Nia (Casting Assistant)
(Coordinator, Casting), Alexandra Safavi (Executive Assistant to Casts: Film - Television
Ayo Davis), Margaret Kelly (Assistant to Claudia Lyon), Shareena Policy: No unsolicited submissions.
Young (Assistant to John Villacorta), Tselané Prescott (Assistant
to Jonathan Bluman), Tetteh Canacoo (Assistant to Brenda Kelly Alice Ellis Casting (SAG-AFTRA)
Grant), Janelle Junio (Assistant to Peachy Pascual), Samantha Miller Santa Monica, CA 90405 310-314-1488
(Assistant to Emily DesHotel and Patricia Yuen) Fax: 310-314-2649
Casts: Television email: submissions@elliscasting.com
Policy: No unsolicited submissions. No calls. No drop-offs. website: www.elliscasting.com
Staff: Alice Ellis (Casting Director)
Freeform Talent & Casting Casts: Commercials - Film - Background Work/Extras - Television
3800 W. Alameda Ave. Policy: See website for submission information. Union talent.
Burbank, CA 91505 818-973-4366 Comments: Background and commercial casting.
Staff: Elizabeth Boykewich (Sr. VP, Talent & Casting ), Vanessa
Aagaard (Director, Talent & Casting), Marlo Tiede (Manager, Talent Allison Jones Casting
& Casting), Bridget Cohen (Coordinator, Talent & Casting ), Rosette 1725 Silver Lake Blvd.
Sims (Assistant, Talent & Casting) Los Angeles, CA 90026 323-461-0705
Casts: Film - Television Credits: TV: The Good Place - Arrested Development - Curb
Policy: No unsolicited submissions. No calls. No drop-offs. Your Enthusiasm
Staff: Allison Jones (Casting Director), Ben Harris (Casting
Adele Ashley Casting Director), Emily Buntyn (Casting Assistant)
9461 Charleville Blvd., Ste. 348 Casts: Film - Television
Beverly Hills, CA 90212 Policy: Accepts Headshot/resume by mail. No calls. No drop-offs.
email: ashleycasting@gmail.com
Staff: Adele Ashley (Owner/Casting Director) Allyson Bosch (CSA)
Casts: Commercials - Film c/o Casting Society of America
Policy: Accepts headshot/resume/demo reel by email only. No 1149 N. Gower St., Ste. 110
calls. No drop-offs. Los Angeles, CA 90038
Credits: Film: Rideshare - Time Toys - Nex Gen - TV and Digital:
AHC Casting (fka Alyson Horn Casting) The Stinky & Dirty Show - Pound Puppies - Private - Sheriff Callie’s
1020 N. Sycamore Ave. Wild West - Puppy Dog Pals - Wizards of Waverly Place - According
Los Angeles, CA 90038 323-874-8764 to Jim - The Marine - Ghost Whisperer - Recess: School’s Out
Fax: 323-874-6330 Staff: Allyson Bosch (Casting Director)
email: assistant@alysonhorncasting.com Casts: Film - Television
website: ahccasting.com
Credits: AT&T - UPS - Samsung - Kia - Adidas - Allstate - Miller Alyssa Weisberg Casting (CSA-ATAS)
Lite - Target - Old Spice - McDonald’s - Verizon - Visa - 7–Eleven - 4024 Radford Ave.
ALABAMA info@goodfaithcasting.com
website: www.goodfaithcasting.com
ClassA Casting Credits: Film: - On the Road - Goats - Piranha 3D - Middle Men;
5295 Vaughn Rd., Ste. #7 Miniseries: Maneater - TV: My Boys
Montgomery, AL 36116 334-318-9552 Staff: Faith Hibbs-Clark, CSA (Casting Director), Bella Hibbs
website: www.classastudios.com (Casting Director)
Staff: Renee Williams (President and Director), Darius Williams Casts: Commercials - Film - Industrials - Voiceovers - Television
(Vice President and Chief Financial Officer) Policy: Accepts headshot/resume by mail. No calls. No drop-offs.
Casts: Commercials - Film - Industrials - Background Work/
Extras - Television
Policy: Submissions accepted through website. No calls. No COLORADO
drop-offs.
Comments: Casts primarily background, formerly Alabama Hamilton Casting (CSA)
Casting Service. 2828 N. Speer Blvd., Ste. 140
Denver, CO 80211 970-227-2544
Colleen Harrison Casting email: annie@hamiltoncasting.com
6005 Vogel Court website: www.hamiltoncasting.com
Mobile, AL 36693 Credits: Virtually Funny - The Mole - Super Nanny - America’s Most
email: colleen610@bellsouth.net Wanted - Nike - Coca Cola - Sears - Adidas - IBM - Wendy’s - Best
Staff: Colleen Harrison (Casting Director) Buy - Colgate - Pepsi - AAA - Gain - Burger King
Casts: Commercials - Film Staff: Annie Hamilton-Null (Owner/Casting Director), Brian
Policy: Accepts headshot/resume/demo reel by mail only. No McCulley (Casting Director/ Theatrical Division), John Crockett
drop-offs. (Associate Casting Director), Ashley Poole (Production Manager)
Comments: Casts primarily background. Casts: Commercials - Film - Industrials - Television
Policy: Accepts headshot/resume by mail. Accepts postcards
Tahiera Monique Brown Casting and invitations. No calls. No drop-offs.
270 Doug Baker Blvd., Ste. 700-316
Birmingham, AL 35242 205-218-7678 Tina Seiler Casting
email: darknesstolightfilms@gmail.com 3035 South Parker Rd., Ste. 500
Staff: Tahiera Monique Brown (Casting Director) Denver, CO 80220 303-872-8760
Casts: Theater - Commercials - Film - Industrials - Voiceovers Credits: Trip Flip (Travel Channel) - White Room Challenge
- Television (HGTV) - Carter Can (HGTV)
Policy: Union and nonunion. Accepts headshot/resume/demo Staff: Tina Seiler (Casting Director)
reel by mail. No calls. No drop-offs. Casts: Theater - Infomercials - Film - Industrials - Voiceovers -
Documentaries & Reality TV - Television
ARIZONA Policy: Accepts headshot/resume/demo reel by mail or email.
No calls. No drop-offs.
Conklin Casting/Celebrity Event
Promotions FLORIDA
P.O. Box 65722
Tucson, AZ 85728 520-248-2668 Bobbi Hill Casting
email: ccasting@aol.com 7934 Orangewood Dr.
Credits: Entering Karman County - Lost Son - Confessions of Tampa, FL 34653 727-848-3709 (Clients)
a Dangerous Mind email: bobbihillcasting@aol.com
Staff: Catherine Conklin (Casting Director) castreelpeople@tampabay.rr.com
Casts: Theater - Commercials - Film - Voiceovers - Television website: www.bobbihillcastingagent.com
Policy: Union and nonunion. Accepts headshot/resume/demo Credits: Cold Case (Television) - Walk on Water (Television) -
reel by mail only. No calls. No drop-offs. America’s Most Fit (Reality Television) - Sophie Hates Me (Film)
Comments: Also celebrity coordinator for charity and corporate - Hostage (Film) - Pembroke Circle (Film) - Murder for the Birds
events. (Voiceover) - Life of Joey (Documentary) - Burt’s Bees (Commercial)
- Kash N Karry (Commercial) - International Beer (Commercial) - Blue
Good Faith Casting (CSA-ATAS) Jays (International Commercial) - Ybor City, Segway (Commercial)
14362 N Frank Lloyd Wright Blvd., Ste. 1000 Staff: Bobbi Hill (Casting Director)
Scottsdale, AZ 85260 602-218-5051 (Phoenix) Casts: Film - Television - Documentaries & Reality TV -
NM 505-633-8044 (Albuquerque) Commercials
email: submissions@goodfaithcasting.com Policy: Accepting headshot/resume/reel by email. Any age/
TALENT AGENCIES:
HOW TO USE THIS LIST
IN SIX SIMPLE STEPS
STEP ONE: Determine what kind of agent you want. Different agencies specialize in dif-
ferent things. Some agencies cast a lot of commercials, some work in television, and others
focus on modeling. Highlight the agents that specialize in your chosen field(s). Also take note
of the age range they represent to make sure you fit within their specifications.
STEP TWO: Go to their website. Read about the history of the agency. How long have they
been in business? Do they have offices in multiple cities or countries? Some of them have sec-
tions spotlighting their clients. See if these people are at a similar place in their career. Many
of the websites also have a section that lists their recent bookings. This tells you with whom
they are connected and where their clients are getting work.
STEP THREE: Take note of their union and organization affiliations. If they are SAG-
AFTRA franchised, this means that they comply with SAG-AFTRA guidelines, and you can
contact the union with any inquiries. Also take note of any trade organizations they are a
part of, such as the Association of Talent Agents (ATA) and the National Association of Talent
Representatives (NATR). Members of such organizations may be licensed and regulated by
state and local agencies, or have agreements with actor unions such as the Actors’ Equity
Association. Research any affiliations with which you are unfamiliar.
STEP FOUR: Scan their list of personnel to zero in on the specific agent with whom
you would want to meet. Many agencies have a few different departments, so make sure
you are talking to the person in your desired field. Once you have a short list of agencies and
names, do additional research on the individual agents. Many of them write blogs, have been
interviewed, or have been featured in articles. Read anything the agent has said regarding their
work and whom they like to represent. These resources may include tips as to what the agent
is looking for in a submission.
STEP FIVE: Read the submission policy carefully. After making sure your headshot and
résumé are professionally generated and up-to-date, take special note of the agency’s submis-
sion policy. While some agencies ask for online submissions, others still prefer hard copies to
be mailed in. Follow the instructions carefully. Do not call or visit the agency if their policy asks
you not to. Also take note of which agents accept postcards and invitations. Put their name
and address on a list, and invite them to your next live performance or screening.
STEP SIX: Send out your materials. After finding out how the agent would like to receive
communications, print out a cover letter asking for a meeting. Make sure this letter is specific
to the individual agent. Let them know why you are perfect for their agency in particular, and
what details about their work interest you. If at all possible, invite them to see your next perfor-
mance, and offer them free tickets to the event. Make sure that they know that you are actively
searching for and creating opportunities yourself (giving examples if possible), but would wel-
come their help in booking additional auditions and jobs in the industry. Thank them for their
time, and attach your professional headshot and résumé.
90 CALL SHEET BACKSTAGE.COM/CALLSHEET
TALENT AGENTS
new york
Stars (DGA-WGA-ATA-EQUITY-SAG-AFTRA)
23 Grant Ave., Fourth Fl.
San Francisco, CA 94108 415-421-6272
Fax: 415-421-7620
email: info@starsagency.com
website: www.starsagency.com
Staff: Lynn Claxon (CEO), Kristin Claxon Stinnett (President,
Talent ), Scott Claxon (President, Model Management), Colin C.
Claxon (VP, Business Affairs), Nate Tico (VP, Voiceover), Elena Ng
(Talent), Varsha Sharma (Talent ), Matt Bruun (Voiceover), Brian
Burge (Voiceover), Kim Carr (Youth), Connie Hall (Literary ), Amy
Jones (Print ), Jessie Lee Malloure (Artists), Hannah Cheng (Print/
ALABAMA ARIZONA
Barefoot Models & Talent Agency The Agency Arizona
750 Downtowner Loop W., Ste. D 7014 E. Camelback Rd., , Ste. 2139
Mobile, AL 36609 251-344-5554 Scottsdale, AZ 85251 480-947-5588
email: newfaces@barefootagency.com Fax: 480-947-5589
bookings@barefootagency.com email: info@theagencyaz.com
website: www.barefootagency.com website: www.theagencyaz.com
Staff: Suzanne Massingill (Owner/Agent) Staff: Terri Camberlango (Owner), Biljana Krstic (Head Booker),
Represents: Print Models - Hosts & Spokespersons - Fashion & Katie Masters (Booking Agent)
Runway Models - Commercial Actors - Film & TV Actors Represents: Print Models - Hosts & Spokespersons - Fashion
Policy: Headshot/resume by mail or email. Interviews by appoint- & Runway Models - Voiceover Artists - Commercial Actors - Film
ment only. No calls. & TV Actors
Comments: Also represents hair and makeup artists and ward- Policy: Union and nonunion. Headshot/resume by mail only (attn:
robe stylists. New Faces) or apply for representation through website. Interviews
by appointment only. No calls. No drop-offs.
Rare Quality Models & Talent
P.O. Box 1545 Dani’s Agency (SAG-AFTRA)
Dothan, AL 36302 334-671-2200 434 E. Southern Ave.
website: www.rqmodels.com Tempe, AZ 85282 602-263-1918
Represents: Print Models - Fashion & Runway Models - email: danisagency@cox.net
Commercial Actors - Promotional & Event Models - Film & TV Actors misti.danisagency@cox.net
Policy: Union and nonunion. Apply for representation through website: www.danisagency.com
website. Interviews by appointment only. No calls. No drop-offs. Staff: Dani Green (Owner/Agent), Misti Wagner (Talent
Coordinator)
Real People Models & Talent Represents: Voiceover Artists - Commercial Actors - Film &
1025 23rd St. S., Ste. 370 TV Actors
Birmingham, AL 35205 205-323-5437 Policy: Headshot/resume/demo reel by mail or email. See website
Fax: 205-323-3299 for specifics. No calls. No drop-offs.
email: agent@realpeople.com
website: www.realpeople.com FORD/Robert Black Agency (SAG-AFTRA)
www.realpeople.com/submission 9300 E. Raintree Dr., Ste. 115
Staff: Jay Brackin (Owner), Lisa Causey (Agent) Scottsdale, AZ 85260 480-966-2537
Represents: Commercial Actors - Film & TV Actors - Print Models Fax: 480-967-5424
- Hosts & Spokespersons - Fashion & Runway Models - Dancers & email: matt@fordrba.com
Choreographers - Fit Models info@fordrba.com
Policy: Submissions through website. Interviews by appointment website: www.fordrba.com
only. No calls. No drop-offs. fordrbavo.com
Comments: Full service professional talent agency with superior Credits: Past and Present Clients include: - Garrett Hedlund
representation for 30 years. (Tron Legacy) - Kellan Lutz (Twilight Saga) - Josh McDermitt (The
Walking Dead) - Amy Davidson (8 Simple Rules) - Rachel Mortenson
Red Models, LLC (Georges Marciano)
2329 First Ave. N., Loft 301 Staff: Sheree Hartwell (Owner/Director/Runway/Fashion/
Birmingham, AL 35203 205-529-7620 Print/Editorial/Catalog/Promotions), Matt Englehart (TV/Film/
205-266-0918 Commercials/Voice-Over/Commercial Print)
email: janie.redmodels@gmail.com Represents: Print Models - Hosts & Spokespersons - Fashion
chuck@redmodels.net & Runway Models - Voiceover Artists - Commercial Actors - Film
website: www.redmodels.net & TV Actors
Staff: Chuck St. John (Owner/CEO), Janie Martin (Co-Owner) Policy: Headshot/resume by website. No calls. No drop-offs.
Represents: Print Models - Fashion & Runway Models - Comments: Represents talent ages 5 and up.
Commercial Actors - Film & TV Actors
Policy: Actors: headshot/resume and reel (if you have one) by Leighton Agency (SAG-AFTRA)
email. Models: recent fashion/lifestyle images with stats to Chuck. 10049 E. Dynamite Blvd., Ste. D125
Interviews by appointment only. No calls. No drop-offs. Scottsdale, AZ 85262 480-704-8800
email: submissions@leightonagency.com
website: www.leightonagency.com
TALENT MANAGERS:
HOW TO USE THIS LIST
IN SIX SIMPLE STEPS
Step One: Find out who each manager represents. Once you have narrowed down your list
to managers in your area, highlight those who represent your desired medium. Many manag-
ers represent both film and theater actors, but some specialize in a specific area. Make sure
they are familiar with the type of work you are interested in. Also note the ages represented
and any additional information in the comment sections, as some managers have listed a spe-
cific type of client they are seeking at this time.
Step Two: Take note of how each manager would like to receive submissions. While
some prefer materials to be emailed, other prefer hard copies. Do not call or visit the manage-
ment company if they do not wish you to do so. Instead, follow their submission policy exactly
to ensure that you make a good first impression.
Step Three: Send in your materials. Send each manager a professional cover letter, head-
shot, and résumé, and attach a demo reel if you have one. In the cover letter, make sure to
address which manager you are interested in working with and why, based on the research
that you have done. You may want to say why it is the right time in your career to begin work-
ing with a manager, and how you feel a manager would add to your growth and success. You
may also want to briefly address your strengths and personality as an artist. Make sure to
invite him or her to any upcoming projects.
Additional Tip: Prepare a list of questions for any meetings. A good manager is interested
in the overall trajectory of your career. They will want to know where you came from, what
your goals are, and how you are working to achieve those goals. A manager should be able to
evaluate your career not only by the work you get, but also by how your work is received, how
it is publicized, and how you can use it to leverage the next opportunity. Your manager should
be aware of any presence you have online, and how those who see it are interpreting that
presence. As a result, it is important for actors to have a list of questions prepared to ask the
manager with whom they are meeting. This ensures that they are finding the right person to
represent them publicly and professionally.
NORTHERN CALIFORNIA
Kaplan Productions
San Francisco Bay Area, CA 650-556-0055
email: lori@kaplanproductions.com
website: www.kaplanproductions.com
Staff: Lori Kaplan (President/Manager)
Represents: Comedians - Hosts & Spokespersons - Film &
TV Actors
Policy: Headshot/resume by email only. Interviews by appoint-
ment only. No calls. No drop-offs.
COLORADO
K. Starr Management
Madison House Inc. 4279 Roswell Rd., NE 102, #11
339 E. Liberty St., Ste. 320 Atlanta, GA 30342 404-954-1799
Ann Arbor, MI 48104 303-544-9900 email: info@kstarrmgmt.com
1401 Walnut St., Ste. 500 website: www.kstarrmgmt.com
Boulder, CO 80302 303-544-9900 Staff: Keela Starr (CEO), Jocelyn Riley (Administrative Assistant)
1033 Demonbreun St., Ste. 42 Represents: Print Models - Fashion & Runway Models - Fit Models
Nashville, TN 37203 303-544-9900 Policy: Accepted via email and U.S. mail, photo submissions
Fax: 303-544-5879 and resumes first.
email: info@madisonhouseinc.com
website: www.madisonhouseinc.com HAWAII
Staff: Nadia Prescher (Co-Founder/Agent/Manager), Jeremy
Stein (Partner/Agent/Manager), Jesse Aratow (Partner/Agent/ Divergent Talent Management (TMA-SAG-
Manager), Adam Bauer (Agent), Jordan Burger (Agent), Tynan AFTRA-Women In Film)
Conroy (Agent), Jordan Carriere (Agent), Cassie Siegel (Agent), 2051 Young St., Ste. 63
Mary Allen (Agent), Julie Kranich (Jr. Agent), Hailey Phelps (Jr. Honolulu, HI 96826 808-692-6383
Agent), Chelsea Boisen (Booking/Management Assistant), Zach 306A Kamani St.
Holman (Jr. Agent), Isabel Vandeventer (Booking/Management Honolulu, HI 96813 808-692-6383
Assistant), Katie Clark (Booking Assistant), Kylee Phillips (Booking email: contact@divergenttm.com
Assistant), Rob Achin (Booking Assistant), Jenn Wiemann (Booking newfaces@divergenttm.com
Assistant), Harry Woosley (College Booking Coordinator), Shellie website: www.divergenttm.com
Stephens (Director of Finance & Accounting), Emily Cadematori Staff: Darcie Pulawa (Talent Manager), Gina Lam (Talent
(Office Manager) Development), Luana Gaynor (Talent Development)
Represents: Represents: Martial Artists & Stunt Actors - Hosts &
Policy: See website. Spokespersons - Voiceover Artists - Commercial Actors - Film
& TV Actors
GEORGIA Policy: Union or union eligible actors preferred. 4-6 contrasting
headshots, resume, demo reel, current reputable acting coach
Cylence Media Management (NCOPM-ATAS-TV by email only. Notable TV and film credits preferred. No calls.
Academy) No drop-offs.
3340 Peachtree Rd., Ste. 1800 Comments: Divergent Talent Management is the only manage-
Atlanta, GA 30326 888-320-3933 ment firm in Honolulu, Hawaii. Representing all of South Pacific,
email: talent@cylencemedia.com Asia, the Hawaiian islands, and West Coast. Clients are currently
info@cylencemedia.com recurring on Showtime, Hulu, Netflix, NBC and more.
website: www.cylencemedia.com
Staff: Mike Williams (Talent Manager), Hart (Assistant), Calvin ILLINOIS
Jr. (Web/IT Manager Assistant), Vanessa Mena (Assistant)
Represents: Print Models - Commercial Actors - Theater Actors G & J Models
- Film & TV Actors 33 W. Grand Ave., Ste. 402
Policy: Headshot/resume by email, mail, or through website Chicago, IL 60654 312-587-1155
website submission. Link demo reel (Vimeo, YouTube, etc.). Interviews email: info@grossmanjack.com
by appointment only. No calls. No drop-offs. website: www.grossmanjack.co/models/gj-models
Comments: Additional office: 8560 W. Sunset Blvd., Ste. 500, Staff: Katherine Tenerowicz (Director)
West Hollywood, CA 90069. Represents: Print Models - Fashion & Runway Models - Hosts &
Spokespersons - Commercial Actors
Five Star Talent Management (TMA) Policy: Headshot/resume accepted by email or mail.
3544 White Sands Way Comments: A division of Grossman and Jack Talent represent-
Suwanee, GA 30024 678-777-2690 ing models.
213-291-8094 (California)
email: tammy@fivestartalent.biz MARYLAND
website: www.fivestartalent.biz
Staff: Tammy Wallace (Owner/Manager) Linda Townsend Management Inc.
Represents: MD 20735 301-297-7400
Policy: No unsolicited submissions. Fax: 301-297-7333
Comments: Now with a satellite office in Los Angeles. email: townsendmgmt@aol.com
MISSOURI OREGON
GigSalad ABC Model’n’Talent Management
2733 E. Battlefield Rd., #105 20135 Birdsong Lane
Springfield, MO 65804 417-889-9909 Bend, OR 97701 541-306-9957
866-788-GIGS email: abcmodelntalent@aol.com
Fax: 417-863-9788 amcasting@aol.com
email: mark@gigsalad.com website: www.abcmodelntalent.com
website: www.gigsalad.com Staff: Carol Lukens (Owner)
Staff: Locke Bircher (Owner), Mark Steiner (Owner), Steve Represents: Print Models - Voiceover Artists - Commercial
Tetrault (Owner) Actors - Film & TV Actors
Represents: Dancers & Choreographers - Commercial Actors - Policy: Headshot/resume by mail. Also teaches modeling and
Film & TV Actors - Musical Theater Performers - Singers & Musicians film acting classes at Central Oregon Community College for all
Policy: Online talent service that focuses on bringing talent, ages 16 years and up.
representation, and potential jobs together. See website for more
specifics. PENNSYLVANIA
Comments: Full service company.
I.T.S. Models and Talent Management
NEVADA Company
313 W. Liberty St., Ste. 356
Evans Management (NCOPM) Lancaster, PA 17603 717-509-3890
3450 N. Hualapai Way, Ste. 1169 717-380-3851 (Agency Line Only)
Las Vegas, NV 89129 702-360-6016 Fax: 717-735-6889
Fax: 702-255-2256 email: info@itstalent.net
TENNESSEE
Shauna D & Company, LLC
805 Second Ave.
Nashville, TN 37210 615-669-1062 (Nashville)
14545 Friar Street, Ste. 103
Los Angeles, CA 91411 213-290-4517 (Los Angeles)
P.O.BOX 2982
Brentwood, TN 37207 615-669-1062 (Nashville)
email: info@shaunadandco.com
website: www.shaunadandcompany.com
Staff: Shauna Balfour (Manager)
Represents: Hosts & Spokespersons - Commercial Actors -
Singers & Musicians
Policy: By email only.
TEXAS
Looknow Management
1215 W. Slaughter, Ste., 418
Austin, TX 78748 512-589-4989
email: looknowmgmt@outlook.com
Credits: Dimitrius Pulido (General Hospital), - Tony Toste (Star
Wars- Rogue One) - James Bamsey (Model) - Caiden Vaughn
(Get Out) -
Staff: Carlos A. Samudio (Executive Talent Manager), Kyle Frels-
PRODUCTION COMPANIES:
HOW TO USE THIS LIST
IN SIX SIMPLE STEPS
STEP ONE: Narrow down which companies may be interested in your work. Look through the
Production Types listed under each company to see what type of work they typically do. For example,
if you have an idea or script for a new film, you might not want to send it to 495 Productions, since
they typically produce animation, TV series, and reality TV. Find a company that primarily produces
feature films instead. Zero in on the companies that would be the best fit for your project.
STEP TWO: Find the company that fits your project’s style and medium. Look through the
Credits listed under each company to see what style of work they typically produce. For example, let’s
say that one of the companies on your list is Thunder Road Pictures. In their list of credits, they have
films such as “Wrath of the Titans” (the ancient Greek story of Perseus and his journey to the treach-
erous underworld to rescue his father, Zeus), “The Town” (a film about a bank thief who attempts to
rectify his feelings for a bank manager and his need to dodge the FBI), and “Brooklyn’s Finest” (the
story of three unconnected Brooklyn cops who end up at the same deadly location after following
vastly different paths in their careers). If the film you are pitching is a romantic comedy about a
female librarian, this company might not be for you.
STEP THREE: Pay attention to how the company wants you to submit your work. Carefully read
the Submission Policy. Take note of the following details: Do they prefer full scripts or treatments?
Do they prefer digital submissions or hard copies? Do they accept unsolicited scripts? Do they only
accept submissions from agents? Do they allow you to drop off your submission in person? Make sure
you follow their policies exactly, as submitting your script in the wrong format may result in it never
getting read! Also, make sure that if email submissions are preferred, you are sending your work to
the correct address. Some companies list more than one email address, so take note if there is one
specifically set aside to receive submissions.
STEP FOUR: Browse the company’s website. If you are having trouble determining any of the infor-
mation above from just the list, visit the company’s website and look around. Learn more about the
history of the company. Find out how long they have been in business and how often they produce.
Visit their Facebook page or start following them on Twitter. You never know what you might find that
could give you the edge over someone else when sitting down to your first meeting.
STEP FIVE: Study the company’s list of personnel. Look at the names listed under Staff to
become familiar with the people you may be dealing with. That way, if you do get to speak with any-
one, you will know their names and the names of the people they may be referring to. It may behoove
you to send your submission to the email address of an assistant. If an assistant likes your script, he
or she may move it to the top of the stack on the VP’s desk! We recommend only sending your work to
the executives of the company as a last resort. While there is a small chance something might catch
their eye, an actor’s time is valuable, and you want to make sure that your hard work is being read by
someone, instead of getting shuffled aside right away.
STEP SIX: Send out thank-you emails. Use the Email addresses listed to drop a note to anyone
you’ve met along the way, thanking them for taking the time, and asking if there is anything else you
can send along.
4th Row Films Staff: Michael Heimler (Vice President, Production & Operations),
27 W. 20th St., Ste. 1006 Kitty Kaletsky (Vice President, Television), Teddy Schwarzman
New York, NY 10011 212-974-0082 (Principal), Ben Stillman (Creative Executive)
Fax: 212-627-3090 Production Types: Film
email: info@4throwfilms.com Policy: No unsolicted submissions.
website: www.4throwfilms.com
Credits: Brewmaster - Bisbee ‘17 - Kate Plays Christine - Drunk Busboy Productions
Stoned Brilliant Dead - Hey Bartender - Actress - Fake It So Real - All 375 Greenwich St., Fifth Fl.
In - The Poker Movie - Making the Boys - Kati with an I - An Omar New York, NY 10013 212-965-4700
Broadway Film Fax: 212-965-4770
Staff: Douglas Tirola (President/Producer), Susan Bedusa (Senior Credits: The Colbert Report - Important Things with Demetri
VP, Production & Development), Danielle Rosen (VP, Production), Martin - Rally to Restore Sanity and/or Fear - The Jon Stewart Show
Danny Dorst (Post Production Supervisor) Staff: Jon Stewart (Executive Producer), Richard Korson (Head,
Production Types: Documentaries - Made-for-TV & Cable Movies Production & Development)
- Interactive & Digital Media - Reality TV - Scripted TV - Film Production Types: Scripted TV - Film
Policy: No unsolicited submissions. Policy: Accepts submissions through agents and managers only.
Comments: 4th Row Films specializes in feature documentaries. All unsolicited scripts and query letters will be discarded without
Their creative content division produces marketing films for various review. No calls. No drop-offs.
brands and their advertising agencies.
Broadway Video
Apostle Pictures 1619 Broadway, Brill Bldg., Tenth Fl.
568 Broadway, Ste. 601 New York, NY 10019 212-265-7600
New York, NY 10012 212-541-4323 9401 Wilshire Blvd.
9696 Culver Blvd., Ste. 108 Beverly Hills, CA 90038 212-664-5700
Culver City, CA 90232 310-945-2991 website: www.broadwayvideo.com
website: www.apostlenyc.com Credits: Fun House/Taliban Shuffle - Saturday Night Live - Kids
Credits: Maron - Sirens - Benders - Sex&Drugs&Rock&Roll - in the Hall - Night Music - Late Night with Conan O’Brien - Late
Burn - Blow - Monument Avenue; TV: Rescue Me (FX) - The Job Night with Jimmy Fallon
(ABC) - Canterbury’s Law (FOX) Staff: Lorne Michaels (Chairman), Jack Sullivan (CEO), Christina
Staff: Jim Serpico (President, Motion Pictures & TV), Denis Leary McGinnis (CCO), Rob Steffens (COO/CFO), David Birnbaum
(Principal/Producer), Tom Sellitti (Senior VP, Production), Bartow (President, Broadway Video Ventures), Andrew Singer (President,
Church (VP/Producer, Production ), Sawyer Williams (Associate), Television), Britta Von Schoeler (President, Broadway Video
Leslie Fradkin (Assistant) Ventures), Mark Yates (President, Digital Media), Dirk Van Dall
Production Types: Scripted TV - Film (General Manager, Digital Media), Jennifer Danielson (GM/Head,
Policy: No unsolicited submissions. No calls. No drop-offs. Content), Kathryn Miller (EVP), Doug Bandes (VP, Sales), Erin David
(VP, Features), Ron Harris (VP, Sales & Marketing), Marc Lieberman
Archer Gray (VP, Business Development), Hilary Marx (VP, Features), Alex Perez
142 Greene St., Fourth Fl. (VP, Operations/Digital Video), Katy Jenson (Director, Development),
New York, NY 10012 212-203-4955 Najen Naylor (Director, New Business Development & International
email: info@archergray.com Distribution), Spencer Burman (Creative Executive), Austin Breslow
Credits: The Strange Ones - 20th Century Women - Mr Holmes - (Coordinator, Digital Development), Elaine Cantwell (Chief Creative
The Diary of a Teenage Girl - Ten Thousand Saints - Little Accidents Officer of Branding + Creative), Stacey Foster (President and
Staff: Amy Nauiokas (Founder/CEO), Vinay Singh (Partner), Anne Managing Director of Production Services)
Carey (President, Production), Rebecca Choi (Creative Executive) Production Types: Documentaries - Animation - Scripted TV - Film
Production Types: Film Policy: No unsolicited submissions.
Policy: No unsolicited material. Comments: Audio/video post production, graphics, duplication,
and distribution.
Black Bear Pictures
185 Franklin St., Fourth Fl. Elephant Eye Films
New York, NY 10013 212-931-5714 89 Fifth Ave., Ste. 306
1739 Berkeley St. New York, NY 10003 212-488-8877
Santa Monica, CA 90404 424-291-6000 Fax: 212-488-8878
email: info@blackbearpictures.com email: info@elephanteyefilms.com
website: www.blackbearpictures.com website: www.elephanteyefilms.com
Credits: The Happytime Murders - Light of My Life - Villain - Ben Credits: The Maid - Billy the Kid - Norteado - Dog Found - Planet
is Back - The Marsh King’s Daughter B-Boy
Vice Media
99 N. 10th St.
Brooklyn, NY 11211 718-599-3101
589 Venice Blvd.
Venice, CA 90291 310-786-4721
email: vice@vice.com
website: www.vice.com
Staff: Suroosh Alvi (Principal), Shane Smith (CEO), Eddy Moretti
(CCO), Andrew Freston (Director of Content Strategy), Danny Gabal
(Executive Creative Director), Andrew Courtien (Project Manager),
Shannon Kelly (Ad Sales)
Production Types: Interactive & Digital Media - Scripted TV - Film
Policy: No unsolicited submissions.
WGN America
220 W. 42nd St.
New York, NY 10017 212-210-5900
2501 W. Bradley Place
Chicago, IL 60618-4718 424-276-7900
2029 Century Park E., Ste. 2080
Los Angeles, CA 90067
Fax: 424-702-4449
website: www.wgnamerica.com
Staff: Peter Liguori (CEO,Tribune Media/President), Matt
Cherniss (President/General Manager), Dana Zimmer (President,
Distribution), David Rotem (Executive VP, Sales & Marketing),
Brian Dollenmayer (Executive VP, Marketing & Promotions), Alan
Saxe (Executive VP, Business & Legal Affairs), Jon Wax (Executive
VP, Original Programming)
Production Types: Reality TV - Scripted TV
Policy: No unsolicited submissions.
100% Entertainment Battle of the Smithsonian - The Rocker - Night at the Museum -
201 N. Irving Blvd. Cheaper by the Dozen 2 - Pepper Dennis - What Happens in Vegas...
Los Angeles, CA 90004 323-630-0632 Staff: Shawn Levy (Principal), Dan Levine (President of Features),
email: sisaacs100@mac.com Jeff Barry (President of TV), Dan Cohen (EVP), Emily Morris (Director
website: www.100percentent.com of Development), Becca Edelman (Creative Executive)
Credits: Sometimes Lucky Is More Important Than Smart: Production Types: Film
Conversations With Mace Neufeld - It’s Always About The Story: Policy: Accepts submissions through agents and managers only.
Conversations With Alan Ladd, Jr. (Documentary) - Tough Ain’t All unsolicited scripts and query letters will be discarded without
Enough: Conversations With Albert S. Ruddy (Documentary) - review. No calls. No drop-offs.
Megalodon - Last Gasp - Within the Rock - Ravager - Raptor Island
(SCI FI) 3 Arts Entertainment, Inc.
Staff: Stanley Isaacs (President), Cooper Boone (Creative 9460 Wilshire Blvd., Seventh Fl.
Executive) Beverly Hills, CA 90212 310-888-3200
Production Types: Documentaries - Made-for-TV & Cable Movies Fax: 310-888-3210
- Interactive & Digital Media - Film website: www.3arts.com
Policy: Accepts submissions through agents and managers only. Credits: Water for Elephants - 30 Rock - Bored to Death - Chelsea
All unsolicited scripts and query letters will be discarded without Lately - The Day the Earth Stood Still - Everybody Hates Chris -
review. No calls. No drop-offs. Extract - The Goode Family - It’s Always Sunny in Philadelphia - King
Comments: SAG/AFTRA, WGA, Television Academy affiliated. of the Hill - Kings - Maneater - The Office - Parks & Recreation - The
Starter Wife - The Extra Man
100% Terry Cloth, Inc. Staff: Erwin Stoff (Officer/Talent Manager/Producer), Michael
421 Waterview St. Rotenberg (Officer/Talent Manager/Producer), Molly Madden (Talent
Playa del Rey, CA 90293 917-737-2368 Manager/Producer), Dave Becky (Talent Manager/Producer), Mark
Fax: 424-354-4041 Schulman (Talent Manager/Producer), David Miner (Talent Manager/
email: tm@terencemichael.com Producer), Nick Frenkel (Talent Manager/Producer), Pam Kohl (Talent
contact@terencemichael.com Manager), Greg Walter (Talent Manager), Tom Lassally (Talent
website: www.terencemichael.com Manager/Producer), Josh Lieberman (Talent Manager), Richard
Credits: Auction Hunters (Spike TV) - Bubba’s World (Fuel) - I Abate (Talent Manager (NY)), Avi Gilbert (Talent Manager (NY)),
Can’t Believe I’m Still Single (Showtime) - M.I.L.F. (Showtime) Sarah Shyn (Talent Manager), Jairo Alvarado (Talent Manager),
- Never Again (Universal/Focus) - If Lucy Fell (TriStar) - Chill Factor Jonathan Berry (Talent Manager), Oliver Obst (Talent Manager)
(Warner) - 100 Girls (Lionsgate) - The Pact (Lifetime) - Going Greek Production Types: Scripted TV - Film
(Showtime) - Duets (MTV) - Road to Ironman (NBC) - The Skateboard Policy: Industry referral only. No unsolicited submissions. No
Show (WB) - According to Spencer (Lionsgate) calls. No drop-offs.
Staff: Erik Adams (Staff), Jennifer Hutchins (Staff), Dawn rom Comments: Talent Management/Executive Producers
(Staff), Terence Michael (Producer)
Production Types: Reality TV - Scripted TV - Film 40 Acres & A Mule Filmworks
Policy: Accepts query letters by email only. No calls. No drop-offs. 75 S. Elliot Pl.
Brooklyn, NY 11217 718-624-3703
11am website: www.40acres.com
292 S. La Cienega Blvd., Ste. 350 Credits: Chiraq - She’s Gotta Have It - Miracle at St. Anna - When
Beverly Hills, CA 90211 310-340-2646 the Levees Broke (HBO) - Inside Man - She Hate Me - 25th Hour - 3
email: info@11am.com A.M. - Bamboozled - The Original Kings of Comedy - Love and
website: www.11am.com Basketball - The Best Man - Summer of Sam - He Got Game - 4
Staff: Jonathan Avigdori (Partner/Producer), Ido Mor (Partner/ Little Girls - Get on the Bus - Girl 6 - Clockers - Crooklyn - Malcolm
Producer) X - Do the Right Thing
Production Types: Commercials - Scripted TV - Film Staff: Spike Lee (Chairman)
Policy: Inquire by email. Production Types: Scripted TV - Film
Comments: 11AM Entertainment LLC is an independent TV and Policy: No unsolicited submissions. No calls. No drop-offs.
movie production company with offices in Los Angeles and New
York. The company develops and produces TV shows and films. 44 Blue Productions, Inc.
3900 W. Alameda Ave., Ste. 700
21 Laps Entertainment Burbank, CA 91505 818-760-4442
10201 W. Pico Blvd., Bldg. 41, Ste. 400 Fax: 818-760-1509
Los Angeles, CA 90064 310-369-7170 email: reception@44blue.com
Fax: 310-969-0809 website: www.44blue.com
Credits: The Watch - Reel Steel - Date Night - Night at the Museum: Credits: Breaking Down the Bars: Rockville (OWN) - Pit Bulls and
TEXAS
TDJ Enterprises, LLP
P.O. Box 763518
Dallas, TX 75376-3518 888-201-2535
email: info@tdjakes.com
website: www.tdjakes.com
The Association of Celebrity Personal The British Academy of Film & Television
Assistants Arts (BAFTA)
914 Westwood Blvd., PMB 507 195 Piccadilly
Los Angeles, CA 90024 London, England W1J 9LN
website: www.acpa-la.com 8533 Melrose Ave., Second Fl.
Staff: Drei Donnelly (President), Kimberly McFarland (VP), Kelly West Hollywood, CA 90069 310-652-4121
Wade (Treasurer) 124 E. 55th St.
Comments: An organization of professionals who work with New York, NY 10022 212-258-2651
celebrities, politicians, or dignitaries as assistants, estate manag- Fax: 310-854-6002
ers, and similar high-level positions within the elite community. email: info@bafta.org
website: www.bafta.org
Association of Independent Commercial Comments: Independent charity that supports, develops, and
Producers (AICP) promotes the art of the moving image. Also helps identify and
650 N. Bronson Ave., Ste. 223B reward excellent and inspirational practitioners. Headquarters
Los Angeles, CA 90004 323-960-4763 located in London.
3 W. 18th St., Fifth Fl.
New York, NY 10011 212-929-3000 California Arts Council (CAC)
Fax: 323-960-4766 1300 I St., Ste. 930
email: info@aicp.com Sacramento, CA 95814 916-322-6555
website: www.aicp.com 800-201-6201
Staff: Matt Miller (President/CEO), Ileana Montalvo (Director, Fax: 916-322-6575
Events) email: info@caartscouncil.com
Comments: Organization representing interests of U.S. companies website: www.cac.ca.gov
that specialize in producing commercials in various media (film, Staff: Muriel Johnson (Director), Mary Beth Barber
video, Internet, etc.) for advertisers and agencies. (Communications Director), Josie S. Talamantez (Chief of Programs)
Comments: State organization encouraging artistic awareness,
Association of Talent Agents (ATA) expression, and participation reflecting California’s diverse cultures.
9255 Sunset Blvd., Ste. 930
Los Angeles, CA 90069 310-274-0628 Camp Reel Stories
Fax: 310-274-5063 838 Mandana Blvd.
website: www.agentassociation.com Oakland, CA 94610
Staff: Karen Stuart (Executive Director), Robin Noval email: esther@campreelstories.com
(Administrator) website: www.campreelstories.com
Comments: Nonprofit trade association for talent agencies Staff: Esther Pearl (Executive Director)
representing clients in the motion picture and television industries, Comments: Camp Reel Stories is a nonprofit organization that
as well as literary, theater, radio, and commercial clients. believes when women and girls are better represented behind the
scenes in the media, they will be better reflected on the screen.
BMI Organization empowers 13-18 year old young women with the skills
8730 Sunset Blvd., Third Fl., to create their own media, view current media critically and thought-
West Hollywood, CA 90069 310-659-9109 fully, and to aspire to lead in their field. Offers women of all ages the
7 World Trade Center, 250 Greenwich St. opportunity to learn how to make films and tell their stories. This is
New York, NY 10007 212-220-3000 done through workshops and camps aimed at teaching women and
10 Music Square E. girls how to make movies in the new digital era. By working in small,
IN
CASTING
CASTING
YOU
B A C K S TA G E . C O M
CAN
TRUST