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Samantha Lindsey Lesson Plan Educ 265
Samantha Lindsey Lesson Plan Educ 265
TENTATIVE
DATE: August
21
PREREQUISIT Students have prior knowledge of the history and the use of the Camera
E SKILLS obscura, they have also researched and explored images created using this
What will your device. Students in previous lessons conducted individual research on the
students need to device, they watched videos as well as looked at images created by such
know to master the devices.
grade-level
objective?
OPENING (5 Students will enter the classroom and be welcomed as they come in (High
min.) Five, Elbow Tap, etc,) they will be directed to grab a warmup paper, the
How will you warmup paper consists of a crossword puzzle with the vocabulary that
communicate what is
about to happen? they have been learning about the camera obscura.
How will you
communicate how it Vocabulary includes
will happen?
How will you Object- a material thing that can be seen and touched.
communicate Image- a representation of the external form of a person or thing in
its importance? art.
How will you
communicate connecti Obscura- An early camera that was often made using a blacked-out
ons to previous room or box
lessons? Camera - a device for recording visual images in the form of
How will you engage
students and capture photographs, film, or video signals.
their interest? Light Rays - The light entering the room through the lens
Dark Room - A blacked out room or box used to see images
(Alternate definition is a room used to develop film and film
images.)
Lens - A small hole that allows light to enter
PinHole (Camera) - A small shoe box sized device used to take
very early pictures or to create an image used in a sketch.
Johann Zahn - Inventor of the pinhole camera
Subject- the main idea that is represented in the artwork.
INTRODUCTI Students will be asked to look to the front of the classroom. The instructor
ON OF NEW will explain the lesson. The instructor will begin by explaining that today
MATERIAL (5 students will be creating a camera obscura in the classroom. The instructor
min.) will lead the students in a review about the parts of the camera obscura
What key points will and what they will need to make a camera obscura, this information will
you emphasize and be recorded on a PowerPoint (By either instructor 1 or 2) and projected
reiterate?
How will you ensure onto the screen. The goal of this discussion is to make sure that students
that students actively understand how the device works and what they need to be successful.
take in information?
How will you vary
Students will be split into groups with assigned roles to complete their
your approach to part in the creation of turning the classroom into a working camera
make information obscura.
accessible to all
students? The PowerPoint should include the information
Which potential
Camera Obscura means Dark Room the room or box must be
misunderstandings
will you anticipate? completely blacked out
Why will students be Unnecessary light in the room will make the image harder to see.
engaged/interested? Light rays travel through a hole or lens and are projected upside
down on a wall opposite the lens
The images are best shown on a blank white wall/surface
PowerPoint includes video on “How to Turn a Room into a
Camera Obscura”
I can relate this lesson to the article “Methods and Situational Ethics in
Music Education” written by Allsup and Westerlund (2012) their ideas of
making sure their teaching is relative to what students are interested in and
what they want to take away from their learning. This lesson is a very
student-centered lesson that gives them the knowledge of how a camera
works and brings in light.
Groups: Students will be split into groups based on roles (24 students in
the class) These groups will be determined by a random number generator
and students will be given a premade index card with information on their
roll and the expectation of their role in the project.
Task Manager/Timekeepers: 3
Wall Cover Engineers: 2 groups of 4 (8)
Window Blackout Engineers: 2 groups of 4 (8)
Lens Placement Engineers: 3
Recorders and Summarizers: 2
While this lesson is not a true STEM lesson the idea that students must
gain skills in how work collaboratively is seen throughout this lesson. The
idea of the students succeeding on this lesson is their collaboration and
how they work with one and other as seen in the article from Karisan, D.,
Macalalag, A., & Johnson, J. (2019)
GUIDED The students will have 25 minutes to collaborate and create the
PRACTICE (25 Camera Obscura in the classroom, the idea is that they will choose the
min.) wall opposite of the windows to be the location where the image is
How will you clearly projected, they will cover the window using the cardboard and trash bags,
state and model they may cut and tear the bags any way they need, they will be given
behavioral
expectations?
masking tape and blue tape to secure the items to the wall. The students
How will you ensure will have to decide where the “lens” should be placed on the covered
that all students have windows, they will have a total of 5 lenses to place in the window. The
multiple instructor will use an Exacto blade to cut the bag or cardboard out from
opportunities to the hole in the lenses to ensure student safety, the instructor will then
practice?
How will you
place a piece of tape with black paper over each lens hole to ensure that
scaffold practice no unnecessary light is entering the classroom. Students will then be able
exercises from easy to experiment with the lenses and the placement to create different images
to hard? in the classroom. When there is 5 minutes left in the class the instructor
How will you will call students back to their seats for an exit ticket.
monitor and correct
student performance?
Why will students be ** Include a time warning at 15, 10 and 5 min left**
engaged/interested?
This lesson follows a UDL framework by offering multiple ways for the
students to obtain their knowledge, through computer research, hands on
activity and conversation with their peers. It also encourages the students
to think about how they could use the information learned to make their
own original works based on what they learned in the classroom.
(McTighe, J., & Wiggins, G. 2012).
INDEPENDEN Each student will be given a worksheet with a series of questions.
T PRACTICE
(10 min.) How does the camera obscura work?
How will you clearly What did you learn about the passage of light through a lens?
state and model
behavioral What issues were encountered and how did you overcome them?
expectations? How does weather effect this process?
In what ways will
students attempt to What in the process went well and what did not go well?
demonstrate
independent mastery of They will answer the questions and turn them in.
the objective?
How will you provide
opportunities for
extension?
Why will students be
engaged/interested?
CLOSING (10 Students will return to their seat and we will discuss/debrief what worked
min.) and what did not. What challenges they had and what was easy about the
How will students
summarize what they
project. What did the students think about the final outcome of the
learned? project? Did they finish the project in the time allowed to them or do they
How will students be asked
to state the significance of need to continue the project into tomorrow?
what they learned?
How will you provide all
students with opportunities Leading students in a group discussion after the completion of the lesson
to demonstrate mastery of
(or progress toward) the
to discuss as a group what worked best and what needed improvements,
objective? how did the class as a whole succeed and struggle. (Teaching Works)
Why will students be
engaged/interested?
ASSESSMENT Students will complete an exit ticket; the students will be answering the
How will you know question “Did the Camera Obscura work? Why or why not? Remember to
whether your use vocabulary you have learned to describe your response”
students have made
progress toward the
objective? How and
when will you
assess mastery?
References Allsup, R. E., & Westerlund, H. (2012). Methods and Situational Ethics in
(Below, please Music Education. Action, Criticism & Theory for Music Education,
provide up to 11(1). http://act.maydaygroup.org/articles/AllsupWesterlund11_1.pd
three references
that you used to George Eastman Museum. (2020). How to Turn a Room into a Camera
ensure that this Obscura. How to Turn a Room into a Camera Obscura/YouTube.
was researched,
referenced-based https://www.youtube.com/watch?v=hsXo4gD7iWI.
lesson plan. Must
be APA styled.) Great Teachers Aren't Born They're Taught. TeachingWorks.
https://www.teachingworks.org/work-of-teaching/high-leverage-
practices.
Karisan, D., Macalalag, A., & Johnson, J. (2019). The Effect of Methods
Course on Preservice Teachers' Awareness and Intentions of Teaching
Science, Technology, Engineering, and Mathematics (STEM)
Subject. International Journal of Research in Education and
Science, 5(1), 22-35.
Week 1: Day 2
Title: The Camera Obscura
Author: Samantha Lindsey
Learning Outcome: Students will be able to analyze and explain how to build a camera
obscura/pinhole camera and be able to identify the parts of the device and how it works.
Modeling (I do): Introduce the project that students will be completing. Lead students in a
discussion about how they may complete the project.
Guided Practice (we do): Students will be split into groups and will be tasked with turning
the classroom into a camera obscura, they will be given tasks to do along the way and I will
check in with the various groups to check for understanding.
Independent Practice (you do): Students will complete an exit ticket; the students will be
answering the question “Did the Camera Obscura work? Why or why not? Remember to use
vocabulary you have learned to describe your response”
Closing: How does a camera obscura work?
High Leverage Practice: Leading a group discussion: In a group discussion, the teacher and
all of the students work on specific content together, using one another’s ideas as resources.
The purposes of a discussion are to build collective knowledge and capability in relation to
specific instructional goals and to allow students to practice listening, speaking, and
interpreting. The teacher and a wide range of students contribute orally, listen actively, and
respond to and learn from others’ contributions.
Notes: This lesson has weather requirements and may have to be moved if the weather is not
compatible with the lesson.
Week 1: Day 3
Title: Traditional Techniques
Author: Samantha Lindsey
Learning Outcome: Students will be able to identify various forms and techniques of early
photography, such as:
calotypes
Sun Prints
Tintypes
film development
developer
stop bath
fixer
exposure
Modeling (I do): Review types of photography, introduce the film process. What are the
steps in the film process, go over the vocabulary and introduce artists made famous through
film process.
Guided Practice (we do): Students will be given an online worksheet and will be given a list
of film photographers that they will research. Students will identify an artist from the list and
be asked to give a summary of the artist and a few of the works they like from that artist.
Independent Practice (you do): Students will explore black and white film photography; they
will identify the steps needed to create a photograph from film.
Closing: What is the film process and how does it work?
High Leverage Practice: Designing single lessons and sequences of lessons: Carefully-
sequenced lessons help students develop deep understanding of content and sophisticated
skills and practices. Teachers design and sequence lessons with an eye toward providing
opportunities for student inquiry and discovery and include opportunities for students to
practice and master foundational concepts and skills before moving on to more advanced ones.
Effectively-sequenced lessons maintain a coherent focus while keeping students engaged; they
also help students achieve appreciation of what they have learned.
Notes: Have examples of the types of film process photographs as well as diagrams of how
film process works.
Week 1: Day 4
Title: Introduction to the Camera
Author: Samantha Lindsey
Learning Outcome: Students will be able to identify how a camera works and how
photographs are created.
Modeling (I do): Introduce how a camera works, the parts and various types of cameras.
Introduction of the vocabulary that is needed to know when working with cameras.
Optical Viewfinder
Macro
Landscape
Program Mode
Shutter Priority
Aperture Priority
Full Manual
Exposure
Aperture
F/stop
Shutter Speed
ISO
Noise
Shutter Release
White Balance
Pixel
Guided Practice (we do): Students will be exploring the parts of the camera through a
document provided to them. The instructor will lead a discussion about the different types of
cameras from DSLR to smartphone cameras and the benefits and usage of each. Students will
also be lead in a discussion comparing and contrasting the camera obscura, film cameras and
digital cameras.
Independent Practice (you do): Students will complete a camera part “scavenger hunt” and
explain what the various parts of the camera do.
Closing: Why do we need to know the parts of the camera?
High Leverage Practice: Implementing norms and routines for classroom discourse and work:
Each discipline has norms and routines that reflect the ways in which people in the field
construct and share knowledge. These norms and routines vary across subjects but often
include establishing hypotheses, providing evidence for claims, and showing one’s thinking in
detail. Teaching students what they are, why they are important, and how to use them is
crucial to building understanding and capability in a given subject. Teachers may use explicit
explanation, modeling, and repeated practice to do this.
Notes: Bring in different examples of cameras and have large posters of labeled cameras and
how they work.