Ex.

1b shows the “B-form” of these voicings, and covers the keys of F# major through B major. These use the
same notes as the A-form, but in a different configuration.

In Ex. 1c, we see the A-form of rootless voicings for a ii-V-i progression in minor. Notice the altered
dominant voicings are the same as the unaltered dominant voicings: a tritone (or raised fourth) away, in the
opposite form.

And in Ex. 1d, we see how to construct the B-form of rootless voicings for a ii-V-i in minor.