Download as pdf or txt
Download as pdf or txt
You are on page 1of 50

9.

Monster
Frozen
Matthew Peter Clare Lopez & Lopez

     
  

 = 170
Mezzo-soprano

    

It's

Women

Men
      


    
       
 
 
         
 
Piano 1

    
Electric Guitar 

Electric Bass
      

    


             
   
Piano 2

Drumset      

Matthew Peter Clare


    
      
     
 
5

Mzs.

  

fi nal ly come cometo knock downmy door I can't hide thistime like I

Wi.

M.
   

                     
         
        
Pno. 1

  
El. Guit. 

El. B.
   

  


         
   
Pno. 2

  
  
          

D. Set

2 Matthew Peter Clare


    
   
   

   


8 3

Mzs.

  

did be fore The stormis a wake the dan ger is real My

Wi.

M.
   

                     
     
        
Pno. 1

  
El. Guit. 

El. B.
   

  


          
 
Pno. 2

  
              
 
D. Set

Matthew Peter Clare 3


    
     
     
    


11

Mzs.

   
 
time'srun ningout don't feel don't feel Fear will be your en e my and

Wi.

    
M. 

       
   
        
      
 
     
 
Pno. 1


   
El. Guit.  

   
El. B.  

   
 

       
 
Pno. 2

    
           
   

D. Set



4 Matthew Peter Clare


      
         
14

Mzs.

  
death its con se quence That's what they once said to me and it's

Wi.

M.
  

              
  
 

Pno. 1



 
El. Guit. 

 
El. B.

 


  

Pno. 2

D. Set                 

Matthew Peter Clare 5


        
      
16

Mzs.

  
start ing tomake sense All this pain all this fear be

Wi.

M.
  

        
    


   
      
Pno. 1

    
 
El. Guit. 

   
El. B.   

 

    
      
Pno. 2

D. Set                     

6 Matthew Peter Clare



               
18

Mzs.

  
gan be cause of me Is the thing they see the

Wi.

M.
  

           
         
     
    
Pno. 1

 
El. Guit. 

El. B.
    

 

    
     
Pno. 2

D. Set                 

Matthew Peter Clare 7


  
             
   
20

Mzs.

    
 
thingI have to be A mon ster Were they

Wi.

     
M. 

   
            
    
       
        
Pno. 1

     
    
 

El. Guit.

     
El. B. 
     

   
    
  
      
   
Pno. 2

                     
D. Set   

8 Matthew Peter Clare


       
            
23

Mzs.

    
 
right? Has the dark in me fin 'lly come to light? Am I a mon ster full of

Wi.

     

   
M.

        
  
      
      

Pno. 1

    
El. Guit. 

El. B.
     


            
 
        
     
 
Pno. 2

D. Set     

Matthew Peter Clare 9


      
            
27

Mzs.

     
  
rage no where to go but on a ram page Or,

Wi.

      
 
   
M.

     
     
      
        
  
Pno. 1

     
El. Guit.   

      
El. B.  
  
         
  
         
       
  
Pno. 2

     
D. Set  

10 Matthew Peter Clare


 
         
       
30  = 190
Mzs.

 
           
 
am I just a mon ster in a cage?

Wi.

      

      
End this win ter

 
M.

       

     
End this win ter

  
    
        
Pno. 1 

      
 
    
El. Guit.
   
    
 
      

El. B.

  
        
 


     
     


Pno. 2


          
     
  
D. Set

Matthew Peter Clare 11


  

32

 
Mzs.

    
Wi.
          
  

                 
 
Bring back sum mer Keep your guard up!

  
M.

        
      
Bring back sum mer Keep your guard up!

    
                     
                    
Pno. 1

    
        
 
Milk it

El. Guit.


                    
 
El. B.

     
     

       
     
Pno. 2


                        
           
        
D. Set

12 Matthew Peter Clare


   
 
35

 
Mzs.

      
Wi.                 

                    
  
End this win ter Bring back sum mer Keep your guard

   
M.

      
       
End this win ter Bring back sum mer Keep your guard

        

                      
                     
Pno. 1

  
El. Guit.       

 
El. B.
                     
      
       
        
 
       
     
Pno. 2

 
                     
            
     
        
D. Set

Matthew Peter Clare 13


  
   
  
38

Mzs.

  

     
Wht do I do? No timefor


Wi.

        
 
up!

M.

  
             
up!

   
         
 
Pno. 1


   

           

   
El. Guit.

   
El. B.        

       
   

        

  
Pno. 2


                  
D. Set     

14 Matthew Peter Clare


 
    
      
  
40

Mzs.

  
 
cry ingnow I start ed astorm got ta

Wi.

   
M. 


               
      
      

Pno. 1

  
     
      
  
El. Guit.

               
El. B. 

  
 

    
 


 

Pno. 2

                

D. Set              

Matthew Peter Clare 15



        

 
  
42

Mzs.

  

stop itsome how Do I keep on run ning? How

Wi.

  
M. 

       
           
      
      
    
Pno. 1

   
   
        

El. Guit.

        
 
        

El. B.

        
 
 
  
   
Pno. 2

  
                 
      
                
3

 
D. Set

16 Matthew Peter Clare


   
          
44

Mzs.

 

far do Ihave to go? And would that take the storm a way or

Wi.

M.
  

                 
  
    
   
 
Pno. 1


 
El. Guit. 

  
   
 
 
El. B.


  
    
   
 
Pno. 2


  
           
 
D. Set

Matthew Peter Clare 17



            


 

46

Mzs.

  
on ly make it grow I'm mak ing my world cold er How

Wi.

M.
  

        
      
   
    
     
Pno. 1


 
El. Guit. 

      
    
El. B.

 
     
    
     
Pno. 2


    
          
 
D. Set

18 Matthew Peter Clare


 
                 
48

Mzs.

  
long can it sur vive? Is ev 'ry one in dan ger as

Wi.

M.
  

              
   

         
       
Pno. 1

 
El. Guit. 

 
       
    
El. B.



         
       
Pno. 2

                   
       
 
D. Set

Matthew Peter Clare 19


 
          
50

Mzs.

   
 
long as I'm a live Was I a

Wi.

    
M. 

 
          
        
  
       

Pno. 1

       
   
El. Guit.  

  
          
     
El. B.

   
   

  
        
Pno. 2

       
                        
 
       

D. Set

20 Matthew Peter Clare


        
        
52

Mzs.

   
 
mon ster from the start? How did I end up with this fro zen

Wi.

M.
    

        


         
     
              
Pno. 1

         
        
         
     
El. Guit.

             
           
  
El. B.

     
   

    
Pno. 2

                 
D. Set                            

Matthew Peter Clare 21


      
    
55

Mzs.

  
 
heart? bring ing de struc tion to this

Wi.

M.
   

     
        
   
  
      
Pno. 1

       
     
        
El. Guit.
   
  
      
   
    
El. B.

      

   
Pno. 2

                           
 
D. Set
              

22 Matthew Peter Clare


  
             
57

Mzs.

    
  
stage, caught in a war that I ne ver meant to wage

Wi.

     
M. 
         
           
      
         
            
Pno. 1

      
             
           
     
El. Guit.

           
     
 
       
  
El. B.

      

    
 
Pno. 2


                                 

D. Set                   

Matthew Peter Clare 23


    
            
60

Mzs.

   

Do I kill the mon ster Fa ther youknow what's

Wi.

M.
    


    
    
    
 
Pno. 1

  
    
   
   
El. Guit.

  

    
El. B.


    
 
Pno. 2

  

         
            

D. Set

24 Matthew Peter Clare


    
             
  
63

Mzs.

    

best for me If I die will they be free Moth er what if

Wi.

M.
     


 
  
     
 
Pno. 1

    
El. Guit. 

     


El. B.

   
 

     
Pno. 2 

   
               
   
D. Set

Matthew Peter Clare 25


     
              
   
67 3

Mzs.

   
 
af ter I'm gone the storm gets cold er andthe storm rag es on? No!

Wi.

M.
    


   
 
    
 
Pno. 1

   
El. Guit. 

    

    
El. B.

    
 
Pno. 2

  
               
  
D. Set

26 Matthew Peter Clare


    
               
   
70

Mzs.

   

I haveto stay a live to fix what I've done Save the world from my self and

Wi.

M.
    


    
    
     
        
Pno. 1

    

   
El. Guit. 

El. B.
    

  
      
    
 
        
Pno. 2

    

           
             
 
  
D. Set

Matthew Peter Clare 27


      
  
  
73


Mzs.


       
   


bring back the sun

    


Wi.

     
  
Ah

M.

                   
         
Ah

        
          
Pno. 1

         
   
El. Guit.   

    


 
El. B.

     
     

  
  
Pno. 2

 
                
D. Set              

28 Matthew Peter Clare


               
 
75

   
Mzs.

            
  
 
If I'm a mon ster and it's


 
Wi.

    
             
End this win ter


M.

      
              
End this win ter

   
   
         
Pno. 1

        
   
 
          
El. Guit.
   
    
  
   
   
El. B.

   
            

   
     
Pno. 2

    
   
    
          
D. Set             

Matthew Peter Clare 29



                
77

Mzs.

    
                
true there's on ly one thing that's left for me to do. But be


Wi.

               
    

Bring back sum mer Keep your guard up!

M.
 

     


         
Bring back sum mer Keep your guard up!

          
  
            
 
Pno. 1

        
  
             
El. Guit.
        
  
           
    
    
El. B.

         
 
  
             
Pno. 2

         
           
                                   
D. Set         

30 Matthew Peter Clare


  
        

80

Mzs.


      
      
 
fore I fade to white I'll do

   
Wi.

     
    

 

    

End this win ter Bring back sum mer

M.

       
    
End this win ter Bring back sum mer

      
     
    
Pno. 1

       
       
         


El. Guit.

     
    
       
El. B.

         
  
     
    
Pno. 2

       
         
       
 
D. Set             

Matthew Peter Clare 31


   
         

82

Mzs.

          
    
all that I can to make things right. I

Wi.

 
       
   
Keep your guard up

M.
 

  
           
Keep your guard up

   
    
         
Pno. 1

       
  
           
   

El. Guit.

   
         
  
  
El. B.

  
    
  

   
        
Pno. 2

      
         
        
D. Set                 

32 Matthew Peter Clare


    
          
 
84

Mzs.

    
  
can not be a mon ster I

Wi.

     
M.   
  
            
   
            
      
Pno. 1

           
  
            
   
El. Guit.

            
      
  
El. B.

         
       

      
  
Pno. 2


7


             
             
     
D. Set

Matthew Peter Clare 33


  
       
86

Mzs.

  

will not be a mon ster

Wi.

   
M. 
 
        
   
  
        
Pno. 1

       
 
        
   
El. Guit.

  
        
  
     
El. B.

       
    

   

Pno. 2  7

         
        
   
D. Set

34 Matthew Peter Clare


         
   
87

Mzs.

        



Not to night!

Wi.

   
  

M.

               


 
   
         
Pno. 1

    
 
El. Guit.                  

   
         
  
       
El. B.

       
       
  
   
  
Pno. 2


7

     
   
       
  
D. Set

Matthew Peter Clare 35


       
   
88

Mzs.

 
             

Wi.

              


 

Mon ster Mon ster

M.

                   
         
Mon ster Mon ster

    
         
     
Pno. 1

        
         
                  
      
El. Guit.   
     
              
El. B.

 
             


              


 

Pno. 2 Mon ster Mon ster

        
                        
Mon ster Mon ster

D. Set                       

36 Matthew Peter Clare


 
     
91

Mzs.


Wi.    

    

    
M.

    

      
 
Pno. 1


 
El. Guit.       

      
 

    
El. B.


    

    

Pno. 2


D. Set    

Matthew Peter Clare 37


Mezzo-soprano 9. Monster
Frozen


Matthew Peter Clare Lopez & Lopez

  
   

             
 = 170

               
   
It's fi nal ly come come toknock down my door I can't hide this time like I

       
8 3


                     
did be fore The storm is a wake the dan ger isreal My time's run ning out don't


12

                   
feel don't feel Fear will be your en e my and death its con se quence

    
15

     
         
That's what they once said to me and it's start ing to make sense All this pain all this fear be

            
18


gan be cause of me Is the thing they see the thing I have to be A

   
                     
22

 
                      
mon ster Were they right? Has the dark in me fin 'lly come to light? Am I a mon ster full of


    
27


   
          
rage no where to go but on a ram page Or, am I just a mon ster in a

   
      
31  = 190

      


                     
cage? Wht do I do? No time for cry ing now I

   
41

                           
start ed astorm got ta stop it some how Do I keep on run ning? How far do Ihave to go? And


45

would that take the storm a way or on ly make it grow I'm mak ing my world cold er How

Matthew Peter Clare


          
                      
48

long can it sur vive? Is ev 'ry one in dan ger as long as I'm a live Was I a

       
                
52

mon ster from the start? How did I end up with this fro zen heart? bring ing de struc tion to this

    
                   
57

stage, caught in a war that I ne ver meant to wage Do I kill the mon ster


                       
     
62


Fa ther you know what's best for me If I die will they be free Moth er what if

                         
     
67 3


af ter I'm gone the storm gets cold er andthe storm rag es on? No! I have to stay a live to

   
                  
      
71

fix what I've done Save the world from my self and bring back the sun

             
                  
75

If I'm a mon ster and it's true there's on ly one thing that's left for me to do. But be

              
               
      
80

fore I fade to white I'll do all that I can to make things right. I can not be a mon ster

      

                                
85


I will not be a mon ster Not to night!

2 Matthew Peter Clare


Women 9. Monster
Frozen

   
  
Matthew Peter Clare Lopez & Lopez

          
         
 = 170  = 190

 
End this win ter

                  
         

   

32

Bring back sum mer Keep your guard up! End this win ter Bring back sum mer

      
         
     
     

37

Keep your guard up!


        
               
            
74

Ah End this win ter Bring back sum mer

                     
                
78

Keep your guard up! End this win ter Bring back sum mer Keep your guard


                
            
    

83

up Mon ster Mon ster

Matthew Peter Clare


Men 9. Monster
Frozen

   
Matthew Peter Clare Lopez & Lopez

             
      
 = 170

 
 = 190

    
End this win ter

                      
        
32

Bring back sum mer Keep your guard up! End this win ter Bring back sum mer

    
       
       
        
37

Keep your guard up!

     
      
         
    
       
   
74

Ah End this win ter Bring back sum mer Keep your guard

  
                
            
   
79

up! End this win ter Bring back sum mer Keep your guard up

   


          
        
85

Mon ster Mon ster

Matthew Peter Clare


Piano 1 9. Monster
Frozen
Matthew Peter Clare Lopez & Lopez


        
 = 170

                
               

       
      
7

           
       
        

                                 
   
   
13

    
   
       


                   
        
            
18

            
            
        

                       
      

   
23

               
                        
    

Matthew Peter Clare



         
                 
 = 190


31

                                     
        



                  
  
              
36

           
                
   

           
                   
42

  
           
    

       
  

      
                       
             
46

     
             
              
    

                      


         
            
            
51

   
                   
             
         
               
              
57

            
               
        
2 Matthew Peter Clare

           
     
         
67

       
    

          
      


                       
              
   
74

          
           
           
 

       


                      
         
         
77

   
                
  
             

    
                    
      
  
83

    
                         
                       


                        
             
87

    
                 
            
      

Matthew Peter Clare 3


Electric Guitar 9. Monster
Frozen

    
Matthew Peter Clare Lopez & Lopez

       
              
 = 170

        
 = 190

 
                           
                         
34 Milk it


                               
            
                
43

      
                          
                           
  
59

                
    
  
   
     
      
          
81


                        
             
87

Matthew Peter Clare


Electric Bass 9. Monster
Frozen

  
                   
Matthew Peter Clare Lopez & Lopez

    
 
 
 = 170

 
        
      
        
21  = 190

           

  
 
        
34

                           
             
40

 

                
                     

48


                          
 
     
56

         
 
                                    
77

             
             
  
85

      
 
   
90

Matthew Peter Clare


Piano 2 9. Monster
Frozen
Matthew Peter Clare Lopez & Lopez

 
           

 = 170

                                      

   
               

12

  
                 
                   
        



       
                    
  
 = 190

 
24

  

                          
                

 

                                 

             
     
32



                                
            
    
           
     
   
 
42


                      
                  
    
Matthew Peter Clare
       
     
        
      
             
 
49

             
             
     
       
                 
    
  
        
56

 
            
       
     
      

          
                 
         
    
71

   
                
          
    
    

              
               
   
78

   
                  
                
    
            
              
 
84

       
  
  7


7

  
                          

     
         
 
87

           


       
 7
Mon ster Mon ster

Mon ster Mon ster

2 Matthew Peter Clare


Drumset 9. Monster
Frozen

       
Matthew Peter Clare Lopez & Lopez

  
                            
 = 170

  

                                      
12

                                         

17


                              
                 
 = 190
21

     
                           
                                         

33

           
                      
                       
37

  

                                              
3
40



                                                
43

  

                                                
46

  

                                              
49

 
Matthew Peter Clare
                 
                        
        
52

                                          
        
55

                
 
                                       
58


      
                                    
63

       

                          
                
71

 
      
                            
      
     
75

               
                                                    
   
78

              
                                            
 
 
82

     

                                
 
                                     
 
86

      
   
              

90

2 Matthew Peter Clare

You might also like