Scribd Logo
Upload

Welcome to Scribd!

  • 305 views

    Nocturne For Cello and Piano - Cello Part

    Uploaded by

    Jeff Harrington
    A short dramatic work for cello and piano.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content

    You might also like

    Nocturne For Cello and Piano - Cello Part

    Uploaded by

    Jeff Harrington
    305 views1 page
    A short dramatic work for cello and piano.

    Original Title

    Nocturne for Cello and Piano - Cello Part

    Copyright

    © Attribution Non-Commercial (BY-NC)

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    A short dramatic work for cello and piano.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    305 views1 page

    Nocturne For Cello and Piano - Cello Part

    Uploaded by

    Jeff Harrington
    A short dramatic work for cello and piano.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    In Memory of Wilma, the Crocodile

    by Jeffrey Harrington
    q=75 Nocturne for Cello and Piano
                             
    Adagio pesante

      
                          
    pp pp
    7

      pp

    pp

     
      
            
                
    12

       
     p

                 
                   
    17

      
                             
    22

           
          
                          
        
    f
    27
    
                         
                 
    31

      
                                
    35

     
         
    39

                           
                              
        
    43
    rit.

            
        
    48
               
          
      
    51

         
                   
    pp
    © 2009 Jeffrey Harrington, All Rights Reserved

    You might also like