will require you to examine some basic questions about the meaning behind the organization of musical tones and why you play or write music. As you absorb this knowledge and become more intimate with its funda mental principles, such as the actuality of a passive do which yields to every- thing in scale that is higher than itself (Chapter It), you can begin to unearth a vision of your innate “response-abilities” within your musical discipline. Atits essence aselorganized and infinite range of possibilities for us to master. The Lydian Chromatic Concept of Tonal Organization creates —Anpvy WassERMAN FOREWORO