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CDF Transformation
CDF Transformation
CDF Transformation
Sophia Fimbres
IB English 1
Mr. Smith
9 Dec 2020
In the riveting novel, A Chronicle of a Death Foretold, Gabriel García Márquez portrays
women as being obstinate to men through the relationship of Angela Vicario and Bayardo San
Roman. Angela’s refusal to adhere to gender norms is seen when she decides that she is not
going to try to conceal the fact that she is not a virgin anymore. This is revealed when she recalls
to the narrator that “she let herself get undressed openly in the lighted bedroom, safe now from
all the acquired fears that had ruined her life”(91). Angela was given tools so that she could
deceive her husband into thinking that she was a virgin, but she chose not to do them. She
decided that she did not want to be frightened into doing something that she did not want to do
just because of the cultural obligations expected of her. When Angela makes this decision she
says that she was free of the fears that had ruined her life. This reveals her obstinance toward
men because although her friends tried to convince her to fulfill her obligations to her husband,
she decides that she does not care about what happens to her and that she just wants to be free.
defines female roles through the cultural view of Machismo and marianismo. This is displayed
through the men and women in the Vicario family. When the narrator begins to delve into the
Vicario family, he finds that they are extremely fixed in their gender roles. For example, the men
were brought up to “maintain the honor of the house” while the women were “raised to suffer”
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(31). This shows how the men of the house are brought up to do everything to take care of the
house and make sure that the family name preserves its honor. The whole purpose of the male
role is to defend the honor of the household and make sure to get it back if it is lost.
Contrastingly, the women of the household are defined as having the skills to take care of the
male. The women are taught to sew and write engagement letters while the men in the family
slaughter pigs and provide for the family. Overall, the men and women in the novel are defined
establishes that masculinity and femininity are constituted by the cultural roles of Machismo and
marianismo. This is seen when the Vicario twins feel as if they are obligated to kill Santiago in
order to gain back the honor of the family. For example, when the twins are questioned by the
lawyer about if they regretted Santiago, they respond by saying that “they would have done it a
thousand times over” for the reason of gaining back the honor of the family (48). Obviously, the
Vicario twins feel forced to oblige to these social expectations of men. This is displayed because
although they feel extremely guilty and can not even eat, they still say that if they had the chance
they would murder Santiago again for the reason of keeping honor. Contrastingly, the women
have to fit into the role of marianismo to be qualified as a marriageable woman in society. This is
displayed through the returning of Angela to her family. Since Angela was not a virgin, she was
seen as unfit to be a wife. As a woman having to follow marianismo gender roles, she should
have stayed pure for her husband. For this reason, she was an outcast and seen as unfit to be a
woman in that society. She now no longer had to act feminine and was free to do whatever she
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wanted. Overall, in the Colombian culture masculinity and femininity are constituted through the