A

Kind Of Magic
Queen-Greatest Hits

  
Sanel Lerić

                   
        
 = 131

  
A A

    
      

  
                   


        
B9

   
8 Dmaj7 A

       
     

 
     
   
              
B9

 
A


14

 
                     

                   
            
Dmaj7 A

 
19

                  

  
              
        

B9

 
A


23


             
     

Roger Taylor & Queen

 
             
             
Dmaj7

  
A


27


       
              
   

            
           
 
D


F♯m7 F♯m7
31 3

    
                 
         

                  

     
E D
36

            

     

           
              
A D A


41


 
                  

              

   
       
E G D 3
46

 
                                      

2 Roger Taylor & Queen

 

            
           
  
E

  
A B9
51

       

             

              
           
Dmaj7

   
A
56

                          

  
         
           
B9

   

61


             
     

 
                
     
    
Dmaj7

   
A

 
65


       
              

      
             
D

    
A
69

          
           

Roger Taylor & Queen 3

  
 
            
D


A

  
 
73

             


                             
  
D

           
A


77

         
            



               
      
  
D A
81

     
               

            
              
E11

            
E G D 3 3 3
85

 
                           

                 

   
   
E D A


90

            

       

4 Roger Taylor & Queen

  D 
           
      
    
A

  
94

 
     
     

    
               
    

D

  
E G 3


98

 
                 


         
       
E11 E7 (D) (A)
103

    
                                    

    
                     
 
(D) (A)
109

  
              
        

     
         
  
D

   
A
114

              
                    

Roger Taylor & Queen 5