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Source: Philosophy & Rhetoric , Vol. 53, No. 3, SPECIAL ISSUE: IN THE MIDST OF COVID-
19 (2020), pp. 217-224
Published by: Penn State University Press
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to Philosophy & Rhetoric
Jaco Barnard-Naudé
a b s t r ac t
doi: 10.5325/philrhet.53.3.0217
Philosophy and Rhetoric, Vol. 53, No. 3, 2020
Copyright © 2020 The Pennsylvania State University, University Park, PA
will lose its ordinary capacity for putting signifier and signified together;
as if there is much more that can and should be said but that cannot,
at the present moment, be said; as if we are at a loss—and that is surely
where we are now.
But at what kind of loss? In these short remarks I want to venture an
answer underpinned by the impression that the Symbolic Order of lan-
guage has been in crisis and at a loss for some time now. “COVID-19”
and/or “Sars-CoV-2” are presently the most prominent signifiers globally
by way of which this loss is being communicated. The crisis of the Symbolic
Order to which I am referring is not a crisis in isolation, not solely a crisis of
the Symbolic Order as such. More precisely, the crisis today resides in the
relationship of the Symbolic with the Real. As such, the crisis is as much
a crisis of the Real (the one that it instigates as well as the one that it is
suffering) as it is a crisis that belongs to the Symbolic. The stoppage of the
hyphen is the shorthand for the articulation of this crisis in the relation-
ship between the Symbolic and the Real. For as we know very well from
the work of Appadurai and others, the hyphen(s), although it/they mark(s)
a glottal stop—a caesura in the Symbolic—it is a caesura that nonetheless
occurs on what Lacan (1988, 102) called “the symbolic plane of speech,” and
as such, it cannot be doubted that the hyphen communicates.
For one thing, the repetition of the hyphen in the names of the virus
can be read as part of the fairly desperate attempt of an impoverished
Symbolic to come to terms with—by covering over—the crisis that it is
experiencing in relation to the Real. However, instead of simply taking it
as given that the hyphen communicates only in this way, I want to suggest
that we read it as an opening, an opening through which something can be
said of the bone that remains today stuck in the throat of the Symbolic.
My starting point is the impression that we have been, for some time
now, resisting, defending against, the Real. It is not that we have not been
fascinated by and fixated upon the Real, quite the contrary. But we have
most certainly not been able to “get used to the real” (Lacan 2013, 77). We
are not like Plato’s Leontius who encountered an enormous pile of dead
bodies at the walls of Athens that had been dumped there after a series
of public executions (Plato 2003, 147–48). The tale of Leontius has it that
once he could no longer resist looking at the corpses, he became very angry,
cursed his eyes, and exclaimed, “Shameful eyes, fill yourselves, if that’s what
you desire” (Kronman 1996, 55).
Today, our disposition in relation to the Real is highly dissimilar. Far
from being ashamed at being unable to resist our desire to look at dead
218
bodies, we are shamelessly exalting it. We are also unlike Leontius in the
sense that our fascinated gaze at the dead body has not been a regard of
and for the Real at all. Rather, we indulge in looking only at the images of
the Real. Each image proffering to be more real, more authentic than the
other, it can rightly be said that we are utterly in the thrall of real images or
of the imaged real. The horrific photograph of the bodies of Óscar Alberto
Martínez Ramírez and his 23-month-old daughter, Valeria, found in the
Rio Grande in June 2019 is a case in point (Ahmed and Semple 2019). Like
Leontius, we cannot resist looking at this photograph, but unlike Leontius,
we no longer find the words to curse our shameful eyes.
In the face of our stunned voyeurism, the image leaves us, the con-
sumers of this photograph, at a loss, precisely, for words. I have been using
the “we” and the “us” as if it should be clear who this “we” and this “us” is,
because it should be clear that the “we” and the “us” to which I am referring
is the “we” and the “us” of advanced late capitalist consumer society. It is the
“we” and the “us” who are not the “them” of that photograph, the oligarchi-
cal “we” safely at home behind the fortified walls of our cities.
“We” have preferred, indeed insisted, that the Real must come to us in
mediated and mediatized form exclusively and thus as necessarily sanitized,
digestible in its very indigestibility, not only so that we can wash our hands
of the Real but also so that we won’t have to get our hands dirty with the
Real in the first place. Our obsessive imaging and imagining of the Real
has, however, become increasingly incapable of symbolizing the Real. Take,
for instance, this example from the New York Times (Ahmed and Semple
2019) report that accompanied the photograph: “The image represents a
poignant distillation of the perilous journey migrants face on their pas-
sage north to the United States, and the tragic consequences that often go
unseen in the loud and caustic debate over border policy.” To say nothing of
the invocation of “distillation” in relation to this image, the trope of “trag-
edy” is once again invoked here to displace the question of culpability so
that the extract itself becomes caught in the very “loud and caustic” debate
that it claims to problematize.
It is, however, not simply the case that we have con-fused the
Imaginary with the Real, it is also that the Symbolic itself has by and large
been placed in the exclusive service of the Imaginary. This has resulted
in a situation to which Bernard Stiegler (2014, 10) has referred as “sym-
bolic misery.” Jacques-Alain Miller (Laurent and Miller 1998, 21, emphasis
added) points to this situation in precise terms: “The contemporary sym-
bolic, where it is lively, where it is productive, intense, where it concerns
219
220
221
note
The title of this essay comes from Lacan 2013, 77.
222
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