Professional Documents
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Michael Graves: Submitted By: Deepak Kumar Singh Sushant School of Art and Architecture
Michael Graves: Submitted By: Deepak Kumar Singh Sushant School of Art and Architecture
SUBMITTED BY:
• NATIONALITY : AMERICAN
• EDUCATION :
• PROFESSION :
PLACE : LOUISVILLE,KENTUCKY,HUMANA
DESIGN STARTED :1982
DESIGN COMPLETED:1985
STRUCTURE MATERIAL USED: STEEL FRAME & GRANITE
NO. OF STORIES : 26
HUMANA BUILDING IS THE
HEADQUATERS OF WELL-KNOWN
AMERICAN COMPANY SPECIALIZING IN
HEALTH CARE.
FIGURE 6:
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THE 525,000 SQUARE FOOT BUILDING INCLUDES TWO PARKING LEVELS, RETAIL
SHOPS ON THE FIRST FLOOR, AND OFFICES AND CONFERENCE CENTER ABOVE.
FIGURE 9:
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FIGURE 14:
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• Sitting adjacent to Denver Art Museum, the Denver Central Library stands
as the 8th largest library in the United States.
• The 405,000 s.f. addition to the existing library allows for the original
building designed by Burnham Hoyt in 1956 to maintain its own identity.
• So much so that Graves’ addition and the original library are two parts in a
larger composition that are connected by a three story atrium.
• The expansive atrium serves as a new main entrance that becomes the
main focal point for visitor orientation and circulation to either wing of the
library.
FIGURE 14: SITE & GROUND FLOOR PLAN
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THE SCALE AND COLORATION OF THE
ADDITION, AS WELL AS THE FIGURE 15: WESTENTRY LOOKING TOWARDS THE
INDIVIDUALIZED MASSING OF ITS VARIOUS GREAT HALL
COMPONENTS, ALLOW THE ORIGINAL http//:www.michaelgraves.com
LIBRARY TO MAINTAIN ITS OWN IDENTITY
AS ONE ELEMENT OF LARGER
COMPOSITION.
• The house is a personal statement and a private retreat, where Graves keep
the furniture, pictures, books, sculptures and other objects accumulated
during a lifetime of collecting.
• Graves like John Soane, sees his house as a place to display his
collections, which will one day be available to the interested public. John
Soane’s museum house has always been an inspiration for Graves.
• The warehouse is an L-shaped building, consisting of a northern wing and
an eastern wing.
• The original north wing, hidden from the street, had large doors where
trucks regularly disgorged loads of household accessories.
• The later wing, at right angle, was much narrower. It was here that Graves
first made his home. He installed a kitchen and bathroom and lived like a
student at first.
• In mid eighties with his practice booming, he tackled the northern wing,
bringing in other members of his office to assist and began work on the
garden. This second phase of work took four years and was followed by a
year of work in the kitchen wing.
• The exterior has a quiet monumentality, which derives from the vernacular
barns and farmhouses of the Italian countryside.
• The unity of house and garden is key theme. Graves seeks an idealized
landscape, recalling those he loves to paint in Italy, and planting is
subordinated to an overall architectural intent. The warm and slightly
irregular texture of the stucco, contributes greatly to the overall effect of
the exterior.
• Highly sculptural in treatment and rigorous in its exclusion of ornament,
the Warehouse looks beyond replication and more genuine ‘traditionalism’.
• The entrance court at the house is a dynamic and yet comfortable space,
open to the sky and preparing guests for the relatively low and intense
entrance hall.
• The dining room looks into this space, which has an agreeable ‘inside/out’
quality.
INTERIORS
LIBRARY
• The house is close to Graves’ office, but he occasionally works in here and
keeps a small functional study room on the first floor.
• If its plan is essentially Classical and its use of light and shade specifically
Soanean, the easy flow of the spaces and the essential informality of the
building provide a reminder of its architect’s roots in the Modern movement
• Its quiet beauty is the work of a man who has played a key role in
reshaping the face of architecture in the late twentieth century.
MARITIME EXPERIENTIAL MUSEUM
INTRODUCTION
• Throughout the day, the shadows and dappled light cast by the ribbed
frame will enliven the interior exhibits.
• The interactive exhibits and the circular 300-seat Typhoon Theater, provide
a wide variety of experiences for visitors.
• The exhibit focuses on the maritime Silk Route, which historically stretched
from Southeast Asia to Oman. Geographically, Singapore is an important
part of this history.
• The Museum is set back from the water’s edge by an esplanade with a
covered pedestrian loggia that allows visitors to enjoy the view of the
mainland across the bay.
• At night, when viewed from the water, the glass facade of the Museum will
reveal the brightly-lit interior, becoming a beacon on the water and a
landmark on the horizon.
• Built : 1967
• Type : house
• Context : suburban
• Style Block : massing
• House content : family of two adults and four children
• The house is understood frontally by the layering of three principal facades
• The house and the space immediately in front of it make a double square in
plan and volumetrically a double cube, with one being open and the other
enclosed
QUOTATIONS
• I don't care what people call me, labels have the negative value of making
smaller boundaries for people.
• http://architecture.about.com/od/greatarchitects/p/graves.htm
• http://architect.architecture.sk/michael-graves-architect/michael-graves-
architect.php
• http://www.michaelgraves.com/architecture/project/the-humana-
building.html
• http://www.archdaily.com/91274/ad-classics-denver-central-library-
michael-graves-associates/
• http://www.archicentral.com/st-coletta-school-washington-dc-usa-michael-
graves-associates-6373/
• http://efbdesigns.files.wordpress.com/2012/01/michael-graves-
powerpoint.pdf
• http://en.wikipedia.org/wiki/Michael_Graves
• http://www.cfstinson.com/Finishes/SampleBrowser.jsp?lid=1001&ds=.patte
rn.descriptor.hp._2Fdescriptors_2Fcollection_3DMichael+Graves&rt=Michae
l+Graves+Collection&srk=7&lsc=2
• http://en.wikipedia.org/wiki/ArchINFORM
• http://en.wikipedia.org/wiki/Notre_Dame_School_of_Architecture
• http://www.archdaily.com/86804/ad-interviews-michael-graves/
• http://www.walsh-construction.com/projects_washington.htm
• http://www.michaelgraves.com/
• http://www.di.net/about/senior_fellows/