Melodic Study:

12th Street Rag

Twelfth Street Rag was published by by a tall lanky Texan named Euday L.
Bowman in 1914. Euday played piano in Fort Worth shoeshine parlors and
bars, sometimes at private parties. Like his sister, he also gave piano lessons.
To pay the bills he even collected and sold scrap paper and worked as a
teamster. Bowman cut his teeth in Kansas City, where he played piano in
saloons and brothels, naming several of his compositions after streets found in
both Fort Worth and Kansas City. Bowman wrote Twelfth Street Rag about
1914 and unsuccessfully tried to market the song himself -going into debt in the
process. In need of money, he sold the rights to the song to a Kansas City
music publisher for a couple of hundred dollars.

Not only was it one of the most famous and best-selling rags of the ragtime era
it has become a timeless jazz standard having been recorded by Louis
Armstrong (‘Pops’) and Benny Moten (who had a hit with the song), and it has
inspired jazz musicians for decades as their are over 100 recorded versions
know to exist. Because of its popularity, Twelfth Street Rag reignited an
interest in traditional jazz and ragtime and helped authentic jazz elements such
as descending and ascending arpeggios, exaggerated syncopation, call-and-
response motifs and cycle V root motion claim a place in modern music. The
song became a standard and would be recorded by dozens of musicians,
including Louis Armstrong, Duke Ellington, Fats Waller, Lionel Hampton, Benny Goodman, Liberace, Count Basie,
Bob Wills, and Roy Clark. When Twelfth Street Rag eventually brought him a modicum of fame and fortune but he
was to sick to enjoy them.

Twelfth Street Rag has had a show business and a music business life, Charlie Chaplin used it as a soundtrack
and cartoon serials like Krazy Kat and Sponge Bob have had the tune featured in different episodes. The talk
show host, Joe Frankiln broadcasted the song into literally millions of homes between 1950 and 1993 and as a
result the song is widely well known and loved. The composition is invariably associated with Franklin.

In 1937, he reclaimed the rights to the song, made his own recording and resold the rights to Shapiro-Bernstein
Music Publishers of New York City. He finally realized a little real money for the song, after traveling to New York
and appealing for royalties. He was successful but caught pneumonia and died 3 days later. His heir and sister
received the money and his possessions.

Twelfth Street Rag is the

perfect opportunity to use the
alternate fingering because of
how many F# notes appear in
the song - it makes the song
more comfortable to play those
fast G - F# - E note sequences
that define the tune.
 12th Street Rag Euday L. Bowman

Pos. XI Pos. XII

2 1 2 4 2 2 1 2 4 2 1 1 1 3 4 1 2

Pos.
XI
2 1 4 2 1 4 2 1 4 2 1 4 2 1 4 etc.....
 4 2 1 3 4 2 1 2 4 1 4 2

Pos.
XI
2 1 4 2 1 4 2 1 4 2 1 4 2 1 4 etc.....
 12th Street Rag
Ô D #7
Lead Sheet

Ô
D7 D7
# . Ï #Ï Ï Ï Ï Ï #Ï Ï Ï Ï Î Ï Ï Ï Ï #Ï Ï
& . Î J J Î Ï Î

G Ô D7 Ô
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï w

Ô
Ï Ï Ï Ï Ï Ï Ï Ï w Ô
D7 G
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï

G Ô D7 Ô
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï w

ú
A7 Ô DÏ7 Ô
ú ú ú Ï Ï. Ï Ï Ï Ï Ï Ï.
J J J J
Ô
Ï Ï Ï Ï Ï Ï Ï Ï wÔ
G D7
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï

D7 Ô G Ô
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï w

G G7 C D #7
Ï Ï nÏ Ï Ï Ï #Ï Ï
î î î î

ú
G A7 D7 G C7 G
ú
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú
Î ..
Ï
This chart only