Professional Documents
Culture Documents
Ali2015cr in Digital
Ali2015cr in Digital
ORIGINAL ARTICLE
Keywords: Localism, Local Television, Critical Regionalism, Media Policy, Media Regulation,
Ofcom, CRTC, FCC.
doi:10.1111/comt.12091
This is a time of uncertainty for local broadcasting in what Collins (1990) calls the
“North Atlantic triangle” (Canada, the United States, and the United Kingdom).1
Local television journalism has declined, nonnews programming is largely absent,
and in some cases local television stations have closed completely. The economic sus-
tainability of local broadcasting has been challenged both by the global recession and
by digital distribution, which brings with it audience fragmentation, advertiser grav-
itation, and user-generated content (Canada, 2009; Ofcom, 2009a; Waldman, 2011).
While regulators and policymakers struggle to address these structural and cycli-
cal challenges, most notably in the United States, United Kingdom, and Canada where
they are particularly acute, an enduring tension within the discourse of local media
policy has been left unexamined: how to define “the local.” “What is local?” “Who is
local?” and “Where is local?” all represent questions encountered by regulators, but
seldom discussed. Put differently, what does it mean to be local within the parameters
of media policy and regulation in the digital age?
Historically, regulators have relied on a place-based definition of the local from
which to base regulations for local television—the primary vehicle for local news and
information, even today (Pew Project for Excellence in Journalism, 2011). The local is
a city, a town, or village; it is a place on a map. This has meant assigning a television sta-
tion to individual localities through the assignment of a transmitter, a license, and the
use of spectrum. Through these actions, the station was to provide an outlet for local
expression and reflect the meaning of these places (Anderson & Curtin, 1999). Broad-
cast signals, however, have never respected political boundaries, although they can be
confined through transmitter power allotments (Anderson & Curtin, 1999). Digital
media, or what Wilken (2011) calls “teletechnologies,” on the other hand, pull us even
further from the comfort of geographically defined places, creating a condition of “no
sense of place” (Meyrowitz, 1985). The neoliberal reflux within the global political
economy has further accelerated a “time-space compression” (Harvey, 1989), engen-
dering the “space of flows” of capital, texts, and mobility, and diminishing the “space
of place” to which the human condition has been tethered for generations (Castells,
1996; Entrikin, 1991). These challenges have important and immediate consequences
when it comes to the regulation of the broadcasting industry more generally and local
news in particular. Is local news, for instance, specific to an immediate geographic
locality? Is it news that is of interest to the local population? Or is it news produced
within the locality? In other words, what should “count” as local?2 These are seminal
questions when determining the informational and communicatory needs of Ameri-
can, Canadian, and British communities. Localism in media policy has not been able
to keep up with these changes in social relationships, technology, and community
formation (Braman, 2007). By evading these issues, regulators miss an opportunity to
bring this foundational policy principle in to the 21st century.
We need ways to think through these issues, rather than reduce them to artifi-
cial and ultimately reductive dichotomies of “social localism”—defining localism in
terms of common interests and tastes—and “spatial localism”—defining localism in
terms of where we live—or leaving the market to decide. In sum, what is missing
from regulation is a deeper engagement with the ideas of localism and community.
Using examples from a larger study on local television regulation in the United States,
United Kingdom, and Canada (Ali, 2013), I propose that the theory of critical region-
alism (Frampton, 1983, 1985) is a useful theoretical lens from which to address these
challenges. Developed within neo-Marxian architectural theory, critical regionalism
recognizes the importance of geographically defined places, but avoids reductionism
by taking into account social relationships and the influences of globalization and
capitalism. Critical regionalism forces an interrogation of localism that goes beyond
place to include elements of culture, identity, and language. Rather than treating these
elements as “add-ons” or “alternatives” to physical dimensions of the local, critical
regionalism insists on their inclusion, even when this complicates existing under-
standings.
Critical regionalism is a useful tool for scholars and regulators to build concep-
tual bridges across the spatial/social duality, and to identify those instances within
regulatory discourse where such bridges already exist and can be reintroduced. This
latter task is vital because it demonstrates that there are “moments of critical region-
alism,” policy windows where the definition of the local is up for interpretation, and
where the local is understood not as a static, homogenous, market-based site, but
rather as a process constructed through negotiation. Such an understanding can assist
media policy scholars and regulators to craft more robust local media policy frame-
works.
I begin this article by defining localism generally, and then specifically in the con-
texts of the United States, United Kingdom, and Canada. Drawing from critical geog-
raphy, I then discuss the tensions of what I call “communities of place” and “commu-
nities of interest” (i.e., spatial and social localism). I turn next to illustrative instances
to demonstrate how critical regionalism helps us think about localism and develop
meaningful interventions.
Localism defined
Until recently, “localism” was a term employed exclusively in the American policy
milieu. In the past few years, however, the term has gravitated to the United King-
dom, where regulators now speak of localism and “localness.” In Canada, however,
it has yet to gain purchase. Semantics aside, the U.S. Federal Communications Com-
mission (FCC), the British Office of Communications (Ofcom), and the Canadian
Radio-television and Telecommunications Commission (CRTC) have each vocalized
support for the ideals engendered by the concept of localism and the normative role
of local media. While there is no official definition of localism, it can be understood
as a commitment by broadcasters to “local operations, local research, local manage-
ment, locally originated programming, local artists and local news and events” (Local
Community Radio Act of 2005, in Dunbar-Hestor, 2014, p. 142). Conversationally,
Commissioners from the FCC have said that localism requires:
responsiveness of a broadcast station to the needs and interests of the
communities of license … Every community has local news, local elections,
local talent, and local culture … Localism doesn’t just mean just giving
promotional air time or fundraising opportunities to local charitable
organizations. It means providing opportunities for local self-expression. It
means reaching out, developing and promoting local talent, local artists, local
musicians. (Adelstein, in FCC, 2004, p. 7)
In sum, localism can be defined as the belief that broadcasters should be responsive
to the local geographic communities to which they are licensed (“the community of
license”). This generally includes the airing of community-responsive programming,
particularly local news and information programming, and being engaged with the
local community (Napoli, 2001).
Localism is framed as the “bedrock,” “cornerstone,” and “building block” of West-
ern broadcasting, particularly in the United States and Canada (Cole & Murck, 2007;
CRTC, 2008a). In the United Kingdom, where local television has been limited, its
absence has been called “the biggest gap in British broadcasting … because, ironi-
cally, in an age of globalism, people feel the need for stronger not weaker connections
to the communities in which they live” (Hunt, 2010, np). Underscored by this quote
from the United Kingdom’s former Culture Minister Jeremy Hunt, localism rests on
a belief in the salience of place-based communities, predicated on an understanding
that, “local communities and nations continue to define their selves and their aspi-
rations within territorial parameters” (Cowling, 2005, p. 354). Localism brings with
it persuasive assumptions of democracy and civic participation where local media
facilitate dialogue and deliberation, what Friedland (2001) calls a “communicatively
integrated community.” Local television stations have been thought of as essential in
fostering these goals, particularly through the provision of local news. It is not for
naught that the CRTC should contend: “Local media help to shape Canadian’s views
and to equip them to be active participants in the democratic life of the country”
(2008a, para. 57).
Over time, the belief in the relevance and resonance of place-based localities (or
“communities of place”) manifested in specific regulations such as local ownership,3
the location of the studio,4 local programming quotas,5 and community dialogue.6
Despite these repeated attempts at regulation, however, localism has generally had a
“disappointing career” in American, British, and Canadian broadcasting policy and
practice (Kirkpatrick, 2006, p. 11). One shared point of frustration has been the inabil-
ity to identify what constitutes local programming.
Local programming, particularly local news, has proven particularly difficult for
regulators. Like localism itself, local programming can be characterized as either
“place-based” (“point-of-origin”) or “content-based”/“content-oriented” (Napoli,
2001; Smallwood & Moon, 2011). As Smallwood and Moon (2011) describe, the
former is geographically based, whereby programming is expected to be “produced
and presented within the local community” (p. 39). Alternatively, content-based local
programming “shifts the emphasis from the production source to the nature of the
program’s content” (p. 39). Indeed, a lot of nonlocally produced content can be as rel-
evant to a community as locally produced content, something the FCC recognized in
1986. Commercial broadcasters in the United States argue this point repeatedly (NAB,
2008). Nonetheless, regulators typically default to geographical alignment. In Canada,
a local program is defined as “Programming produced by local stations with local
personnel or programming produced by locally-based independent producers that
reflects the particular needs and interests of the market’s residents” (CRTC, 2009, para.
43). While in the United Kingdom, local television stations are required to document
how much programming is produced within the community of license (Ofcom, 2012).
The difficulties of defining a local program illustrate the larger division between
what Braman (2007) calls the “real” and the “ideal” conceptualizations of media local-
ism, wherein regulators invoke ideas of democracy and participation facilitated by
media localism, but fail to enact operational policies to support these normative val-
ues. As Braman argues, without better understanding of these issues, we cannot hope
to address the specific operational issues of localism, particularly those of technology,
American localism
Localism has a special place within American media policy, tied as it is not only to
broadcast regulation but aslo to a distinctly American ethos of decentralized govern-
ment and individual responsibility (Napoli, 2001). Localism also has strong ties to
the idea of the community as a geographic entity and as the incubator for local val-
ues, culture, and tradition (Napoli, 2001). Localism is therefore a “value … deeply
embedded in the American legal and political culture” dating back to Jefferson’s little
republics (Briffault, 1990a, p. 1; Briffault, 1990b). The U.S. census—the first systematic
census among modern nation states—for example, is fundamentally a local exercise
for national benefit as everything from the appropriation of seats in the House of Rep-
resentatives, to taxation is based on the census of local populations (Anderson, 1988).
With these beliefs cemented in American political consciousness, the introduction of
radio and the 1927 Radio Act saw broadcast licenses awarded on a local, rather than
national or centralized basis. When television was introduced in the late 1940s, this
local tradition continued.
Many have noted the difficulties the FCC has faced when attempting to enact
localism policies (Braman, 2007; Cole & Murck, 2007; Napoli, 2001). Cole and
Murck (2007) have even gone so far as to call it the “myth of the localism mandate.”
The Commission is forbidden, for instance, from mandating local program quotas
because it would violate the First Amendment rights of broadcasters. Silverman and
Tobenkin (2001), moreover, critique the FCC’s “Main Station Rule” for its assumption
that simply having a station located within the political boundaries of the community
of license would foster greater local production and reflection.
Two additional challenges plagued the history of localism. First is the difficulty of
enforcing geographic parameters on a natural resource (spectrum) and a technology
(broadcasting), neither of which is beholden to geography. As Anderson and Curtin
(1999) contend:
Because of its internal contradictions … localism has been virtually impossible
to enforce in actual cases; it simply cannot account for the diversity of modern
societies or for the external forces that integrate local communities into much
larger economic and communications networks. In particular, the principle of
localism doesn’t adequately account for the media’s own role in blurring the
boundaries of social space. (p. 294)
Communities are too complex, and media too porous to fulfill the ideal promise
of localism. Second, the ideal of localism never accounted for the market, particularly
networking, and rested only on “a vague, progressive, almost Jeffersonian vision of a
Canadian localism
The association between broadcast localism and political localism is less apparent in
Canada, where concerns for nationalism and to a lesser extent regionalism have long
taken precedence (Brodie, 1990; Friesen, 2001). Localism has often been eclipsed by
the nation-building agenda of Canadian governments, particularly in the domains
of culture and communication (Tinic, 2005). In broadcasting, Canadian communi-
cation policy has been marked by protectionism and nationalism based largely on
the threat of American cultural imperialism (Raboy, 1990). This encouraged a policy
doctrine of what Charland (1986) calls “technological nationalism”—the use of com-
munication and transportation technologies to foster national identity. This has been
clear since the first comprehensive assessment of broadcasting—the Aird Report of
1929—which recommend that Canadian broadcasting mimic the nationally oriented
public system of the United Kingdom, rather than the localized and commercial sys-
tem of the United States (Raboy, 1990). While today the broadcast system is made
up of American-style national networks and locally licensed affiliates, it was then
agreed that Canadian broadcasting would serve the purpose of creating, maintain-
ing, and reifying a Canadian national identity (Raboy, 1990). Even now broadcasters
are required to adhere to Canadian Content regulations (60% from 6 am-midnight,
50% from midnight-6 am) (Armstrong, 2010). Like the United States, cable providers
are also subject to “must carry” regulations, requiring them to carry the signals of all
stations in a local market. Cable companies also provide for community programming
through community television channels (Armstrong, 2010). Broadcasters must also
adhere to minimum requirements for local news (Canada, 2009). Despite these com-
mitments, however, the introduction of the 1991 Broadcasting Act kicked off decades
of deregulation, particularly regarding corporate consolidation. Today, four of the
largest telecommunication operators (Bell, Shaw, Rogers, and Quebecor) own four
of the largest broadcasters (CTV, Global, Citytv, TVA).
British Localism
The United Kingdom has historically possessed a highly centralized system of gov-
ernance, and mirroring this, a highly centralized broadcasting system (Crisell, 1997;
Hewson, 2005). It is only in the past decade that localism has come to the fore. An
impetus for this has been the “Big Society” project—the cornerstone of the Conser-
vative Party’s 2010 election campaign (Pattie & Johnston, 2011; Westwood, 2011). The
“Big Society” refers to the decentralization of federal programs and a plan for greater
citizen responsibility (Pattie & Johnston, 2011). One outcome of this movement was
the 2011 Localism Act, which transferred certain federal powers to municipal govern-
ments. While some have rightly critiqued the Big Society as a veiled attempt toward
further abandonment of the welfare state (Tam, 2011), an interesting consequence
was a renewed focus on media localism through the systematic establishment of local
television throughout the country.
Despite the launch of the local television system in 2013, however, the history
of British broadcasting is synonymous with the history of the British Broadcasting
Corporation (BBC) and media policy scholars seldom recall the history of local broad-
casting. Like the United States and Canada, broadcasting began with a handful of local
radio stations (Crisell, 1997). During the 1920s, these were quickly consolidated first
into the British Broadcasting Company and then in 1927 into the BBC. John Reith,
founder of the BBC, pushed hard for the network to articulate a single national voice
and agenda, which had the effect of eviscerating local radio (Crisell, 1997). Television
was introduced in the 1930s, but only gained traction after the Second World War
under the purview of the BBC and funded through a yearly tax on receiver ownership.
In 1955, the advertising-supported ITV network came about by an act of parliament
the previous year, and was to consist of a federation of regional stations (Johnson &
Turnock, 2005). Despite its regional composition, however, little was actually regional
about ITV. “The regional structure of the ITV franchises,” write Johnson and Turnock
(2005), “was largely based on the location of transmitters, rather than on the assess-
ment of cultural regions” (p. 20). This would be the closest the United Kingdom would
come to a system of local television in the 20th century. Today, ITV is petitioning to
have its regional programming commitments paired down, citing economic hard-
ship. It also merged several of its regional newscasts in England in 2009 to maximize
efficiency. In the process, however, ITV expanded the geographic footprints of many
regions, suggesting that certain regions may now be receiving less localized news than
before (Ofcom, 2009b).
An important commonality across these jurisdictions is the lack of a coherent local
media policy framework. This is certainly true when we consider the overall failure to
integrate community television within larger frameworks of localism—a shortcoming
that will be returned to later. Localism as a distinctly place-based concept, moreover,
is withering, replaced by market designations, nondescript regional zones, and online
distribution. Because of the historical developments described above, coupled with
the recent trends of market fundamentalism and deregulation, regulators have been
unable to come to a conclusion or even enter into debate regarding what I call “the
epistemological question of the local”: how we define localism from both a spatial and
social perspective. This absence has only exacerbated the gap between the real and the
ideal versions of localism.
1999, p. 302). Freedman (2014) calls the absence of such critical contemplation a
“policy silence,” indicating the road not taken by regulators. Policies need to be
crafted that recognize the importance of spatial localism, social localism, and their
intersections. This may lead to more robust frameworks for local media in the public
interest. One way to think productively across this artificial separation is through
theory of critical regionalism (Frampton, 1983, 1985).
Critical regionalism
Critical regionalism is most frequently associated with an influential 1983 article
written by Neo-Marxist architectural theorist Kenneth Frampton. Frampton was in
search of a theory that would focus on the creation of places, rather than the place-
lessness engendered within advanced capitalism. At the heart of Frampton’s thesis lies
a critique of capitalism and globalization centered on geographic places. He critiques
advanced capitalism for its propensity toward uneven geographic development, stan-
dardization (“universalization”), and for pulling us away from particular places. The
growth of capitalism, for instance, is paralleled in the growth of the Megalopolis and
the “victory of universal civilization over locally inflected culture” (1985, p. 17). His
response, however, is not to isolate the local, as some local enthusiasts might propose
(e.g., Shuman, 1998), but rather to engage in a critical rebuilding of place—a critical
regionalism. His theory is dialectic, as Frampton understands well the relationship
between the global and the local—one cannot exist without the other, and yet, one
is in conflict with the other. For Frampton, critical regionalism is necessary “to
mediate the impact of universal civisilisation with elements derived indirectly from
the peculiarities of a particular place” (1985, p. 21). The local and the global must be
understood as mutually constitutive (Morley & Robins, 1995).
Tinic (2005) suggests that critical regionalism is well suited “for the study of Cana-
dian culture and communication” (p. 15). Powell (2007), moreover, extends Framp-
ton’s work to critical cultural studies and uses it to undergird his research on the
discursive construction of the Appalachian region. Powell concentrates on the con-
struction of places and regions, but argues that, “Simply talking about place – or, more
specifically, ‘the local’ – is not enough” (p. 18). Instead, the complexities of a “sense
of place” emerge “by looking at those features of a place that seem, at least superfi-
cially, to be the permanent stable markers of its identity” (p. 14). There is recognition
of the importance of place, but one that does not cater to reductionism. Places are
constructed through history, actions, viewpoints, contexts, and discourses. In doing
so, Powell also tempers Frampton’s original framing of critical regionalism as dialec-
tical. Instead, he positions critical regionalism as a dialogue between the local and the
global, and between geography and social relationships. As Powell (2007) continues:
Places are not things to be found out there in the world; they are ideas about
spaces that are constructed by people, in acts of observation and interpretation,
and more durably in writing, in visual arts, in the built environment. Places
come to seem like things because over time multiple interpretations and
Discursive alternatives
The strongest alternative readings of the local come when definitional boundaries
are challenged. Ofcom has been a prolific actor in this regard, with several notable
attempts to understand the local in regulation, the media system, and UK society more
broadly. The 2006 Digital Local report represents the hallmark of localist thought at
Ofcom, as it interrogated the local from multiple vantage points. At one point, Ofcom
even questioned whether the place-based definition of the local was the appropri-
ate target for regulatory intervention, or if communities of interest would be better
suited:
It has been argued … that information and communication technologies have
weakened people’s ties to shared localities, by providing access to global
information and media, enabling larger and more dispersed groups to
communicate and facilitating the development of services to niche communities
that are not bound by geographical location or proximity to the service provider
… We may have as much in common with somebody at the end of a telephone
line in a different continent, as we do with our nextdoor neighbour, if not more.
(2006, p. 10)
While acknowledging the rise of this social localism, Ofcom was not content to
rely on taken-for-granted assumptions of either communities of interest or commu-
nities of place. Instead the regulator engaged in an epistemological debate. While
eventually settling on the belief that “‘[geographically] local’ still does matter,” Ofcom
(2006) acknowledged the complexity of defining the local for regulatory purposes: “In
practice, ‘locality’ is a multilayered concept, which means different things in different
places, and to the same person at different times” (p. 22).
Despite this important acknowledgement of the contextual nature of the local, it
must still be narrowed to avoid regulatory ambiguity and be operationalized in policy.
While raising the issue for different ideological reasons (deregulation), this was the
position of commercial broadcasters in the United States, who, through various filings
to the FCC argued that ambiguity in terms like “local” and “local news” only serve to
weaken and confuse the regulatory landscape. Argued the National Association of
Broadcasters (NAB) (2008):
The lack of a workable and consistent definition for ‘local’ … undermines the
entire regulatory regime that the Commission is attempting to implement. The
uncertainty created by this failure will leave the agency, the public and
broadcasters mired in regulatory uncertainty for years. (pp. 9–10)
While it was in the NAB’s economic interests for the FCC to refrain from propos-
ing more stringent definitions (and therefore more stringent regulation), the organi-
zation is correct to argue that regulators cannot employ these terms without a more
concrete discussion about their meaning and impact.
A Canadian example echoes the importance of reducing ambiguity. The 2003 “Lin-
coln Report” recognized the complexities of defining community, local, and regional
for Canadians and the CRTC. At one point in its voluminous 900-pages, this report
poignantly observed, “one’s person’s regional can be someone else’s local, regional
or provincial; and, depending on one’s location, it can be all three” (Canada, 2003,
p. 356). This subjectivity has significant implications for the regulation of local broad-
casting, and the CRTC was chastised for failing to take this into account when drafting
what the Lincoln Report considered poorly considered and overly complex regulation.
Part of the solution to the impasse of localism, therefore, lies in the acknowl-
edgement that previous taken-for-granted assumptions of the local are insufficient.
The FCC, CRTC, and Ofcom, have each been confronted with questions, either from
within, or by outside commentators about the definition of the local, particularly local
news. The very act of asking these questions is exemplary of alternatives to the status
quo. The FCC, for instance, has asked on a handful occasions if its approach to local-
ism requires revisiting in light of changes in technology and social behavior (see FCC,
2008). Ofcom early on contemplated “what geographical units would make most sense
… if we were starting to develop regional programming from scratch?” (Ofcom, 2004,
p. 48). In asking these questions, regulators implicitly invite responses from numerous
stakeholders, rather than just those who have commercial or regulatory interests in a
given proceeding. They make available the possibility of alternatives to long-standing
and outmoded assumptions of the local. The challenge for scholars is to get regulators
to follow up on these questions, pay more attention to the peripheral conversations,
and integrate them into regulation.
Community media
While situated on the periphery of regulatory discourse, community media advocates
frequently attest that place still matters in the production of media content (Howley,
2010). The “community media center” has become a focal point in these arguments,
as a physical place for gathering, community building, and skill development. Bring-
ing community media into conversations about localism adds complexity to these
positions, and serves to illustrate “the definitional ambiguities and inconsistencies
inherent in the existing uses of the terms community, local and regional” (Canada,
2003, p. 362). The United Kingdom has again been the leader in these discussions,
passing legislation that directly acknowledges the complex and heterogeneous nature
of the local. As the 2004 Community Radio Order noted, a community can consist of:
1 the persons who live or work or undergo education or training in a particular area
or locality, or
2 persons who (whether or not they fall within paragraph (a)) have one or more inter-
est or characteristics in common. (UK, 2004, §2(1))
creation of a unified local media policy that would take into account such ele-
ments as ethnic media, community media, and minority-language media (Canada,
2003).
Conclusion
The primary goal of this article has been to interrogate the dichotomy between spatial
and social localism, and argue that a more dynamic approach is needed to reimagine
localism for the 21st century. Escobar (2003) asks, “Is it possible to envision a defense
of place without naturalizing, feminizing, or essentializing it, one in which place does
not become the source of trivial processes or regressive forces?” (p. 40). Through the
moments of critical regionalism outlined above, my research responds in the affirma-
tive. Unfortunately, these moments remain confined to the peripheries of regulatory
discourse in the form of forgotten proposals, neglected reports, or buried recommen-
dations.
If the local is to flourish as a normative ideal in media regulation—a goal articu-
lated by the FCC, CRTC, and Ofcom—than these moments need to enter the realm
of mainstream regulatory discourse. In particular, a regulatory system is required that
recognizes the heterogeneous composition of local communities, rather than one that
flattens nuances of place, community, and localism. Critical regionalism is a useful
approach by which to analyze localism in media policy for it circumvents the arti-
ficial dichotomy between spatial and social conceptualizations. It demonstrates that
this is not a zero-sum game, but rather that both contribute to the construction of
the local. This could lead to a more progressive theory of localism policy, and at the
very least, expand the conversation that informs regulatory discourse by highlighting
alternatives to the status quo.
Given the precarious nature of local broadcasting, it is more important than ever
for regulators to critically assess the relationship between local media and places, and
to open up the conversation to multiple stakeholders about what it means to be local
in the digital age. Value lies in these open conversations. “‘Senses’ of place and region
are not so much essential qualities … ” Powell (2007) writes, “as they are ongoing
debates and discourses that coalesce around particular geographical spaces” (p. 14).
At this moment, the need for debate trumps the need for a short-term fix. In sum,
a spirited discussion is required if localism is to survive as a governing principal of
media regulation, particularly when it comes to local news.
Inspired by critical regionalism’s focus on holistic approaches to the local and
the celebration of alternatives, one regulatory proposal offered here is the creation
of a local media policy framework for the United States, United Kingdom, and
Canada, respectively. These frameworks should move away from the technology
silo’d approach to media policy currently employed (Barr & Sandvig, 2008), and
think instead in terms of ecosystems and “communicatively integrated communities”
(Friedland, 2001). This would of course include community media, but also those
platforms not under the regulators’ immediate jurisdiction, but which contribute
to the ecosystem: blogs, citizen journalism, hyperlocal sites, and mobile platforms.
Of existing policies, the United Kingdom’s Community Radio Order, which directs
Ofcom to consider communities of place and communities of interest within geo-
graphic localities, is an example of the type of holistic policy that we could expect if a
critical regionalist approach is adopted.
The ultimate goal is simply put, but herculean in practice: to develop media poli-
cies that embrace the local as a site of dynamism and heterogeneity and that recognizes
the ongoing role of geographicallydefined places. Critical regionalism is a framework
to encourage such conversations. Powell (2007) continues,
the path that the practice of critical regionalism draws across this intellectual
landscape is designed to lead toward a view of the best possible version of the
region from among all the versions that are out there (whether or not it actually
gets there). (p. 7)
This should be the goal of regulators and scholars of localism—to locate and
theorize the “best possible version” of the local within Western media policy
systems.
Acknowledgments
Earlier drafts of this paper were presented to the IAMCR conference in Dublin (2013)
and the ICA conference in Seattle (2014). The author wishes to thank Dr. Hector
Amaya, Dr. Aynne Kokas, Dr. Nora Draper, the lunch series of the Department of
Science and Technology Studies at the University of Virginia, and the editors and
anonymous reviewers for their feedback and critique.
Notes
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