As mentioned above, the presence of colour is dependent on light,
on its sources. Therefore, it follows that colour is found on the spectrum band and is not a physical property of any object. However, let it be understood that every object has colour quality which constitutes three physical properties. These physical properties are hue(s), intensity, and value. Hue It is a colour property that refers to its location to the spectrum. It is also a term or name used on the various colours found within the spectrum band. These terms are determinants of the colour variations in terms of yellow, blue, and red which happens to be primary hues. Value To visual artists, mixing colours is an exciting process as well as challenging. There is a wide range of colour tones that can be produced, including that each colour on the spectrum has more characteristics other than hues. Value is the quantity of lightness and darkness of a colour in a given object. A different quantity of light and a different wavelength are reflected in all colours of the spectrum. Thus, the hue of yellow reflects a large amount of light while violet reflects a small amount of light. Intensity
Intensity is sometimes known in the art world
as saturation or Chroma which refers to the quality of light in a colour. In this manner, this property becomes distinct from value, which refers to the quantity of light in a colour.
Neutrals
Some objects are black, white or grey which do
not appear in any of the colours in the spectrum band. There is no colour quality found in them; however, they merely differ in the quantity of light (value) which is reflected from them. Since they are not distinguished as any colour, these tones are known as neutrals. But in science, these so called neutrals actually reflect all the colour waves in a given ray of light. White may be called as the total addition of colour since it reflects all the light in an equal degree. While black is usually identified with absence of colour, because it results to absorbing all colours in the surface reflecting none. In absolute black (as rarely seen) reflect no light at all and consequently, it has no colour. While in any grey, it may be considered as impure white because it partially reflects all the colour waves in the spectrum. When a great quantity of light is reflected, the grey is light. Correspondingly, if little quantity of light is reflected, the three will be a darker grey. Black, White, Grey Colour Relationships
Understanding the colour relationships is
partly an indicator of a successful use of colour especially in the art production process. Let it be appreciated that each colour has its own single character and its character is greatly influenced when such colour is seen juxtaposed with other colours. These juxtapositions may be in contrast in varying degree. Warm and Cool colours
As commonly known, colours belong to two
fundamental grouping: warm and cool colours. Warm colours are in hues of red, orange, and yellow possessing longer light wavelength and usually associated with sun or fire. While hues containing blue, such as blue, green, and violet with shorter light wavelength and often connected with sky, water and forest. These colour association with nature, as they are identified with warm or cool, is greatly influenced by perception, thus group accordingly. Simultaneous Contrast (Complementary Colour)