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Latin American Subaltern Studies Group. Founding Statement
Latin American Subaltern Studies Group. Founding Statement
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Founding Statement
Introduction
The workof the SubalternStudiesGroup,an interdisciplinary orga-
nizationof South Asianscholarsled by RanajitGuha,has inspiredus to
founda similarprojectdedicatedto studyingthe subalterninLatinAmerica.'
The presentdismantlingof authoritarianregimesin LatinAmerica,the end
of communismandthe consequentdisplacementof revolutionary projects,
the processes of redemocratization,andthe new dynamicscreatedby the
effectsof the mass mediaandtransnational economicarrangements: these
are all developmentsthat call for new ways of thinkingand acting politi-
of LatinAmericanpoliticalandculturalspace inrecent
cally.The redefinition
in
years has, turn,impelledscholarsof the regionto reviseestablishedand
previouslyfunctionalepistemologiesinthe socialsciences andhumanities.
1. The groupexplainsthatit uses the wordsubaltern"as a name forthe generalattribute
of subordinationin SouthAsiansociety whetherthis is expressed intermsof class, caste,
age, gender, and office or in any otherway."See RanajitGuha, "Preface,"in Selected
SubalternStudies, RanajitGuhaand GayatriSpivak,eds. (New York:OxfordUniversity
Press, 1988), 35.
boundary2 20:3,1993.Copyright
? 1993byDukeUniversity
Press.CCC0190-3659/93/$1.50.
LatinAmerican StudiesGroup/ Founding
Subaltern Statement111
"filmwith-the-people" developedbyJorgeSanjinesandGrupoUkamu,the
Colombian"teatrode creaci6ncolectiva,"the TeatroEscambrayin Cuba,
and relatedmovementsinthe UnitedStates likethe TeatroCampesino.
But,even wherethis workengaged problemsof gender,race, lan-
guage, and the like,its insistenceon a unitary,class-basedsubjectand its
concomitantassumptionof the identityof theoretical-literarytextsproduced
with
by elite intellectuals thissubjectveiledthe disparityof blacks,Indians,
Chicanos, and women;alternativemodels of sexualityand of the body;
alternativeepistemologiesand ontologies;the existenceof those who had
not enteredintoa social pact withthe (revolutionary) state;the "lumpen."
(A good dramatizationof the issues but
involved, one thatalso is "partof
the problem"in its mannerof posingthem,was SaraG6mez'sexploration
of class, race,andgenderconflictsinpostrevolutionary Cubain herfilmDe
CiertaManera[OneWayor Another].) The subjectof historywas neverin
question,andso neitherwas the adequacyof its representation (bothinthe
mimeticand the politicalsense) by revolutionary sects, by the new forms
of artand culture,or by new theoreticalparadigmslikedependencytheory
or AlthusserianMarxism.
5. Guha,"OnSome Aspects,"43.
2 / Fall1993
118 boundary
7. CarlosVilas,TheSandinistaRevolution:NationalLiberation
and Social Transformation
in CentralAmerica(New York:MonthlyReviewPress, 1986).
8. RigobertaMenchui,I, RigobertaMenchO:An IndianWomanin Guatemala,trans.Ann
Wright(London:Verso, 1984).