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    This document appears to be musical notation for part 3 of a harpsichord concerto for clarinet and orchestra. It contains musical notation including time signatures, key signatures, dynamics, and other musical markings across 16 pages. The notation becomes increasingly complex with additional voices and instruments indicated.

    Original Description:

    Clarinet Concerto Part 3

    Original Title

    ClarPart 3 Harpsi

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    This document appears to be musical notation for part 3 of a harpsichord concerto for clarinet and orchestra. It contains musical notation including time signatures, key signatures, dynamics, and other musical markings across 16 pages. The notation becomes increasingly complex with additional voices and instruments indicated.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views7 pages

    Concerto No: 1 : "Circus" / Old Fashion Way..

    Uploaded by

    shmack
    This document appears to be musical notation for part 3 of a harpsichord concerto for clarinet and orchestra. It contains musical notation including time signatures, key signatures, dynamics, and other musical markings across 16 pages. The notation becomes increasingly complex with additional voices and instruments indicated.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 7

    Harpsichord

    Concerto No: 1
    for Clarinet Bb and Orchestra
    "Circus" / Old Fashion Way...


    PART 3 Krzysztof Dobosiewicz (2002/edit2003)
    q = 154
      
       
                    
           
     p
           
       


    p

      
    6

       
           
    p

    mf
              
      
      
     
        
     


    8
      
                      
        
       
      
                    
     


    pp

    11 
                
        
        
      
      
                 
       


    16
       
                                 
         

                      
    mp
            
     


    mp

    19 
    "fat" (elephants parade)
     
          
     
       
          
     
    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    2 Harpsichord


    32
       
                          
                 


    f
       


     
                        
    36
     
    3

               
    3

        
     mf 
                                    
               


    mf 3 3 
    40 3
              
                     
           

         
                                 
             
    


    3  
    44
        
                           
              
     
           
           
            
            


    48

        


                   
               



            
       
    52
      
              
             
      
               
         
         
     
          


     
                
    58

       
         

                 
     
          
          
              
     
    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    Harpsichord 3

    61
                   
             


       
        
      
               
    3
      
           
        


       
    64 
            
                 
      

    mp    
          

            
        


    mp
    69
     
                                  
               
       
    mf
           
            
     mf


       
    73
     
                         

     
    mp
                  
                   
      mp


           
    77
          
          
           
             
          
                

            
                   


     
                         pesante      
              
    81
       

      
         
                            
    pesante

      
           


    85       
      
                             
      
             
                          
              
               V.S.
    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    4 Harpsichord

    89

                             


      
             
        
                                
             


            
            
    94

         

        
               
      
              
                    
     
          


     
    100
         
                        
        

      
                
               
        
              


     
    103
                 
              
         
            
               
    3 3
          
                  


      
                   
    106

        
             
    ( Clowns ) mf
                       
                     
                      



         
    111 
                 
                         
               
                            
                    


    115          
        
     
       
                    
                

                                
        
       
           

    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    Harpsichord 5

       
                       
    119

         
           
    ( Clowns ) mf
        
                         
                      


     
                              
    124

             
                   
                     
          
              


     
                  
                   
    128
          
          
     
                                   
           
             



    132
            
    rit.

        
          
             
                
            
      
     


     
      
    140 q=96

           
     
     p 

                            
         
     


         
           
    147

                     
         
        p      
                  
       


    p  
      
    152
              

          
           
       
            
             
        
          V.S.
    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    6 Harpsichord
    accel.
    158

         

               
                     
                 


       rit. 
              
    163

        
           
       
          
                                     
                
     


         
    accel. rit.
    168   rit.  accel. rit. accel. rit.
       
    
      
       



    Tempo primo
      
                  
    177 q = 154

          
    mf
           
                       
                  


            
                          
    182

              
               
                          
                 


                 
              
         
    186

                 

                                   
       
               




    190
                                
                      
       
     
                   
            
      
                         
      
    
    concerto Nr:1 for clarinet Bb solo & Symph. Orch. PART 3


    Harpsichord 7

    194
      
                    
      
    
       
       
                     

    


    198 
      
    rit.
     
       
       
             
     
      
       
     
          
     
      

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