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Culture, Theory, and Narrative: The Intersection of Meanings in Practice

Author(s): Dennis Saleebey


Source: Social Work, Vol. 39, No. 4 (July 1994), pp. 351-359
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/23717045
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Culture, Theory, and Narrative:
The Intersection of Meanings in Practice
Dennis Saleebey

Two essential characteristics of the human condition important for


social work practitioners to remember are (I) human beings build
themselves into the world by creating meaning, and (2) culture gives
meaning to action by situating underlying states in an interpretive
system. Practice is an intersection where the meanings of the worker
(theories), the client (stories and narratives), and culture (myths,
rituals, and themes) meet. Social workers must open themselves up to
clients' constructions of their individual and collective worlds. The
major vehicles for this are stories, narratives, and myths.
Acknowledging and helping to refurbish them does not doom social
workers to psychologizing what are, in part, social and political
problems. Social workers can assist in the "insurrection" of
subjugated meanings and help get them into the agency, school,
hospital, commission, institution, community, and profession through
externalization. Such an approach to practice helps clients edge into
the larger and often oppressive world, strengthens the self, and
emboldens the folklore of the group.

Key Words: clinical practice; cuitare; meaning; narrative; theory

how any theory of practice is also a symbolic con


enriched by incorporating constructivist ap struction or "story." This article offers some pre
Professional social work can be substantially
preciations and perspectives into its theory liminary thoughts on the intersection of culture,
and practice. To do so may require a shift in our theory, and individual narratives.
understanding of the nature of reality and our
stance toward what is "true." There are many Culture and Meaning
ways to construe and construct a world of mean Bruner (1990), in his usual astute and direct way,
ing, and we will benefit as practitioners if we come draws our attention to two characteristics of the
to understand more clearly how people and cul human condition that we sometimes forget. First,
tures create a world of meaning and what implica human beings can only build themselves into the
tions such meanings have for how we approach world by creating meaning, by fashioning out of
our work. Until now, much of the thinking and symbols a sense of what the world is all about.
work of constructivist practitioners has failed to Unlike other species, we cannot rely on biology
do two things: (1) establish a link between indi for instruction. Biology does constrain, but it does
vidual constructions and the larger environment not shape who we think we are, what we think we
of social institutions and culture and (2) examine are doing, and where we think we are going.

CCG Code: 0037-8046/94 $3.00 © 1994


National Association of Social Workers, Inc.

351

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Without some plausible and poignant interpretive mism of the human-made and natural worlds.
devices and images we are lost, swarmed by a rush Whatever meanings a culture sustains are mostly
of stimuli on our nervous systems. Second, we get expressed in two ways: ( 1 ) stories, narratives, and
the raw material for our meanings, however pro myths (individual and collective versions) and (2)
visional, from culture. Culture is nothing if it is nonverbal communication (the expressions of the
not a system where meaning is given to action by body in context) (Hall, 1981).
"situating its underlying intentional states in So the truths that practitioners, researchers,
[this] interpretive system" (Bruner, 1990, p. 24). and educators traffic in often ultimately turn out
Culture insinuates its patterns on us, and they be to be the implements—discourse styles, language,
come embedded deeply within us. and tropes—that make up the culture's stories.
Culture is the means by which we receive, or This fact, says Bruner (1990), makes folk psychol
ganize, rationalize, and understand our particular ogy and folk science enormously important; un
experiences in the world. Central elements of this derstanding a group's interpretive system is a
cultural patterning are story and narrative. That matter of delicate sensitivities. Because most folk
is, we find or impart meaning largely through tell science is "narrative rather than conceptual" (p.
ing stories and weaving narratives, the plots often 35), we must hear the stories. In a similar vein,
laid out by culture. But individuals do not simply anthropologist Michelle Rosaldo (1984) wrote
and passively receive meaning. There is always, as that the self "grows not from 'inner' essence rela
Rosaldo (1989) noted, an interplay between struc tively independent of the social world, but from
ture (culture) and agency (selfhood). We may, as experiences in a world of meanings, images, and
individuals and families, alter the plots of story social bonds, in which all people are inevitably
lines and the motives of actors to suit ourselves involved" (p. 139). These cultural truths and the
and to more comfortably situate us in our own narrative core of folk psychology are based on
world. Much of what culture tells us, the learning of "human agents doing things on the basis of their
it, occurs early: "Once learned these behavior pat beliefs and desires, striving for goals, meeting ob
terns, these habitual responses, these ways of inter stacles they best or which best them, all of this
acting gradually sink below the surface of the mind extended over time" (Bruner, 1990, pp. 42-43).
and, like the admiral of a submerged submarine The dream of discovering truth or reality apart
fleet, control from the depths" (Hall, 1981, p. 42). from a people's and a culture's interpretations
Thus, we frequently mistake what is in fact cultural may be just that—a dream. But social workers are
for something innate and immutable. We only come not doomed to a limp relativism. Rather, we refer
to realize our mistake when we become immersed in to a universal human capacity and interest—mak
another culture or when someone or some event ing meaning, telling stories, and institutionalizing
calls our meaning into question. Egregious errors of myths. Some research suggests that children are
interpretation of what others' behavior means are, disposed to receive and offer stories from the very
according to Hall, attributable to this "hidden" as earliest months that they can communicate (Miller,
pect of culture. To transcend it, we must know that 1982). We can examine stories and myths and imag
it is there, and then we must summon up the mean ine their consequences for individuals and groups in
ings and patterns that make it up. Without that exer terms of our own interpretive canons, values, and
cise we are doomed to misinterpret the lifeworld of morals. Nevertheless, until we begin to ground our
people of cultures or subcultures that differ from our professional understanding and actions in the sto
own (Hall, 1981). ries, in the meaning systems of those we help, we will
Another lesson learned from those who have continue to make the same errors that Rosaldo
come to understand other systems of meaning (1989) claimed have been made by objectivist eth
besides their own: No culture has a monopoly on nographers: "In cross-cultural studies, the gaps be
truth. Truth may be an irrelevant standard by tween the analyst's narratives and those of the pro
which to judge a culture or microculture such as a tagonists often rival the clashes of incongruous
group, family, or gang (Rosaldo, 1989). Truth by epistemologies in Javanese shadow theater" (p. 142).
one culture's standards is fantasy or folly by
another's. Even the truths of a particular culture Narrative and Story
change and shift with the passage of time, the in Borrowing from others, I have claimed that the
termingling with other peoples, and the dyna interpretive slants taken in cultures often come in

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the form of stories and narratives. Although the the other floating on water. The whole ladder is
differences among narrative, story, and myth are important if you would understand drunkards,
difficult to aptly describe, we may assume that but fluid footing is where you begin to under
narratives are grounded in the culture, are wide stand AA. The fellowship exists to ground the
spread, are more attentive to form and style, and drunk's ladder on solid earth, on common
often relate to matters that are prototypical and ground, and whether we extend one end of it
essential to the culture (Laird, 1989). Stories, al back up into the heavens or simply lay it down to
though they might be derivative of narrative, may bridge the chasms between ourselves and others, it
be more restrained, more loosely organized, and is still made of words. ("Elpenor," 1986, p. 43)
more idiosyncratic. Myths, on the other hand, are
Interpretation and Reality
epic and epochal. They contain the big truths
about culture, family, and individuals, past and There is hot debate now in the field of family
present. They are preserved because they in some therapy. The structuralists or constructivists con
way underwrite a considerable fund of meaning, ceive of family therapy as correcting a script or
and they provide a rich interpretive lode (Laird, helping the family rewrite a better text for their
1989). Therefore, there is a considerable politics life. It matters not if it is "true," as long as it is help
of storytelling, narrative construction, and ful, plausible, interesting, and positive. Reframing is
mythmaking: How is it decided which stories are one species of this therapeutic genus (de Shazer,
credible and institutionalized? Consider, for ex 1991; Watzlawick, 1978; White 8c Epston, 1990).
But serious criticism has been leveled at this kind
ample, groups who are oppressed within a culture.
We rarely hear their stories, and they are not al of meaning construction, and social workers should
lowed to tell them except in certain tightly en take it seriously. Minuchin (1991), certainly a
closed circles (Laird, 1989; Rosaldo, 1989). partiarch in the field, decries the exclusive con
Bruner (1990) pointed out that narratives and structivist reliance on stories because they ignore
stories generally take two forms—the canonical "the social context that may actually dictate the
and the exceptional. On the one hand, some nar 'plot' of [clients'] lives—the institutions and so
ratives celebrate the normative structure of cul cioeconomic conditions that determine what they
ture; they instruct, chasten, and lend rhetorical do and how they live" (p. 49). We must respect
the forces of circumstance and context and of
weight to norms and conventions. (In this instance
the politics of narrative instruction are prominent.) politics, social institutions, and economy, but
Other narratives, however, have the purpose not there are other ways to look at this criticism.
of distributing canon, but of accounting for ex Interpretation and story are the essence of cul
ception, novelty, and anomaly. When we encoun ture. They are not trivialities unrelated to circum
ter novelty or the bizarre, we do our level best to stances. Rather, they are serious and essential cre
fit it into a canonical guise. Often we cannot, so ations that grow out of the experiences people have
we "make up" a new story. But, most important in particular environments. Stories may instruct
of all, stories and narratives "dabble in the sub individuals on how to survive or how to accept—
even how to overcome—difficult situations. And
junctive" (Bruner, 1990, p. 53), exploring the ten
at the least stories reveal to individuals consider
sions between the possible and impermissible, ex
horting alternative possibilities, explaining or able information and perspective about the nature
of their circumstances. The stories created out of
explaining away falls from grace, and exalting
achievement. For example, Alcoholics Anony the experience of slavery in this country were no at
mous (AA) has been both praised and damned for tempt to shut one's eyes to the horrors and furies of
being based in the "disease" model, but those who slavery. Although they foretold a time of grace to
know it well know that disease is merely a meta come, they also directed people to look squarely
phor of mythic proportion and that the method is and bravely at their predicament (Gwaltney,
founded on what drinkers excel at, the telling of sto 1980). Consider the opposite: Individuals and cul
ries—endlessly. AA's method is subjunctive art: tures whose stories have been appropriated or
suppressed forcibly are in dire straits because they
Drinking, all we did was tell stories, if only to cannot reliably and safely construe circumstances
ourselves. Drinking, we built ourselves a drunk's to their advantage. People can surmount the most
ladder of words, one end propped on the clouds, distressing of conditions given the uplift and

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guidance of stories and narratives. When we bellion. In a democracy that professes justice and
robbed Native Americans of their stories by pro equality, social resources must be made broadly
pagandizing and punishing their children in available to underwrite the blossoming of self,
schools, we stole from them some of their cultural family, group, and culture. But all resources are
sinew, their collective memories, their hopes (de not external; many are internal to self or group
Loria, 1969). and need to be explored, to become valued, and to
Without a story, meaning, conviction, and pos be rendered employable. More often than not,
sibility fail. Only when we endow a circumstance, such resources are preserved or discovered in an
event, or situation with words and a plot line does individual's or group's narratives, myths, and
it become relevant. Women, as many have writ other songs of the subjunctive.
ten, have suffered from having many of their ex Stories are not money or housing or food, to be
periences unstoried and others told merely pri sure. But neither are they idiosyncratic creations
vately or when made public, belittled. But there is not tied to real life. Often they are what binds us
an upsurge in the publicizing of woman's stories to that outer world. Rosaldo (1984) asserted that
and in feminist mythmaking that is clearly em the self only grows from "experience in a world of
powering. Laird (1989) said it well: "As more and meanings, images and social bonds" (p. 139). As
more women tell their own stories and as stories Bruner (1990) argued, "Interpretive meanings are
are told about women in biography, novel, play, metaphoric, allusive, very sensitive to context...
and poem and in music, film, television, and ra .They are often the coin of culture" [italics added]
dio, women's choices for self-construction are (p. 61). So stories and myths and narratives can be
enriched and expanded. Women not only begin to the instruments of empowerment—individual
connect themselves with other women and to dis and collective.
cover new possibilities for their lives, but also
Social Work Practice: The Intersection
have new opportunities to tell the stories of their
oppression and of their poverty" (p. 440). The of Meanings
subjugation of other peoples typically begins with One version of the helper myth has him armed
two basic violations of human nature: suppression with theory and technique, heroically maintaining
of the body and its passions and degradation or interpersonal distance and dispassionate concern
suppression of the native word or story. Peoples as he blandishes a variety of esoteric techniques
becoming free often begin by rediscovering their and a precious lexicon to bring her out of her mis
past and its stories, myths, and rituals and by re ery. In this myth it is usually a him helping a her.
covering their sensuality. To do so successfully he first must figure out what
Another thread ties narrative to social context the problem is, and he has theory to help him do
in an important way. People have always been in just that. Without theory and proven technique,
spired by visions, images, and symbols held up to our hero is as impotent as Samson. The education
their eyes by inspirational leaders, leaders who and research enterprise, in this saga, is to provide
could weave tales of imminent possibility and tri armament for our helper. Cynicism aside, the in
umph grounded in the real circumstances of their terpretive slant on this myth is that any theory or
followers. Tales of the quest for respect, relief, or any technique is as much a symbolic and linguis
redemption or the creation and reviving of sym tic construction as the next guy's story. As
bols that unite hopes with action have moved Goldstein (1991), with his usual wit, contended,
people and have encouraged them to alter or defy "As it turns out, the apparent 'facts' [he refers
their circumstances. Thanks to the word, whether here to the building blocks of theory for prac
spoken by Martin Luther King, Malcolm X, Cesartice—scientifically derived facts] are really human
Chavez, Betty Friedan, Alice Walker, Elie Weisel, inventions, not scientific discoveries such as a new
or Black Elk, people have been empowered and virus, atomic particle or galaxy. Concepts such as
restored. These kinds of stories and visions also 'ecosystems' or 'codependency' are authored as
may insulate individuals and groups from the op arbitrarily, selectively, and rhetorically as are the
pressors' stories about them. themes and impressions of an autobiography or
Finally, stories and narratives link people to novel" (p. 5). What may be happening in the usual
context and institution. They can provide the helper-client interaction is that the helper, clumsily
building blocks of critique, reaction, and even re or deftly, imposes his version of the situation or

Social Work / Volume 39, Number 4 / July 1994

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recasts the client's version into professional cant (it is possible that the very definition of "client"
and canonical, not common, sense. That is theory. implies subordination) (Holmes 8c Saleebey,
Clients surrender their own narratives (or sup 1991). The static of our own theories and pre
press them) and accept the professionals' theory, sumptions, agency canon, and the informal stories
thus becoming more receptive to technique and about clients and client groups that permeate the
more compliant with regimen. The Diagnostic and atmosphere of many agencies make it difficult to
Statistical Manual of Disorders, Third Edition— hear with clarity and to manage the suspension of
Revised (DSM-III-R) can be understood as a text disbelief. Goldstein (1991) quoted Fibush in this
for the translation of an enormous variety of hu regard:
man predicaments, follies, emotional and cogni
If one truly listens to what a client is saying—not
tive states, and social conditions into a standard
for the purpose of pigeonholing him into a diag
"accounting" and, eventually, numbers (Cutler,
nostic category or pinning a sociological label on
1991). There is an inherent dualistic tension in the
him—one begins to know some of the basic re
DSM-III-R. On the one hand lies the subjective
curring questions arising out of the human di
and narrative presentation of the client, on the
lemma. ... My understanding... comes in the
other, the "objective" and numerical pronounce
interchange between me and the client.... A
ments of the professional using the diction of
diagnosis can be as stereotyping as a racist slur
DSM-III-R (Cutler, 1991). In this way, however
and even more dangerously prone to becoming a
benignly, the client's story is subjugated, made
self-fulfilling prophecy, (pp. 4-5)
fugitive (Foucault, 1980; Weick, 1983).
Critique of the value-free version of the work A first-year social work student, with no previ
of a discipline or profession is occurring on many ous social work experience, begins work with a
fronts. Perhaps one of the more useful in helping young man, a heavy drug user in the past, who is
us contextualize practice comes from anthropol ostensibly in the throes of the last stages of ac
ogy. In likening anthropologists to the social crit quired immune deficiency syndrome (AIDS). In
ics envisioned by Walzer (1987), Rosaldo (1989) the hospital, all but isolated if not morally quaran
said this: "Rather than work downward from ab tined by staff, he is, in effect, a pariah. One doctor,
stract principles, social critics work outward from answering the student's question about involving
an in-depth knowledge of a specific form of life. the family, suggests that people "like this" typi
Informed by such conceptions as social justice, cally do not have families who care. (This is the
human dignity, and equality, they use their moral doctor's story, by the way.) Innocent, unnerved,
imagination to move from the world as it actually but dedicated, the student does not know what to
is to a locally persuasive vision of how it ought to do—but she does the most human thing; she so
be" (p. 194). There is a heavy load of imperative licits and really listens to the young man's story.
in that quote for social work. The initiatory act of He rallies for a few days, days made passable
the helping would seem to be the suspension of (maybe even possible) by his storytelling. At a
canon or theory (not much different, it would point at which death seems near, he says to the
seem, than the old saw about "beginning where student, "I love you." She, against her learning,
the client is"). The orientation of the worker replies in kind. Through her encouragement of
clearly has to be informed, insofar as possible, by the story and, thus, the self, she and the young
an appreciation of the context and meaning sys man had trafficked in the possible, acknowledged
tem wherein the client dwells. It would seem req the past, and laid some ghosts to rest. But for the
uisite to encourage and give free reign to the student, there is a political lesson here. Her
client's hopes, aspirations, possibilities, and im client's story and others like it must get out, and
manent meanings and actions. And certainly we she will assist in that project.
may have to understand and illuminate the
client's storied situation in the gleam not so much Meaning and Troubles
of theory, but of our own moral imagination and Practitioners need to know how meaning,
the values of the profession. whether manifested in story, narrative, vision, or
Nevertheless, it is extraordinarily difficult to language, affects intention and action, feeling and
hear and respect the accounts of clients, particu mood, relationships, interactions with the sur
larly if they are in a socially subordinate position rounding world, well-being, and possibility. They

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also need to know how meaning can get people obsessively on drugs, danger, and disorganiza
into trouble, get them stuck, or embroil them in tion—"even the police are afraid to go there." We
crisis. There are many ways in which meaning is have encouraged social work students placed in
implicated in human dilemmas: the housing development to find and help spread
■ Stories, narratives, and meaning configura counter stories: tales of survival under difficult
tions sometimes are not one's own or even conditions; stories about compassion, about
those of one's culture. Rather, they are com"grace under pressure"; tales of accomplishment;
posed by and imposed from the outside. and word pictures of people acting effectively with
The individual and the collectivity have no dignity and aplomb. These stories exist, but they
ownership of these meanings. Thus, reso tend to be brushed aside or suppressed by the
nance and vitality of action are subverted. force of "alien" and dominative stories. Both story
■ There is an "impoverishment of narrative lines are "true," and both should inform and di
resources" (Bruner, 1990, p. 96)—that is, rect the residents. But the stories of survival and
the stories that come from lived experience, accomplishment need to be restored as well.
individual and collective, are few or are not There is an inevitable connection between what
compelling; they lack symbolic power or people do and what they think they can do and
subjunctive intensity. the interpretive frameworks available to them
■ The stories that people tell, the construc (Bruner, 1990). So the importance of stories of
tions they devise about their lives, some hope and survival is paramount.
times propel them down dead ends or dan As an example of the divergence between myth
gerous paths. Occasionally such stories and reality, consider the U.S. government's long
assume the status of myth (Laird, 1989). Forheld view of the Soviet Union as the enemy, the
example, "All the men in this family are "evil empire"; we constructed narratives of mythic
hell-raisers. You can't tame them, you've proportion that fueled defense policy, depleted
just got to accept what they do or get out." social policy, and crafted intelligence and diplo
■ The meanings through which people try to matic strategies. But in a matter of months, that
construe their situations and their lives do story was subverted by an exceptional and sudden
not account for the exceptional, only the series of events. Because we still cannot account
expectable. When the ordinary does not pan comfortably for it, we remain suspended some
out and the unique or unbidden occurs, it where between hope and suspicion.
cannot be made comprehensible or given
coherence. As a result, it is ignored, or it Meaning and Practice
causes fear and maybe the paralysis of will Meaning and interpretations are socially consti
or action. tuted, a product of interaction and exchange.
■ The stories that some people tell have no They are also born of the fact that individuals are
currency in the larger world of people and almost always in some degree of disequilibrium
events, particularly the stories of individuals and seek to organize their world in a way that is
from cultures and subcultures outside the more predictable, satisfying, resonant, or interest
dominant institutions. To traverse and traf ing. Cultures may actually survive because they
fic in the dominant world they have to sur provide schemes for accounting for the novel or
render to other interpretations of their lives, for confronting change. But no matter how well
often adulterated and corrupt (White & cultures do that, individuals are frequently in the
Epston, 1990). position of becoming authors, agents of construc
As an example of narrative adversities, consider tion. Sometimes, however, for the reasons out
a public housing development in a midwestern lined above, the agency of individuals weakens or
city. Some residents are clearly discouraged, becomes disreputable, and they need help in deal
dispirited, even depressed. Some of the stories ing with crisis and challenge and in refurbishing
they tell about their lives, the meaning they attach meaning. Help can come in many guises, only one
to events in some subtle ways, spring from or are of which is professional. But when people are in
at least reinforced from the outside. The world of crisis, one of the avenues for change is the "devel
public housing is seen by outsiders through tales opment, overthrow and redevelopment" of mean
presented in the media and elsewhere that turn ing (Steenbarger, 1991, p. 291).

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Thus, a social worker can help serve as a cata what we are doing together is finding or producing
lyst in the reconstruction or reconstrual of mean narratives that promote a difference in the way
ing as it affects some part of a client's world. The people experience and act in their situations (de
idea is not necessarily the restoration of equilib Shazer, 1991). Only when people start creating sce
rium or even the boosting of adaptive capacity, narios of possibility do they move in directions more
although those might be a result. Helping the resi satisfying to them, and the problems become lost or
dents in the public housing project construct or much less influential. In working with people with
enliven alternative stories has, among other chronic mental illness, Rapp and his associates
things, begun, for some, the process of viewing (Modrcin, Rapp, & Poertner, 1988) began with the
the "housing project" as a "community" or belief that there is no predictable limit on client
"neighborhood," where individuals begin to take growth. Given that, they worked with clients, many
ownership and transform it, rather than hide be of whom had had multiple hospitalizations and who,
hind their doors and wait for the police to come from a problem or pathology perspective, were se
or for the Housing Authority to come up with a verely debilitated, to achieve goals that clients
new security plan. Seeing that other people have wanted—to help make possible different stories that
different and more positive constructions about clients would tell about themselves. The result?
the public housing experience is important. One These individuals, almost without exception, began
woman, for example, has lived there 35 years and to construct a life—collaboratively—that no one
successfully raised eight children. As these stories would have predicted. The interesting thing is that
become available to other people, they allow the they did this "in spite of their illness." In fact, their
formation of some new meaning and the recap symptoms may have occurred at the same level, but
turing of some old meaning about the experience the other parts of them became part of their unfold
and—this is so important—encourage people to ing story; "me as employee," "me as piano player,"
begin to create a vision about what might be and "me as driver," "me as spouse and parent." The
to take some steps to achieve it. Drugs and danger symptoms move into the background of a much
are still there, but they may be confronted differ richer symbolic ecology.
ently as people slowly open up the story that this So meaning, depending on its context, symbolic
can be a community. nature, and origin, can inspire or oppress. If so, why
Because meaning making in people's lives is not take the time to work with individuals to articu
reciprocal, we usually do it in league with others, late those meanings, those stories, those possible
and many of our constructions derive from our narratives that elevate spirit and promote action?
relationships with others, are about our relation
ships, or affect them (Steenbarger, 1991). So with
A Final Word: Community and Morality
clients, we act as collaborators, cofacilitators, and The enduring debate about psychotherapy and
codirectors as we work to resurrect, confirm, or social work is relevant here (Barker, 1991; Specht,
disconfirm old meanings; establish "better texts"; 1991). It might seem that what is being advocated
and, most importantly, discover how different is a version of constructivist family therapy where
meanings differently influence people's lives. The one blithely reframes individual and family miser
ultimate purpose of collaborative construction ies and real pain into more positive and "moving"
and reconstruction is to help clients transform part language. Perhaps, but that is not all. Earlier in
of their lives and get on which it, whatever if is. this essay I referred to the idea that meaning con
One element of practice that seems to flow from struction has political and social elements. Let us
the idea of meaning making, though not logically, is now take this a step further.
the diminishing of the influence of the idea of Social work, in a unique way, is a value-driven
"problem" and the focus on "solution" (de Shazer, profession. We cannot ignore, though we might
1991). The idea of problem presupposes a cause, and not know how to invoke, our commitments to
much of the interest and work in the helping profes social and distributive justice, equality, develop
sions has been defining or discovering both the mental socialization, the uniqueness and value of
problem and its cause. But if individuals live in a each individual and culture, and compassion and
world of constructed meaning, a world of symbols caring. Neither can we ignore the fact that we work
and signs, tales and sagas, myths and rituals by at the intersection of self and social environment and
which they define and promote themselves, then the reality that somehow we have to work both sides

Saleebey / Culture, Theory, and Narrative: The Intersection of Meanings in Practice

"Us?"

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of that street. So how can our emphasis on meaning and (2) to promote the resurrection to conscious
making preserve this sense of the profession? ness of local knowledge so that it can be acted on
We can begin with Foucault's (1980) notion of and used to confront those who would oppress.
the relationship between knowledge and power. But we do not stop at the elevation of subju
Power is constitutive of our lives; it is through the gated meaning or its revision; we work with client
institutions of power that truth is delivered to us, groups to "externalize" it (White 8c Epston, 1990)—
and it is usually a truth that specifies a form of iden that is, to bring it to bear on the circumstances of
tity or being. In most social contexts, current and their lives. Whether through the devices of advocacy
historical, this dominative truth normalizes diverse or brokerage, consultation or education, we at
experiences for the purpose of maintaining control, tempt to make some part of the client's external
sustaining preferred social arrangements, and mak world receptive and accountable to formerly subju
ing "docile" the bodies and minds of those who gated knowledge. In public housing, we want the
would beg to differ. The "global truth" claims of the Department of Housing and Urban Development to
proponents of "objective reality" (the dominative be aware of the stories and lore of residents, not just
truth in the Western world) subjugate other the schemes and brainchildren of Henry Cisneros
knowledges or, in our terms, other systems of mean and his operatives. We want to help the local hous
ing (Foucault, 1980). Knowledge and power are in ing authority develop relationships with and policies
separable, and any power domain is also a domain of about the public housing units that affirm and ex
constitutive knowledge, the symbolic casting of per press clients' knowledge, resources, and stories.
sonal identity and experience: "There can be no pos B has lived in a public housing community for
sible exercise of power without a certain economy of 20 years. The night before I talked to her, she had
discourses of truth which operates through and on just driven back from the state capital (several
the basis of this association. We are subjected to the hours) with other residents to protest a proposed
production of truth through power and we cannot statute that would extend public authority over
exercise power except through the production of each individual housing unit. B is about 60 and
truth" (Foucault, 1980, p. 93). beset with many physical difficulties, and when
One set of knowledges subjugated and dis she got home she was tired. After falling asleep,
placed by the dominative truth are some local she was awakened by loud banging on her door. It
knowledges. They exist but are denied credibility was the police, and they were after two young
and the possibility of performance and presenta men who had shot another young man in an
tion in a larger social arena whether it be a school apartment above. B cooperated with the police
system, social agency, the media, or the polity. and spent the rest of the night worrying if she had
Given that social workers often work with vulner endangered herself and her family. As she told the
able or subjugated populations, what could be story, I asked how and why she went on. (She
more important work than to help individuals works hard for the community.) Nobody had
and collectivities restore and "restory" (Laird, asked her that before. She thought and finally said
1989) themselves? To use Foucault's word, we as that she had to; somebody had to preserve the
sist in the "insurrection" of these subjugated community, to do the work, to set an example.
knowledges in the lives of our clients and let it She cannot rely on others—so she does it herself
inform our agencies, our communities, and our or with a few others whom she trusts. Sometimes
own professional theories. Such action has obvi she gets discouraged or enraged, but "I'd die if I
ous implications for the curriculum by which we didn't do what has to be done." B is no saint, but
educate social work professionals, how we think her story (and there are many others) is not heard
about and do research, and of course the charac in the surrounding community and in the halls of
ter of practice. In a sense, we are only doing what government and is not portrayed in the images of
many have called on us to do. For years the most the media. For real change and hope, it must be.
lucid and compelling of these voices may have The argument then is that relying on a more
been Freire's (1973). The charge to social workers contextual or constructivist view of the world
for, and educators of, the vulnerable, he argued, is does not doom social work to a lame imitation of
basically twofold: (1) to promote "conscient family therapy, but rather can help us not only
ization" or full awareness of the oppressive effects fire our moral imagination but also continue the
of the dominative knowledge-power institutions work, however halting, incomplete, and modest,

Social Work / Volume 39, Number 4 / July 1994

358

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toward the liberation of the dispossessed and vul chronically mentally ill. Evaluation and Program
nerable. We have to politicize constructivist ap Planning, 11, 307-314.
preciations or, in our terms, "externalize" them. Rosaldo, M. Z. (1984). Toward an anthropology of self
In work with any vulnerable or dispossessed and feeling. In R. A. Schweder 8c R. A. LeVine
population, assisting in the recapturing and re (Eds.), Culture theory: Essays on mind, self and edu
constructing of "generative themes" (Freire, 1973) cation (pp. 137-157). Cambridge, England: Cam
is but the first step. From that we must collaborate bridge University Press.
in the projection of these themes outward to the Rosaldo, R. (1989). Culture and truth: The remaking of
institutions that have subjugated or ignored them. In social analysis. Boston: Beacon Press.
this way, as these "acts of meaning" (Bruner, 1990) Specht, H. (1991). Should training for private practice
edge into the larger world, the self is strengthened, be a central component of social work education? No!
and the folklore of the group is emboldened. ■ Journal of Social Work Education, 27(2), 102-107.
Steenbarger, B. N. (1991). All the world is not a stage:
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