PHED113

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PHED 113

Different Classification Classification of Dance

1. Folk Dance - is a dance developed by people that reflect the life of the
life of the
people of certain country or region.
Different Forms/Theme

- Religious
- Comic
- Festival
- Courtship
- War
- Ritual
- Wedding
- Funeral/Burial
- Religious

2. Social Dances - A group dance or couple dance done for social and usually
recreational
purposes,
A gathering held in a ballroom, in home,or outdoors where people
may participate in social dances.
Different Forms/Type of Social Dances

Latin American Dances Modern Standard Dances

- Cha-Cha-Cha - Slow Waltz


- Rumba - Tango
- Samba - Vienese Waltz
- Paso Doble - Foxtrot
- Jive/Boogie - Quickstep
- Swing
- Merengue
- Salsa
- Manbo
3. Modern Dance is a broad genre of western concert or theatrical
dance,primarily arising out of Germanny and United Statees in the late
19th and 20th century
Different Forms/Type of Modern
- Contemporary
-Ballet
- Interpretative
4. POPULAR DANCE - novelty and fad dances are which are typically
characterized
by a short burst of popularity.

5. Hip Hop/Break DANCING—Refers to street dance primarily performed


to hip
hop music that have evolved as part of hip hop culture.

SALUDO FOR BOYS (One Arm) - Always put your hands on waist
Raise one arm side ward, step one foot side ward

 Raise one arm overhead, bring one foot in rear


 Arm down sideward, one hand on waist, one foot is pointed in front and the body leans
forward

 SALUDO FOR BOYS (Both Arm)


Open arms sideward, step one foot sideward

 Arms in circle, raise overhead, one foot in rear


 Arms down side ward with graceful curve, One foot is pointed in front and the body leans
forward.

 SALUDO FOR GIRLS (One Arm) –Always put your hands on skirt
Raise one arm side ward, step one foot side ward

 Raise one arm overhead, bring one foot in rear


 Arm down sideward, Kneel in rear, other foot place in front
 SALUDO FOR GIRLS (Both Arm)
Open arms sideward, step one foot sideward

 Arms in circle, raise overhead, bring one foot in rear


 Arms down side ward with graceful curve, One foot is pointed in front and the body leans
forward.

 
Cariñosa is a Spanish word pronounced as [kaɾiˈɲosa], meaning the loving or affectionate one.
It is a Philippine dance of Hispanic origin from the Maria Clara suite of Philippine folk dances,
where the fan or handkerchief plays an instrumental role as it places the couple in romance
scenario. It is closely associate with the island of Panay and the Visayas region in general. Most
Filipina women can be described as karinyosa. This is a courtship dance that portrays acts of
flirtation between a man and a woman. The dancers perform steps resembling hide-and-seek
movements. The woman holds a handkerchief or sometimes a fan. More than the tinikling, the
cariñosa is considered the national dance of the Philippines. It is introduced in the Philippines by
the Spaniards in the 16th century. In honor of Maria Clara, a main character of Dr. Jose Rizal's
novel called " Noli Me Tangere" when translated in English means "Touch Me Not".
The first ever published notation of the Cariñosa dance steps was from the book Philippine Folk
Dances and Games by Francisca Reyes-Tolentino (later became an Aquino). Mrs Tolentino's
master's thesis which have the same title was revised and was later published in 1927.
However, the most common of the many Cariñosa found in the country is the one from the book
"Philippine Folk Dances v1" by Francisca Reyes Aquino, published sometime in 1940. The
version integrated all the common dance figures among the many versions throughout the land.

This is a courtship dance that portrays acts of flirtation between a man and a woman. The
dancers perform steps resembling hide-and-seek movements. The woman holds a handkerchief
or sometimes a fan.

CARIŃOSA

MUSIC
The music of Cariῆosa shows a great Spanish influence to the Filipinos. It is ¾ in rhythm.

COSTUME

Female; Balintawak style costume or patadiong and camisa.


Girl has fan hanging at the right side of waist.

Male; Barong tagalog, any color trouser.


Boy has a handkerchief in his pocket.

CARIŃOSA DANCE MECHANICS


In this dance, performers should refrain from touching each other, but the steps shows
the guy’s interest to the female while the latter is shy and wants to be chased.

Female dancer uses fan. She will be using it to fan herself with the beat while dancing.
They glance at each other from a handkerchief as if they were playing hide-and-seek, where
each partners hold the corners of the handkerchief while blocking each other’s face. Partners
swap flirtatious waves and gestures, and then the girl will kneel down with one knee and fans
herself while the guy dances around the other and then vice versa.

BASIC CARIŃOSA STEPS

The step of Cariῆosa is similar to waltz and music is ¾ signature. When the music starts, the
female holds her skirt with one or both hands, swaying the fabric of her skirt at the side while
moving around the floor by swaying to the side with a left foot by stepping your right next to the
left.
Start at;

STEP 1. 3 step turn and bow facing each other.

STEP 2. 3 step and point Right-Left direction in 16 counts

STEP 3. Touch step- 3 step forward in 2 counts. 4 touch step, change position then repeat.

STEP 4. 3 step forward and back to back


4 Touch step
Change position and repeat the first two on step 4 above

STEP 5. 3 step forward


Girl opens her fan and will start fanning herself
4 touch step
Change position and the first three on step 5 above.

STEP 6. 3 step forward


Boy move forward then kneel
Girl taps the boy with her fan and she will do 4 touch steps
Change position
Girl will kneel as they look each other and the boy will do 4 touch step

STEP 7. 3 step forward


Girl gets the handkerchief from the boy
Both will move the handkerchief up and down four times
Change position then repeat the first three in step 7.
FUNDAMENTAL DANCE POSITIONS
There are five fundamental or basic positions in dance that are commonly termed as 1st
position, 2nd position, 3rd position, 4th position, and 5th position of the feet and arms.
    1st position
                        Feet: Heels close together, toes apart with an angle of about 45 degrees.

                        Arms: Both arms raised in a circle in front of chest with the finger tips about an
inch apart. 
    2nd position
                        Feet: Feet apart sideward of about a pace distance.

                        Arms: Both raised sideward with a graceful curve at shoulder level.


   3rd position
                        Feet: Heel of one foot close to in-step of other foot.

                        Arms: One arm raised in front as in 2nd position; other arm raised upward.


   4th position
                        Feet: One foot in front of other foot of a pace distance.

                        Arms: One arm raised in front as in 1st position; other arm raised overhead.
   5th position
                        Feet: Heel of front foot close to big toe of rear foot.

                        Arms: Both arms raised overhead

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