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Linteamenta altaria: the care of altar linens in the


Medieval church
Izbicki, Thomas M.
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Izbicki, T. M. (2016). Linteamenta altaria: the care of altar linens in the Medieval church. In Robin Netherton
(Ed.), Medieval clothing and textiles. Volume 12 (pp. 41–60). The Boydell Press.
https://doi.org/10.7282/t3-ypag-6y74

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Medieval
Clothing and Textiles

Volume 12
Medieval
Clothing and Textiles

ISSN 1744-5787

General Editors
Robin Netherton St. Louis, Missouri, USA
Gale R. Owen-Crocker University of Manchester, England

Editorial Board
John Hines Cardiff University, Wales
Christine Meek Trinity College, Dublin, Ireland
Lisa Monnas London, England
M. A. Nordtorp-Madson University of St. Thomas, Minnesota, USA
Frances Pritchard Whitworth Art Gallery, Manchester, England
Lucia Sinisi University of Bari, Italy
Eva Andersson Strand Centre for Textile Research, Copenhagen, Denmark
Monica L. Wright University of Louisiana at Lafayette, USA
Medieval
Clothing and Textiles

Volume 12

edited by

ROBIN NETHERTON

and

GALE R. OWEN-CROCKER

THE BOYDELL PRESS


© Contributors 2016
All Rights Reserved. Except as permitted under current legislation
no part of this work may be photocopied, stored in a retrieval system,
published, performed in public, adapted, broadcast,
transmitted, recorded or reproduced in any form or by any means,
without the prior permission of the copyright owner.

First published 2016


The Boydell Press, Woodbridge

ISBN 978-1-78327-089-7

The Boydell Press is an imprint of Boydell & Brewer Ltd


PO Box 9, Woodbridge, Suffolk IP12 3DF, UK
and of Boydell & Brewer Inc.
668 Mt Hope Avenue, Rochester, NY 14620-2731, USA
website: www.boydellandbrewer.com

A CIP catalogue record for this book is available


from the British Library

The publisher has no responsibility for the continued existence or accuracy of URLs for
external or third-party Internet websites referred to in this book, and does not guarantee that
any content on such websites is, or will remain, accurate or appropriate.

This publication is printed on acid-free paper.

Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs


Contents

Illustrations page vii


Tables x
Contributors xi
Preface xiii

1  The Attire of the Virgin Mary and Female Rulers in Iconographical 1


   Sources of the Ninth to Eleventh Centuries: Analogues, Interpretations,
   Misinterpretations
   Grzegorz Pac

2  Sails, Veils, and Tents: The Segl and Tabernacle of Old English Christ III 27
   and Exodus
   Megan Cavell

3  Linteamenta altaria: The Care of Altar Linens in the Medieval Church 41
   Thomas M. Izbicki

4  Coats, Collars, and Capes: Royal Fashions for Animals in the Early 61
   Modern Period
   John Block Friedman

5  A Set of Late-Fifteenth-Century Orphreys Relating to Ludovico 95
   Buonvisi, a Lucchese Merchant, and Embroidered in a London
   Workshop
   Frances Pritchard

6  Academical Dress in Late Medieval and Renaissance Scotland 109
   Jonathan C. Cooper

7  Dressing the Bourgeoisie: Clothing in Probate Records of Danish 131


   Townswomen, ca. 1545–1610
   Camilla Luise Dahl

Recent Books of Interest 195
Contents of Previous Volumes 203
Contributors

ROBIN NETHERTON (Editor) is a costume historian specializing in Western Euro-


pean clothing of the Middle Ages and its interpretation by artists and historians. Since
1982, she has given lectures and workshops on practical aspects of medieval dress and
on costume as an approach to social history, art history, and literature. A journalist by
training, she also works as a professional editor.

GALE R. OWEN-CROCKER (Editor) is Professor Emerita of the University of


­Manchester. Among her recent publications are articles on “Dress” (2014) and “­Textiles”
(2012) in Oxford Bibliographies Online: Medieval Studies, both with E ­ lizabeth
­Coatsworth; The Lexis of Cloth and Clothing in Britain ca. 700–1450, a database
available at http://lexisproject.arts.manchester.ac.uk; Medieval Dress and Textiles in
Britain: A Multilingual Sourcebook, with Louise Sylvester and Mark Chambers (2014);
Encyclopedia of Dress and Textiles in the British Isles c. 450–1450, with Elizabeth
­Coatsworth and Maria Hayward (2012); and five co-edited books on Anglo-Saxon
culture. She was recently presented with a book of essays celebrating her career, Textiles,
Text, Intertext, edited by Maren Clegg Hyer and Jill Frederick.

MEGAN CAVELL is Junior Research Fellow in the Department of English Studies,


Durham University, and author of Weaving Words and Binding Bodies: The Poetics
of Human Experience in Old English Literature (2016). Her research specialty is Old
English and Anglo-Latin literature, with particular interests in poetics, material culture,
and animal studies. She also runs “The Riddle Ages: An Anglo-Saxon Riddle Blog”
(www.theriddleages.wordpress.com), a collaborative project to provide translations
and accessible commentaries for the Exeter Book riddles.

JONATHAN C. COOPER is Senior Lecturer in Sustainable Land Use and Technol-


ogy at Harper Adams University. He is a Fellow of the Burgon Society, founded to
promote the study of academical dress. He has published previously on the history
and development of Scottish undergraduate dress and on the dress of the rectors of
the Scottish universities.

CAMILLA LUISE DAHL is an archivist at the Archives of the Island of Bornholm,


Denmark. She holds a master’s degree from the University of Copenhagen and also
studied at the Centre for Textile Research there. Her main research area is medieval

xi
Contributors

and early modern Scandinavian dress, particularly clothing references in historic doc-
uments. She serves on the editorial board of Dragtjournalen, a dress journal published
by a consortium of Danish museums.

JOHN BLOCK FRIEDMAN is Visiting Scholar at the Center for Medieval and
­Renaissance Studies at Ohio State University and the author, editor, or associate editor
of thirteen books as well as numerous articles. Forthcoming works include the chapters
“Hair and Social Class,” in A Cultural History of Hair in the Middle Ages, edited by
Roberta Milliken, and “Dogs in the Identity Formation and Moral Teaching Offered
in Some 15th-Century Flemish Manuscript Miniatures,” in Our Dogs, Our Selves: Dogs
in Medieval and Early Modern Society, edited by Laura Gelfand.

THOMAS M. IZBICKI is Humanities Librarian Emeritus at Rutgers University. His


research centers on the late medieval church, especially canon law. He has written
extensively on Nicholas of Cusa, the papacy, and the discipline for administering
the sacraments; his article in this volume derives from his research on the Eucharist.
Currently, he is examining the anointing of the sick in the later Middle Ages.

GRZEGORZ PAC is an Assistant Professor at the Institute of History, University of


Warsaw. His research focuses on queenship and the cult of saints, especially the Virgin
in the early and high Middle Ages. He has recently published a book about the social
role of women in the Piast dynasty to the mid-twelfth century.

FRANCES PRITCHARD is Curator (Textiles) at the Whitworth Art Gallery and an


Honorary Research Fellow at the University of Manchester. Her recent publications
have focused on early medieval textiles from Egypt. She is currently researching tenth-
to twelfth-century textiles from excavations in Dublin for the National Museum of
Ireland.

xii
Linteamenta altaria:
The Care of Altar Linens in the Medieval Church

Thomas M. Izbicki

A glimpse inside the sacristy of the church of Salle in 1368 makes immediately clear
how much cloth a medieval parish of relatively modest size needed. Salle, in the arch-
deaconry of Norwich, had the full range of textiles, which are listed in an inventory
compiled late in the reign of Edward III (ca. 1380). There were several sets of priestly
vestments, one described as “decorated with gilded beasts,” as well as surplices and
a choir cope. Items for the celebration of the Mass at the main altar included seven
altar cloths, three towels, and six corporals for use with the consecrated elements.
Other cloths present at the church in Salle included two altar frontals, a hanging for
the lectern, two funeral palls, and three ceremonial banners. Other sets of vestments,
including two copes of red silk, were listed according to the name of their donor, and
an embroidered bench cover with two cushions was added later.1 A cathedral, like
Saint Paul’s, London, had many more clergy serving altars and chantries. These priests
needed much more fabric, including vestments, altar cloths, frontals, and corporals for
the proper celebration of the Mass. Some of these were made with expensive materials
like samite, and they frequently were heavily decorated. In addition, the bishops of
London had miters, gloves, and other items made of cloth.2 All of this fits with an
increased use of fine fabric in “a shared clerical culture,” including the assignment of
differing vestments, blessed and sometimes given at ordination, to denote the hierarchy
of minor and major orders among the clergy.3

This article originated as a paper delivered at the 2014 International Medieval Congress at Leeds, England.
The author is grateful to Gale Owen-Crocker, Sarah Randles, and an anonymous reader for help with the
text. All translations are mine unless otherwise noted.

   1 The complete entry appears in John Shinners and William J. Dohar, Pastors and the Care of Souls in
Medieval England (Notre Dame, IN: University of Notre Dame Press, 1998), 226–27.
   2 See “Extracts from the Inventories: Three Inventories of St. Paul’s Cathedral,” in Medieval Dress and
Textiles in Britain: A Multilingual Sourcebook, ed. Louise M. Sylvester, Mark C. Chambers, and Gale
R. Owen-Crocker (Woodbridge, UK: Boydell, 2014), 90–115.
   3 Maureen C. Miller, Clothing the Clergy: Virtue and Power in Medieval Europe, c. 800–1200 (Ithaca:
Cornell University Press, 2014), 182, 190.
Thomas M. Izbicki

After a survey of the evidence regarding the regulation of altar cloths gleaned
from medieval canon law, this essay will consider the challenges churches faced in
acquiring and maintaining linens employed at the altar. A particular concern was the
proximity of certain cloths to the Eucharistic elements, especially as the Real Presence
of Christ in the sacrament was given a stronger emphasis from the eleventh century
onward. Proximity to the sacred required that these linens be of fine quality, kept clean,
repaired well, and, if stained with the consecrated wine, burned or kept locked away,
a practice contrary to the usual efforts made in the Middle Ages to retain and reuse
cloth. A brief comparison of visitation records from the thirteenth to the sixteenth
centuries offers further evidence of the problems with church linens encountered in
practice, including the impact of the Protestant Reformation on the ecclesiastical use
of cloth in England.
For our purposes four types of items will be given the most attention: corporals,
altar cloths, frontals, and towels. Leaving aside the symbolic meanings medieval writers
often assigned to them,4 each had a purpose, practical or decorative. Those nearest
to the consecrated elements usually were made of linen, particularly the corporal,
the name of which referred to the corpus, the body of Christ, placed upon it. At first,
there was no real distinction between the palla, the cloth placed over the altar, and the
corporal (palla corporalis). Even by the late thirteenth century, the term corporal still
could mean either a large or a small cloth.5 However, these eventually became entirely
separate, with “corporals” usually designating smaller linens used with host and chalice,
while a larger cloth of linen (mappa) covered the altar. A further distinction was made
in the fourteenth century, at least by the Dominicans, between the corporal under the
chalice and the purificator, originally used to dry the priest’s hands when he washed
them after communicating but later to clean the cup after the consecrated wine had
been consumed (ablutions), but the term purificator does not appear in canon law.6 In
addition, the long, narrow linen cover for the altar became separate from the hanging
altar frontal, or antependium.7 The altar cloth of white linen served as the site of the
Mass, while the frontal was largely decorative, even when color-coded to the liturgical
season.8 Palla eventually came to mean the “chalice pall,” a square of starched linen
placed over the cup to prevent anything from falling into it, but the term still could

   4 See, for example, the allegorical interpretations of Amalar of Metz in On the Liturgy, ed. Eric Knibbs,
2 vols. (Cambridge, MA: Harvard University Press, 2014), 1:xvi–xix. Amalar gave spiritual meanings
to the corporal, otherwise called a sodon or veil, at 2:120–21, 140–41, 160–61, and 168–69.
   5 Guilelmus Durantis senior (William Durand the Elder), Rationale IV: On the Mass and Each Action
Pertaining to It, trans. Timothy M. Thibodeau (Turnhout, Belgium: Brepols, 2013), 241. Josef A.
Jungmann, The Mass of the Roman Rite: Its Origins and Development (Missarum Sollemnia), trans.
Francis A. Brunner, 2 vols. (Dublin: Four Courts, 1986), 1:52–53.
   6 J. Wickham Legg, ed., Tracts on the Mass (London: Henry Bradshaw Society, 1904), 83. Use of the
purificator only became common in the sixteenth century; see Jungmann, Roman Rite, 2:38.
   7 The 1557 instructions for the priests of the diocese of Coutance specified three layers of linen mappae
on the altar; see Legg, Tracts, 55.
   8 The instructions for Mass in the Tridentine missal call the frontal a pallium; see Missale Romanum
ex Decreto Sacrosancti Concilii Tridentini Restitutum … (Dublin, 1777), xxx–xxxi. These instructions
also distinguish a corporal from a purificator.

42
Care of Altar Linens

mean a cloth under the corporal as late as the sixteenth century. In addition, towels
(toalia, mappula, or manutergium) were provided both for the washing of the priest’s
hands after accepting the offerings, known as the lavabo, and to prevent any drips from
the priest’s nose or lips from contaminating the Eucharistic elements.9
Of these items, the corporal and altar linens were the most important. A
­sixteenth-century text said celebrating Mass without them was a mortal sin.10 The
presence of these cloths was required by both universal canon law and local statutes,
and they were discussed in guides to pastoral care.

GRATIAN’S DECRETUM AND ITS COMMENTARIES

Medieval canon law was built up gradually on acts of councils, letters of popes, and
writings of the Fathers of the Church, these last usually in the form of excerpts, not
full texts. Canon law regulated clerical dress and the care of cloths used in church.11 An
early example of concern for altar cloths is found in the Pseudo-Isidorean Decretals (ca.
852). Attributed to “Pope Clement,” the text required burning any altar cover (palla)12
or curtain (velum) worn out in use. The same letter entrusted the care and cleaning of
these objects to the deacon together with the lesser clergy.13 Another Isidorean text,
attributed to “Pope Sylvester” or to popes “Eusebius and Sylvester,” forbade celebrating
the liturgy wearing silk or dyed cloth. The priest was to use “pure linen blessed by
the bishop.” These requirements were explained as based on the wrapping of Christ’s
corpse for entombment.14 A text of “Pope Stephen” said vestments were to be kept
sacred and fitting (sacrata et honesta). Nor were they to be turned over to other uses,
private or lay. Only consecrated persons (sacratis hominibus) were permitted to wear
ecclesiastical vestments. Anyone who misused these and other liturgical materials was
threatened with the fate of King Belshazzar of Babylon, who was visited with divine
wrath for abusing the sacred vessels plundered from the temple in Jerusalem (Dan.
5).15 All of these texts later entered Gratian’s Decretum via intermediary collections

   9 For Dominican texts using toalia and mappula, see Legg, Tracts, 73, 95. Manutergia will be mentioned
below. Jungmann, Roman Rite, 2:76–82.
 10 Legg, Tracts, 203.
 11 Miller, Clothing the Clergy; Thomas M. Izbicki, “Forbidden Colors in the Regulation of Clerical
Dress from the Fourth Lateran Council (1215) to the Time of Nicholas of Cusa (d. 1464),” Medieval
Clothing and Textiles 1 (2005): 105–14.
 12 Charles Du Fresne Du Cange et al., Glossarium Mediae et Infimae Latinitatis (Frankfurt, 1710), vol. 3,
part 1, 112, reproduced at http://www.uni-mannheim.de/mateo/camenaref/ducange.html (accessed
Dec. 8, 2014).
 13 Paul Hinschius, ed., Decretales Pseudo-Isidorianae et Capitula Angilramni (1863; repr., Aalen,
Germany: Scientia, 1963), 47.
 14 Ibid., 450: “ut sacrificium altaris non in serico panno aut intincto quisquem celebrare missam
presumat, sed in puro lineo ab episcopo consecrato … sicut corpus Domini nostri iesu Christi in
sindone linea munda sepultum fuit.”
 15 Ibid., 183: “Vestimenta vero ecclesiastica quibus domino ministratur, et sacrata debent esse et
honesta. Quibus aliis usibus nemo dedet frui quam aecclesiasticis in de dignis officiis. Que nec ab
43
Thomas M. Izbicki

and influenced the development of the canon law of the sacraments.16 They are found
in the third part of the collection, the Tractatus de consecratione ecclesiae (“Tract on
the Consecration of a Church”), in the section on church buildings and their proper
use. The “Clement” canon became c. Altaris palla (De cons. D. 1 c. 39),17 and the “Ste-
phen” text became c. Vestimenta (De cons. D. 1 c. 42). The “Sylvester” text entered the
Decretum as c. Consulto (De cons. D. 1 c. 46).
The early canonists, writing during the twelfth century, had little to add to these
regulations, and most of it was exegetical with little applicability to Church life. Pauca-
palea only repeated the story of Belshazzar’s feast, in which sacred things were misused,
bringing down divine retribution, when glossing c. Vestimenta.18 Rufinus, glossing c.
Altaris palla, called pallae “vestments of the altar” (vestimenta altaris), specifying that
they were “veils” (sindones) square-cut and often decorated with precious stones (affixis
… gemmis). He also distinguished between a palla and an altar frontal.19 Commenting
on c. Vasa, the canonist said that corporals, like liturgical vessels, were to be kept clean.20
The commentary Fecit Moyses tabernaculum, printed with the summa by Stephen
of Tournai, addressed the issue of who was to wash liturgical cloths. The author de-
scribed the practice of having deacons do the washing as derogated by custom, but
he found it acceptable to have pious women, like the verglonissae of Milan, do the
washing.21 This text also said the prohibition of using silk extended to dyed cloth (fu-
catum). Linen, to be used instead, represented what was “innocent and without stain,”
especially the body of Christ, which suffered blows, just as flax was pounded into white
cloth.22 Huguccio of Pisa, one of the most influential commentators on the Decretum,

aliis debent contingi aut ferri, nisi a sacratis hominibus, ne ultio que Balthasar percussit super haec
transgredientibus et talia presumentibus veniat divina et corruere eos fatiat ad ima.”
 16 The Decretum was composed in at least two stages during the early twelfth century and became the
textbook for canon law at the University of Bologna. The third section, the De consecratione ecclesiae
(“On the Consecration of a Church”), is divided into five Distinctions with multiple chapters. It
is cited as “De cons.” with the number of the Distinction (D.) and the chapter (c.). The Decretum
is cited here from Emil Friedberg, ed., Corpus Iuris Canonici, vol. 1 (1881; repr., Graz, Austria:
Akademische Druck- u. Verlagsanstalt, 1959).
 17 The “Clement” text known as c. Nemo (De cons. D. 1 c. 40) forbade wrapping corpses in altar cloths
(vestimenta altaris). The Ordinary Gloss (see note 27) to c. Nemo v. In mensa Domini, another portion
of the “Clement” text, added a prohibition of using cloths touched by the priest after the consecration
and chalice veils (vel forte palla, cui inoluit calicem) thus.
 18 Paucapalea, Die Summa des Paucapalea über das Decretum Gratiani, ed. Johann Friedrich von Schulte
(1890; repr., Aalen, Germany: Scientia Verlag, 1965), 144. See also Rufinus, Summa Decretorum, ed.
Heinrich Singer (1902; repr., Aalen, Germany: Scientia Verlag, 1963), 546.
 19 Rufinus, Summa Decretorum, 546. In this context, the veil may be the cloth used in receiving the
offerings; see Jungmann, Roman Rite, 2:61.
 20 Rufinus, Summa Decretorum, 546: “nunc qualia esse debeant vasa et corporalia, in quibus conficitur
eucharistia … .”
 21 Stephen of Tournai, Die Summa über das Decretum Gratiani, ed. Johann Friedrich von Schulte (1891;
repr., Aalen, Germany: Scientia Verlag, 1965), 267: “pallas vero etc. His hodie generali consuetudine
derogatum est. Forte autem non dicetur inconveniens, si haec religiosis feminis lavanda mandentur,
sicut in ecclesia Mediolanensi verglonissae, i.e. quaedam religiosae mulieres oblatas praeparant ad
sacrificium altaris.”
 22 Ibid., 268.

44
Care of Altar Linens

underlined the prohibition of giving sacred things to the laity, adding that this pro-
hibition extended to clergy taking them for private uses. They had been “consecrated
with a special blessing” (fuerunt speciali benedictione consecrate).23 Moreover, different
liturgical cloths, when washed, were to be laundered in separate vessels.24 Huguccio
said the linen of the corporals had been prepared, made white, with “much labor”
(multo labore), just as Christ endured many tribulations.25 The corporal spread on the
altar signified the shroud of Christ, in which Joseph of Arimathea wrapped him. The
corporal was to be kept clean and white, like the body of Christ born of the Virgin.26
These commentaries on the Decretum culminated in the thirteenth century in
the Ordinary Gloss, which accompanied many manuscript copies of the collection.27
The Gloss on c. Altaris palla, building on Rufinus, called this type of cloth “vestments
of the altar” (vestimenta altaris), specifying “veils” (sindones), which were square-
cut.28 The altar veil was described as hanging upon the altar (pendet super altare) or
hanging in front of it (cortina ante), as an altar frontal.29 The Gloss on c. Vestimenta
also recounted, as earlier Decretists had, the story of Belshazzar’s feast and that king’s
being punished by God for misuse of sacred vessels. The Gloss on c. Consulto said this
meant corporals were not to be made of silk.30 Linen was given a moral interpretation
as meaning innocent and without stain or taint (macula).31 The Gloss, following earlier
opinion, said that linen was to be interpreted as signifying Christ, who endured many
difficulties before reaching his glory, just as linen was made pure and white with many
blows. The faithful too could rise to heaven through their difficulties.32

PAPAL DECRETALS AND THEIR COMMENTATORS

Additional regulations were provided by the thirteenth-century popes. In the year


1215 the Fourth Lateran Council, convened by Pope Innocent III, issued the canon

 23 Huguccio Pisanus, Summa Decretorum, Admont, Austria, Stiftsbibliothek, MS 7, fol. 338va–339ra, c.
Palla and c. Nemo.
 24 Ibid., fol. 338vb, c. Nemo: “nec iste sunt lauande in eodem uase.”
 25 Ibid., fol. 339rb, c. Consulto: “corporale enim multo labore canditatur et ecclesias per multos
tribulationes Christo conformatur.”
 26 Ibid., fol. 339rb, c. Consulto: “significat sindonem in qua Christi corpus fuit inuolutum.”
 27 The Ordinary Gloss was a compilation of individual glosses by earlier canonists on passages in
Gratian’s Decretum. It was compiled early in the thirteenth century and revised after 1234 when the
official collection of papal decretal letters had been issued.
 28 Ordinary Gloss at De cons. D. 1 c. 39 v. Altaris palla.
 29 Ordinary Gloss at De cons. D. 1 c. 39 v. Velum.
 30 Ordinary Gloss at De cons. D. 1 c. 46 v. In serico: “In serico. corporali.”
 31 Ordinary Gloss at De cons. D. 1 c. 46 v. Sed in puro: “Sed in puro. Vt innocens & sine macula
intelligatur.”
 32 Ordinary Gloss at De cons. D. 1 c. 46 v. Lineo: “Lineo. Quod tunsionibus multis ad candorem
deducitur sic & Christus pressuris mulitis peruenit ad gloriam. ita & boni propter pressuras ad
gloriam domini veniunt.” This connection of linen to Christ’s suffering body also is found in Rainer
Berndt, ed., Hugonis de Sancto Victore de Sacramentis Christiane Fidei (Münster: Aschendorff, 2008),
373: “Linteum caro ejus, tunsionibus passionum ad candorem incorruptionis perducta.”
45
Thomas M. Izbicki

Relinqui, one of several texts intended to improve pastoral care. This text appeared
in the collected constitutions of the Lateran council,33 then in the collection known
as Compilatio Quarta (ca. 1216),34 and finally in the Decretals of Gregory IX, or Liber
Extra, under the title “On Custody of the Eucharist, Chrism and Other Sacraments”
(De custodia eucharistiae, chrismatis et aliorum sacramentorum; X 3.44.2).35 The canon
required that liturgical vessels, vestments, altar cloths, and corporals not be left in an
unclean state, lest this cause “horror” in the faithful:

And there are others who not only leave their churches uncared for but also leave the
service vessels and ministers’ vestments and altar cloths and even corporals so dirty that
they at times horrify some people.36

They were instead to be kept “clean and bright” (munda et nitida). The decretal Sane (X
3.41.10) of Honorius III, Innocent’s successor, gave new importance to these require-
ments about care of liturgical cloths. It appeared in Compilatio Quinta, compilation
of which had been mandated by Pope Honorius, and then in the Liber Extra under
the title “On the Celebration of Masses, the Sacrament of the Eucharist and Divine
Offices” (De celebratione missarum et sacramento eucharistiae et divinis officiis; X
3.41.10).37 These canons would be crucial for later efforts to regulate the proper care
of cloths for sacramental use.38
The thirteenth-century canonists usually said little on this topic. When they did,
they summarized the same two early-thirteenth-century canons or repeated similar
sentiments, referring back to the Decretum to support their expositions. Thus the
Casus Fuldenses on the Lateran decrees simply said all things related to the ministry
were to be kept clean and bright.39 Vincent of Spain, glossing the Lateran decree
­Relinqui, cited c. Nemo to prove corporals and vestments were to be washed inside the
church (intra ecclesiam).40 The Ordinary Gloss of Bernard of Parma on the Gregorian

 33 Antonio García y García, ed., Constitutiones Concilii Quarti Lateranensis una cum Commentariis
Glossatorum (Vatican City: Biblioteca Apostolica Vaticana, 1981), 66–67, 147–48.
 34 Emil Friedberg, ed., Quinque Compilationes Antiquae nec non Collectio Canonum Lipsiensis (1882;
repr., Graz, Austria: Akademische Druck- u. Verlagsanstalt, 1956), 144, Comp. IV 3.17.1: “De
immunitate ecclesiarum et eius ornatu et reverentia reliquiarum.”
 35 All texts of papal decretal letters in the Liber Extra or Decretals of Gregory IX (1234) are cited by X for
Extra with number of book, subject title, and chapter, thus X 1.1.1. This collection appears in volume
2 of Friedberg, Corpus Iuris Canonici.
 36 Norman P. Tanner, ed., Decrees of the Ecumenical Councils, 2 vols. (Washington, DC: Georgetown
University Press, 1990), 1:244: “Sunt et alii qui non solum ecclesias dimittunt incultas, verum etiam
vasa ministerii et vestimenta ministrorum ac pallas altaris necnon et ipsa corporalia tam immunda
relinquunt, quod interdum aliquibus sunt horrori.”
 37 Friedberg, Quinque Compilationes Antiquae, 178, Comp. V 3.24.1: “De celebratione missarum.”
 38 A note in a late-sixteenth-century edition of the canon law, at c. Relinqui, blames problems about
liturgical cloths on the parish priest; see Petrus Pithou and Franciscus Pithou, eds., Corpus Juris
Canonici Gregorii XIII Pontificis Maximi Iussu Editum …, 2 vols. (Leipzig, 1695), 2:196: “per ejus
incuriam.”
 39 García y García, Constitutiones Concilii Quarti Lateranensis, 486. Damasus cited c. Vestimenta
instead, 428.
 40 Ibid., 313–14.

46
Care of Altar Linens

Decretals focused on the issues of clean cloths when interpreting c. Relinqui. Bernard
summarized the text in the casus preceding his gloss before saying the cloths were to
be kept clean to avoid horrifying the faithful (quod aliquibus interdum sunt horrori).41
The Gloss repeated what the text said about vestments being kept fitting and clean, a
point reinforced with a reference to c. Vestimenta in the De consecratione.42
Geoffrey of Trani, commenting on the title “On the Celebration of Masses” in
his summa on the titles of the Extra, repeated much of what had been said by the
canons in that collection. The canonistic injunctions about the necessity of keeping
vestments fitting and clean were summarized.43 This summa restated past measures
about the cleaning of soiled vestments, saying the deacon and humbler clerics were to
wash these garments “in the sanctuary” (possibly the sacristy). The provision of the
“Clement” text for burning altar cloths and vestments used up in liturgical celebrations
was reiterated too.44
Pope Innocent IV ignored these issues in his commentary on the Extra, but
Henricus de Segusio, Cardinal of Ostia, known as Hostiensis, gave issues of sacrament
and ritual more attention. The cardinal wrote an extensive summa on the titles of the
Gregorian Decretals and an even more lengthy commentary on that collection. The
summa said clerics should use good vestments, not profane clothing.45 No one except
the clergy, and especially not women, were to touch sacred objects, including cloths,
once they had been blessed.46 Hostiensis repeated the provision of the Gloss about the
washing of cloths by the deacon and lesser ministers before repeating the provision of
the “Clement” text about burning worn-out items. The ashes were to be buried, he said,
in the baptistery or in a hole in the church floor over which people could not walk.47
Hostiensis’ commentary added details. Discussing pallae, he extended this term not

 41 Ordinary Gloss at X 3.44.2 Casus.


 42 Ordinary Gloss at X 3.44.2 v. Vestimenta: “[Vestimenta] Vestimenta ecclesiae honesta & munda
debent esse. de conse. dist. i. vestimenta.” At v. In profanis, the Gloss says that clergy were forbidden
to wear “profane” garments even if they were donated by the laity.
 43 Goffredus de Trano (Geoffrey of Trani), Summa Perutilis et Valde Necessaria Do. Goffredi de Trano
Super Titulis Decretalium … (1519; repr., Aalen, Germany: Scientia Verlag, 1968), fol. 165vb.
 44 Ibid., fol. 166ra: “Item pallas altarium et vestimenta clericorum cum sordida fuerint dyaconi cum
humilibus ministris intra sanctuarium lauent. vt de conse. dist. i. nemo. et si fuerint vetustate
consumpta incendio dentur. vt de cons. di. i. altaris.” Geoffrey also summarized the provision against
wearing profane garments.
 45 Henricus de Segusio (Hostiensis), Summa Domini Henrici Cardinalis Hostiensis … (1537; repr.,
Aalen, Germany: Scientia Verlag, 1962), fol. 187va: “Et est ar. Quod clerici possunt vti bonis vestibus:
dumtamen cessent a prohibitis.”
 46 Ibid., fol. 187va: “nec vestimenta seu ornamenta vel vasa altaris seu ecclesie servitio deputata aliquid
aliud tangere debent nec aliis vsibus deputari nec ad nuptiarum ornamenta prestari. de conse. di. i.
nemo per ignorantiam. et. c. vestimenta. et. c. nuptiarum. quod videtur intelligendum ex quo sunt
per pontifices benedicta: vt. supra. de re. do. c. iii.”
 47 Ibid., fol. 187va: “Cum vero talia sordida fuerint diaconi cum humilibus ministris infra sacrarium
ipsa lauent. de consec. dist. i. nemo. et si fuerint vetustate consumpta incendio comburantur et cinere
in baptisterio vel sub fossa ita quod non pedibus hominum conteri recondantur. de conse. dist. i.”
47
Thomas M. Izbicki

just to corporals but to their containers.48 He added that c. Relinqui only prohibited
use of dirty cloths and did not prohibit use of ornamented ones for sacred purposes.49

WRITINGS ON LITURGY

Symbolism was important in medieval liturgical texts, some of which were written by
prelates or canonists. Pope Innocent III, while still a cardinal and before he became
a legislator as Roman pontiff, built his discussion of the Mass in part on the “Sylvest-
er” canon. He said the linen corporals on the altar were based on the winding cloth
used for Jesus’ burial.50 Innocent said the unfolded corporal under chalice and paten
signified faith, while the folded corporal signified intellect, which was more limited
in its grasp of mysteries.51
Sicard of Cremona, a canonist who wrote on liturgy, interpreted the corporal
spread on the altar as signifying Christ’s body, born of the Virgin, which endured
many tribulations before the Resurrection, just as pure linen was made with great
labor. The unfolding of a corporal on the altar represented Jesus’ nailing to the cross.
The fact that there were two corporals on the altar reflected the preparation by Joseph
of Arimathea of the dead Christ for burial.52

 48 Henricus de Segusio (Hostiensis), Henrici de Segusio Cardinalis Hostiensis Decretalium Commentaria,
5 vols. (1581; repr., Frankfurt: Vico Verlag, 2009), vol. 3, fol. 172ra: “[Ac pallas.] non solum corporales,
sed etiam alias, quae ponuntur in subtractorio altaris. i. mappas, quae ponuntur sub corporalibus ad
ipsam ornandam. de con. di. i. nemo per ignorantiam.” The cardinal added that the term did not
extend to chrism cloths.
 49 Ibid., vol. 3, fol. 172rb: “Tu dicas, quod de ornatu non potest hic sumi ar. sed de munditia tantum.
De hoc tamen dic, vt no. supra de vi. & ho. cler. c. ii. ver. pannis.”
 50 Innocentius III, De Sacro Altaris Mysterio, Libri Sex, Patrologia Latina Database (Alexandria,
VA: Chadwyck-Healey, 1996; accessed Feb. 16, 2014), PL 217.832A–B: “Interim vero diaconus
corporales pallas super altare disponit, quae significant linteamina, quibus involutum fuit corpus
Jesu. Pars autem quae plicata ponitur super calicem signat sudarium, quod fuerat super caput ejus
separatim involutum in unum locum. De his itaque tantum reperitur in canone: ‘Consulto omnium
constituimus, ut sacrificium altaris non in serico panno, aut intincto quisquam celebrare praesumat,
sed in puro lineo [al. linteo], ab episcopo consecrato, terreno scilicet lino procreato atque contexto,
sicut corpus Domini nostri Jesu Christi in sindone linea munda sepultum fuit.’”
 51 Ibid., PL 217.832B: “Duplex est enim palla, quae dicitur corporale: una quam diaconus super altare
totam extendit, altera quam super calicem plicatam imponit. Pars extensa, signat fidem, pars plicata
signat intellectum. Hic enim mysterium credi debet, sed comprehendi non valet, ut fides habeat
meritum, cui humana ratio non praebet experimentum.”
 52 Gábor Sarbak and Lorenz Weinrich, eds., Sicardi Cremonensis Episcopi Mitrale Sive de Officiis
(Turnhout, Belgium: Brepols, 2008), 176–77: “Quod diaconus corporale disponit, hoc est, quod
evangelium Christum uel corpus Christi, immo totam ipsius humanitatem plene describit.
Corporale enim corpus Christi significat, quia, sicut corporale de puro lino conficitur et multo
labore in candorem vertitur, sic corpus Christi de utero Virginis per multas tribulationes in gloriam
transiuit resurrectionis, uel significat ipsius corporis tribulationem, munditiam et gloriam; uel
significat ipsum Christum, quia, sicut corporale complicatur ut nec initium, nec finis eius appareat,
sic eius diuinitas initio caret nec finem habet. Et sicut oblata adiungitur corporali et ponitur in altari,
sic caro iuncta diuinitati affigitur cruci. Vel significat sindonem, in qua Domini corpus legimus
inuolutum. Ideoque Siluester instituit sacrificium altaris dumtaxat in panno lineo celebrari. Qui vero

48
Care of Altar Linens

William Durantis the Elder, another canon lawyer who wrote on liturgy, did a
detailed exposition of the Mass, including the altar, its ornaments, and the vestments
used by priests and bishops. His interpretations of all these things runs to the symbolic,
focusing more on their significance than on their handling.53 Durantis expounded on
the meanings of the cloths used in church. Among those that were hung up as festal
decorations, he made particular mention of having a set of Easter frontals in three
colors: black, white, and red. Each was removed during the readings at the Vigil, black
representing the time before the Law, white the time under the Law, and red the “time
of grace” ushered in by Christ.54 The canonist drew on Gratian’s Decretum for his brief
discussion of the discipline of liturgical cloths. The texts of “Stephen” and “Clement”
about not using sacred materials for secular purposes were repeated, along with re-
quirements that the deacon “with more humble ministers” (cum humilibus ministris)
wash soiled linens in the sacristy. The church was to have a special basin for hangings
and another for washing the sacred corporals. Durantis also cited the Decretum (De
cons. D. 4 c. 106) as saying nothing else should be washed in the vessel (uasa) in which
corporals were laundered.55 The “Clement” canon about burning used-up cloths was
cited, with an added provision that the ashes be buried in the baptistery, in the walls
(in parietate), or into holes in the pavement (in fossis pauimentorum), where no one
could walk on them.56 All altar cloths and vestments were to be blessed by a priest,
setting them aside for liturgical use. Durantis’s text cited the dedication by Moses of
the furnishings of the tabernacle (Gen. 26:1–16) as one of the authorities supporting
this practice.57
Durantis gave particular attention to the corporal unfolded on the altar. The
placing of it on the altar signified the cleanness of the faithful people, especially the
ministers, free from the stain of carnality. This cleansing resembled the preparation
of linen that “has been cleansed of all natural coloration and moisture.”58 Durantis’s

duo corporalia ponit, duo significat linteamina, quibus Ioseph corpus Domini aromatibus conditum
inuoluit; uel per unum multiplicatum, multiplicem Christi humanitatem, per alterum multiplicem
laborem eiusdem.”
 53 Guilelmus Durantis, Rationale Divinorum Officiorum, ed. Anselme Davril and Timothy M.
Thibodeau, 3 vols. (Turnhout, Belgium: Brepols, 1995–2000); Timothy M. Thibodeau, “The Influence
of Canon Law on Liturgical Exposition c. 1100–1300,” Sacris Erudiri 37 (1997): 185–202.
 54 Durantis, Rationale, 1:47–48, at 48; The Rationale Divinorum Officiorum of William Durand of
Mende: A New Translation of the Prologue and Book One, trans. Timothy M. Thibodeau (New York:
Columbia University Press, 2007), 1:45.
 55 Durantis, Rationale, 1:52; Thibodeau, Rationale Divinorum Officiorum of William Durand, 48, citing
a Council of Lérida as saying “that there be proper vessels for no other use than washing the corporal
and the altar coverings, in which nothing else ought to be washed.” He also said there should be a
third vessel for washing festal hangings. A similar instruction is found in the Ordo ad sacros ordines
benedicendos; see Patrologia Latina Database, PL 78.220B (accessed Jan. 8, 2015).
 56 Durantis, Rationale, 1:53; Thibodeau, Rationale Divinorum Officiorum of William Durand, 48.
 57 Durantis, Rationale, 1:111: “Illud etiam nota quod palle altaris, uestimenta sacredotalia et huiusmodi
ecclesiastica ornamenta benedicenda sunt.” Thibodeau, Rationale Divinorum Officiorum of William
Durand, 99.
 58 Durantis, Rationale, 1:378: “Interdum uero, dum sacredos manus abluit, dyaconus pallam super
altare disponit: in quo admonentur ministri et populus ut sint ab omni carnali cupiditate mundi,
49
Thomas M. Izbicki

exposition of the corporal was based on the Decretum, saying it was not to be made
from silk but from pure linen, consecrated by a bishop. Linen came from the earth
and was related to the winding cloth in which the body of Jesus was buried. Nor was
the linen to be dyed.59 Durantis gave an extended interpretation of the corporal, like
the Fecit Moyses commentary and Sicard of Cremona. Durantis said that the linen was
“beaten and cleansed with many blows.” Among the multiple meanings he assigned to
the corporal was that it represented the Church as the body of Christ. Moreover, the
corporal unfolded on the altar represented the shroud in which the dead Christ was
wrapped. However, a corporal resting atop the chalice signified faith, more capable
of grasping things divine than was human reason.60
Durantis’s discussion of vestments, from both the Old Testament and the New,
has a few significant references to linen. The white linen of the alb represented, he
said, both new life in baptism and “Christ’s garments,” which “were always clean and
white” because of His sinlessness. Both cotton and linen acquired their whiteness “by
thrashing and handling by artisans,” as human flesh was softened by chastisements
for coming of grace. Following Sicard, Durantis said the linen cloth was “beaten and
cleansed with many blows,” indicating the wiping away of earthly affections.61 The same,
he said, was true of one of the two tunics of the High Priest, which signified chastity.62
On a slightly more practical note, Durantis discussed the sudarium, the linen cloth an
attendant was to keep ready if the bishop needed to wipe off sweat, saying it signified
“wiping off the human defilements of this life.”63

LOCAL REGULATIONS

Problems arose occasionally about providing a parish with liturgical cloths, costs
for which seem to have been split, like many other expenses, between priest(s) and
people. The early-thirteenth-century record of the customs of the diocese of Salisbury
attempted to specify who would pay which costs. The parson was to provide corporals
“made of fine linen cloth.” The chaplain (assisting priest) was to see that the altar cloth
and all other linens were “clean and suitable.” The parishioners were to provide a silk
chasuble and “all other types of vestments belonging to the altar.”64 A parish chaplain
might be required to see the vestments and fittings were kept clean, but in the case of

sicut ipsa palla est a naturali uiriditate et humore; mundita quoque corporalis significat munditiam
populi fidelis.” William Durand, On the Clergy and Their Vestments: A New Translation of Books 2–3
of the Rationale Divinorum Officiorum, trans. Timothy M. Thibodeau (Scranton, PA: University of
Scranton Press, 2010), 241.
 59 Durantis, Rationale, 1:378, citing De cons. D. 1 c. 46; Durand, On the Clergy, 241.
 60 Durantis, Rationale, 1:379; Durand, On the Clergy, 242–43.
 61 Durantis, Rationale, 1:187–88, 186: “sicut enim byssus, uel linum, candorem quem ex natura non
habet multis tunsionibus attritum acquirit per artem … .”; Durand, On the Clergy, 148–49, 147.
 62 Durantis, Rationale, 1:233; Durand, On the Clergy, 176.
 63 Durantis, Rationale, 1:217; Durand, On the Clergy, 201.
 64 Shinners and Dohar, Pastors, 224–25, from the “parish law” of the diocese of Salisbury. For a
Moravian attempt to define whether priest or people should pay for vestments and bells “from their

50
Care of Altar Linens

theft, the negligent party had to replace stolen items.65 Parish accounts can include
payments for new vestments or the repair of old ones. In addition, a parson was paid
for blessing them, setting them apart from the materials used by the laity.66
Although a parish was supposed to pay for vestments, priests frequently owned
their own, as shown in their wills. A poor priest might leave only one set, but a wealth-
ier one, like John de Ufford, a son of the Earl of Suffolk (d. 1375), left three, together
with two curtains and two altar towels.67 Bishops might bequeath a wider variety of
liturgical cloths. The testamentary records of the English episcopate from 1200 to
1413 include, together with chasubles and other vestments, linen corporals, burses
to contain them, altar cloths, and frontals. Even lectern hangings were included in
these bequests. These materials might be elaborately decorated. One of two corporals
belonging to Cardinal Simon Langham, archbishop of Canterbury 1366–68, was
described as having images of the Lamb of God (agnus Dei) and four angels. Simon
Mepham, another fourteenth-century archbishop of Canterbury, bequeathed corporals
embroidered with the Crucifixion and the Coronation of the Virgin.68
Local councils and synods funneled canon law and the acts of general councils to
the local level.69 These regional meetings occasionally looked at vestments and altar
cloths, telling priests and people not just how to care for them but what to do if they
were damaged or stained. They might even go in for prevention, like requiring provision
of a towel at the altar to prevent dripping from lips or nostrils onto holy things. This
requirement can be found in the influential statutes of Paris, which said the towel was
to be attached to the missal.70 The same statutes required frequent washing of “the altar
linens and garments” out of reverence and because Christ would be present during
the Mass with his celestial court.71 If consecrated wine was spilled on a corporal, an
altar cloth, a small part of a vestment like a fringe, or an alb, the Paris statutes required
cutting out the affected material and placing it with the church’s relics. If a vestment
(probably a colored chasuble) was stained, that part was to be burned and the ashes

alms” (de elimosinis), see Pavel Krafl, ed., Synody a Statuta Olomoucké Diecéze Období Středověku
(Prague: Historický ústav, 2003), 178–79.
 65 Councils and Synods with Other Documents Relating to the English Church, vol. 2, A.D. 1205-1313,
ed. F. M. Powicke and C. R. Cheney (Oxford: Clarendon Press, 1964), pt. 1, 513: “Capellanus ecclesie
debet providere quod mensalia et cetera vestimenta ecclesie ad altare spectantia sint munda et
honesta.” The provision about theft follows.
 66 Shinners and Dohar, Pastors, 231–32.
 67 Ibid., 245, 249, 250.
 68 C. M. Woolgar, ed., Testamentary Records of the English and Welsh Episcopate 1200–1413; Wills,
Executors’ Accounts and Inventories, and the Probate Process (Woodbridge, UK: Boydell, 2011), 143:
“Item unum corporale cum ymaginibus cum sacro agno et iiiio angelis ii fr. Item unum corporale I”;
ibid., 164: “Item corporalia brudata cum crucifixo et coronacione beate Marie.”
 69 C. R. Cheney, English Synodalia of the Thirteenth Century (London: Oxford University Press, 1968).
 70 Odette Pontal, Les Statuts Synodaux Français du XIIIe Siècle (Turnhout, Belgium: Brepols, 1975), 1:82:
“[79.] Districte praecipitur, ut quilibet sacerdos habeat in celebratione misse, propter munditiam
vestimentorum servanda, circa altare unum manutergium, pendens circa missale ad tergendum os
et nares si fuerit necesse.”
 71 Ibid., 1:58: “[16] Linteamina altaria et indumenta sepe abluantur, ad reverentiam et presentiam
Salvatoris nostri et totius curie celestis, que cum eo presens adest quotiens missa celebratur.”
51
Thomas M. Izbicki

retained in the sacristy.72 This disposition of sacred cloths is very different from the
frequent efforts to reuse materials typical of the laity.
English synodal enactments had several things to say about liturgical cloths. An
early-thirteenth-century canon from Canterbury required the priest to have a clean
cloth to wipe fingers and lips after receiving communion.73 The same council decree
mandated having a clean white cloth of sufficient size plus fitting linens and ornaments
to use at the altar.74 The influential Salisbury statutes required placing a clean linen cloth
over the viaticum carried to the sick.75 Archbishop Stephen Langton held a Council of
Oxford in 1222, responding to the canons of the Fourth Lateran Council. The council,
like its Canterbury predecessor, commanded use of a clean white altar cloth. Another
Oxford canon said corporals no longer useful for the Mass were to be placed with the
relics or burned in the presence of the archdeacon. It was the archdeacon, according
to Langton and his suffragans, who was to see that a parish had proper linens and
ornaments for the altar.76 Eventually the requirement that a towel be kept at the altar
was added in England.77 The second statutes of Worcester (1229) required a parish to
have two sets of vestments and two corporals of sufficient size (one festal and one for
everyday, with which a priest might be buried), two altar frontals, three linens (at least
one of them blessed), and a rochet or choir vestment.78 The third statutes of Worcester
(1240) added a longer list of vestments, as well as corporals and other blessed linens.79
The second statutes of Salisbury (1234–44) said a priest was not to celebrate in dirty
vestments or those worn out by age.80

 72 Ibid., 1:80: “[75] Si quid de sanguine Domini ceciderit super corporale, rescindendum est ipsum
corporale et in loco reliquiarum servandum. Si palla altaris inde intincta fuerit, rescindenda est
pars illa et pro reliquiis servanda. Si super casulam id est infulam vel super albam deguttat similiter
fiat. Si super quodlibet vestimentum, comburenda est pars illa et puvis in sacrario reponendus.” The
statutes of Soissons repeated this text; see ibid., 1:194.
 73 Powicke and Cheney, Councils and Synods 2, pt. 1, 28.
 74 Ibid., 25: “sindonem mundam et candidam amplitudinis congruentis, lintheamina et alia ornamenta
que ad altaris officium spectant honesta.”
 75 Ibid., 81.
 76 Ibid., 111: “sindonem mundam et candidam et amplitudinis congruentis … . Vetera vero corporalia
que non fuerint ydonea in altaribus quando consecrantur loco reliquiarum vel in presentia
archidiaconi comburantur. Provideant etiam archidiaconi ut lintheamina et ornamenta altaris sint
sicut decet honesta.” These decrees were repeated for the diocese of Winchester two years later; see
ibid., 126. Likewise, an Exeter statute and a London enactment from the mid-thirteenth century said
the archdeacon was to see that these materials were provided; see ibid., 232, 649.
 77 Ibid., 185.
 78 Ibid., 171: “In qualibet ecclesia hec subscripta ad minus haberi debent: in ornatu altaris duo paria
vestimentorum cum duobus paribus corporalium amplitudinis congruentis cum una rocheta, unum
festivale et aliud feriale in quo sacerdos altaris mortuus tumuletur, si necesse fuerit; due palle altaris,
una festivalis et alia ferialis; tria lintheamina, unum benedictum ad minus … .”
 79 Ibid., 296: “in qualibet ecclesia in ornatu altaris sint tres albe cum amitibus et stolis et manipulis; duo
suppellicia et duo rochete; duo casule; duo paria corporalium; quattuor lintheamina benedicta; duo
palle altaris … .”
 80 Ibid., 378. Similarly see the first statutes of Chichester (1245–52) in ibid., 454.

52
Care of Altar Linens

VISITATIONS AND ENFORCEMENT OF REGULATIONS

A turn toward enforcement can be found early on in the collection compiled by Abbot
Regino of Prüm (d. 915) for the archbishop of Trier in the Rhineland. He required that
synodal reviews of pastoral care include an inquiry about the state of the corporal on
which chalice and paten were placed at Mass:

Whether the corporal is of cleanest and whitest linen, and where it is put away.81

Likewise, early medieval Penitentials prescribed penances for priests who spilled the
chalice on the linens, and one required him to replace the cloth at his own expense.82
By the end of the thirteenth century, the enforcement of discipline at the parish
level usually fell to the archdeacon, not the bishop.83 The archdeacon conducted visi-
tations in his assigned territory to examine the conduct of priests and people, as well
as the state of the church, the manse, and the cemetery. (He was supposed to visit
each parish once in a three year cycle.) Within the church, a visiting archdeacon was
to look at the liturgical furnishings, including bells, vessels, vestments, and cloths.
The most detailed visitation records provide insight into parish life, including defects
in care of liturgical fabric.84 The archdeacon was able to impose penalties on priest
and people, usually fines, and concern must have been felt when such a review was
imminent.85 Thus a synod of Exeter (1287) complained about parishes possibly bor-
rowing ornaments from each other to show the archdeacon.86 (Similar measures were
adopted at Brno in Moravia, saying fines could be imposed payable to the archdeacon
for allowing liturgical cloths, vestments, and vessels to fall into a state that would not
be acceptable in “profane” cloths.87)

 81 Regino, Das Sendhandbuch des Regino von Prüm, ed. F. W. H. Wasserschleben and Wilfried
Hartmann (Darmstadt: Wissenschaftliche Buchgesellschaft, 2004), 20: “Si corporale ex mundissimo
et nitidissimo linteo sit, et ubi recondatur.” The translation is mine.
 82 These penitentials offer few theological reasons for their assigned penances; see John T. McNeill
and Helena M. Gamer, eds., Medieval Handbooks of Penance: A Translation of the Principal “libri
poenitentiales” and Selections from Related Documents (New York: Columbia University Press, 1938),
278–79, 309. On the costs of replacement, see ibid., 356.
 83 However, for an example of a bishop intervening to require use of clean linens, see Adam J. Davis,
The Holy Bureaucrat: Eudes Rigaud and Religious Reform in Thirteenth-Century Normandy (Ithaca,
NY: Cornell University Press, 2006), 88.
 84 Not just the corporals but their container might be reviewed by a visitor; see G. G. Coulton, “A
Visitation of the Archdeaconry of Totnes in 1342,” English Historical Review 26 (1911): 108–24, at 122
(unum par corporalium cum repositorio). See also Shinners and Dohar, Pastors, 301.
 85 Noël Coulet, Les Visites Pastorals (Turnhout, Belgium: Brepols, 1977).
 86 Powicke and Cheney, Councils and Synods 2, pt. 2, 1006. The same synod also required that clergy,
not the laity of the parish, have custody of church ornaments. A later statute of Exeter listed all
possible cloths and vestments; see ibid., 1005–6.
 87 Krafl, Synody a Statuta Olomoucké, 223: “[16.] Item precipimus et mandamus, ut palle altarium,
vasa, corporalia et vestimenta consecrata, munda et nitida conserventur sub pena infligenda pro
archidiacono, nimis enim videtur ab sordum in sacris sordes admittere, que non decet in prophanis.”
The same statutes attempted to limit, among other things, the wearing of silk and precious furs by
clergy to cathedral canons, prelates, and university graduates; see ibid, 226–27.
53
Thomas M. Izbicki

Two sets of visitations will be employed to illustrate how these records give insights
into parish life. Most parishes have yet to find a full study like that done for Morebath
in Devon.88 However, English examples can be drawn from visitations of the parishes
dependent on St. Paul’s Cathedral, London. These were held more than 150 years apart,
in 1297 and 1458.89 The other set derives from the archdeaconry of Josas in the diocese
of Paris, a region that included Versailles and Montlhéry, in the mid-fifteenth century.
These visitation records include very detailed reports on such issues as reception of
communion at Easter, the choice of licensed midwives, the custody of the sacraments,
and the care of the corporals used at Mass.90
The 1297 visitation of Navestock in Essex offers a good example of church posses-
sions inventoried on site by visitors. They expected to find the fittings listed by recent
archbishops of Canterbury,91 and they often found at least most of them. Among the
cloth items listed was a funeral pall of red samite, indicating good finances or wealthy
donors. The entire list included a lectern hanging, a Lenten veil, a towel, a purificator,
two frontals for the main altar (one of red cendal, a lightweight silk fabric), two fron-
tals for chapels (one of red and white striped cloth decorated with shields), and two
linen altar cloths. Some were described as sufficient and some as not. The parish had
several vestments, including some described as made of silk or cendal. Other cloths
were used for special rites, including a veil to be held over a wedding couple.92 The
1458 visitation of Navestock noted some defects, including the lack of the outer part
of a red velvet chasuble, as well as the absence of a corporal, a chasuble of cloth of gold
in a green shade, and an alb of red samite. The vestments listed as present were made
with velvet, silk, or cloth of gold. The visitors also listed two corporals, a Lenten veil,
and two towels. 93 Considering the time between visitation records, these probably
were not the same items listed many years before. The older ones, if not worn out,
may have been stolen.
In 1297, Aldbury had festal vestments including the apparels of the amice (parura
amicti) decorated in pure gold (de auro puro).94 A second set of decorated vestments
was for Sunday use. A third, for daily use, was decorated but more modestly. Corporals
and a Lenten veil, rochets, and a towel were present. So were altar cloths, one decorated
with roses. A Sunday frontal was ornamented with flowers, while the daily frontal was
of linen. An offertory cloth was missing (deficit).95 In 1458, the same church had a
silk vestment, probably a chasuble, decorated with moon and stars. Another vestment

 88 Eamon Duffy, The Voices of Morebath: Reformation and Rebellion in an English Village (New Haven,
CT: Yale University Press, 2001).
 89 W. Sparrow Simpson, ed., Visitations of Churches Belonging to St. Paul’s Cathedral, in 1297 and in
1458 (1895; repr., New York: Johnson Reprint Corporation, 1965).
 90 J.-M. Alliot, ed., Visites Archidiaconales de Josas (Paris: Picard, 1902).
 91 Powicke and Cheney, Councils and Synods 2, pt. 2, 1122 (John Peckham), 1385–88 (Robert
Winchelsey).
 92 Simpson, Visitations, 1–6.
 93 Ibid., 65–72.
 94 The amice was worn round the neck of the celebrant.
 95 Simpson, Visitations, 46–47.

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Care of Altar Linens

was blue with orphreys in green. Other vestments and copes were equally elaborate.
One had an image of St. Helena. Another had writing on it, Orate pro anima Johannis
Shadworth (“Pray for the soul of John Shadworth”). Aldbury had corporals and two
silk altar frontals (ii vestes de serico pro altare).96
Chiswick in 1297 lacked a lectern frontal, and two towels had been stolen. It did
have a Lenten veil. Among other cloths present were a rochet, altar frontals (one of cut
linen and one of cloth of gold), four pallae (two blessed), a festal vestment set including
a maniple of “Saracen work,” and a samite chasuble. There were other vestments for
Sunday and weekdays, the latter in bad shape. Also present were a choir cope and two
corporals with their cloth containers. A dalmatic was missing, as were the offertory
and wedding cloths.97 In 1458, Chiswick had a set of blue silk vestments with lions
and gold knots and orphreys of red silk with gold suns. Another set of vestments was
of green silk with golden flowers. A third was of green satin with silver lozenges.98 A
red set had been given by one Walter Dolman; another set was of red silk with golden
lions. There were other vestments, copes, pallae, corporals, and white altar frontals.99
Even when the English Reformation was well under way, in the sixth year of King
Edward VI (1543–44), the parishes dependent on St. Paul’s still listed some liturgical
cloths, like a green damask chasuble owned by Aldbury. Several vestments still owned
by Chiswick were made of satin, damask, or silk, but only some copes, albs, and “old
towells” were listed for Heybridge. Allowing for the possibility that some parishes
might have hidden vestments and altar linens from Edward’s commissioners, we almost
certainly are seeing the effects of liturgical change at the local level.100
The French visitation records go into more depth on the availability and condition
of corporals, the linens most closely associated with the Mass. The visitors noted several
examples of corporals in poor condition. In 1459 the visitors said of the chaplain at
Issy-les-Moulineaux that he had not washed the corporals “as is found in the synodal
constitutions.”101 This is but one example of priests ignoring the statutes in matters of
liturgical cloth. Thus visitors to Chatillon-sous-Bagneux in 1458, finding the corporals
dirty, required that the priest should have them cleaned by Martinmas. He had to

 96 Ibid., 107.


 97 Ibid., 58. For an English translation, see W. P. W. Phillimore, Historical Collections Related to Chiswick
(London: Phillimore, 1897), 103–5, digital edition at Hathi Trust Digital Library, http://babel.
hathitrust.org (accessed July 19, 2014).
 98 Simpson, Visitations, 110–11.
 99 Ibid., 111. For an English translation, see Phillimore, Historical Collections, 108–11.
100 Simpson, Visitations, 115–22. For an English translation of the Chiswick visitation, see Phillimore,
Historical Collections, 112–14. Unfortunately, Navestock is not included in the Edwardian records.
Hiding cloth from the commissioners of Edward VI and Elizabeth I was especially common in the
North of England; see Margaret Clark, “Northern Light? Parochial Life in a ‘Dark Corner’ of Tudor
England,” in The Parish in English Life 1400–1600, ed. Katherine L. French, Gary G. Gibbs, and Beat
A. Kümin (Manchester, UK: Manchester University Press, 1997), 56–73, at 64, 66.
101 Alliot, Visites Archdidiaconales de Josas, 69–70, no. 219: “Dictus vero capellanus emendavit non
mundasse sua corporalia, prout in statutis synodalibus continetur.”
55
Thomas M. Izbicki

“emend,” probably in cash, for the uncleanness of those corporals.102 Another priest,
at Clamart, had to emend for the corporals being both unclean and torn. He also was
criticized for not telling his parishioners about this. It is unclear if he simply wanted to
hide his slipshod conduct from the laity, but that is plausible.103 A prior of St. Saturnin
at Chevreuse, Guillaume du Val, was threatened with a fine because the altar itself was
unclean, as well as the corporals and altar cloth. The prior blamed this on his poverty,
because the people did not sustain both parish and priory.104 At Bourg-la-Reine in
1461, the visitation led to the church wardens being required to have “good, useful
and sufficient” corporals in place by the Feast of All Saints. The curate was fined for
celebrating Mass with insufficient corporals.105 The chaplain of Louveciennes may have
achieved the all-time record for negligence in this matter. In 1460 he admitted not just
to failing to keep the corporals clean but to not having washed them for three years.106
After dealing with such problems, the visitors must have been relieved to find a church
like that of Bruyères-le-Chalet, which had the reserved Eucharist and the corporals
“well and fittingly disposed.”107 Something less usual had occurred at Viry-Châtillon
in 1468. The church wardens complained that the chaplain had dropped a lighted
candle on the altar, burning the altar cloths and ornaments.108

THE WASHING OF LINENS

One reason for dirty corporals may be found in the statutes themselves. For example,
a statute from Tarragona (1329), based on the universal canons, required priests to
wash the church’s dirty linens.109 A Bamberg statute (1491) forbade women to touch
vestments and corporals. That left them, under local law, unable to provide the parish

102 Ibid., 35, no. 107: “et ut, infra festum hyemale beati Martini, mundet sua corporalia, et emendavit de
immundicia.”
103 Ibid., 37, no. 114: “emendavit etiam, eo quod corporalia fuerunt reperta immunda et laxerata, quod
non significavit parrochianis.”
104 Ibid., 46–47, no. 142: “Qui prior emendavit, eo quod altare erat valde immundum, et etiam
corporalia, et mape dicti altaris; quare fuit iniunctum eidem priori, quod predicta abluentur, infra
mensem, sub pena emende.”
105 Ibid., 114, no. 359: “dominus injunxit matriculariis, ut, infra festum Omnium Sanctorum, habeant
corporalia bona, utilia et sufficientia. Item emendavit curatus, eo quod celebravit in corporalibus
minus honestis et decentibus.”
106 Ibid., 75, no. 233 Louveciennes: “Dictus capellanus, scilicet frater Guillelmus Rigault, prior dicti loci
de Marliaco burgo, emendavit non tenuisse sua corporalia munda, nec abluisse a tribus annis.”
107 Ibid., 89, no. 268: “et invenimus sacramenta Eucharistiae et corporalia bene et honeste disposita.”
108 Ibid., 318–19, no. 999: “Matricularii conquesti sunt, quod cappellanus ejusdem ecclesie, per ejus
negligentiam, dimisit candellam ardentem cadere super nappas ejusdem altaris, et combussit ignis
nappas et ornamenta altaris.” Similarly, an altar veil was burned at Calonge in the archdiocese of
Tarragona in 1314 when a candle fell during Mass; see Christian Guillere, “Les Visites Pastorales en
Tarraconaise à la Fin du Moyen-Age (XIVe–XVe s.),” Mélanges de la Casa Velázquez 19, no. 1 (1983):
125–67, at 158. The fire was blamed on the server.
109 Giovan Domenico Mansi et al., eds., Sacrorum Conciliorum Nova et Amplissima Collectio, 53 vols.
(1901–27; repr., Graz, Austria: Akademische Druck- u. Verlangsanstalt, 1961), 25:869–70.

56
Care of Altar Linens

with laundry service. Instead, the priest was expected, under the Bamberg regula-
tions, to wash dirty corporals and other cloths in the sacristy.110 A synodal decree
from Cyprus, imposing Western practices in the East, said the cloths covering the
altar were to be washed four times in a year, on “Christmas, Easter, the Assumption
of the Blessed Virgin, and on the feast of All Saints.” The same decree said to wash
the corporals monthly.111
Priests may have resented having to wash linens, regarding that work as beneath
them. There was a great deal of washing to be done, and laundering was a humble
calling.112 Daily masses, with wine poured and candles liable to drip or smoke, could
result in soiling of both vestments and linens. Moreover, worse things could happen,
especially when processions were held outside on certain feasts, like Corpus Christi.
There were complaints from Hereford in the fourteenth century about silk vestments
being dragged through cow manure, alongside linens that were “a disgrace.”113 Even
the nave and sanctuary of a church could be filthy, requiring separate storage of most
precious vestments.114 Despite such dirt, women were only grudgingly permitted to
wash these cloths, and only after a cleric had handed them over, keeping the laundress
away from the altar.115 Among those who might wash and mend liturgical cloths, ac-
cording to the research of Katherine French on English parishes, could be the wives
of church wardens or sextons. The former might have been showing their piety, and
the latter might have thought this an extension of their husbands’ work maintaining
the fabric and furnishings of the church. However, humble laundresses and launderers
might be hired instead.116 Whatever their motives, women found themselves removing
soot, candle wax, and even the droppings of bats.117

110 The statute added, much like what the “Clement” text had said, that worn-out vestments and
corporals were to be burned, not handed over to secular uses. Johann Friedrich Schannat and Joseph
Hartzheim, eds., Concilia Germaniae (Cologne, Germany: 1763), 5:619A: “Ordinamus insuper, ut
mulieres sacra vasa contingere, & ad altare Sacerdotibus ministrare non praesumant. Statuimus, ut
vasa ministerii, & sacra vestimenta, nec non locus Sacramenti, ac Reliquiarum, ac corporalia munda
teneantur; cum autem corporalia sordida fuerint, non nisi per Sacerdotes intra Sacrarium abluantur.
Itaque vestimenta & corporalia vetustate consumpta, ad humanos usus nullatenus redigantur, sed
incendio tribuantur, & cineres, ut moris est, conserventur.”
111 Christopher David Schabel, ed., The Synodicum Nicosiense and Other Documents of the Latin Church
of Cyprus, 1196–1373 (Nicosia, Cyprus: Cyprus Research Center, 2001), 194–95.
112 Carole Rawcliffe, “A Marginal Occupation? The Medieval Laundress and Her Work,” Gender and
History 21, no. 1 (2009): 147–69, at 150, 152, 156, 161, 162.
113 Shinners and Dohar, Pastors, 298, 300.
114 Nicola A. Lowe, “Women’s Devotional Bequests of Textiles in the Late Medieval English Parish
Church, c. 1350–1550,” Gender and History 22, no. 2 (2010): 407–29, at 418–19.
115 Exceptions for laundering can be found beginning in the Carolingian period; see Fiona J. Griffiths,
“‘Like the Sister of Aaron’: Medieval Religious Women as Makers and Donors of Liturgical Textiles,”
in Female Vita Religiosa Between Late Antiquity and the High Middle Ages: Structures, Developments
and Spatial Contexts, ed. Gert Melville and Anne Müller (Münster: LIT Verlag, 2011), 343–374, at
347.
116 Katherine L. French, The People of the Parish: Community Life in a Late Medieval English Diocese
(Philadelphia: University of Pennsylvania Press, 2001), 145, 188.
117 Katherine L. French, The Good Women of the Parish: Gender and Religion After the Black Death
(Philadelphia: University of Pennsylvania Press, 2008), 17. John Mirk described the work of
57
Thomas M. Izbicki

It may be because of these realities that Walter of Eynsham, archbishop of Canter-


bury, made a very traditional provision for the keeping of liturgical cloths. His statute
said corporals and other liturgical cloths were to be kept whole and clean. It then added:

and they are to be washed often by persons deputed to this in the canon.

This was to be done out of reverence for the Eucharist.118 William Lyndwood, com-
piling the local canons of the province of Canterbury, quoted the Decretum as saying
that corporals could not be made from silk, only pure linen blessed by the bishop.
Nothing more or less precious was to be added to the linen. The corporal was to be
kept spotless and clean because it represented the shroud in which Christ was wrapped
for burial.119 Here too no concession was made to lay persons, especially laundresses,
in the cleaning of corporals and other cloths. According to Lyndwood, drawing on
the universal canons, this work was assigned to deacons and other “humble minis-
ters.”120 The English canonist, glossing a statute of Edmund of Abingdon, archbishop
of Canterbury, which said a vessel used in an emergency baptism at home might be
given to the parish church out of reverence, suggested that it might be used in the
washing of vestments.121
Despite their exclusion from the sanctuary, even when the linens and vestments
needed cleaning, women could gain access less directly. They might give or bequeath
cloth to the parish for liturgical uses. A bedsheet might, if made of linen, be given
for use as an altar cloth or a houselling cloth to be used at communion, held under
the chins of communicants. A kerchief might be turned into a corporal. These and
other cloths might be embroidered by the women who gave them to the church. This
gave them personal access, if indirect, to the sanctuary. Moreover, a woman might be
remembered among the church’s benefactors and be seen as a virtuous woman who

laundering as burdensome but valuable, while bequests were made by the laity to support the hiring
of laundresses; 29–30.
118 William Lyndwood, Provinciale (seu Constitutiones Angliæ) … Cui Adjiciuntur Constitutiones
Legatinae D. Othonis et D. Othoboni … (Oxford, 1679; repr., Farnborough, UK: Gregg International,
1968), 235: “Linteamina Corporalia, Pallae, & alia indumenta Altaris integra sint, & mundissima, &
saepe abluantur per personas ad hoc in Canone deputatas, ob reverentiam & praesentiam Salvatoris
nostri, & totius caelestis Curiae, qua Sacramento Altaris conficiendo & confecto non est dubium
inteesse.” The statute is based loosely on one from Paris; see Powicke and Cheney, Councils and
Synods 2, pt. 1, 142, compared with Pontal, Statuts Synodaux, 1:58. Translation mine.
119 Lyndwood, Provinciale, 235 s: “Corporalia. Quae sc. Non debent fieri ex Serico, sed solùm ex Pano
lineo puto terreno ab Episcopo Consecrato, de conse. di. i. c. ex consulto. Nec debet confici neque
benedici Corporale de Panno misso in confectionem Farinae, vel alterius rei ad hoc quod stet rigidum
siuper Calicem; sed erit de Lino puro absque mixtione alterius rei, sive praetiosioris, sive vilioris. Et
erit candidum atque mundum, quia significat Sindonem, in qua Corpus Christi fuit involutum; &
debet fieri de puro Lino, quia sicut Linum tonsionibus deducitur ad Candorem … .”
120 Ibid., 235 z: “In Canone deputatos. sc. per Diaconum, alios Ecclesiae humiles Ministros, de consec.
dist. i. nemo.”
121 Ibid., 242 e: “Usus ecclesiae. Sc. Ut in illo laventur Vestimenta Ecclesie … .”

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Care of Altar Linens

worked cloth, as had Mary, who, according to the Apocrypha, made the curtain of
the temple in Jerusalem.122

CONCLUSION

A few general observations are in order. As the belief in the Real Presence of Christ
in the Eucharist became more literal, the items closest to the sacrament became the
object of more detailed regulation. Honor for the Savior, who became present in host
and chalice, was combined with a sense of ritual purity, removing these things not just
from secular hands but potentially even from cleaning by pious women. Corporals
and altar linens were particular concerns because of their closeness to the sacrament
and the possibility that consecrated wine might be spilled on them. This staining with
the blood of Christ made unclean linen objects too sacred to be reused for private
or secular purposes. They were to be disposed of fittingly. Whether intact cloths, ex-
cised fragments of vestments, or ashes, they were to be saved among a church’s relics,
alongside the ashes and the bones of saints.123
Corporals themselves could become relics in the truest sense. The well-known
example is the corporal involved in the Miracle at Bolsena. The usual story about
this relic, dated traditionally to 1263, is that a Bohemian priest on his way to Rome
doubted the Real Presence in the Eucharist while celebrating Mass. The host bled onto
the corporal, illustrating Christ’s presence to the doubting priest. The corporal was
moved to the cathedral at Orvieto, where it now resides in the Chapel of the Corporal,
which was constructed in the mid-fourteenth century.124 This story is represented in
the Stanze, a suite of reception rooms in the Vatican Palace, decorated by Raphael
for Pope Julius II in 1512, which place the pope, four cardinals, and Julius’ daughter
Felice among the witnesses to the miracle.125 Another corporal, housed at Daroca
in the lands of the crown of Aragon, was supposed to show bleeding onto linens
when a priest hid six consecrated hosts during an attack by Muslims on an army of
Christians in 1239. A bloodstained corporal is reported to have become the banner
of the Christian army. There, as at Bolsena, the preservation of linens stained with
the blood of Christ became even more literal than in the regulations about spills of

122 Lowe, “Women’s Devotional Bequests,” 408–12, 414–18, 421–22.


123 On ashes as relics, see C. J. K. Snoek, Medieval Piety from Relics to the Eucharist: A Process of Mutual
Interaction (Leiden: Brill, 1995), 11, 15–16.
124 Dominique Rigaux, “Miracle, Reliques et Images dans la Chapelle du Corporal à Orvieto (1357–64),”
in Pratiques de l’Eucharistie dans les Eglises d’Orient et d’Occident (Antiquité et Moyen Age): Actes
du Séminaire Tenu à Paris, Institut Catholique, 1997–2004, vol. 1, L’institution, ed. Nicole Bériou,
Béatrice Caseau, and Dominique Rigaux (Paris: Institut d’Etudes Augustiniennes, 2009), 201–245;
L. Riccetti, “Dal Concilio al Miracolo: Mistero Eucaristico, Concilio Lateranense IV, Miracolo del
Corporale,” in Spazi e Immagini dell’Eucaristia: Il Caso di Orvieto, ed. Gianni Cioli, Severino Dianich,
and Valerio Mauro (Bologna: EDB, 2007), 171–227.
125 Dioclecio Redig de Campos, The Stanze of Raphael (Rome: Lorezo del Turco, 1968), 43–47.
59
Thomas M. Izbicki

the consecrated wine.126 Nonetheless, the miracle of Christ’s presence did not have to
be so spectacular to be believed to occur. Even a spill from a chalice onto a corporal
could create a relic of Christ’s Real Presence out of the linens that commentators on
liturgy compared to the white flesh of Jesus.

126 A medieval account, Historia del sanct corpocrist de Luchent, appears in facsimile in Luch Chabàs,
El Miracle de Llutxent: i Els corporals de Daroca: Relacions i Documents Estudiats (Valencia, Spain:
Diputació Provincial de València, 1981).

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