st yy oe aa =O a) 2H ie re Ee es2 mae) Fa ag | “oa rr a) eaePIANC SOLO: AFI AMERICAN FILM INSTITUTE’S TOP 25 FILM SCORES[AF isa national institute providing leadership in screen education andthe recognition and celebration of excellence in the are of lm, television and distal media. AFI train the next generation of filmmakers tits world-renowned Conservatory maintains Americas film heritage through the AFI Catalog of Fear Fis and explores new digital technologies in entertainment and sslucosion tough the AFI Digital Content Lab and K-12 Suen Education Center As the largest nonprofit exhibitor inthe US, AFL ON SCREEN encompasses the annual AFI FEST presented by ‘Audi: AFI Las Angeles Intemational Film Festval—as well as year-round programming at ArcLight Hollywood and the AFI Silver Theatre and Cultural Centr in Silver Spring, Maryland, including SSILVERDOCS: AFY/Discovery Channel Documentary Festival. AFL AWARDS, the annual almanac forthe 2s century, honors the most oustanding motion pictures and television programs of the yeas, svhile the AFI's 100 Years... series has ignited extraordinary public interest in classic American ‘movies, And, over the past 35 years, AFTs Life Achievement Award remins the highest honor fora ‘career in il Adsitional information about AFI s available at AFLcom,n n ™ % ‘The Adventesof Robin Hood *March ofthe Merry Men Bort Chou ELT (The Exvra-Tenesoa The Galfer Gone with she Wind "Taras Theme” High Noon How he Wes Was Won Jows King Kore awe Laurence of Arabia ‘The Mage Seen The Misi “Gail Oboe" (On Golden Pond ‘On the Wiront ‘Oreof Afica ‘The Pink Panher Pant ofthe Apes The Hunt” Pecko Sex Ware A Setar Named Desire Siewet Bower “An Aging Actes” ‘ToKilla Mockingnd Verio Eich Wolging Korgold Miklos Rosa Jery Goltith Joba Willams Nino Rote Max Steiner Dime Tomkin Aled Newnan Job Was Max Stciver Dovid Rabin Maurice Jace Elmer Bemstein Fania Merricone Dave Grin Leonard Bernstein John Bary eney Mansi Jeery Golds Benard Hermann John Wiliams Alex Noh rane Waxman, Elmer Berstein Beonasd Hermann“The American Film Instcute continues is celebration ofthe first century of American fleamaking with AFU's 100 Years of Film Scores, honoring America greatest film music. The Hollywood 3owl Orchestra revealed the top 25, film scores ofall rime in a one-night only presentation on Friday, September 23, 2005. This rogram is rar of AFT’ continuing celebration of the American film centennial, following the -riially-aelaimed network specials AFT's 190 Years...100 Movies, 100 Stars, 100 Laughs, 100 ‘Thrills, 100 Passions, 100 Heroes & Villains, 100 Songs, 100 Movies Quotes, and 100 Cheers. AFI disebtedballos with 250 nominated film scores toa jury of film composers, directors, Producers, cities and historians. ‘CRITERIA FILM SCORE. “An original music competion written to serveas ‘the dramatic underscore to an American film seleaed in the sound era* ‘CREATIVE IMPACT Film scotes hat enrich the moviegoing experience bby bringing the emotional elements ofa film's ory role HISTORICAL SIGNIFICANCE Film scores that create a new sound and, therefore, present the ilm in a distinct fashion while advancing both art forms. LEGACY Film scotes that are also enjoyed apart fom the ‘movie, evoking the memory of is film source, znd ‘hus ensuring and enlivening both the music and ‘he movie's historical legacy “AFI defines American fil at an El lingua ‘motion peur with ican crestive adr frana prediction lanes fem the United See. Aditionaly ‘aly ln Sco fom ese length American fms elaed fn che sound en (1927 ~ present) wl be conse. AF ‘lines a fan length fin an acon pte of are mat that yea ov 60 minutes lengthSur Wes Gone wth he Wind Lawrence of Arabia Peco The Galfer Jaws awa ‘Te Magen Seen Chinn Hh Non “The Adenas of Robo Hood Verse KingKong ELT. (The Bera Teresi) Ow of fice Sune eer ‘To Kils Mockngid Pont of he Ape ‘A See Naned Dee The Pk Paner Bovtir On te Went The Mision On Goden Pond Howe West Was Won John Wiliams Max Steer Maciej Berard Herman ino Rot, John Wiliams David Rain “ine Benen Jey Golson Di oma Eich Weleang Korngold Beracd Hermann Max Sener John Wiliams Jon Bay Frans Wacnan Eine Benstein Jesry Galt “Alex Nosh Henry Mancini Milos Roos Ennio Mericone Dave Gnsin Alf Newean wT 1939 1369 wn 1915 1944 it 1952 1938 1958 1933 1982 1985 1950 1362 1968 1951 1964 1959 1954 1986 1981 1962 “Twentieth Century Fox Mom Columbia Poramunt Poramunt Unive “weneth Conary Fox United Acie Paramount United Acie Wome Bes Paramount RKO Univers Unive Paroune Univer “Tweneth Cenry For Ware Be United Actes MoM Coun Wa Bet Unive MGM, Cincrama Releasing"MARCH OF THEMERRY MEN Bright Marchpsatcous — “D. : zMAIN TITLE (irom BEN HUR) By MIKLOS ROZA ‘Triumphant Wik peat * 7 7 ? Fer SE tS mamco. ne neeBrightlyrit edi, ‘Slower, lyricallyBrightlyTHE GODFATHER (Love Theme) me) ‘from the Paramount Picture THE GODFATHER By NINO ROTA,CHINATOWN ‘from the Paramount Motion Picture CHINATOWN. susie by Jgeay GOLDSMATE SlowlyTHEME FROM E.T. (The Extra-Terrestrial) ‘from the Universal Picture E:T. (THE EXTRA-TERRESTRIAL) Music by JOHN WILLIAMS, Lighy i et a ne2moto reTARA’S THEME from GONE WITH THE WIND By (AX STEINERHIGH NOON (Do Not Forsake Me) from HIGH NOON Words and Music by DIMI! THOMKIN 3nd NED WASHINGTONcopa, DS.al CodaMAIN TITLE (fcom HOW THE WEST WAS WON) Lyrics by KEN DARBY Music by ALFRED NEWMAN righty san comin Sa a ee Sco. reMAIN TITLE (from KING KONG) ‘By MAX STEINER Freely Moderately slow a : a a val With pedal: THEME FROM “JAWS” from the Universal Picture JAWS ‘Very steady and threatening Oe Oe pe. “awe (80) More owing — onSe (ee Heveatand ratenee Music by DAVID RAKSIN. Lyric by JOHNNY MERCERTHEME FROM “LAWRENCE OF ARABIA” ym LAWRENCE OF ARABIA By MAURICE JARRE »,poco accel 2 2 $= | F crtenpo Sean sate asec ae«6 with ire ZeTHE MAGNIFICENT SEVEN from THE MAGNIFICENT SEVEN. By ELMER BERNSTEIN ‘Moderately, with vigor«GABRIEL’S OBOE from the Motion Picture THE MISSION Slowly, expresivelypoco ritON GOLDEN POND Main Theme from ON GOLDEN POND ‘Music by DAVE GRUSIN, Frey Wik pedatbay fd. 4) 2ON THE WATERFRONT from ON THE WATERFRONT ‘By LEONARD BERNSTEIN Very slowly Wik peda ge noinnty i Si ee manne etTHE PINK PANTHER from IHE VINK PANIHEK Ry HENRY MANCINI»4i ¥4) ol fet ca fe ——— oe To Coda ¢)- + 4 s Cc aided Fe a4 Ds.atonte COA + re" rT 2 + = |w z 2 * \THE HUNT (om MANET OF THE APES) ayseny Gotoevim sicntyPSYCHO (Prelude) ‘Theme irom the Paramount Picture PSYCHO Music by BERNARD HERRMANN Poco agitatomee eevee aed eeeif im > ERY aoa Ss o rt ae ae 7 ee Wiss (= =STAR WARS (Main Theme) from the Lucasfilm Lid. Production STAR WARS ‘By JOHN WILLIAMS March : :A STREETCAR NAMED DESIRE Stony oe oe oR Ce Le =AN AGING ACTRESS from the Paramount Pictures film SUNSET BOULEVARD By FRANZ WAXMAN. “Moderately slow, with freedom PQuasi Tango dln. poco a poco% TO KILL A MOCKINGBIRD from TO KILL A MOCKINGBIRD ‘Music by ELMER BERNSTEIN Aa a —~VERTIGO THEME from VERTIGO By BERNARO HERMANN fe Wi peda f‘Tempo!LOVE THEME FROM OUT OF AFRICA (The Music of Goodbye) from OUT OF AFRICA ic by JOHN BARRY ‘Words by ALAN an MARILYN SEROMAN SlowlySG TTR Reco rar) ay ae ee HIGH N TOM tog oN oony ean ae Eta) TO KILL A MOCKINGBIRD Waa aa ‘A STREETCAR NAMED D nea OL Ey Cae Oat uy eee zoN To Og a ao us.s16.95 Fxoss1s0ed Ya Lona 1408 ives meets) a On elec cue Coane) Teas) eee Henry Man Teed ee ee eae viel HAE ul |)