Poncho Sanchez version

Tenor
Yesterdays
h = 116
$
  13       
                  
 
(unis)
         
21 
  


         
18
 
   
   
23

 
29                  

         

(div) p
      
29

         37   
     
34

        Ø
 
       
  

  45 Em%
40 OPen for Solos

                 
F#m7(b5) B7(b9) Em% G9 C13 B7(b9)

45
 Em
                
Em<7 Em7 C#m7(b5) F#7(b9)

49
 B+7(b9)
                
E9 A13 D9

 G13  
53

                
C<7 B7(b9)sus B7(b9)

57
 2
Yesterdays
Tenor

On Cue On Cue

  61  
 65 
   

     

 
(2 x's)

    
61 Vamp - Perc solo

              

69   
 
69
(Perc fill)
           77 
       
74 D.S. to m. 13 Al Coda

Ø     
        
 
81
 Poncho Sanchez version
Trumpet
Yesterdays
h = 116
 
 

$ 13 (unis)       
                 

13

         
21 
  

18

 
             
   
23


29 (div)       
                 
 
29
p

         
37 
  

34

            Ø
   
   

  45 Em%
39 OPen for Solos

                 
F#m7(b5) B7(b9) Em% G9 C13 B7(b9)

45

 Em
                
Em<7 Em7 C#m7(b5) F#7(b9)

49
 2
Yesterdays
Trumpet

 B+7(b9)
                
E9 A13 D9

53

 G13
        
C<7
   
B7(b9)sus
   
B7(b9)
 

57
On Cue On Cue
  61    65 
    

(2 x's) 
   
         

61 Vamp - Perc solo


69
                  
   
69
               

(Perc fill)
        
77

73 D.S. to m. 13 Al Coda

Ø    
        

 
81
Trombone Poncho Sanchez version

Yesterdays
h = 116
$
 13             
             
(unis)

    
    21    
  

   
18
    
   
       

23

29                   

           
  
29 (div) p
     37       
           
34

              Ø
         

40
OPen for Solos
   Dm%  
45
           
Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9)

45

 Dm  Dm<7
    
Dm7
   
Bm7(b5)
   
E7(b9)
49

 A+7(b9)
      
D9
   
G13
   
C9

 
53

 F13       
Bb<7
   
A7(b9)sus
   
A7(b9)

57
 2
Yesterdays
Trombone

On Cue On Cue
  
   61    65    (2 x's) 
  
        
61

         
Vamp - Perc solo
69      
     
69

      
(Perc fill)
     
77
     
74
D.S. to m. 13 Al Coda

Ø     

    
 

  
81
 Poncho Sanchez version
Bass
Yesterdays
h = 116
             
       
(w/piano)

  
            (perc fill)
 

6

$ 13
 Dm%  Em7(b5) A7(b9) Dm% F9 Bb13  A7(b9) Dm  

                  
13

         E7(b9) 
Bm7(b5)    D9   
21 A+7(b9)
     
18

 
G13 C9    F13
  Bb<7  A7(b9)sus 
            
 
23

A7(b9)
     Dm%
29 Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9)
              

28
Dm
 
         Bm7(b5)  E7(b9) 
          
33 p
37   
 A+7(b9) D9    
G13 C9   
        
37


 F13   Bb<7   A7(b9)sus A7(b9) Ø

     
41
 2
Yesterdays
Bass

OPen for Solos

 45 Dm%
                
 Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9)
45

 Dm  Dm<7
    
Dm7
   
Bm7(b5)
   
E7(b9)
49

 A+7(b9)
      
D9
   
G13
   
C9
53

 F13    
            
Bb<7 A7(b9)sus A7(b9)

57

 61 
On Cue Vamp - Perc solo
           
 
          

61

 65  
On Cue
4 69 4 4 77 (Perc fill)

  
 
 
 
(2 x's)

65 (horns enter) 69 77
D.S. to m. 13 al Coda

Ø  
       
   
81
(w/piano)
Piano Poncho Sanchez version

h = 116
Yesterdays
A+7(#9)
Solo w/bass & perc.
 G13 F13 
              
       
 
  
             
            

Ab13 G13 F7 E7(#9)  A+7(#9)  A+7(#9)  

             




   
         (perc fill)  
                
6

           

$ 13       
   
(unis)
    
        
(Ens)

                   

13 Dm% Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9) Dm

     21  
           
 Dm       
Bm7(b5)
   
E7(b9)
   
A+7(b9)
   
D9
18

 


            
  

   
 G13                
23 C9 F13 Bb<7 A7(b9)sus

29     
             
(div)
     
28

               
 A7(b9) Dm% Em7(b5) A7(b9) Dm% F9
 Yesterdays 2
Piano
 (horns)
Dm          
           
 
 
       
          

p
Bb13 A7(b9)       
32
    Bm7(b5)
 E7(b9)
            
   

37  
       

     


37

   
 A+7(b9)            
D9 G13 C9

    Ø
             
      
  
 
 
 F13               
41
Bb<7 A7(b9)sus A7(b9)

OPen for Solos

 45 Dm%
                   
Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9)

45

                
Dm Dm<7 Dm7 Bm7(b5) E7(b9)

49

                
A+7(b9) D9 G13 C9



53

                 
F13 Bb<7 A7(b9)sus A7(b9)
 

57 After solos continue to m. 61
 Yesterdays 3
Piano

On Cue Vamp - Perc solo

 61  
            
         
   
      
 
    
      
  
                   
    
 
61
         

 
 65  
On Cue
4 (2 x's) 69 4 4 77  
          

69 77
4 4 4 A+7(#9)
 
        
65


(horns enter) (Perc fill)
D.S. to m. 13 al Coda

Ø    
    
(horns)

      
    
 
 
 

 A/Dm6  A/G9
81
 Eb9 E7(#9) F13

Gm6 A+7(#9)

         
Drums Poncho Sanchez version

h = 116
Yesterdays
   
Mambo

        
(Piano cues)
       
  

       
              
Solo Fill 3
 
6   3

3 3
 13 $ 
                  
Play Time
       
10 3 3 (Ens)

            
Play Time Play Time
21 29 
                   
21
   
p
37  Ø
        
Play Time

35
OPen for Solos Play Time On Cue
 45  
 61 Vamp - Solo
       
      
45
On Cue
 65           
              
(2 x's)


65 (horns enter - Solo continues...)
     
69 
        
             
69
       
(Solo continues...)

    
      
                
73
 Yesterdays
2
Drums


         
77 Solo 3 3 3

    

77 3 3 3
D.S. to m. 13 Al Coda

Ø  
    Fill 
   

          
 

81 
 Yesterdays Poncho Sanchez version

h = 116

Trumpet             

Tenor             

           


Trombone

A+7(#9) G13 F13 Ab13  G13 F7 E7(#9)  A+7(#9)
     
Solo w/bass & perc.
        
         




                  
Piano    (perc fill)
               
          

     
       
  
     


                  (perc fill)

Bass               

            Solo
                       
Mambo Fill 3
Drums 

             
    3 3 3

$ 13          
  
(unis)

Tpt.            

    
    
    

        
11
(unis)
Tenor               
               
       
                   
        
(unis)
  


Tbn.    
        
   
                 
(unis)
              
Piano A+7(#9) (Ens)

                               
Dm% Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9)
  
 Dm Bm7(b5) E7(b9)
 

  Dm% Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9) Dm     
Bm7(b5) E7(b9)
                               
Bass
  
3 3

Drums  
          
Play Time
        
 Yesterdays 2
  
        
21   29
  
(div)

Tpt.     
             

        
21

    
(div)
Tenor     
       
    
   
            
     

 
        
   



Tbn.
(div)
 


  
              
 
     
       
(div)
Piano
    
A+7(b9)
   
D9
   
G13
   
C9
  
F13
   
Bb<7
    
A7(b9)sus
   
A7(b9)
  
Dm%
    
Em7(b5) A7(b9)

 A+7(b9)    F13   Bb<7   

       
A7(b9)sus  A7(b9) Dm% Em7(b5) A7(b9)
    
D9 G13 C9
                 
Bass 

Drums           


         37  
Tpt.       
             
  
p
  
     
  
31

Tenor                   
        
p
          
           
Tbn.
   
          
p
  
             
           
          
               
 Dmp  
(horns)
Piano
 Dm%        E7(b9)
                 
F9 Bb13 A7(b9) Bm7(b5) A+7(b9)
   
Dm
      Bm7(b5)   E7(b9)  
  
 Dm% F9 Bb13  A7(b9)  A+7(b9)  
Bass   
                 
          
p

                         
Play Time
Drums    
  
p
 Yesterdays 3
     Ø
        
Tpt.    
       
38
      
Tenor        

   
      
    

         
    
  
Tbn.      
 

   

      
    
   

          
    
  

Piano
                           
 D9 G13 C9 F13 Bb<7 A7(b9)sus A7(b9)

 D9    
G13 C9    F13   Bb<7   A7(b9)sus  A7(b9)
         
Bass   

Drums        

Open for Solos

 45 Dm%
Tpt.                                            
Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9) Dm Dm<7 Dm7 Bm7(b5) E7(b9) A+7(b9) D9

 Dm%
Tenor                                            
45 Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9) Dm Dm<7 Dm7 Bm7(b5) E7(b9) A+7(b9) D9

   Dm%
      
Em7(b5) A7(b9)
   
Dm% F9
   
Bb13 A7(b9)
   
Dm Dm<7 Dm7
       
Bm7(b5)
   
E7(b9)
   
A+7(b9)
   
D9
Tbn. 
 Dm%
Piano                                             
Em7(b5) A7(b9) Dm% F9 Bb13 A7(b9) Dm Dm<7 Dm7 Bm7(b5) E7(b9) A+7(b9) D9

   Dm%
      
Em7(b5) A7(b9)
   
Dm% F9
   
Bb13 A7(b9)
   
Dm Dm<7 Dm7
       
Bm7(b5)
   
E7(b9)
   
A+7(b9)
   
D9
Bass 

Drums       
Play Time
        
 Yesterdays 4
On Cue
 61  
Vamp - Perc solo

Tpt.                              
G13 C9 F13 Bb<7 A7(b9)sus A7(b9)

   

  
55 Vamp - Perc solo

Tenor                              
G13 C9 F13 Bb<7 A7(b9)sus A7(b9)
    
  
Vamp - Perc solo
 G13    C9    F13    Bb<7
      
A7(b9)sus
       
A7(b9)

   


Tbn.
                          
Vamp - Perc solo

                         
G13 C9 F13 Bb<7 A7(b9)sus A7(b9)

           
       
Piano 

                    
   
 
                 

 G13    C9    F13    Bb<7  

                                
A7(b9)sus A7(b9) Vamp
- Perc solo

Bass

         
 
Vamp - Solo
Drums          

On Cue
65 
                   
69   

Tpt.          
(2 x's)

    

 
 

65

Tenor     
   


 
          
  
    
  
  
    
            
 
 
            


Tbn.
 4  4
         
4 4
   
(horns enter)

 
Piano
 
 

 4  4

        
(2 x's)

Bass
     
                       
Drums                            
 
  
(horns enter - Solo continues...)
 Yesterdays 5

          
77
D.S. to m. 13 Al Coda
     
Tpt.          
73   
Tenor              

   

 
 
   
  

          
            


Tbn.
4
       
4
 
Piano

    
4
Bass
       
        
                  3 3

               
Solo 3
Drums               
3 3 3

Ø 
       
 

Tpt.   
81
     
Tenor            
        
      
Tbn.
  
    
   
 

    
  
   




Piano
 Eb9 E7(#9) F13 Gm6 A+7(#9)  A/Dm6  A/G9
    
      
      
    
Bass  
 
      
       
Fill
  
 
Drums    
