Bibliography 

Theory focused concept of orality/aurality:

McDowell, Paula. “ONG AND THE CONCEPT OF ORALITY.” Religion & Literature, vol. 44, no. 2,
2012, pp. 169–178. JSTOR, www.jstor.org/stable/24397676. Accessed 19 Oct. 2020.

De Vet, Thérèse. “The Joint Role of Orality and Literacy in the Composition, Transmission, and
Performance of the Homeric Texts: A Comparative View.” Transactions of the American
Philological Association (1974-), vol. 126, 1996, pp. 43–76. JSTOR, www.jstor.org/stable/370171.
Accessed 4 Nov. 2020.

Rumsey, Alan. “Orality.” Journal of Linguistic Anthropology, vol. 9, no. 1/2, 1999, pp. 170–
172. JSTOR, www.jstor.org/stable/43102457. Accessed 25 Oct. 2020.

Moss, William W., and Peter C. Mazinaka. "Archives, oral history and oral tradition: a RAMP study."
UNESDOC Bibliothèque Numérique, UNESCO, Jan. 1989,
unesdoc.unesco.org/ark:/48223/pf0000068747. Accessed 5 Oct. 2020

Gillespie, Luke O. “Literacy, Orality, and the Parry-Lord ‘Formula’: Improvisation and the Afro-
American Jazz Tradition.” International Review of the Aesthetics and Sociology of Music, vol. 22, no.
2, 1991, pp. 147–164. JSTOR, www.jstor.org/stable/836922. Accessed 4 Nov. 2020.

Bascom, William R. “Verbal Art.” The Journal of American Folklore, vol. 68, no. 269, 1955, pp. 245–
252. JSTOR, www.jstor.org/stable/536902. Accessed 4 Nov. 2020.

Nagler, Michael N. “Towards a Generative View of the Oral Formula.” Transactions and Proceedings
of the American Philological Association, vol. 98, 1967, pp. 269–311. JSTOR,
www.jstor.org/stable/2935878. Accessed 4 Nov. 2020.

Coleman, Joyce. “Interactive Parchment: The Theory and Practice of Medieval English Aurality.” The
Yearbook of English Studies, vol. 25, 1995, pp. 63–79. JSTOR, www.jstor.org/stable/3508818.
Accessed 11 Nov. 2020.

Renaissance/ Elizabethan era centenred:

"Spenser, Poetry and Performance," Spenser Review ( ).
http://www.english.cam.ac.uk/spenseronline/scholarly-resources/spenser-poetry-and-performance
Accessed November 2nd, 2020.

Webster, John. “Oral Form and Written Craft in Spenser's Faerie Queene.” Studies in English
Literature, 1500-1900, vol. 16, no. 1, 1976, pp. 75–93. JSTOR, www.jstor.org/stable/449856.
Accessed 28 Oct. 2020.

RUTHVEN, K. K. “Elizabethan Learned Poetry: An Introduction.” Critical Survey, vol. 3, no. 2,

1967, pp. 69–77. JSTOR, www.jstor.org/stable/41553731. Accessed 30 Oct. 2020.
Wintle, James. "Elizabethan Poetry and Music." Library of Congress, 17 Nov. 2015, Washington
D.C, www.loc.gov/item/webcast-7367/.. Accessed 30 Oct. 2020.

Butler, Katherine. “‘By Instruments Her Powers Appeare’: Music and Authority in the Reign of
Queen Elizabeth I.” Renaissance Quarterly, vol. 65, no. 2, 2012, pp. 353–384. JSTOR,
www.jstor.org/stable/10.1086/667255. Accessed 4 Nov. 2020.

Cavero, Jorge Bergua. “Invention and Imitation: an Overview of Musical Settings of Classical
Poetry and the Rediscovery of Ancient Music, from the Middle Ages to the
Renaissance.” Anabases, no. 18, 2013, pp. 61–69., www.jstor.org/stable/43682964. Accessed 4
Nov. 2020.

Ong, Walter J. “Oral Residue in Tudor Prose Style.” PMLA, vol. 80, no. 3, 1965, pp. 145–
154. JSTOR, www.jstor.org/stable/461261. Accessed 11 Nov. 2020.

Choi, Eunhye. The Court, the Rule, and the Queen: The Faerie Queene as a Representation of
Elizabeth I. Seoul National University, 2009,
s-space.snu.ac.kr/bitstream/10371/2394/3/englishstudies_v29_196.pdf, Accessed 13 Nov 2020

Bernard, John D. Ceremonies of Innocence: Pastoralism in the Poetry of Edmund Spenser.

Cambridge University Press, 1989.

Andrew Hadfield, Edmund Spenser: A Life (Oxford: Oxford University Press, 2012), pp235–6.

Hazlitt, William C. "Lecture II. On Chaucer and Spenser." Lectures on the English Poets. W. C.
Hazlitt ed., 1909, pp. 26-57.

Additional work:

Lowie, Robert H. “Oral Tradition and History.” The Journal of American Folklore, vol. 30, no. 116,
1917, pp. 161–167. JSTOR, www.jstor.org/stable/534336. Accessed 5 Oct. 2020.

Thane, Patricia M. “Oral History, Memory and Written Tradition: An Introduction.” Transactions of

the Royal Historical Society, vol. 9, 1999, pp. 161–168. JSTOR, www.jstor.org/stable/3679397.
Accessed 5 Oct. 2020.

Emezu, Godwin.I. N. ESSENTIAL STYLISTIC FEATURES OF ORAL LITERATURE. 2018

Denis Arnold. The Modern Language Review, vol. 57, no. 2, 1962, pp. 240–241. JSTOR,
www.jstor.org/stable/3720973. Accessed 12 Oct. 2020.

Czachesz, István. "Orality, Literacy, and Colonialism in Antiquity.". Journal for the Study of
Judaism 38.3 (2007): 368-370. https://doi.org/10.1163/157006307X206012 Web. Accessed 12
Oct 2020

CaesarT., & SanasamR. (2018). The Oral Folk Literature of the Ancient Meiteis of Manipur: An
Analysis of its Cultural Significance. Space and Culture, India, 6(1), 29-37.
https://doi.org/10.20896/saci.v6i1.307
Trout, Lawana. “Pick of the Paperbacks: Experimental Approaches to Oral Tradition
Literature.” The English Journal, vol. 64, no. 4, 1975, pp. 94–97. JSTOR,
www.jstor.org/stable/815613. Accessed 19 Oct. 2020.