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  • 02 Don Magnifico Bogo

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    Dargó Gergely
    8 views2 pages
    This musical score features a series of notes and symbols representing a piece for contrabass. The score is divided into multiple lines with rhythmic notation indicating how the piece should be played, including directions such as Allegro and pizzicato. It concludes with a repeat of the opening rhythmic motif.

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    02_don_magnifico_bogo

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    This musical score features a series of notes and symbols representing a piece for contrabass. The score is divided into multiple lines with rhythmic notation indicating how the piece should be played, including directions such as Allegro and pizzicato. It concludes with a repeat of the opening rhythmic motif.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views2 pages

    02 Don Magnifico Bogo

    Uploaded by

    Dargó Gergely
    This musical score features a series of notes and symbols representing a piece for contrabass. The score is divided into multiple lines with rhythmic notation indicating how the piece should be played, including directions such as Allegro and pizzicato. It concludes with a repeat of the opening rhythmic motif.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Contrabassi DON

    MAGNIFICO
     
               
                    
     
    Allegro


      
                      
     

       
    7

                                 


    

       
    13


                                               
    19

      
           

        
                     
    24

                                    
      

      
    39

                  
     

          
     
    49

                                                    

    57

                                             
         
    3


             
    61 pizz. rit.

        



    69 arco

    3
    
                            
       
    73

    3

                                   
          
    80


                                             
     
    89

     

                     
       
    arco
    98
    3

        


    103

                                            

         
           
    107 pizz.

                                           
       
       
       
    112 arco

    3 

                                      
             
    116

          
                                         
     
    120

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