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for Soprcrrno
A Collection of 2G Famous Songs from the
\Alorld's Outstanding Operettas
and Light Operas
Cornptiled by
KIJFTT ADI,ER.
ORIGINAL TEXTS WITH ENGLISH TRANSLATIONS
@_MCII(LX bE G.
Schirmar, Int
I nternational C opyright Secured
Printed in U.S.A.
Ed. 2308
l*ii l: i'.u S 1,lQii r

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G. SCHIRMER, Inc.
New York
I
CONTENTS
I
PAGE
Michael W. Balfe (fBOB-f870)
-fTHEArline's
BOHEMIAN GIRL
Aria ( Oh, what futl delight) I
* Arline's Song (1 dreamt that I dwelt in marble halls) 4
I Jaeques Offenbach (fBf9-fBBO)

LA GRANDE DUCHESSE DE GE,ROLSTEIN
o
Recitative and Rondo of the Grand Duchess ()
LA PERICHOLE
Perichole's Letter . . . . t7
" Perichole's Tipsy Song 2l
LA VIE PARI
a Metella's Rondo 2+
Franz von Supp6 (f8f9-f895)

DIE SCHONE GALATEA
Galatea's Recitative and Song (Leise bebt) JJ
BOCCACCIO
Fiametta's Song . 37
Johann Strausso Jr. (f825-f899)

DIE FLEDERMAUS
-g Adele's Laughing Song +0
f Adele's Audition Song +6
Rosalinda's Cs5rd6s 53
THE GYPSY BARON

Saffi's Gypsy Song 59
Charles Lecocq (f832-f9f8)

LA FILLE DE MADAME ANGOT
Amaranthe's Song (.7'he Legend of Mother Angot) 6+
GIROFLE,-GIROFLA
Girofld's Song (Pdra adori) 70
Karl Milliicker ( 1842-1899)

THE BEGGAR STUDENT
Laura's So.g . 75
GASPARONE
. Sora's Song (Come, mia bella) BI
:..1
III
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CONiTEITTS
(Continued)
PAGE
An'rur Sullivan (1842-1900) A1f
THE IIIKADO
+ Yum Yum's Song (Tie sun, whose reys are dl ablaze) B6
Edmond Audran (f842-l90f )

LA POUPEE
Alesia's Song (Mon Dieu, sait on jamais) 90
Robert Planquette ( f B4B.l9O3)

THE CHIMES OF NORMANDY
Serpolette's Cider Song 95
Andr6 lllessager ( f853-f929)

MADAME CHRYSANTHEME
+ Madame Chrysanth€me's Song (Le jour sous le soleit beni) 101
Rqinald lte Koven ( fB59-192O)

ROBIN HOOD
'. Maid Marian's Forest Song . . . . . *; . 108
.. Annabel's Song (When a maiden weds) , . rt2
Sidney JomF(fg69Jf9+Ol
THE GEISHA
A Geisha's Life . tt7
The Amorous Goldfish . . . 12t
Franz Lehar ( f BTO-I 948)

EVA
Eva's Waltz Song (Loue is a Pilgrim) t2+
THE MERR Y WIDO

\ Hanna's Song (Z r28
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IV
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Arline's Aria
(Oh, what full delight)
from"The Bohemian Girl"
Arline, united with her father, has her love for Thaddeus,a
"or,f."sui
Pole of noble ancestry. Her father ag'regs to the marriage. Jubilantly,
she sings of the delight that fills her heart.
P.4,GE
Alfred Bunn Michael-W. Balfe
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Oh, r,iihat full de light thro' my bo - som
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And a utld-er glou' in my heart in sti1ls
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Oh,rhatfull de - light thro' my bo - som thrills, And a *'ild-er

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glow my heart, my heart- in - stills
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4
Arline's Song
(I dreamt that I dwelt in malble halls)
from *The Bohemian Girl,,
Arline, a Count,s dauqhter, has been kidnaped by a band
gypsies. Twelve ,r".r. fr".,r" of
famity. She tells 6f dr""- "LrfiJ""J.rre*f,as rorgotten her
of the palace she knew as a child.
"
Alfred Bunn Michael W. Balfe
Andantino (r808 -18?O)
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dwelt- in mar halis, and
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::ose lovh- me still- the same,that )'ou n1e, )rou lovh- me still- the
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8
Recitative and Rondo of the Grand Duchess
from "La graade Duchesse de G6rolstein,,
The youthful Grand Duchess of G6roIstein,
Commander_in-Chief of her little army, wins
the enthusiasm of her troops by singing a
regimental song.
English version by Jacques Offenbach
Ruth and Thomas Maitin (rsrs- reeo)
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Yous ai - mez le ilau 80r, le p6 ril v0us at

You are brave as can be, Iad mire you SU
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ti - rc, et Yous fe - rez Yo - tre de voir,

preme - i).. \bu *-i11 pro - ceed to fight for me
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voug par-ti- rez de - main, et moi Jeviens vous tli - re, non pas a -
You will not go in vain. f ilmissyou all ex - treme-ly. And that'sr+'hy
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que j'ai - ms les mi - ti - tai - res, jhi - me Ies mi - li - tai- res,
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men ex-tra-or- di- nar_y, Men of ma - jor mar - tial might,-
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Sen-ti - men - tal and po - lite._ means men in my dic-tion-ar-y,
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j'ai - me les mi - i - tai-res,

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fit. 4 temlco
leurs ma - nib - res) erl tout me plait! Quantl je vois lir mes- sol -
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tem - po - rar - y, ro - man-tic day and night. When I see this man-1 v-
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dats, pr6ts ), par - tir- pour la guer - re, fix - es, droits,l'eil ir,- -ze
crowd, so hand-some, strong',- broad of shoul-der,lm so proud, I love- them-
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Pa8, vrai Dieu! j'en suis tou - fib - re, se - ront - ils vain-queurs ou d6
ta i- res, all, Wheth-er young or slight - ly old - er,Wheth-er they win or meet de
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t-ie urr_ faits?- je n'en sais rien, ce que je sais, je n'en sais rieu, ce que j
ain, con- feat, nev - er- the - less I thinktheytesweet. Let them ad - vance or fall b e-
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sals) je n'en sais rieu, ce que je sais, ah!

hind, There'sjust one thought I have in mind! Ah!_
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j'ai - me les mi - li - tai- res, me, oui j'ai - me les tai

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love to go a-longu'ith rou, I a-dore the srnell- of pow - der. i
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d'eux tou-joursje se-rais, et je les-gri - se .. ra,is, a - vec*eux vail-lante

i - res, could be help - ful,-too, And join thekitoh-en- crew. l'd cr-rokyourster,l'and
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la,- mo plai-rait - il_- la guer_re, ce - la- me plai - rait- il,-me plai-rait -

Je fix- your so1-dier's packs and tast - y lit - tle snacks,and rub your ach - ing
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backs to help you re - lax Wheth-er you win, W-heth-er you 1ose, One thing a-
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Ja me les mi- i - tai-res, j'ai - me les mi - li - tai - res, leuru-ni-for-

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j'ai - me les mi - ii - tai- res, j'ai - me les mi - li - tai-res, j'ai - me s mi - li - tai-res,

i sais men in my dic-tion-a - rr', Men of the mil - i - tar - y, men ex- tra- or - di - nar- y.
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I a i-res, r_ &lI van queur_ on euxr- oui, tout me plait. Ah! que
ar-!t How I'11miss you men_ un til- we -
meet- a - gain. Ev -'11'
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j'ai - me les mi - li tai * resr- Ieur u - for- me, Ieurmous-ta- che, Ieur
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met. Ah! que j'ai- elesmi- Ii tai - res, leur u - ni - for-me, leurmous-ta-che,
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when. I will knit you socks and sweat-ers, My ex-tra- or-di - nar- y, mil-i - tar- y
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met. Ah! que j'ai - me les mi - li - tai - res, ah! que j'ai - me les mi - li -
men! Mayyour suc- ces - es beswift and glo-ri- ous, Andyour home-com-ingbe vic -
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tai - res, ah! oui.j ai-metes mi-li - tai -

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Perichole's Letter
from "La Perichole"
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/ La Perichole, a Peruvian street singerris in dis-
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position to be sponsored by him. Pericholetries
. vic- to put her affairs in order.and pens a farewell let-
tertoherlover) a partner of poorerdays,

John Gutman (181e - 18s0)
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mon cher a-mant, je ju re, Que je I'ai-me de tout mon coeur; Ma i s, vrai,
lov- erand friend,do be-lieve me rn-hen I say that you own rny heart, And- yet,
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dois I e com-pren,-dre toi mb - rtr€r Que ce-l a ne sau-r ait du - rer

hopes for the fu- ture are ze - ro, We can-not go on in this r&-ay,--- -- And
p
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qu'il vaut
thoughyou,ll be
,Dieu que je t'ai - me! Et qu'ilvaut mieuxnouss5 - pa-
al-ways my he - ro, To-nightw-e must call it a
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rer-
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Crois
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tu- qu'onpuisse A - tre b len ten - dre, A - lors que lbn man-que de pain? A quels trans-
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fraid I can take it no long - er: Fromtime to time I like some bread.There is no
a t,
aJ-+ ! J
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-
.Prl
port S_ peut on- s'a,t - ten dre, En shi -

rit.
t-quand on meurt de faim!

pas-sion that can grow strong - €r, If one al-waysgoes hun-gry to bed.
@ tem?o
Je suis
#d
Ima
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Animez
fa -b car j e suis fem BE, Et j'au - rais ren - du quel- que

And
wo - man... there,s no de.- ny ingl And as such I'm weak .. it's a
I
a
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r-:-r-+?\-1-
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jour. Le dern-ier sou- pir, machb-re6" - me, Cro - yant en pous-ser un da

Crois shame.And yet I had hoped that in dy - irg IA u'his-per your be- îv - ed
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r-'olla uoce
a tem?o
els trans- mour! Ces pa. - ro - les let sont cru el 1e s, Je Ie -.ais
:s no
name. I'f y ou thinkthat th - ter is heart iess, That's a
--_ffi
J
'?]ro
Je suis bien, ma.is que veux tu? Pour les cho-ses es- sen-ti - el les, Tupeuxcomp-
In a fact. rvhat can I do? You knowthatl'm hon-estand art less, And so I'11
ffi
lpo a) 7
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4.+1():l
20
rit. o tempo
ter- sut ma_ ver tu. Je t'a do - re, si e SUlS

al - u-:rys be true- to youl-
-- a - dore you! You say I ;rm
Engli:
Joh
col, a p?
fol le. C'est de toi, com- pte la des - susl r,L je

cra zy? You are riglrt.- I am crzr zy u'ith lovel I\N r
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si - gne:
ev
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Pe
Pe
- ri - cho
- ri - cho
le
1e
Qui t'ai - me. ma,is qui nen peut plus!
u'ho loves you, but rl'ho has had e - nough
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2t
Pericholes Tipsy Song
from "La Perichole"
At the beginning of her new life La Perichole is
x'ined and dined. This results in a classic example
of a song thal expresses the state of being just a
s.t:s lifi1e bit t jpsv.
i.rl
John Gutman lrsro - raso)
Andantino J= ,u,
Ah! quel di ner je viens de fai - re, Et quel vin

The love - ly things that I havc eat - ent I nev - er
a)
*
Por +-- +-O
tt -*t i -b- -*
ex-tra- or - di- uai - r0, JLn ai tant bu, mais tant tant
had such food in all my lifel Who could de cline that spark-ling
a) !-
E ,++ _*E
-* 4
It-lr
t'it. a tetnllo
t ant, Que je crois bieu- que main - te - nant Je suis un peu

u'ine? And so I drank to my heart',s de - light It's pos - si-b1r, tt5
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I
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oat
gri - seJun peu gri - se, Mais r: hut ! faut pas qu'on le
p OS - si - ble, it's pos - si-ble I,M tight I don't say it
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t-
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a tempo h
71
#
r'tt. (.
t-=!!r-
i
di - se,chut! faut &s, faut pas. Chut! l
is not so.. but no one - must knou-. a tr:mpo

l
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Si ma pa - ro-le est un peu

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If )ou sus - pect that I am
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at-!r-a
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va - gue, Si tout en mar-chant je zig 7.d Et si m0n

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weav-ing, I e an't d" - ny it: see - ing is be liev- ing. And if my
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1e
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glance by an-y chance Gives the im pres-sionthat Ih
qer
1n :t
a E-J
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-a * ,+-- -L-
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car Je suis- un peu gri SQ,lin peu gri - so, Mais

trance. It'S pos - si-ble, it's pos - si - b1e, it's pos - si-b1e Ih
g t
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chutl faut pas qu'0n Ie di - se, chut! faut as )_ faut

I don't say it is not so.. But no one must
rF_.-+__l__
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knowl a terttlco
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4+403
24 Metella's Rond.o }I
from "La Vie Parisienne"
Metella, a sophisticated. member of the social
set, desciibes the goings-on in a fashiooable
.right of ParG in ihe t86o's' 1'he da*'n of
"tl1t
the new day isgreeted with a hangover'
Jacques Offenbach
English version bY (ls19-188o)
.Iohn Gutman
Alleg ro Yivo
l rl
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a)
f I
-4-t--r-
Andante
C'est i ci i'en-droit re-dou-t6 des mb - resL'en-

A This is Mou - lin Rouge! Ev-erymoth-erdreads it. The
ru
ffi I
U
d f*a p -
t-a
ryrF--+,t---?---+- T-TT *, ..Ia- ::::
Alle gro
droit ef - froY-able oir Ies fils mi-neurs Font sau-ter Itar - gent
un - der age, Throws
- a-*'aY the gold
placewhere her son, rn'ho is
tu t--E=-
U -'e----'u 5I /
U It
V b +
h- rl /i rl
l+ *
_=-
htt
,rc=
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pro- mise }, leurs i?

ga - gn6 par lerirs pb - res Et ro - gnent
that his fa-ther s laved for, His dear sis-ter's dor,l'- ry That dear moth-er
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Gutrioan
@ MCMIX, bY trohn
41403
ao
Moderato
s0errls Ifi nuit son- n16- cou tez croy ez et pro-fi-

saved for You you hear a beil?- I have a tale to
ach -
W -_t_i#_ W
T_ Y
tY j
l,
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- -
atr- te11
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he k _t--_tr_l-t_
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cres ceTL do
^
Allegro vivo
A mi - nuit son - nant com -

Whenthe stars light up Anri-
*+--?-tr--F-f-?-- *__:-_ =r---l---l-

d
f p
+* *+
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men - ce la - te; Maint cou - p6 s'ar - 16 - te, On

fG en Yoit sor - tir lJe
mid-nightap-proach-es From el - e-gant coach-esYou se3 dis-em - bark The
++ :-tr--r- t-r--T t--.l-----T- _t-*r__-l-

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44403
26
jo - lis mes - sieurs Des fem - mes char- mau-tes Qui vien - uent pim -
# a)
duf - fers in tails And la - dies in fash - ion They all have a
+-T- ++
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I .Li. ]-J J
pan - tes Pour se di - ver tir; iI

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La fleur du pa - nier des
pas - sion For life aft - er dark! The pret - ti - est girls, Some lry
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ta11 and some ti - nyTheir hair - dos are high, Their neck lines are
\tl
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si; Les IN Iis -
mes sieurs sont tous les morr -
de des; C'est :
of the
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low, And men world, Their top hats are shin - L They
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un peu m6 16 ce qlfon trou - v6 i ci. t,ui Tout ce la. s'a -
bow frorn the *'aist And are itch - ing to O_rr
b AND As the band strikcs
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a) a - ++
) {o
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ffi -t--t-f-
nlme et se met en joie, Frou frou de la sole _ Le Iong des cou -

5
LU.) The fun can be - gin. ln midst of the din 'f he dance nev- er
:r -
-jr---#
a ** +q
=*
{{ + *
----r---
+* qff* +
Ioi rs; C'est tA - da gi o de la bac - cha - na - le Dont

ha1ts. And soon )ou catL see The swing of a bus - tle, And
a) \{{ ++
**
r -[] r ++
la voix bru ta - le Gron de tous les soirs! Ri - res 6-cla-

.t silk dres- ses rus - tle, And sway ln a waltz O - ceans c-rf chanr-
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++
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1440'J
28
E
tants ! fra - cag du cham - pa - gne! 0n car- tonne i ci, 1'on
pagne! The fat ones are pa nt- But the girls go- otr, They
t
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IA.
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a il
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Ossia
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tire; lVith
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dan se Ih - bas-- Et le pi- a - no qui grince ac- com-
don't ev - er tire. er - y glass They grow more en-
-+------+-----+-
-With t"
a)
lr lr *ri t -?-? *? t ??
pagne Sur des airs con - nus- d'6 - tran-ges 6- batsl Le bruit
#
L,
chant-ing, Theydance and they drink like a house- on fire. And the
1..
G
aJ
a - - I
f*rs
r: ri *
=
r
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mon te, monte et de - vient tem - p6 - te, La jeu - nesse- en
men grow bo1d, You read on their fa - ces Thatthese danc - ing em -
a)
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44403
2g
Cl t I'on fO - te Chante ;r plein go sier. Est ce tlu plai - srr ou

They brac - es Are not e - nough b1iss. They say to them - selves: "I'11
-*==-#
a)
+* hr+ * q{{ ++ *+
de Ia fu ri-e? 0n par - lo I'on cri -6 Taut qu'on peut cri -

ince ac- com- be a bir bold - er. As long as I hold her, \i['e might as r,r'e i I
more en-
"1
a)
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Lo bruit er. Quantl on ne peut plus

And the kiss!" As dance fol - lows dance
W _+-----.--+}--F- f=i
a)
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I
** -2 -*
W
nesse_ en il faut bien se tai I€, La. gai t6 s'en
ar:c - ing em - One can - not help feel ino The mu sic gro'*rs
ry1fr
dt1 I
-?.Q + -.? a* ** +-? -* -A

4W ----__]-i-
444A3
30
a
pe tit; L'un
vil,
pe tit a,
bright. One
are 1es s
stale, The lights
T- r' !?' 1r
l
tft
iffi_ \ t
-U- --/
a* *_3_ **_ ff-b:
il* *- il+* l
-=# ffi z----l-t-_
?f ff
-l ri I
2
-=- par
t out tle- bout, I'au - tre dort
is
j
dor" This one there

on his feet,
slee s
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rJtl
l
\ t
-
fr*-t- ,**---*- *il*_*_ ,r$* *-

, E;tt !$t t-_
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I
i---# r-r----+- 4*
lr
2
fe te fi nit =.-
ter - re Et voi- ii r:orn - ment 1a
end of the night. -=...-
reel - ing And s0 thel'a- wait The
-l Tl t: \ rJ
--ar - -
p
I
a)
I
fic )
#
:*-*---f- __ -----
-tr
i)
-t--A----- - - 2
vient le ma - tin, quantl par - ait I'au -

Quand
the clockstrikes six, The morn - ing is
As
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-++ -TA
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-- P+--r-- --f------7- W
I #
t-
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-l:-
L'-,ln ro - re, ()n cn troul'e en - co - re ]fais plus de gai t6 Lr:s bril - la nts Yi -
r)n,l dau-n-ing, The 1l,v- tl s .il e \-.1\\'n- ing, And no One is gay. And the 1a - dies
-!---_=-#- --.{+
el
dg *
_eL
& ** hr+ +
o{{ 4*
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€--r---- ----+
par YEUIS SONt mal ir, leur ai - se llt cians le grand sei - ze 0n vr-ru- dra it riu
is face, With heartsthat are sink-ing And eyes th;rt are blink-ing, The ligirt of the
t-#l-r-r-
a)
4* 4+
ai +
r -[] t+* I JJ -C
Te= r---'-----+-
the! IIs- sirn ront (rn fin, la mi nc bla far - de, I

duy. So- back to the coach Go duf fers and la - dies, E
-t L+
..-:]^1,
a)
!1-jl rJ-y +---__-/- <)t + -1-
hr.,4
vres de cham - pa gnlet de faux a m011r Et le ba-Iay-

i1r - ait I'au -
nough of cham - pagne, And love th:tt is cheap The gen- t1e-men
_ . r1 -
i.r
lrr;
i<
r'r
--ffi
4-"- -+ tttT' a +- -* - J-
1
+111)3
32
eur s'ar - 16 tere- gar - de Et leur crie 0 h6 les heu -

feel like And they sigh: .I I u'ere
rn'ish
doze, Tire girls Ha - des,
L----*
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a) ---t-
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I t )._
a ** *-G
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Tem OI
)-
o h6
Ieux tlu jour! 0 h6
I u'ish,
home a- sleep I wish,
Ih
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a) I f
I
fr' I
I a:_-
+-.?_ I 4 * I +* t -e?<? t -+*+* I ++

trl \
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l +-EE--
0 - h6 les heu - reux

I u'ish I N'ere home
du
a
jour!
@
a
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ffi
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lr f**& 2
gt t*t? t .?* * .fp
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44403
33
Galatea's Recitative and Song
(Leise bebt)
from"Die schdne Galated'
The beautiful Galatea' a marble statue, has been brought to life
l:s heu - by her creatol the sculptor Pygmalion. The mythological prototype
I g'ere oi Eliru Dolittle, heroine of -lfu -?air -Zadyrprttrs her emotions into
a soft and florid song of great beauty.
English version bY Franz von Suppe
(rsr9-rscs)
Edward Eager i
Xlotlerato as sai J: so
Was sagst {"? ich lau - sche untl

at mag - rc of mu - sic has
tl
JZZa
-1
pp
>
U
i-a
':in,
kann dich nicht ver - ste - Sprich doch! tii - ne hti - re mein
set my t'hoie heart sPin-ning? Sing it once a-gain from the be -
Fle -hen! Za d'ei -nen au- ber-tii-nen hebt ch mein Ge - miith; o klin - ge
oh, i me uptor -ture And give j ust oneen - core! Oh, sing cnce
-----"
fe ==-
rallent. assai ri
fort, ia-mein Da - sein- zu - \'el schii-nern, ver-gbn - ne nrir dein ieb-lich

+ rlol-rl Wiih-in i'uur charm- my-- srrtrl- i' .-- cap-tured, a charm I nev- er knew be -
ri
7_
\
fP= v p 6\
I
O ltCMIX, hY G, -t"l,irzriel fnc.

14103
34
S9?t4rf e h:€ZZQ,'Ur)C€
Antlantino J EO
Lei - se btbt _- und- zaud - risch schwebt der

Li ed,
fr.lre. Wenn be - 'n'egt- von Schmerz er - regt, das
Sing a - gni"-.and- pl;ty it - gain The
With each bar-- uP- like a star I :(
-d-
pfl .P
? ._?.___:__ ?.? ?.? ?.?
-5I.
-?-
t- =l-r .
Sai - ten lei - ses-Klin gen; sanft em- pt,r-- Sttin- eu -

zum
7_
L!-
ciii-rr die
#L
Tlost_- grei-{i.t ititi- ttn - spiei

zutn Sai - das
Herz nach sich-seh net,"
"at tire sountl- mr" u'or1d turns rottnd, Im-
mag- ic notes- that-thri11 me!
In rr,)' ears-thr trtrn-ing sphcres are
soul- go-*'ing
#
feel my ing.
-fl-
_o-- --*E-G
a G UaG- d c
_p
--41+Y
? ?? f * * ?
a
I =
I
s inile
pp
--t*-
See - ie auf zu - schwiu-gen. Srhn sucht untl Freu- tle er-

tr"os - tentl ihm-- er- tii-net. KIin 8e, ach klin - ge, ich
ings- fill me. Nern- hopes a-w-ak - en, I
mor - ta1 long
ing and fal1 - ing' It
jo,in - ing in---- the- sing - ing. Ris
-u ZZ7 + Z-7
--f-
t'+-
r-T,.]
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=
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44403
85
fP pp
W
;-x.it der *-eckt der Klang, bald froh und-bang schwirrt er 1tr die Wei - te Wie
'Wie
:_ --
l-^
ua-r lau - sche dir, ant -wor - te- mir, wenri ich mit dir sin -
Thc seem to- be new-born and-free' Heav en is shak - 8D, New
i ech- oes through the-star - ry-b1ue. I hear it call - irg And,
1-r IL'iJ
fP
PP
??
=-=-
ee? *?fi* L
rullent. zi
r er- so tief in's Herz mir dringt, rin - nen mild

da - sein E-cho
iii e
mir- deinTon in's Her- ze-dringt, da-rin- nen miltl sein E-cho
das
har - rno-ny Joins land and- seE And finds its ech - o here in
f otr,
Im- And send it back to
are strange but true, I sing il- too, t<-r
::--::95
o " 4.* T+ +'+ =++ + +++

z t
pp -4-r--Tr-rallent.
L L- ? /a
--F-
-_1__-
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9 3
pp
klingt. ah ah
Cr er- klingt,ah ah
:e ich me. Ah ah
I you. Ah ah
It
-+
u
Iry
T a
44403
36
n.h
2h
^h
+ffi _____.E--l-
.# -tPflIstr- *-l-
--J---t--
----t---_.1_
-d- llJ
i"
-h
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ah
ah
a- a-
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a
+|ffit
ta+
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pp pp
L
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t
t
1-
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b
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qh
ah ah.
I
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-- r
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i
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/i
Tv-t?=
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-" ryj +++]] =7tL-a-.o.' 5
morendo ta +* ri I
?_____2- L
-r-
1--
4440s
3?
Fiamettds Song
f rom "Boccaccio"
a simple
Fiarnetta's philosophl', expressed in rs more rrn-
ancl bearrtif trl *'"y, states that lor efaithfulness'
than
fortant to a happy marriage
Franz von SuPPe
English version bY (rsrs- rsgl)
a John Gutman
i Andante mo 1to esPress rvo
tr
nur ilei-no Lie - be, tlie Treu- e brauch'-irlh

1. IIab' ich
hat Lie - be oft-. ent-
-
2. seibst auch oh-ne Treu- e,
And be for- t'v - er
1. I vou'il a1-u-aYs love me
2.
PraY
you shrulri ev - er l eave me I knorv I could- not
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der die Treu- e
die Lie - he ist ie Knos -pe nllr aus
n,r, h-be -
nicht, be Treu' aI- lein hat Kei - nen
ziickt, doch oh - ne Lie - ery day that da*'n s Or.tr lovc m:iy tl'alie- a -
true, And th:tt ontv- have :tnd ho 1d-;rnd
1ive, For love is :r11 I want from life, Tr-r
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bricht auchscliin-ge - deiht, auf
iir*die Knos- Pe. dass sie
A gliiokt. I D'rum SOI ge f
To tend q'ith ten - der care, And
ne\ -. Our love is like-a rost- b'rd
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dass sie sich in vol - ler Prar:ht- ent - fal - ten mag, o gib d 'rauf Acht, ob
da
if youcare That love - ly flow'r- grows sweet - er with eachpass- ing hour, And 1f
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mit, ob oh - ne Treu', ob- mit, ob oh - ne, Treu! 2,

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Denn
Ti
lole u'i11 bloom and blos- som-For-
- you and me-to share.
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love is like- a roser - bud To tend r,r-ith ten - der care, And
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c?'escend.o ?o('o o
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dass sie sich in vr.,l - ler Pracht- ent - firl - ten mag, o gib drauf Acht, ob
-{nc1 if youcareThatlove - ly flow'r- grorvs srveet-crv'ith eachpass-ing hour, And
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love u-i11 bloom-and blos - som for- )ou and me- to shar-e
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11103
46 Adele's Audition Song
from ttDie Fledermaus"
Ade1e, stilltryiog to play hor sophisticated part,
staee technique and talent in her
r.1tilru:-"|er
English version by Johann Strauss (Jr.)
Ruth and Thomas Martin (182b- r89e)
Allegro moderato
Ev-er since I was a
W
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4.'U-I:r- -f"--t-'-r---1-- 11-
ba by I a1-ways was hop-ing that may - be As soon as I got to the
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poco rit. a tempo
age- I'd get my big chance on the stage. You nel'-er saw such a
W
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Q**A il* ** * * *,G *
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Ill
prod
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-i-gy as lrp and as com-ing zrs me.-
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You should see how I
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do- ast shy 1n-ge - nt1 e: I sing and dance and u'ave my fan, and in the
Strauss (Jr.)
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La la la la la 1a la 7a a1a1ala 1a 1a 1a 1a la la la la 1a
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Meno mosso te n.
"iir
sa*' the way I can and plaS the fact is ab- so- lute- ly clear, That a
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girl like me a rlI 'me was born for a stage - reer
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A Tempo di marcia
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When I play a-dame Pom-pa-dour I

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Allegretto grazioso
# I play a )'oung Pa - ri - sian rn'ife,

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Act Ir I\Iy lov-i g hus-band ca11s! Ah!

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4140i| 4410'3
Saffi's Gypsy Song 69
from "The Gypry Baron,,

Saffi sings a poignaot song about a land once
possessed by the gypsies ir the dim past.Though
I
they are the traditional wanderers, the Romani"s,
too,possess a deep desire for a permanent home.
English version by
Mauricc Valency Johann Strauss (Jr.)
lrszr- rsce)
ante con moto
So e- unil so treu ist Kei- ner auf Er- den 'w-ie der Zi -
Ah, swal-lows,when you f ly At dar-n by the riv - er, I\I1'heart flies
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geu-trer. 1. 0 ha- bet Acht, ha- bet Acht-_ den
withyou. 2. Doch treu und wahr, treu und wahr- ist dem
1. Some-times I know,- - Yes, I knowr- Pain that
2. Some-times I feel, .- Yes, I feel Joy so
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Kin - dern_ de r_ Nacht !- llb vom Zi - geu-ner lhr-.- nur._

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van - ished_ nur_
long a - a6
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deep- my-- SEN-SCS reel!- And mel-o - dies nev er_-
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rah
hiirt, wo Zi - geu - [er- in nen sind, rah
wert, dann ge - horcht er- dir blintl, gfa
thingsr-
- An - cient songs no_ one sings gra
heard, Songs un-sung by man _ or bird
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Mann, gib Acht auf dein Pferd! Weitr cib Beu

Mann, ver - trau'. ihm dein Pferd! Weib ver- geu
Ti dings bear to my mind of a a
Ti dings bear light as foam, of a a
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Acht auf dein Kind! Dsching-r'a h Dsching- dalDs

trau' ihm dein Kindl Dsohing-rah 1- Dschinp;- da! Ds
land we must find. Chin - grahl Chin- are! (
place that's our home Chin - grah!- Chin- are! (
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rah, Dsching-rah, Dsching-rah die Zi -

rah r Dsching-rah, Dsching-rah, die Zi -
gratr! Chin - grah!- Chin - grah! The Rom-
gr 2hf Chin - grahl Chin - grahl- The Rom-
-
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cib geu ner sind dal Dsching-rah, Dsching-rah, die Zi - geu - ner sinrl
ver geu ner sind ilal Dsching-rah, Dsohing-rah, die 7,i - geu - ner siud
a a ny we are ! Chin - grah! Chin - grah! The Rom- a - nY \tre
a a ny we are ! Chin - grah! Chin - grah! The Rom- a - nY we
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Dsching- da!Dsching-rah, Dsching-rah

Dsching- da! Dsching-rah, Dsching-rah
Chin- are! Chin - grah Chin - grah!
Chin- are! Chin - grah!- Chin - grah!
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Die Zi - ger - ner sind ila! ra

Die Zi - gea - ner sind dal YA
TheRom-a - fly we are! ve.
The Rom-a - ny \Ye arel va
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Flieh' wie du kannst und fiirch te den Zi - geu - ner, trar
Reich ihm die Hanil, ver- trau- e dem Zi - geu - ner, hear
Some-where be - yond the bor - ders of to - mor - ro\f, hear
Some-where be-yond the bor - ders of to - mor - row
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w'o er er - scheint, ist er ein grim-mer Feind! Tri - an, tri-an - da- er_
11'O er er - scheint, ist er ein treu - er Freuntll Tri - an, tri-an - da- las'
There is a land, A land we once pos - sessed. Tri - an, tri-an - da- las
There is a land, A land we onco possessed. Tri - an, tri-an - da-
t'v 1
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var! Tri - an, tri- an - da - var! Nimm Dich in Acht, und

vart Tri - au, tri- an - da - var!' Reich' ihm die Hand, ver -
varl Tri - an, tri- an - da - varl Do not de - spair, My
varl Tri - an, tri-an - da-vart Do not de - spair, My
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fiirch-te den Zi - geu - ner, wo erer- scheint, da hei jah- kommt
. ner, trau- e dem Zi - geu - ner, wo erer- scheint, da hei jah kommt
- oer, heart,for all your sor - row. . . W'hen i,se are there, Ah, hei aht-
- At
- ro\{ heart, for all your sor - row... .'When we are there, Ah, hei ah! At
- row A
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er- als- Feind, hei - jah!

an - da- er- als- Freund, hei - jah!
an - da- last- we shall rest. Hei- ah!
atr - da- last- we shall rest. Hei - ahl
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84 Amaranthe's Song
(The Legend of Mother Angot)
from "La Fllle de Madame Angot"
Amaranthe,a market woman in Paris during the regime Tr
of Barras in1793, sings vividiy about one of the mar- \i
ket's most famous characters, the legendary fish mon-
ger, Mother Angot. Charles Lecocq
English version by (leaz - rgrs)
Jtrhn Gutman
Allegro Poco moderato
p L
1Ie r' - r-:h a n- de e ma-

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Dour cent mil - le

rai - sons, el- lqe" tait -dore- e a
16- e,
But she \{ a s more aln - bi -tious And
fish-es, There's noth-ingw rongwith that,
o T'
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la hal-le3rux Pois- sons, de
"!'ou should have seen her dresse din her Sun-
sh.rewGer than a cat. Sun -
;
T? -
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pr
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tait, les deuxpoings sur la han - che el - le se dis - Pu - tait.
And yet not e-ven one- Her r,l'ag- ging tonguewould rest
best.
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Refrain
Trbs jo - li - e, peu po - li -e, pos- se - dant un gros ma - got,

Yer-y pret-ty, pert and *'it - ty, She was quite a and so.
s Lecocq ?,
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a
p a tene1eoa)) 22
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pas b6 - gueu-le, for - tq3n gueu- le, tel - - tait Ma dame An g0t,
Some-times pout- ing, fond of shout-ing, And her [ame, Mad - ame An gat.
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pos- s6,- dant un gros ma - got,

She was a so and so.
ti - co-
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pas b6 - gueu-le, for-tqgn gueu-le, telle 6 - tait Ma - tlame An - got.

t. Some-time pout-ing, fond of shout-ing, And her name, Mad - ame :\n - got.
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En bal - Ion le
> They say that noth - ing \t:
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mon - te, la, voi - IIL dans les airs, et
plus tard el - Ie_af - fron-te, les A:
scared her, They'd ney-er seenher swoon, And once, be-cause they dared her, She
f--i-i_
a) - -
* * - * ** * )? **
{=r_l____+__ H----+-::J--
mers et les dr! - serts Au Ma- Ia - bar cap - ti - ve, la croy-ant veuve h6-
board-ed a bal-lor.rn. She was a- mazed at learn-ing,Whenlost in Mal - a-
-+.--{-.{-__
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rull.
las! on veut la bru- ler vi YE, c,est la mo - de li - bas. le

bar, That u'id - ou.s are for burn .I t's how those In - dians are.) A1
rull.
f
44403 44408
87
a ternlco
le
Fol - le3t gra - ve, el-le bra -ve bal - lou, -p6te et fa - got,
h ing
Ver-y pluck-1', al - u-ays luck - v, Though it might be and go.
o paturnlto
2
+ ++
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*+
le ton - ner - re n'eut pu fai - re re - cu - ler Ma - ilame Au - got,-

les Al - ways cur - ious, of - ten fur - ious, And her name,Mad - ame An - got.-
rr She
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**+ **-2 * + **
YeuYe h6- bal - lon, tem-p 6te et fa - got

llal - a- Of - ten it was touch and go,
a) LJ 4) LJ E4-) L-_-__l__s
f...
--5++ .** .t +a * a-
r>5
*-
le ton - ner - re n,eut pu fai-re re- cu ler Ma - dame An - got.
Al - lvays cur- ious, of - ten fur - ious, And her name, Mad - ame An - got.
a)
f * * + aaz
i?**
-z-------*--
44403
68
ate
En- fin tou - te sa

rrei
> tr When vis-it-ing a
>>
-F-i--
a) _lx > ' f ."-- |_J
?fr> :> ? .po
Jg-+- * + >
tu
* *
vi-e el lq;r, voy-a - g6, mais ctest sur-tout en Tur - qui- e qu'el - pas
ha -rem She caught the Su1-tan's eye, She mut-tered "ha- rem ska-rum" And l\Io rn -
ll.t- --+--1L_ri-
__lrr/
a) -
+-* ) ,* ** * * +*
-t+ +--+
a-
le-eut un vrai suc - cbs: mal - g16 ses c cents - mes, le Sul - tan, cer- tain
thought she'dpasshim by. But he movedearthand heav - en To get her for a
a----
t---l
a)7Y
:-i
I
^l^
r:r']-;
-+
_+:_---_1E----{-_- -a
ra.ll. A l/.
soir, brir - lant de mil - le am-mes, lui je-ta le mou-choir for t

wife, Though he had nine - ty sev - en, She saidr t'not on your 1ife". eve I]
-:+--1-- --+- __f___-_.{_

--tr-r-Tq--r- ur t+
trr
{!_r+.--
U ---/ I
ra.ll-
* ,-
44402 44403
69
a temleo
)- II
.a
I IES jo -li-e) peu po - ti - e, pos- sd-d un gros ma g0t
I
Se1 - dom cour-teo us, hard - ly vir - tuous, Not a thing she did - n't knor,l-.
a) ,p a tempo
zaaa
> J?*+ *** * *
iH--F-
*+ )L
ted)
--\---1
=
iu'el -
pas b6- gueu- le, for- te en gueu - le, tel - - tait Ma dame An - got.
-{nd
Morn- ings haugh-ty, eve-nings naugh-ty, And her name, Mad - ame An - got.
ffi
a)
f---f'*-|r-
.*.*+ *** * -l} **

z_-----_f_--___f-
il.r*
: - tain pos- s6 - un gros ma- got, pas b6 - gueu - le,

a Not a she did - n't know. Morn-ings haugh-t5
a)
l-J a) uW t-l-.&
f
f +a
+ -r- r-
-> *,* * *-a_ *
taa
s5 t* *
outed)
for - tQJan gueu - le, tel - lq-ri - tait Ma - dame An - got

eve - nings haugh-ty, And her name, Mad - ame An got
-
o
-+---------------
- -a- -ta
*++ -a-
.+
f,
--------+- - +
-{-------------
,-
-.-------------
I
ffi - -tI---.-...}-
-
44408
70
Girofl8s Song
(Pdre ador6)
from "Girofl6 - Girofla"
The scene of this opera-bouffe is set ia teth ceotury Spaia. It corrceros
two sisters, Girofle aad Girofla, sung by the saae peiscn. They are Anc
t'facts to be married aad each one asks their father to tell them the
about
of life'j
English version by- Charles Lecocq
Edward Eager ( raaz -rura)
ta
rnf
* **
J\ C'est
ffi -lF!-
__1.L ,n,j
p
.,4 * E* /a
p
Pdre a - d.o- r6, C'est - ro - fl6, Quivienta-vant sotr_

Fa - ther, to - d.y Your Gi- ro-fle, to the al
Goes tar- ft6t
fle!
-JT_
t# --t=------+- .-E:rl.r_+--
p
** **
-e-___{_-_-F_
-+--=r-
ma- ri -a-ge Te de - man - der de don - ner
with her lov - er. Youll give a-way Your Gi - ro - fle,
-
il,
lin -
-E:l-----{--
l-..rrr- It''
e-* 1-Q -
-lli-E: ______f___-F_ --.E----t----l- ---i*F -
-+-_t_+_
44403 @ MCMIX, by G Schirmeq lnn. 44408

7l
co point les con - seils d,u B& go. & IO,

And some-one new will take care of her! On this bright duy,
Lecocq
- 1e18) --L----------- .#{tF-{-
-
a)
-+
ri )+
-t fr** 1+
-+-----{-- Lll
/i ad lib.
C'est Gi ro fl6, r- do re, _ C'est- Gi- ro-

This haP pv duy, What can you- say- To- Gi-ro-
\+-T IF
4\ tl I l-J l-a '
** ) ) f, /:\
_e-_-*__
--
s0n-
tar
- fl6 t C'e st pa - rait-
fle! Now here I
il, un graYo () lle ment Qui Ee pr6 - pare en

,in on fal - ter - ing feet, Stand- ing where brook and
a I
gp
I * ,++
Itt rt* * le*
-l--+-::J_ i :-J-
,[4tOB
72,
co mO - D€ntr Et pour tou - jours, mta- tton dit, l'hy- m6 - tre e

riv er meet. No more a maid - en and not yet a wife,- Pdre
8 \\'hat
J
lt#
a) l.---) l----)
++
gtf *2 P I tt ree rle l,#r +
l-',,-,5
En-chai-no tro tre des uo-e. Bien - tdt, il

Won - d'ring what to ex - pect of lifel Af - ter to
-.G\
-
AJ
L,l* * L,t* * IrE t
a ten
me par &uB 8i je so r&l

day you'll have no Gi ro fle. lean on some - one Pere
Af-
ffi
U
Att -- -- p
ffi rlf+----t---ts_
plus i- ci- Et qu&nd 6 - poux rom-pla - oe-r& pb - r€r

el sds shoul- der! W'hat can you say you'Ye neg - lect - ed to say,
-
;-tr------
ar
At
-tW
ffi
==-
---+-------+ __:
:G-
ffi
l1r.-t
4-t
IrJ! ffi
I
41403
4440R
7g
o
fe,
Pdro a - do r6 que me fau - dra - t'il fai re? Pdre a - do-
- What cafl you tel1 her that you should have told her? What can you
_--\
rJ_ - l_J_
a f
Att : .:
-1---t+
il
to- Ior pdre a do
say To Gi ro ?
/i
4a-----_r-_
oY
*** * /:\
a temlto
- rai
- one Pdre a - do- 16 est ro- fl6, Qui vient a - vant s0n_
Af - ter to - day Your Gi - ro - fle Will be a wife and-
-_\-- --+-_-
_J_- -{.-:J.--..l.....-..--
a) L#
p p
** **
- -a--
- r€,
ma-ri Te de - man - der -
i.- -a'-ge De don
not a daugh - ter, Fa-ther, I pray, Te11 Gi ro-
t#
* u 4*
44403
74
ner co point Ies Gorl - seils d'u - B&

fle A11 of the things you've still not taught her!
Engl i
Ruth:rnC
ffi
a il''
) +* ++
+.k
- _I4
a- r6, C'e st Gi ro ft6, p a-do

On this last d"y, This fate fu1 day, What can you-
>
,,-
ta - -- - .H
a)
** **
-l-'--.{------|- F--1-
ad lib.
-+-
r6r- C'est Gi-ro-fl6l
say- To- Gi- ro - fle?
_*_------E-
o4' ?
f tr --E--l
W
) - ri r-T_] I-1-1
#
I
+|iffi -H ----{- _--*-
{---'---r -H _--_-{-
L,
r.\
ffi
2
itY- u
\ll
+---n- t---.Y-
a)
r--T--"1 N
t I
f
I
--*_l
----f--- -J--4
4440',i
'1 .,
Laura's Song
from "The Beggar Student"
Laura, the daughter of a Poiish Countess,shows
ttat she has takento heart her rnother's advice
ge. about hox'to Iead a successfui married 1ife.
her!
English version by Karl I\{illiicker
( rsaz -rsoo)
Ruth and Thomas Martin
Allegro
Ah,rncith - er
>
-\r7--------rc-----I--- r r-ts-- -H--*l,-- 'l -+4:

a) L-J-J-] I I
I
f > :> t>

a-do :1.a.tt+b_. Y *
W f * t-
# I 'I
can you_
<lear, Don'tgive a thought To my ca - reer. For nev-er fear, I'velearnedthe
ffi t_fi-_}--
a)
V
rf
V
,f .f
"f I t_
les - son you* have taughl! Ahl Yori
l- 'tt-
a)
l-----'--
dt
-g-A
t
+>> A.--
I
@ MCMtr-tr, by Ruth and Ihontas trfartin'

44409
76
A
said the way to rule a man Is with an i - ron hand, That-
-.1*.
pp
L
--f-- -F-
-
wom - an's right-ful- rule be - gan The- d.ry she donned her- ll'ed- ding band. For
a) 7 L,rl
**
+-j
.F
t-+ +
-C+
L+
lc+
-
*t
I
if you give a man an inch He al-waystakes a yard; A-
a) 1 - -J ++ I
r L^
pp
E
_+_ -]_- -+-
- -
ra.ll. a tempo
#
Li-
hus - bandneeds to feel thepinch, So nev - er spare the rod! Men are a,
{F
L
a)
t* ,__-,/
G+
l=
a tem7co
** I ntll. I l=
z
44403 {ii, i
77
Piir mosso
--r-
_--lEFr
That-
most in-clined to meek-en, To re - lax and start to weak- en Af - ter
a 7
?
l'.T--T-1
7
trf 7
JT
r--r.-.-r--1
7
r3
r-T-l-l
s l,?rl,
d. For
ap pe-tiz - ing meals, That's the time to make ap - peals, Time to
a 7\F',r aE-----------1-E-F-
7 7
fr I
O
7 'F
qH
/
l-l-l-l l-r-F-l l--l 11
t-t-
--------=t-
A_
use yourstrong-est bat - t'ry Of ca - res- ses, sighs and flat - t'ry, Time to
- 8"t9, t
a)
7
l-r--l
7 7
t_:-r
l-1.---T---l
7
LT
i-l-l-]
7
t_5
f-T-]
ffi + --+-------r------)------r---*
o are
say "I love you sol Then he'll nev - er dare say 'tnott. But com -
=--i
0,t'r f
a)
Po V
I + *:
41403
78
:>
plex and stub-born ca - ses Needmuch morethanmere em - brac - es; If he
a)
€t3 4 *w- - rull.
-. 11
-.4 ) ) a *
a tempo
will not lend an ear It's tirne tci t.]' a ti - ny tear. If that
-ir---}--
ffi
a) I
---+----
a tentlto
+ *-r .+
-b- +-
A * -ta A k b-
{-
is - ef - fec - tive, Try some scream-ing and in - vec- tive" If

#a)
#
means in he
ffi \-l
a)
rl
v+ L
*w- ,-
) 3 ?
a,
-l--
L
still worlt grant your u'ish Smash the Chi - na, dish by dish! Let vour
--
.=J-
L
a) \
rl {+*
-L-
f {+* I {J--------l--
4
_-.----------._
{-i;,- i
4+lttJ
79
hus-bandknowyou'reser-ious,Have hys - ter - ics, be de - lir - ious,

Ii he
a) --=----- -J2 _-__ 'fii-:t-

1...T...r-.'] r---T--]-1 -T'n
+ *"-=t --'--a ---a+- a-------<
-ia
-q-
--+- -q- -
End b1'- faint ing dead a walr

I: that
#ffi -?r"ffffi ----f- ffit-

a) Lrll 1-1-
I
ta)La-
++++ * *** u**tt- ++F\
___#F-
-F--
.--F-
Thenyou'l1 real-ly win the day! Ah! Be-

If he
-l -l I I
-W
a) - "] -1 q 4- ,l aL
?p
rl
cause the u'ay to rule a mall with an i ron

:I IOuf
O , 1 111
a) 1
r' t-
bl!,h I r
-
44403
-
80
Li- z=
hand, And-*'om - an's right- ful- rule be - gan The- day she donned her_
Engll:
g) Rrrth and
p? r
-a- . -j
L-Er
** *{} +
--
l?+
wed- ding band. For if you give a man an inch He al-waystakes a
a) a 4 1 1:--7t
**
r'
t
-f-
L
yard; So- take com-mand an nev - er flinch vic - t'ry won,t be
/i
a tt --____----
gp f
*t ++ *
/i
*
#-tTt
hard !
:>
*ffi---+#= r H-
a)
f* rf
- + _rt
-Fffi-
4+1(Ji}
8r
Sora's Song
mia bella)
(Come,
fromttGasparone"
lc nned her- In Sicily, an eng'ag'ement announcement always
calls for gay music and song. Sora obliges by
I singing a tarantella.
English version by Karl Millticker
Rnth and Thomas Martin (1842 - 18ee)
1. zo-
1. An-zo -
a) tJ t:--t-+
-ffir - t-J---r
-q
JT m []l
takes a
-*trFtr l---qs
-L1r--t-r-
let -to satrg:Komm mi- a bel - la!- Un - ter'm Fen- ster der hol-den Es-
(2) eh An- zo - let - to ge - cn - det,- hat sie trot - zig das Kiipf-chen ge -
let - to was *'oo - ing Es - tr"l - la: "crrme to me, dear-est love, mi - a
(2.)trel - la con - tin - ued ig - no - ring- An - zo 1et - to's im-pas-sioned im-
#r-
a)
'c r't be
- ta a a -ta -) -ta ^ra ^) ^) -a -ta
a 4r-
trel - la;- Komm hin - aus in den duf - ten - den Hainr- mijcht' dir
wen - tlet, doch bald u'en - det sie's wie - der zu - riick, gar 217
bel la.- There's a se - cret I my ou'n,-

have all That I'm
plor - ing,- - Till a won- der- ful soundtouchedher ear' - Tam- bou -
44403 @ UCMtrX, fur Buth and ?homas llfartdn

rJ3
sa - gen ein wijrt-chen al- ,h nicht I ihn Es -trel - la ver - S

lo- ckend er-schallt die Mu - sikl- Nein Es trel - la ka,nn ein - sam nicht --1
long-ing to tell you a - lone!" But Es trel - la rn'as cold and un - r,

rines beat - ing out fast and clear!- And this sound rn'as so ver- y en-
a) l-'r
4 t ) ) - - - - - )
ste - henr- sie bleibt taub, mag er bit - ten und fle - hen- bis yon
blei - ben- bei dem Ton .war's zu Entl'mit dem - ben-
Str'd,u uud bald
heed - ing To his ar - dent im, plor-ing and plead - ing, When the
tranc - ing-
- That she could not re - sist go - ing danc - ing,- - So she
l---'\
a) I
r J*1- J
-ra za -- t ^{ -ra 4 t ) -
rur,ll.
Tam-bou - rin schlag er klingt- und der Lie ben - de

hllt sie im Rei - gen so warm_ Au- zo Iet to in
sound of a gay tam-bou - rine- Filled the night so se
smil - ing - ly gave her con - sent,- Arm in arm, _ off they
1t- -
a)
r tr I-tl
t/ lJ--
rall.
**+ -> ---
L-h J= ->
i=
ffi ------t-----
-'Z
44403
83
tetnpo
a Yer- s ingt Hiir doch die Tij - trel - la, man tanzt Ta - ran-tel- la, be -
ne Es -
im nicht Arm! Nun tanzt die schii- ne
trei - la, mit
Es - ihm Ta - ran-tel- la, be -
r.d un - rene. "Hear how they're play- ing, Es - trel - la, The gay tar - nn- tel - la; On
Off went the love - ly Es - trel - la To dance tar - an - tel - la, Her
i en- rn'ent!
I n''' r t
o ,
'-F f, tt
a ten lr ))
-* - - ) -
rau- -sik b u ngt mir

tle der ie- su - sses Gliick! zuckt es
'Wem
S ION
rau-schen-de Mu-sik bracht ihm die Lie - be sii-sses Gl'riok! zuckt es
d bald such a love-ly night danc - ing is al-ways a de - light!\\rhat could be
:n the cotld
,r she
lov - er aL her side, heart fu11 of burst-ing, ten-der pridelWhat be
-O .L-
--
{; ta ta
ru.
a
n-de nicht in den Fii - ssen die Nacht ztt ge-nies-sen, wer
in nicht in ilen Fii - SSEtr die Nacht l,tl ge-nies-sen, t'er
)se half so in- vit - So tru - Iy ex-cit-ing! It's
f they i"g. tru - ex-cit-iog,
half so in- vit - 1n9, So ly For
z 11.
11403
t4
zau - dert noch Iangrwenn hell das ou - r]tr er- doch die
zau - dert da noch Iang,wenn heil das Tam-bou-rin er-klang?Nun tanzt die
get - ting ver - y late, How long do you in-tend to u'ait?Hear how they're
an-y 'When
ing pair,
1ov - hup - py mu-sic fills the air! Go dance the
a) t i
?
)
Variant for 2nd Chorus
Ah!
Tti - ne Es-trel-la man tanztr Ta ran - tei - Ia be

schti- ne Es-trel-la mit ihm Ta ran - tel - la be
play - ing, Es-trel-la, The gay tar an-tel- la; The
gay tar - an-tel-lo, o love - ly Es- tre - lai The I
a
ta ta ) - h-. J
Iau- Nlu - sik mir der Lie - sii- sses G r;kl Wem zuckt es
rau-schen-de ilIu- sik bracht' ihm der Lie - besii- sses Gliick! Wem zuckt ES
sum-mer night is fair, And hap - py music fi1ls the air! What could be
sum-mer night is fair, And hop - py nru-sic fi11s the air! What could be
a
2)
-{ -ta t -) - ) ) -
44403 {440 3
85
Ah!
h die
zt die
; they're
rP the nicht ln tlen Fii - ssen die Nacht zu. ge - nie - ssen w-er
half ex - cit - ing, So tru - ly in - vit - ing, For
o
) ) - a L. t t ^)
tl
ah O Zau - ber - klang!-

ah ev - try-where!-
be
be
The
The dirlang,Zau - ber - klang!-
ev-'ry lov- ingpair, ev - 'ry- where!-
.F
o Lt{ i+ * :J-+ a.v+t , --J ---+
-
.f
444 rr: tr l-T-] [r-]
-1-t-j-1'--a --a-
2. Lan-ge klang!-
l-:
2. But Es - where!-
r5
,i be
d be tF I l.l
-t
l-t
alt E L t +E-+- /i
++ffi+-
2 ffi frt-tr- 1- t*-t-1- --t
a) ta ,,?
?
L )) *t - Jt ) a \/i
ffi f'E1-tr
jf l
-{_+=-+D-
=:{l- >f =l-
I
_t-- ."
L) l- L)l l-
I I
44403
eo Ale sia's Song
(Mon Dieu, sait on jamais)
from "La Poup6u"
This ctluplet of Alesia treats, ia simple and beautiful lyric lines,
the ever popular theme of a girl's love for a timid boy who does
oot notice the atteltions which she bestows on him'
English version bY Edmond Audran
Edward Eager
( rs+z-rsor)
Allegrett,o ri
Mon D sait
-fr:W
a ,h ri I can - not
a)
q
*/--_b+
0n ja s, en s0mme, En un coeur com-ment v

sayt (u- ho ev er can?), The rea - son why my love should
-y--J -a---
7
+
lr -*
)--
mour? 0n YO it, un jour, un beau jeune hom
And
me Qrion
start. I looked one day- and saw a man, in that
- --
-o- l-.-*t C
* 3 -@
-l--{
- me dds ce pre - mier jour. Le mien est gauche, il est go -
look I gave a-way my heart I can't ex - plain why it is
-
+
lr r* *
^*
4440'l @ lnclLrrx, by G Sch,irnteq rnc. 44403

9t
Poco animato
diche, Il sem-ble m6me un peu be - ntrt, Il a de b ons yeux

Sor But I loved him just as he was. His face is plain and
A.udran
leo1)
L
ffi-
L t
a)
t\__-_/-
I
** tt* a t
|l sait
tl - not
de ca-ni-che Ce - pen - dant, moi, Je l'ai - me comme il

yet it on - 1y goes to show- Hand some is as hand - some
-tW
_o- Y > - +
l-r u1d
2 ? , L*
r
est! -nez - e - mor, don-nez - le-moi bien - tOt, Car c'est bien
does. It was as though the vrorld fe1l in - to place And I said,
Quon
that
o a l*l
+ ?
ta ) 1- i
-a
>
accetr.
In e ma- rl qu'il me faut. Je ne lui YOIS pas un de -

st go
"oh'l and mem- o - rized his face. And since I found him stand-ing
tls
o 4
44403
s2
Nt. a temlco
faut, 0ui, dest bieu ti m&- rl qu'il me faut, -nez - Io -

there I walk a- round and dream of his straight hair. I only
U L,,rll I
Il44L r*b*
accel.
mol, nez - le - moi bien-t6t, II n'a pas un faut; C'est -poutr qdil me
know I loved him as he was. It goes to show that hand- some 1s as hand-some
a It r l"
* *t lL I
faut. Le bril - laut de sa pru - nelle 0n e Yoit

does. If he were here and close to IrI€r I'd te1l him
tJrrl-J
p +
l- *
peu 80u
I'm
-
irg
las! Peut - il s&
I'd say! "My
voir-
dear,-
H
si je
#
#
all th of. how can this
a
+
i- * .,
&4403 44403
93
_----*-
.le bel le? Ti - miile, il ro re - gar - ale Pasl Ahl s'il s& -
.1y be That you so sud - den - ly are all I love? What is the
-
a O a I
\----/
lo -2
*t
ffi
E me vait
grace
comme je
af- fect-ion
l'aime,
lends
Il rt'ai - me -
The or- di -
rait,
na
c'est bien cer-
rt- look of
1-some
o \-#/
+ +
r** I a L{} I-
Poco animato
s-Hr
tainl Il vien-drait, dans cet ins-tant m6 - me) II Ylen - 'ait vous de-
e voit you? Your face is com-mon - place, and yet it all de - pends On the
,11 him
--T-r--T
--H-+ J..-.=-
I
-a- 7 -
-l
? ?
W
rit. d.
r-#1-r
B man - I ma main! Don-nez - lo - moi, don-uez - le - moi bien-

this lov er,s point of view. You're not par - tic - u - lar - ly trim br
-TI I
J tPr r if :; I i
o > +' - >

L*r
) ) ++
tf
IQ
44403
g4
ancel.
t6t, Car bien lit

c'est e ma- ri qu'il me faut. Jo ne lui
tall. You're not the kind of man I like at all. And yet you
Nt.
YOIS pas ds d6 - faut, Oui, c'est bien ti ma - ri qu'il me

seem a charm-ing Prince, And I've been dream-ing of you eY - er
f lvt ^. l- ^
------1t-
Lr L I
a) I I
a,ccel.
a tent?o
faut. ne z le - rtroi, ,
-r,er, - le - moi bien - t6t, Il da pas utr
since. It all de - pends up - on the point of view: And if I on - ly
a
r*b* * t+
t*
I
)tta
decidt: sl ice ?
faut, 'ti - poux qu'il me faut. faut,

think I love you, then I do. I love you.
T----
7
t sec
k
ru
l/tt
4440,} 44404
E6
Serpolette's Cider Song
from "The Chimes of Normardy"
The peasant girl, Serpolette, a village mischlef-aaker
- lui poses as a Oounteso and sings a songof old Normandy,
the cider country.
)ou
Robert Planquette
(r848- leoB)
Moderato quasi Allegretto
F
-----k--1
-JFI
a)
,t IJ-J
-er
me
W
i**
I
-
Nor-man-dy pip - pin'sgood all o- ver.\4'here is the girl v-orit have a
a) r 1- e
_ 1,-
p
&ra l, * + )
slice? 'Twas I\{oth-er Eve did first dis - cov - er Hr-rw good it was in Par - a -
=
a) I
{
ta ,- ? )
-t----.-z-
44403
98
A1
>
dise. Grapes,they say, hungroundher in plen - ty Oth- er fruits a hun-dred and L

h
t.
ot
N -f:
twen - ty. But she, I've heard, an ap-ple pre - fer'd! A juic - y one, Eve Gc ,,:
di. , t+ - '-J
? trJ
* l_J
-t
f-..--- t \ )-1 >-
ate the first, Or else tra - di-tion,s be - lied her, And as it slaked the
-- .fl
--{=--------t--L- =
a) - t +
)-4. -l--
I
Good
la dy'" thirst* She said:"What a good thing is c iderl "
Ot' v
I - -
* ) ,
4440'J 44405
s7
AI
:d and Live, good ci - der, drink di-vine, 'Tis bet- ter far than all your u'ine,
a)
? -+ L aa
* + ** lr +r **
-+l#
,-- ,-
Er-e Good formaid - en, man and boy, And good in grief and joy grief and
_r f#f
-r f-..-r.- - r
+a>-
r trI
:>
juv! Live, good ci - der, drink di - vine, 'Tis bet - ter far than all 1'our u'ine,
d the :>
)) - >
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a)
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-{-
ta
L1-
aa
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r r
Good maid-en, manand boy,And good ingrief aslr-ell as joy!

:>
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f-
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If Eve did wroog she has my pit - y For she was on - ly one year
w
a) r + -
u'i=i-
?
-- - -a- +
old, And,in our time eachmaid-en pret- tyStilllikes to pluckthe fruit of gold! Oh, the
bless
{'allJ *i.-------+#-
_te--.______r_ar___r.-_=_
a) r
- ? * )
flirt - ing laugh-ter and sing- ingThroughthe or- chard mer-ri - ly ring- ing, Ap-ples are
bet -
----t+rr*J.I
INfr
44404
44403
99
L
E-
#
T.
= f,= tossed and hearts are lost! And if a girl be won this day I
EE
,- t "+ t ,'? 7
r--i.
a)
:>
lr'-l
\ _1. a
-A
t/
'aa.r
4
wish good luck may be tide her, A nd thiit both in their mo-ments gay llay-
ru
tFlll
a, I V
rtl t -J O
I
** * ** a:--r
the
bless the in - ven - tion of cider! Live, goodci - der,drink di-vine,'Tis
b
--l--------l-----
Lil
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o) - ll 7
p
+ -
+
-E 2
-b- **
4
l/
-1--1
:S afe
bet - ter far that all your u'ine, Good maid - en, man and boy, And
+
4
a)
taL
Lh ** :_
I =1# ___-____I_-___
I :>
44403
loo
>
good in-grief and joy,- grief and joy! Live, good ci - de1
Englis
Edu'
a
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-r +-
?e-
'-l-
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r
4
-
drink di - vine, 'Tis bet - ter far than all your rnine, Good for maid - en,
-ts- +
a) l-J l-! l-.,
t * - +
1- +ta ** * d *
---t-
---t-- Hl
I I
1= lt
man and boy, And good ingrief asr+'ell as joy!

>
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44403 4 I 4i,'.]
Madame Chrysanthdme's
(Le jour sois le soleil beni)
Song lot
from "Madame Chrvsantheme"
This lyric opera takes place in Japan about tlie time of llfadame Butteqflgr. In this
case, the visiting navy is French. Madame Chrysanthdme sings about the beauty of the
landscape. She compares the life of the graceful cicadas with her own life; always to
.- Cer,
sing about flowers, about youth, about love.
English versioo by Andre Messager
Edward Eager (r8EB - r9z9)
Andante clol ce p
jour- sous soleil be - ni,- La

A11 day
- be-neath a smil- sunr_ At
+
ffirr--p-
a
+u -Y a)-
(t
pp I
I
I
-l I I
-l
_#-
,? c?vsc,
d- en,
nuit,- sous l'd - toi - le qui re a ve Dans les champs,

night
- when the bright stars are dream ing- From the fields
tf
44
ctzac.
dans les bois B'd ldve Un mur-mure in - fi trl

and the woods The crick- ets are mur-m'ring their
:>
> > :>
a) qo I lr
A7-)-Ca
--r*-m
Du vo - ya.-geur it al lA - ge Ia rou te
It charms the air where the bright high-way glis
---_\
)-
44 4t)i| @ MClfiX, by G. Schirnrcq fnc.

LOp
3
----t-
n char - me le ruis-seau lim pide et fris-son- nant.

And where the stream goeswind-ing by, shin-ing and cool.
I
-u.-rut -r-7 11
* bp- + L
-_-- H 4
------1
3
Prds des bam-bous Ia mous-m6 qui I ',!- oo, te Sou-rit,- en se bai -
Thereflo ats a maid-en who smilesas she lis - tens- With-in- a rush-Y
r-D-*FF-
I
a FFI
J J2 Lr) r
AIle ro
gnant 6-"oo -
pool Fortheir
a) l'llttt - IE.J.-J.-J tLJ-.J-J-J EI-J..J-.J-J

pp A A A
lll-
,+____-,+-_--_-+-- -]-----{--------
a-
tezl c'est lo chant dcs- ci ga les, 6- cou

voice is the voice of- sum mer, And it
_1E.--t----_r__--. }--
ff--T
----
a) t--J--u.r-J l-L^-i-J-l-J T.J-.JJJ-J
4'
I
I
-Tt.
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- A-
a- l -l )
lli--
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4440il 7 1403
{03
tez dans les hois d'a - Ien - tour:-

ech -oes a round and a bove,
+ Fr- _EE.J..J_J
ru E=lJ.--l-J
).
d )
I
h b
hA 4.
# 'll
ffi
bai - Sous les d toi - les pi les
-#u-
la Yoix tles ci -
Sing-ing of grass - es and show'rs Time- and- the
T r tt1t}. I ' H ffi fut"!- ffi\r

q*+ - l tq'
4 a) c.J+ t l+ rt t -J+ +
do
cre scen
W W __+--- -T
-l--
T
---lr-
-++rt--++-
ga les El - les chan-tent les fleurs,la jeu- nesse et l'a -
i -.oo -
pass-ing of hours, And of sum- mer that endswiththe ending of
'or their
C y tah rl -l
l# --
-----a jL,
a) qJ - J J
I
I
I
--{)r#
;I
--,1- --+-*----{--+- -- ,A
I
h-
c oll mour! El - les chan tent les fleurs,

it For if sum mer ends soon,
-
+ love ! }
--- -+lt-]o--_-}- ffr-t-- T#r- -
o I
I
f
I T I
T I i
ffi r,_f'-
e
4440'J
LO4
--1-
la- jeo nesse et I'a
so- does 1ove, SO does
a< tLyl. J t ) : --+ ------:bt-
a) - tt 9-.
4' #" 4
I
f,
-r' I I't lr. 'I'
4
dolce
mour! Ci ga les, je vous ai - ro, Car voug

love! o orick €t, si s-t er crick - et, Sing your
4
a) -G-
1.
p
O a - - Itt rlr
L
-_F--
c?vsc,
o tes meB smurs, No -tro sort est le

song to the sky. For our life is the
urtrhr llr
--.{---_].---i- ----#
-
+ffi -
,FFF
TTF t:3* t
o - -
cre sc.
L _- L ^.
W _______=L-
_:1- --a2- _+r-- 4--{L
dim. p
me
-+---
Chan - ter, ber - Dans les
- me: cer les c0eurs.
same: To sing, to 1ove, to die! Just like
t
ffi -- --{t----rl-trd-
ffi
a) I
rtr e
-fi*
:ffi
b++ - -
T77-
{4 40 i} 4+403
105
- bois
---e'/
._.- sur la rou - te, Nous char - mons le pas- sant,-
you sis-ter crick - etr nev - er once ask - ing x'hy-
---c
.---\-4../
crvsc.
*:+-+_f.- =_1F-
- md nousd - cou - te Et r it, etr sebai-
La mous
I must sing For an y pass€r-
I must love, -
us --
ur ----1-
-
8.,= i =
--J
a) ----o
-\1 J-,
-t'.-'^ e e ---a-
-----1-
d.
dirn. gP rutll.
r+r--
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)-
Et rit, en SE bai gnant
gnant,
an pass ef by
=e by, For v
he
--ffi
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-C\
dim. pryt rull.
I ----
-f, jltl.t----f-:-
b
p
-#-- '
E-cou-tez, e-cou-
les And my life is the
like
-tt-!l- --+- --*-

I
- -
I
). 4
4' =
----,
41408
(o6
/--:-\
3
lez les ci 8a les, fi-"or, - iez, e-cou-
life of-- a- sum mer, And as sweet' and as
-#
ffi #'l- I I
) J I ,ba.
04.
taz les- ci - ga les E-cou -tezl-

short as- a- sum mer , and I die
ffi
a) LJ--r.J-..J-J - l---.-lJ--LJ-J
bA J J
rnf And
Sous les 6 toi - les

Life u'ith its shad-ows and
-_u:_
- -J-.r--L.J-i I
mf
J 1
-+ 14
|-
pi les, C'est- la Yolx ct ga les,
flow ers, Life with its pass-ing of hours
'i4
-ai;-
l-+
J4
I I
+
t-
-W
hla _#- )_L
444(ril 7 4403
to7
c?ttc, "f e
L
El - les chan-tent les fleurs, la jeu - nesse et I'a

mour!
e - cou- --.--
.---
Isa sum - mer that ends with the end - ing of love!
*W +tF-{-i-
W
--o_- a
ff*ilt
u1 I
crv3c. f
-L_
I
I
+€\--
tr
t-
El - les chan tent les fleurs,- la- jeu- nesse et l'a -

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-O---Tr
,I
ttffi rq7- "E-t-t-. *#
a -tt _o..-
'4
()
6t'\-
I T I I
=-
I
--t- -*-;-
Tempo)
Anaante()qd
,--f
4- les
,p
le so-leil b6- ni,- La nuit,-sous l'6-toi - le qui

-fl-
on-s and mour!- Le jour - s ous

to
1ove. One be-neath a smil-ing sun- Then night, and an end
--.....--
--- 1:: E__
:4:=:-k*- 7-
W -o-
r
T1 :>
_l I
.a ffi
>>
spp
?1it. a temlco
r6 ve!
rS dream ing!
W
ot
ffi w
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=
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gp
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j-tt-
74408
108 Maid Marian's Forest Song
from "Robin llood"
Marian, a noblewoman, is in love with Robin Hood. She joins
his band and praises Sherwood Forest in a song, combining
her love of nature with her l<,ve for the famous outlaw'
Harry B. Smith Regi nald de Koven
(r86e-1e2o)
Allegro moderato
T- T T' a , -4.
1
,a a o
J
-T-
?
In sreen N-ood fair All
-*-q#----t
qt' -
rall ttr
na- - tule is at Pea€e rest
+
+ JI
+_
ol
Flach bird thati sing-ing li'om its nest to me its mes - sage
u----T '{ 'b{-' )- -
- #a
rall.
#
a tentpo
gleam - i+s To
J a
fa--
-*rrlr"lp\ k
l-
TT-t*+**
ffi
L4-J lJ4J {14,:3
4440:l
tog
<
give rue uel COIIIE here seel}l ing; hare been

-- -l<
e Koven
920.;
rit-
-_your e soon see, )'our ceI
'/
-----* ____f-
J_ a a , , , ,
Ail
;I T b 2
2 t_
* ,#*t* _r r=-
F
* L
----i=l
r 4t* A
see so dear to nle, to- me! Yee. I have longed your flce to set:
,.
collo aoce
4
Allegretto gioeoso :> .G-
Ye ln - zure \\:lng ing,

:>
- sirge
"f
>>
I s'w'cet sing - ing, Ti-dings from InY love yodre
To
m. -
J J a
t
a)
l r i
'f I
-
+-f 44403
tt0
a - far! d blossorn seems to tell rne he tlue,

TI I i
Tr
2l-'tL I
{r::#
I
And his r-oice echoed by strearns blue._ seern to hear

+1
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---)-
--## ffi C
-+*"H
r? ilr
n1)' 'e's Ileal'. c(' oed 'Tis SO
.l#JfI{ *.
W-\*-/
a)
r nr
+
r C dilt
ul?
.
-!-/
*
__T__ --?-_
nearl Tire breez - es - ing. The brook - lct fl - ing,
4t*
sn so near! Yes,t nre he is nt ar, rntl he is
a
Qr
l--
T,
- _{_
-+_ 41103
4440:l
111
Quasi Codenru od lib. t h,
ICtu. All
-i
*C
. .1-- .7_
trl a - z\]Ie inB, Horv I rrolcome .vour sncet silg - iugi

h ('aI 4 l!
4l
-=4
: S-J
Al
f t I l
-7-
Ti-dings of mY lore you bring a far, Arid errry song \rouTe slng - lng
x lTl
r1 tl
a) a a*
)l . lr-
,V I
V
rt
f
?fr1 , alll
-1
>
-T- 'v-
Isa mes-eage bring - ing one me the dearest. To nt5' hcart tbc near- est
ing
I
\i,l r,I
.) J-
\t
rFH tz
?h*
I lorc their sing - irrg. 1i's

- tt'll tlle_ ht' ls- n(
htr is
r.\
_r
ai ,l a
tr*
4440'J
M,2
Annabel's Song
(Wtren a maiden weds)
from "Robin Hood"
*il.1",'j'i::;*i',";"*'r'."':'iT'5;:i':L11T:?i:"iJif f :;:'*iI"ii'.
outlaw, Allan-a-Date. I{er thoughts go to him as she admonishes
aII young. girls in love, never to marry an old crusty fellow,
Harry B. Smith Reginald de K oven
(18qe- tezo)
Allegretto grazioso
a)
ryr ?.-J ''i v trl l-r, "47
:
t **i**
-r-l--f--1-J-i---
rurf
W'hen a maid - en weds on zr bright and hap-py morn-ing, She should.
a +
7
"!u p
l"+lstaccato senl.pre
111 t
I .i
l
creac. f
thrill with joy di vine; 'Tis not. so with E€r I,rn un-
-7 -o :l- .1
t'{L --t-==_
---r
a) Z
cresc.
hap - py as can be,- For my owr true love I pine. For

S
U r'1 , - - +7 a
\lt
irI-i I
44403 14+03
t!.3
__---1+
H
rve tx'o have been so un-kind - 1Y Part - ed, And an - oth er mlo.t
,^
Koven
li
leggiero,poao 7t
Tr rr
o a-e fr"
-I
r-.H
wed! Be - hold me now & maid.- en brok- en-heart-ed, To the
>
ffi
hould
o-- T T
I I
i r
ffi
'q*
ral,l,,
Allegret to giocoso
al-tar I am led. But come what may, tho'
un- >
t-l#--q-I-
a) , a - I
rol,l.
l "f ta ?
ffi
-*
For
sad - ly we are part-ed, You're the one I love and I dream of al-way; What-
>
Lrtl ll
- a -
-l-T--l a , ?
4440'J
tt4
.1-\
e'er be - fall, I not be faint-heart -e d, I shall dream of you so-
a)
f
>
I 7 '
-,II * +tt FT l
"f a ? a )
co rall,
fond and true, For I Iove you, tho, the world nay!-
b
a) I
qr. 7 dJy
p \-\--l-
,!f
colla ooce
! #) aa. I I (T; rs
--6|--l|Lq-+--
-'\-#/
Allegretto grazioso
So
ffi ,?*
a LJ.= "l-EJ!..-rJ-fJ' . Tl .
+
V
* ** i*+
I
heed, ye maids, ver- y - emn warn - ing That I

cresc.
give to you to -
#
Li-
a *"1 r1J ,J z tla; O1-

p staccato sentpre I
creac.
___1
I
I I
-ili:;
44403
115
->
--.|---1
=#
i-ou so_
dr.)i
'Wed your o'wn true love, oth - t t - ors scorn- ing, Ald
r.H --1
rIa- +
J
v'ed no oth - er v"raY For life needs love, its
'.2
a) .r,1 t.a fC
Ll I T I
le ggie ro, p orc p rr rcolrdo
)-
sun-shine and its laugh-ter, r- row comes as comes e rain; So

So
I \
t
I
U
rall,.
ou to- live for love, and heed rrhat af-ten And sun shine a gain.
W 1\r
-/_
a tlr r *?*?
L--J--J-J ',-/
- O
rall
if +
al. I
+J
--+----+_--+r-
4410i)
!.t6
Allegretto giocoso
\
t
But come what may, thot serd - 1y we ate part - ed,You're l
the
tt F
{i..,
TH ''rl
a - - r
"f a ? a a
E-
onell ove and I dream of al - way; What e)er be - fall, I
a) a I f
a I
:>
) lp h* f *
- ta
poca ral,l.
+--.++
not be faint- I shal1 dream of you- so_ f'ond true, For I
a) t__4 - r -rT
t ++*
r I
a
p
I
a - I ilJ
-
I
love you, thotthe world say nay!-
A
a) 4-.
colla tsoce
J + dv I
pp
It I aa ta
__^__/r
ffi
4l,403
4440 3
A Geisha's Life tL7
from "The Geisha"

re-c-eotly discove red b1-
?he Oeisho combines the charm of Japanose exoticism'only
Sullivan' Mimosa'the he ad of
writers of that time, *itt if'"'fattern oi Gilbert and girl in love with a fore igner
the Geishas,.irg" "uou'i'ih;'-"Ji;;;ii"v 9.r "-ftp"lnese
by Puccini it lradame Butteryf tv' Sidney Jones
a i.i,-"."tt'r"t.? this t;;;;;; immorialized
'e the ( 1169 - 1916 )
Allegretto
fi
a.+ A
A gei-s hds tife im- a - gin- a-tion
And ev - er, as my sam-i - sen I
iatl. Tbz
?.
+- 1?
-A o-
r-ll
tints with all the charm-ing co - lor o f the rose, And

Come lov - ers at mY P ret - ty feet to fall, Who
Play,
-6 t I
I
I
ff
poco ral,l,.
For I
ple won't be l ieve when she hints Its
peo
fan cy, till I bid them run a way, A
-_----J-
Jl-
beau-ties are not quite what theY suP-Pose e - cause I'm rath-er quaintandpietur-
6 geisha'shearthasroom e-noughfor all! Yet Lovemayworkhiswill, if so he
1
t
I
{4408
{..t8
esque They think,that for a -ter - fly fio, Ex

please i His ma - gic can a wo-man's heart un - lock As
##?-
is-tence is de - light-ful- ly gro-tesque.How ver- y muchmis-tak- en folks may
well be-neathki - mo-no Jap-an-ese As un-der an- y smartPa-ris-ian
a)
ffi
t1
)
r_: t
?
7 t te
V -:-
?qf
I
r-
Tempo di Valse
r--Hr
IL
be!
frock
_ffiC-- --
_+_--,__-__-_
-ft
--f:
#+-----_- -tr--p--
a) I
o V
,-J D.)'
____________-*-
-
lt
at
(We
h, dance, my lit t1e ge1 sha 8aY' And
love Yotr, lit tle gei sha gay, oh,
a)
-,
=> I
*+ ** *4 t*
ao
-?
44403
4440i1
119
,,
sing your pret - ty songs they say; But dont you
Ex rl'ontt you love us, too?" they sayi But dorit vou
--:s
-
-
a a - ,
-C ++
*-t ^) --
- ^- t t J
-r.tv- -
I
_+-.LJ-
rit.
s ee, It',s hard on me wh o sing and dance the

see, It's lost on me wh o hear the same thing
: rnaY
- 1an
:Xb-z- 7-=
l-J i-J
& ttr
a)
+* L 'l '1
ra ll. p? a temlto --.--_--\
live long day? h dance slng

duy by day?
-
- --
_) -i#5--
n
a) t-J -
p
1 --
k
i>
h
<>
't -)
-b l>+
-* 'i.
- Al ^
__c-J_-=o-
-1'-1 :--# tr
your pret- ty songs]' they saj; But don't you

And
oh,
-1L-
:-E--:t- ,...E t I
.\J- #)-
r
t--
l
a) 7 I
I
j
++
*-k *+ \s.g __#-
2.
]}+
-----+-------f-----l+
a
-1? 7b
-+-
tr
44403
1,20
t
-#)-
see, It's hard on me Who sing- the live-long day?-
-{-------)t- *)l-r- --L---+--1

a)
t_I '1
hLr 1 1)
rj t>
r
_r-
1 t
_=L
i
{!l;_+r--+-
1 .rl -*-
1
=--_4+** _-J-
o
A
#
sing:-the live - long day,- Who sing, ah
-
-H-at---#----1- ---#F --f- =--]- !# #
a) *_E + LII /
-ffi
b**+ b**+
--+- * _+T ortl canto
-F
A
a
ah-- ah- eh the
/1\
a)
wpt HW xy-.
z.*\
d"y
-W #I-
#4- 4 -"-)#
a)
+e
t* ++
-tt \
-
-#*-_*-
ffi - -
144{til + 410',1
t8t
H The Amorous Goldfish

from "The Geisha"
Sidney Jones
(186e - 1e46)
Andante
:\
?- a) F
p -a- -t)
hl1 hfr-fr b* u#*
I l-
\a
E
7--r
= 1 A goldfish swam lna

2 She flash'd her frock in the
3 That charm - i gi rl for a
2"
ffi
he
t
a)
U o-l- \a) ta
p?
+ +b *il* ?
t: ta ? ? ? v *
big glass bowl As dear lit - tle gold - fish do. But she
sun-shine bright That of - fi - cer brave to charm And he
time up - set The of - fi - cer brave and gay. And his
o1
r -r*-p-_ I - ,r c{ w
r t b
l Lt I
4440'l
too
loved with the whole of her heart and soul of- fi - cer brave from the
vowed she'*'as quite a light - ful
de - sight, So her spir-its lvere gay till he
sad et he con-trived to for-get, For with nev-er a crumb did htr
a)
-i
* 4
I
r 1€ lr'-
I +
rJ+:
].-.-=-_**{l--
o - cean wave, And she thoughtthat he 10ved her too. Her
came one doy 1[ ith a i: iri on his stal - wart arm. In
chance to come yi,, i!- 1,! - fish pined a way. Un
l1---
O I
I I - a -
a ,,? * * ?
c#
small in sideshe- dai Iy fed With crumbs of the best di

whis - pers low they- talked of love He begged for a rose and a
til at last some- care - less soul With a smash knock'd o - ver the
a)
+
_{J a
ht b* h*
:+ h- ,hg
lr'* ht
rt
-J
gest ive bread. "This kind at - ten- tion proves," said shef'Howex -
worn out glove. But when they kissed a fond good-bye, The-
big lass bou'I. And there on the car - pet dead a co ,LaY the
t{+
a)
+ ++
b+ + .ra rlE #* b ,E*
-ffi-rFl-
4440i}
4440il
128
_-*zla_*
:om the
ceed-ing-ly fond he is of mett
lrll he
poor lit - tle gold fish longed to die.
l:d he
poor lit - tle fish in her frock of gold
!
>
r
--__
H.r ----+---
In And she thought It's fit fit
Ln flt - He should
And she sobbed, '1I1'g bir bit bit - ter
But her fate He should
so bir bit bit - ter Isa
I
12 ? *
---.---.--.
di love my glit glit
ind a
glit-ter, Than his heart give a - way To the
-e
love this crit crit crit - ter, When I thought he would wish For a
r the
sto - ry fit fit fit - ter For a sad lit - tle sigh And a
a)
*., * ?
i
a J t -t
}-+
'ex
b.ut - ter-f lies gay Or the birds that twit twit twit - ter.
nrce little fishWith a frock all glit glit -
glit - ter."-
the tear in the eye Than a thought-less tit tit tit - ter.
-
a)
r
ta * )
44403
L24
Eva's Waltz Song
Love is a Pilgrim
from ttEva,,
Just 8efore the happy ending, Eva, a beautiful young appren-
ii:i"T"e11-?fJf,,:x1:i;t j:;,+5,"1';;;i:;;:tr#"r*:'
must not be turned away r*'hen it comes unannouncerl and. in
Glen Mac Donough disguise' Franz Leh6r(18?o-1948)
American arr angement by
Allegro Anton Heindl
Nev- er -
h.
I\Ieno mosso
--*r-
more We'lI meet,-you and I Nev- er - more will re - turn days gone
p t-t-)
E-
*2+rF
by Fara- long our- paths have led-- From place where past-lies
---l4J-'
ffi =
-:.-- -
( -+t -j
ffi
- dead Yet .---- s my heart fill'd u'ith shad-ows to
-I__ -----#_--'1
-
a p
I
EI- Ltr -5
*+*: *I ?'
---
I
@ ilalXr, bv ru Qwi-qr!g!!? q, a rcl Ee rzrn ns frs), r, e t1c zi g

44403 " ^(lsr-n 4440i)
-
tP5
night,- Wist- ghosts of vain dreams of light; Soft they
lis l
:t bv
a I:I - rrc.
\---l
=
.f
+ lt 7-r: pp
i-t-t
come, su-ift they go, To my soul whis-p,ring lowl
;=
=
ne a)
h lEl-l l-r-t lE-t

a a t,ta Fa----l-----r_
---t W
r' r'
Close my heartcrowdthe shad-ows to night And
: -
f- -u--
_-;+------]-_
a I
rnjf
1..J.-J r I 1r lJ;J I lrr&--l
t*: )?) - *f-

'l-W ---*
hear,as they pass in ir flight, Ris - ing o'er-thephan-tomthrong,Loves old_

/i
a L_ I nl
L-)-) Lr I
+. .
..' ,r) .4
,'l'.t | | tt1- | --=r1-
-
-
4440i)
L28
Valse mod.erato ntt. a tempo
song! Lor.e is a pilgrim u-ho comes un
=4t- __]_..-.--{---.-- _
i-
a ---__ -t-
J_
pp
)- )) p Nt.=__+ a temlto
I
- )
-4
known, With fea - tures hood - ed Love walks a 1one,
-{
rrr
IAV U
"'
a) J
a- --r
+
t tr
__l____.1_______
L
_FJr____-L___J_
At thy heart wait - r:rg he may stand to - day: Has - ten to
It
"t + ,
tI
-la -L
an - swer, nor turn him a- 'll'ay! Love is a beg - gar u-ho
1ts- H-
rrr -+ -+
-=i
p-
-+
7 r' r
.'111O:l 44403
:::_-.:
127
Kno\4's not gold, Yet bears a trea- suLe of rvorth un to1d,
z)-
= -r
-+ ltIr b -+
=
---.1
I
I
a)
v= -+
rrr +
-!
)
t P
-+----]*--*J---
--+
+ a
I ) lc
I
1j "W:
- --_+re
=
-1r___--1=l-
trIo-ments and memjries'*'hose s\-eet- ness sha11 live Thro' aii F -
b%l: I -- -_t
a)
i-+J -.- * - t - -J
p ,-_ )
I
I I rL l^
i-
I
_1-bl4- ' -_--_r_

---0_
a ter ni t"v. If Love a shel- ter in ihy herlrt ihr, ,
fr h t I'"?': 142_- t4:-_ -!---J----el--

,tt:
a) o
p>
4'
> J_L* c?vac.
t -
I -l-r \
_|-+,f-
-hL-tt
---f----t-l_ #-
ri
r-
= give, These will he bring to thee.
A
*-D_+|--A:- --
Il
- {oj-_.:_€ri- :lr-zrh--*
a) a-. e +
IL
I
I
f
_-_r-.-----{__
{4t03
LzA
Hanna's Song I
Vilia
'W'idow"
from "The Merry
Hanna, the merry widow gives a party at her castle. To entertain
her guests she sings her aative song about Vilia, the nymph of the
woods who completely turaed the head of a youtrg huater.
English version by Franz Lehar
Ruth and Thomas Martin (18?O-1948)
Aliegretto rip
-#-
-F--t
P,
a)
p -
) * ) a , * ) "f,fttr..P
H -H--a---4--lPt-
T
1)]
way in the for - est so si lent and green There once lived a
?il
*---ff
a)
r r
O
U ,-
I
I L \ '/ J-rl
ntf
vi1 ia, a clry - ad se - rene. A hunt - er be - held her while
a) i+t nr
r=.,.-:,
+; rnf
T------- f:..
.l .l ul r-i
--\
-.,,^ +
-hJ
44408 @ MCIIZX, fu Buth antl ?Lr-wrus trfartin

44409
139
rit.
pass - ing one day, And spel1-bound he gazed at the beau - ti - fu1 far-.
I-rt-e---:J-
+- ..__l_-
har -Ei-
=--
S) o "f r?'
\lr{
? 7.
pp rit.
L&T - a - + d
p f-, ? +
r
---------------+- -a-'--+- -=.=-
A- >l
-t
-
p:p a
.p
O-ver-come by sud-den long ing Pas-sion he had rleY- er knou-n,
-t------__*-
, >
?:P a temlto
r -r. -
I
-
--,-7--
E a
nlf p
{ to- hel L-rnt "Yil - ia, 0 Vil - i.l,

A11 his heart ciilled a s'.r
lAtt
J
a)
-----\ r
i
rnf rit.
ffi 6f Fr*i;--- |-.-l lf-
p
rr-
a
__trrb_____T_
-
: >
l-t
hile
ftrir - ly
- and se - rene! Save me, en - slave me, my heart's on qrreen!
A---" ) ')---?----r-
-.J
a *
r -J--i-
I
4440?
t30
-
Vil-ia,OVi1 ia, have pit y on me. Sad was the
-T
T:.4.----l IT
--r-l p
a
?
't -) C e
-'r
1)-1--------+)- W ffi --++-+-------i _
"Vil - ia, O Vil- fair

----\and
ia, SO se-
poor hunt-er's Plea'-_...-
Jo- +B-lf -_F----#
--+--------+------l--
T' l-.")
O
ilE rfl'1 ) ? ryf ) -
-fT-l- l)r k'
Iv- -l- ls
PIP Poco lento

-)--
Save me, en - slave me, mY heart's on - ly queen Vil - ia, O
rene!
viil, H+-*- ffi f- *--;-i-

-a- r -T lta
t)
3-- f * * - 5T> P:P
ta
ft >#
-_-
-tr1'------T- JTF l'r:
=+-F-_--*-
L
/i rdt.
Vil - ia, be - 1c,v - ed, a- dored,' Sad - ly the hunt - er im- plored._-
/i
:F--+:----{- tw- if--ft
t--
tFrF-f
-r-- LJ
d =
ffii -W*
I
rlt.
e
t- * * \ + 6\ --_)
H
lrF l\ ------fl-=
r --l-
r
4+4{t3
4440i1
131
p
l:c The drv - ;rd ex-
-* -J--+----t.ts{-
-rF-
-
ffi
p a tempo p f, p r
4
* ? - 1,\ /i I L
4- W
-
f
SC tend - ed her hand to him then. And beck - oned him on to her
a)
r
ta
U t- nr
-r;z t a a,
\
- i#
1 J-fi -1 .h.t
I
e ntr.t
o cave in the glen; And there in her gk-iw - ing ec - stat - ic em-
W I lt #*j-
a) - iir
).
t:
4 t
l- 'f T ?' ?
L
lhr\
l+-l l-l
r
l-F ,
ntf ,--
.-,,- +
\l .,r
I Ir
rit.
br ace Ile tast - ed a rap ture no mor - tal would face.
---=--H- --------+--------
a) 1. t-EI O IJ "-l'+ d
pp rit.
.€-i -- ) - I I
414(\3
L3?
EPa
--{,
But be - fore the ris - ing dawn, His dear be - lov - ed was
a
d=
p:p a temlto
l-t-1
[l0ne, Ev-er more did the lone-ly hunt - er mourn.
------
]rl..--T
l-
r
) /*o-5F E+D. O -
=---+- I r{ tl
p ---..-..-.
"vi1 ia, O Vil - ia, so fair anil se- renel Save me, en- slave me, mY
ffi=f k- f-?--o-
a) - -*
I
p ==- * 1
- ta 3 *
--+--1!L---
)-a
l,
heartls on - ly queen! Vil - ia, O Vil - ia, have Pit yon me. p.
-at- :rl
.=-=..-
&
#H -:---J+F-+_F_
))-- t-
4440,.3 4440J
t33
p *!f
--
1I-e.s Sad was the poor hunt-er's plea. - "Vil - ia, O Vi1 - ia, so
_--F-:_-:--
-
a)
p
I
+
\rl ta,
,nf )
t)
.t fib )
-z-*
ffi \l-
+-
,l
-F_ _l t_
urn.
fair and se - renet Save me, en- slave me, my heart's on - ly queenl
+{2-
_F- -H
a)
G> , * * )
E--_-'_._--_
-_*_b________r- -t--F-
).)-
poco ri NI,
#
re, my
Yil - ia, O Vil - ia, be - loved, a
-----\
- doredj' Vain - ly the hunt - er
/i
im-
-++E_-
a) It l-) ri
H
m)
I I
pp +
t- -
E
rit.
* 5* \* '..t
----z-....]* --irlr------Jt- ------#bftl.-J,_
-lj--tr]_# --.f-.--f}-
)r
_p ri
plored, valn- im- plored, "Vil ial'

/:\
3
t Ttt
:> Ol- ?nf ,r p Dt0renh|
.t. ---:-f-----
gpp
C -* +- .l
ZE XE * =*E -? IF
_]-.-{..-{----+-_ --+a--
44403

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S

l*ii l: i'.u S 1,lQii r

Michael W. Balfe (fBOB-f870)

I Jaeques Offenbach (fBf9-fBBO)

Franz von Supp6 (f8f9-f895)

Johann Strausso Jr. (f825-f899)

THE GYPSY BARON

Charles Lecocq (f832-f9f8)

Karl Milliicker ( 1842-1899)

Edmond Audran (f842-l90f )

Robert Planquette ( f B4B.l9O3)

Andr6 lllessager ( f853-f929)

Rqinald lte Koven ( fB59-192O)

Franz Lehar ( f BTO-I 948)

THE MERR Y WIDO

95 > > >

rline. > \ >>

Oh, r,iihat full de light thro' my bo - som

@ -ll,{CMXI, by G.Schinner, fnc.

> > >>

Oh,rhatfull de - light thro' my bo - som thrills, And a *'ild-er

glo'r. myheart lls! Bliss un-felt, un - be-fore,

a Of my heart the jov! Ah!

"f * a& QzQ * *** ***

glow my heart, my heart- in - stills

tB/Jz+_+- P-- --r-

$,al1s, That \TAS hope the p

'\-, Balfe *F =#zJ-_#

rich- es too great to count- could boast a high- an

ces tral nane; But a1 SO dreamt,

dreamt that suit - ors sought my hand, That

knip;hts up- on bend ed th vows- no

.-{ -ffi =FFF=T

-hl r- --tt.- -T.---s----s--

me dreamt, that one of that no ble

Came my hand to claim; But

---]_-_H+tJ_# --.-i_#E.-.+ ____#itw-

That a1 SO dreamt, which charm'd me most, Thatyou lovh me

same, that f,€r you lovh- me the

-t---# +- _+-____+-----i- __-__

?ffi z:' :]'-F-*_

Yous ai - mez le ilau 80r, le p6 ril v0us at

44403 @ MCMIX, by Buth and Ih.()mas.lfartin

ti - rc, et Yous fe - rez Yo - tre de voir,

dieu, nonpas a - dieu, non pa,s a dieu,- au_

j'ai - me s mi-li-t aI - res, leur u ni - for- me co - quet,_

j'ai - me les mi - i - tai-res,

sals) je n'en sais rieu, ce que je sais, ah!

j'ai - me les mi - li - tai- res, me, oui j'ai - me les tai

d'eux tou-joursje se-rais, et je les-gri - se .. ra,is, a - vec*eux vail-lante

la,- mo plai-rait - il_- la guer_re, ce - la- me plai - rait- il,-me plai-rait -

Ja me les mi- i - tai-res, j'ai - me les mi - li - tai - res, leuru-ni-for-

quet, Ieur mous - ta - chqgt leur plu met, _ Ah! que

j'ai - me les mi - ii - tai- res, j'ai - me les mi - li - tai-res, j'ai - me s mi - li - tai-res,

nt. Piu mosso

tai - res, ah! oui.j ai-metes mi-li - tai -

English version by Jacques Offenbach

4440'3 @ I,ICUf,III, by C Sch,irneel Inc.

dois I e com-pren,-dre toi mb - rtr€r Que ce-l a ne sau-r ait du - rer

"f * a& QzQ * * *

-t---# +- _+-+-----i- -

+--?-tr--F-f-?-- __:-_ =r---l---l-

fr*-t- ,**---- il__ ,r$* *-

+-.?_ I 4 * I +* t -e?<? t -++ I ++

H+J# fiffi- ffiLtl =i=#'

_#- ,)-::1___)-- # *)LJ-+--