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Studies in Mathematics
The meanings of words ordinarily depend upon our tendencies to weld together
qualities and our aptitudes to see resemblances, or, to use the received phrase, upon
associations by similarity; while experience is bound together,..., by forces acting
upon us, or, to use an even worse chosen technical term, by means of associations
by contiguity (Peirce, 1931-1935, 1958, CP 3.419).
universe is basically of semiotic nature and that signs come into being only
by development out of other signs. Well, first of all such a position is not
possible in epistemology if conceived from the point of view of a limited
human subject. Secondly, one might doubt whether it is at all sound to
ignore experience that is prior to interpretation, as well as to negate the
existence of chance or contingent brute fact not governed by law.
To the individual mind, linguistic representation may appear to be an
impoverishment and falsification of the wealth of mental experiences and
intuitions. From the perspective of language and communication, however,
it seems obvious that no thought or sign can be exhausted by an individual
interpretation and experience, and is thus infinitely more complex and man
ifold than can be realized by any actualization or interpretation (Durkheim,
1995, 28, 433ff). This flexibility and complexity marks a difference be
tween a (theoretical) concept on the one hand and an ordinary tool, like a
hammer, on the other hand.
Still, however, progress of science and its history are influenced and
shaped in essential ways by the unpredictability and peculiarity of indi
vidual intuition and by particular and unexpected events. Moreover, in
epistemology as well as in logic or communication theory we have to ac
knowledge that communication and knowledge are possible only when
there is some other, which neither fuses with the subject, nor is totally dif
ferent from it. Within intuition, knowledge of the fact and knowledge of
its truth coincide. At the same time, the cognitive subject is transformed
into a medium, into a mere means of cognition. The self-reflective subject
(and also the social-communicative subject) is, however, always also an
object of thinking and communication. And to establish this complemen
tarity of means and objects, a mediating institution is indispensable. This
is conceived by the idea of sign or representation.
What then is a sign? The answer seems simple enough. Any concrete thing,
mark or token can be a sign as soon as it directs our attention to something
different. And there is, in fact, no sign without a concrete mark or event.
But a sign has a meaning, something a thing does not have. Toward what
are we directed by the token then? Towards the meaning or to the object
of the sign? Toward both? Does it depend on the kind of sign which of
these relationships is more important? As both these relations of a sign
are highly flexible a sign is of the highest level if it functions like a law
in its establishing connections between the signs objects and interpreting
thoughts. Such kind of signs Peirce calls symbols.
Sign
Object Interpretant
Figure I.
which is related to a Second thing, its Object, in respect to a Quality, in such a way
as to bring a Third thing, its Interpretant, into relation to the same Object, and that
in such a way as to bring a Fourth into relation to that Object in the same form, ad
infinitum. If the series is broken off, the Sign, in so far, falls short of the perfect
significant character. It is not necessary that the Interpretant should actually exist.
A being in futuro will suffice (Peirce, 1931-1935, 1958, CP 2.92).
It has been found that there are three kinds of signs which are all indispensable in all
reasoning; the first is the diagrammatic sign or Icon, which exhibits a similarity or
analogy to the subject of discourse; the second is the Index, which like a pronoun
demonstrative or relative, forces the attention to the particular object intended
without describing it; the third or Symbol is the general name or description which
signifies its object by means of an association of ideas or habitual connection
between the name and the character signified (Peirce, 1931-1935,1958, CP 1.369).
To illustrate and elucidate the hierarchy of signs outlined in the last section
we have to mention Peirce' universal categories. The heart of the Peircean
phenomenology is Peirce's system of categories; the categories are basic
to the understanding not only of Peirce's concept of normative science, but
of his theory of signs, and indeed of his thought as a whole.
For Aristotle, for Kant, and for Hegel, a category is an element of phenomena of the
first rank of generality. It naturally follows that the categories are few in number,
just as the chemical elements are. The business of phenomenology is to draw up a
catalogue of categories and prove its sufficiency and freedom from redundancies
(Peirce, 1931-1935, 1958, CP5.43).
Thirdness is the triadic relation existing between a sign, its object and the inter
preting thought,... considered as constituting the mode of being of a sign.
Firstness is, among other things, the category of feeling, by which Peirce
means "an instance of that kind of consciousness which involves no anal
ysis, comparison or any process whatsoever, nor consists in whole or in
part of any act by which one stretch of consciousness is distinguished from
another, which has its own positive quality which consists in nothing else,
and which is of itself all that it is, however it may have been brought about;
Although the entire consciousness at any one instant is nothing but a feeling,
yet psychology can teach us nothing of the nature of feeling, nor can we gain
knowledge of any feeling by introspection, the feeling being completely veiled
from introspection, for the very reason that it is our immediate consciousness
(Peirce, 1931-1935, 1958, CP 1.310).
When an Argument is brought before us, there is brought to our notice... a process
whereby the Premises bring forth the Conclusion, not informing the Interpreter of
its Truth, but appealing to him to assent thereto. This Process of Transformation,
which is evidently the kernel of the matter, is no more built out of Propositions
than a motion is built out of positions. The logical relation of the Conclusion to
the Premises might be asserted; but that would not be an Argument, which is
We are back now to the theory of signs and to the three fundamental types
of signs Peirce mentions: Icons, Indices and Symbols. Peirce's original
achievement is, in fact, to be seen in his characterization of cognition as a
semiotic process and in his idea of basing the very notion of sign on the
three categories of phenomenology.
There seems something puzzling here. On the one hand, the symbol ap
pears as the fundamental level of perception and cognition (in the same
manner as the sentence is the natural unit of linguistic representation
(Townsend/Bever, 2001), or the proposition represents the basic level of
knowledge). On the other hand, when searching for the non-intellectual
roots of cognition and semiosis, the non-symbolic signs are worth consid
ering, and we have had the opportunity to stress this at various occasions
already. We cannot understand the growth of knowledge when taking into
account only the symbolic.
Mathematics is not to be reduced to conceptual thinking and language,
but is essentially to be conceived of as an activity, and therefore the notions
of icon and index become fundamentally important. As far as mathematics
is concerned, indexicality is what in particular makes the semiotic approach
unavoidable, because it helps to solve the riddle of mathematical objects.
And it is, in fact, sometimes claimed that it is with his notion of index "that
Peirce is at once novel and fruitful" (Seboek, 1995, p. 223). Peirce saw,
Seboek continues, "as no one before him had, that indication (pointing,
that there would be no use for indices in pure mathematics, dealing, as it does,
with ideal creations, without regard to whether they are anywhere realized or
not. But the imaginary constructions of the mathematician, and even dreams, so
far approximate to reality as to have a certain degree of fixity, in consequence
of which they can be recognized and identified as individuals. In short, there is a
degenerate form of observation which is directed to the creations of our own minds
- using the word observation in its full sense as implying some degree of fixity
and quasi-reality in the object to which it endeavors to conform. Accordingly, we
find that indices are absolutely indispensable in mathematics (Peirce, 1931-1935,
1958, CP 2.305).
idea of truth have gone largely hand in hand in our century" (Hintikka,
1997, p. 29).
Again the question arises whether we use our terms or words or signs
primarily referentially or descriptively and we come to the conclusion again
that the complementarity of intensional and referential use of signs provides
an essential orientation as well as a fundamental problem. This comple
mentarity is somewhat clarified by considering Peirce's introduction of
iconic and indexical signs.
A sign per se is a First, a qualisign as Peirce calls it. A qualisign is a
quality, which is a sign. It cannot actually act as a sign until it is embodied;
but the embodiment has nothing to do with its character as a sign. An index
or a symbol, for instance, obviously cannot be a qualisign (Peirce, 1931?
1935, 1958, CP 2.248). If considered in isolation, a sign is just a quality.
Perceiving it, you may have an idea of what it means just to you. A sign by
Firstness is an icon "an image of its object, and more strictly speaking, can
only be an idea," says Peirce (Peirce, 1931-1935,1958, CP 2.276). A sign
referring to an object or fact does so by means of a contrast or Secondness,
because an object or fact as such has no meaning, it represents nothing but
isolated particular existence. This implies that all signs necessarily "partake
of Secondness" (Sebeok, 1995, p. 229), as well as that "it would be difficult
if not impossible, to instance an absolutely pure index, or to find any sign
absolutely devoid of the indexical quality" (Peirce, 1931-1935, 1958, CP
2.306). Peirce calls seconds that are signs Sinsigns. A Sinsign (where the
syllable sin is taken as meaning "being only once," as in single, simple,
Latin semel, etc.) is an actual existent thing or event, which is a sign. It can
only be so through its meaning which depends on some qualities; so that it
involves a qualisign, or rather, several qualisigns.
The sign as a symbol then is a Third insofar as its mode of being "consists
in the existence of replicas destined to bring its interpreter into relation to
some object" (Peirce, 1976, NEM, vol. IV, p. 297). A symbol is itself a
kind and not a single thing (Peirce, 1967, MS 404).
The symbol is the most important and the most difficult to understand.
"Since symbol-using appears at a late stage, it is presumably a highly
integrated form of simpler animal activities. It must spring from biological
needs, and justify itself as a practical asset. Man's conquest of the world
undoubtedly rests on the supreme development of his reactions by the
A regular progression of one, two, three may be remarked in the three orders of
signs, Icon, Index, Symbol. The Icon has no dynamical connection with the object
it represents; it simply happens that its qualities resemble those of that object, and
excite analogous sensations in the mind for which it is a likeness. But it really
stands unconnected with them. The index is physically connected with its object;
they make an organic pair, but the interpreting mind has nothing to do with this
connection, except remarking it, after it is established' (Peirce, 1931-1935,1958,
CP 2.299). If smoke is understood to be a sign of fire, then this sign is an indexical
sign, for 'the index ... forces the attention to the particular object intended without
describing it (Peirce, 1931-1935, 1958, CP 1.369).
Let us turn now once more to these other types of signs, Icons and
Indices. The key feature of an Icon is that it bears a resemblance of
some sort to its object, "whether any such Object actually exists or not"
(Peirce, 1931-1935, 1958, CP 2.247). The resemblance may be the ex
treme likeness of a photograph (Peirce, 1931-1935, 1958, CP 2.281), or it
may be subtler. Under any circumstances "each Icon partakes of some
more or less overt character of its Object" (Peirce, 1931-1935, 1958,
CP 4.531).
This partaking can be of a complex sort: Particularly deserving of notice
are icons in which the likeness is aided by conventional rules. Thus, an
algebraic formula is an icon, rendered such by the rules of commutation,
association, and distribution of the symbols. It may seem at first glance that
it is an arbitrary classification to call an algebraic expression an icon; that
it might as well, or better, be regarded as a compound conventional sign.
But it is not so.
For a great distinguishing property of the icon is that by the direct observation
of it other truths concerning its object can be discovered than those which suffice
to determine its construction' (Peirce, 1931-1935, 1958, CP 1.179). Here again
the distinctive character of the icon is indicated, namely that it is the only sign
by which we can enlarge our knowledge. All icons, Peirce states in an unpub
lished manuscript, 'from mirror-images to algebraic formulae, are much alike,
committing themselves to nothing at all, yet are the source of all our information.
They play in knowledge a part iconized by that played in evolution according to
Darwinian theory by fortuitous variations in reproduction (Peirce, 1967, MS 694,
SEM I, 429).
out, and guess from, particular features, and occasionally his guesses were
absurdly wrong.
His mistakes were often so ingenious, they could as well be qualified as
bold speculations, like in the case of an abstract mathematician. He would
see, for instance, faced with a heap of sand, not just this sand, but would say:
"I see water and a little guest-house with its terrace on the water. People are
dining out there on the terrace. I see colored parasols here and there". The
absence of specific properties or features in the actual picture had driven
him to imagine all this. Abstract shapes or definitions presented no problem
to this man but the fuzziness of any real situation did. He would at times
not even recognize his wife when he was not attentive to the properties
he had stored in memory about her. He lived in some kind of Russelian
universe, where existence can be ascribed only to those things that have
been characterized explicitly.
Icons are so completely substituted for their objects as hardly to be
distinguished from them. Such are the diagrams of algebra and geometry.
Diagrams are essentially icons and icons or images are particularly well
suited to make graspable and conceivable the possible and potential rather
than the actual and factual. Mathematics has always and again been called
the "science of the possible", or of the logically possible and to verify
whether some combination of assertions is consistent or logically possible
it must be "visualized", because the difficulty lies in the interaction between
the various affirmations, rather than in the particular meanings as such.
No analysis of conceptual meanings will in general answer the question
of whether two different relational statements or derivations amount to the
same or not.
The Icon does not stand unequivocally for this or that existing thing, as the Index
does. Its Object may be a pure fiction, as to its existence. Much less is its Object
necessarily a thing of a sort habitually met with. But there is one assurance that
the Icon does afford in the highest degree. Namely, that which is displayed before
the mind's gaze - the Form of the Icon, which is also its object - must be logically
possible (Peirce, 1931-1935, 1958, CP 4.531).
has been expressed by Locke when he remarked that the general idea of
a triangle on the one side is imperfect, "for it must be neither oblique nor
rectangle, neither equilateral nor scalene, but all and none of these at once".
On the other side we have a need for such general ideas "for the convenience
of communication and enlargement of knowledge" (Locke, 1894, p. 265).
With respect to mathematical thinking Berkeley already has written,
criticizing Locke's idea of a "general triangle", that "we shall acknowledge,
that an idea, which considered in itself is particular, becomes general,
by being made to represent or stand for all other particular ideas of the
same sort" (Berkeley, 1975, p. 69). Jesseph has characterized Berkeley's
philosophy of geometry by the term "representative generalization" and
he writes: "The most fundamental aspect of Berkeley's alternative (for the
Aristotelian abstractionist philosophy of mathematics, my insertion) is the
claim that we can make one idea go proxy for many others by treating it as
a representative of a kind" (Jesseph, 1993, p. 33). Herein lies, in fact, the
secret and all the difficulty of semiosis. How can a particular functionally
serve as a general? How can a particular concrete object convey general
meanings?
In geometry the general, as has been said, can only be represented by
the particular, as the pure image has no generality.
Take, for example, the circles by which Euler represents the relations of terms. They
well fulfill the function of icons, but their want of generality and their incompetence
to express propositions must have been felt by everybody who has used them.
Mr. Venn has, therefore, been led to add shading to them; and this shading is a
conventional sign of the nature of a symbol (Peirce, 1931-1935, 1958, CP 3.363).
The ordinary letters of algebra that present no peculiarities are indices. So also
are the letters A, B, C, etc., attached to a geometrical figure. Lawyers and others
who have to state a complicated affair with precision have recourse to letters to
distinguish individuals. Letters so used are merely improved relative pronouns.
Thus, while demonstrative and personal pronouns are, as ordinarily used, 'gen
uine indices', relative pronouns are 'degenerate indices'; for though they may,
accidentally and indirectly, refer to existing things, they directly refer, and need
only refer, to the images in the mind which previous words have created (Peirce,
1931-1935, 1958, CP 2.305).
'It has long been a puzzle', Peirce continues, 'how it could be that, on the one
hand, mathematics is purely deductive in its nature, and draws its conclusions
apodictically, while on the other hand, it presents as rich and apparently unending
a series of surprising discoveries as any observational science. Various have been
the attempts to solve the paradox by breaking down one or other of these assertions,
but without success. The truth, however, appears to be that all deductive reasoning,
even simple syllogism, involves an element of observation; namely, deduction
consists in constructing an icon or diagram the relations of whose parts shall
present a complete analogy with those of the parts of the object of reasoning, of
experimenting upon this image in the imagination, and of observing the result so
as to discover unnoticed and hidden relations among the parts.
... As for algebra, the very idea of the art is that it presents formulae, which can
be manipulated and that by observing the effects of such manipulation we find
properties not to be otherwise discerned (Peirce, 1931-1935, 1958, CP 3.363).
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MICHAEL OTTE
University of Bielefeld