This document defines jargon and terminology used in television advertising. It provides definitions for over 50 terms in a glossary format, including definitions for types of airtime laydowns (always on, burst, drip), dayparts (breakfast time, daytime, peak, post peak, night-time), and information on audiences (buying audience, consolidated TV activity, coverage, frequency), and regulations (BCAP code, Ofcom). The document serves as a reference for common industry phrases and how they relate to planning, buying, and measuring TV advertising campaigns.
This document defines jargon and terminology used in television advertising. It provides definitions for over 50 terms in a glossary format, including definitions for types of airtime laydowns (always on, burst, drip), dayparts (breakfast time, daytime, peak, post peak, night-time), and information on audiences (buying audience, consolidated TV activity, coverage, frequency), and regulations (BCAP code, Ofcom). The document serves as a reference for common industry phrases and how they relate to planning, buying, and measuring TV advertising campaigns.
This document defines jargon and terminology used in television advertising. It provides definitions for over 50 terms in a glossary format, including definitions for types of airtime laydowns (always on, burst, drip), dayparts (breakfast time, daytime, peak, post peak, night-time), and information on audiences (buying audience, consolidated TV activity, coverage, frequency), and regulations (BCAP code, Ofcom). The document serves as a reference for common industry phrases and how they relate to planning, buying, and measuring TV advertising campaigns.
Phrases in green are defined elsewhere in the Jargon Buster
The recall of an advert in the mind of consumers between
exposures. This recall is represented as a % and in the Adstock absence of further exposures, adstock eventually decays e.g. if your adstock is 85% a week, then after a week of inactivity, recall would be 85%. The time by which you should approve your TV activity to ensure best possible delivery. This varies by sales house so Advanced booking (AB) deadline for accurate deadlines, contact the relevant sales house directly. The pattern to which your delivery is executed. There are Airtime laydown broadly speaking, 3 different airtime laydowns, a burst, a drip and always on. A laydown (airtime laydown) approach that provides a Always on constant presence on TV. The organisation who is responsible for ensuring all ASA (Advertising Standards Authority) advertising messaging in the UK complies with the BCAP code. AV (audio visual) A medium that uses moving images and sound e.g. TV. BARB The organisation who is responsible for monitoring and (Broadcasters Audience Research recording TV audiences in the UK. Board) A collection of rules and regulations to which all advertising BCAP code in the UK must abide. Elements that will impact your campaign, driven by your Brand factors brand health e.g. how long your brand has been around and its position in the public’s consciousness. Broadbent formula The formula used to calculate adstock Tt + λAt-1 t=1,…., n Broadcaster video on demand Broadcaster TV content that is downloaded or streamed via (BVOD/VOD) the internet anytime, usually delivered via an app. A company that transmits television content (see also Broadcaster commercial broadcaster). A concentrated laydown (airtime laydown) of activity Burst usually over a few weeks. The person responsible for negotiating, approving and Buyer monitoring a TV campaign. The audience against which your airtime is bought and Buying audience delivered. Elements that will impact your campaign, driven by Campaign factors campaign performance. The ad breaks that take place at some point in the middle of Centre breaks a TV programme. A collection of TV channels to be used within the advertising Channel mix campaign. A broadcaster that is in some way funded by advertising Commercial broadcaster revenue. This includes Thinkbox's shareholders - Channel 4, ITV, Sky, UKTV & Warner Media (see sales house). TV activity that has been confirmed and recorded by BARB, Consolidated TV activity usually available 10 days after transmission. An advert that in some way references the programme in Contextual advert which it is placed. When the environment into which your advert is placed is Contextual environment complementary to the product, brand or creative. The cost of reaching 1,000 people with your advertising Cost per thousand (CPT) message. Coverage The % of an audience who saw your advert at least once. Elements that will impact your campaign, driven by the Creative factors advert creative e.g. how long your advert is and how impactful the advert is. Whether your advert falls in the ad break in the centre (see CVE (centre vs. end) centre break) of a TV programme or at the end (see end break). The TV day is divided into different dayparts, including Daypart Breakfast time, Daytime, Peak, Post peak, Night-time. The elements of your TV campaign that were agreed at Deal parameters negotiation stage. The placement of your advert within the programming by Delivery the sales house. A section of the population, who are similar in age, social Demographic grade (socioeconomic status), etc. End breaks The ad breaks that take place at the end of a TV show. A popular televised event that attracts many viewers and Event television generates a large amount of interest e.g. The World Cup, The Great British Bake Off final. The % of an audience who saw your advert any given Frequency number of times. This is represented as 1+ (the % of people who saw your advert 1 or more times), 2+, 3+ etc. Impact One individual seeing your message once. TV delivered in real time, broadcasting scheduled Linear TV programming, not streamed to a specific user. Elements that will impact your campaign, driven by the Market factors market you are in. e.g. the number of competitors you have and how much advertising they do. Marketing objective The aim of your campaign – what you are hoping to achieve. A company that advises companies on how and where to Media agency advertise and facilitates the planning and buying of a campaign on the advertiser’s behalf. A company that evaluates campaign performance on behalf Media auditor of their clients. A behavioural science that states we are drawn to things we Mere exposure effect have been exposed to more frequently. How many advertising minutes are allowed within a given Minutage period of time. This is the average way TV activity is delivered across the Natural delivery market. It includes quality parameters and programme access A TV station that is not funded by advertising, in the UK this Non-commercial TV is predominantly the BBC. The government approved regulatory authority for the Ofcom broadcasting industry in the UK, responsible for protecting the UK public's viewing. The average number of times an audience was exposed to OTS (opportunity to see) your advert. Calculated by dividing TVR by coverage. Programming and advertising that appears in the Peak Peak airtime dayparts. What position your advert falls within the advertising break. PIB (position in break) The key positions are usually regarded as 1st, 2nd and last in break. Planner The person responsible for planning the campaign. Post campaign analysis (PCA) The evaluation of a campaign once it has finished. A laydown (airtime laydown) that gives the illusion of an Pulse always on campaign by pulsing their airtime, on and off. Criteria used to judge the delivery of a campaign, including Quality parameters PIB, daypart and CVE. Reach Another term for coverage. A behavioural science principle that states we are drawn to Recency effect things we have been exposed to recently. A media company responsible for selling advertising Sales house inventory across a selection of channels. The share of an advertiser’s / agency’s total TV budget, Share of broadcast revenue often used to negotiate a discounted CPT and high-level quality parameters. A grade given to a person based on their employment represented by letters and numbers. The scale goes from A Socioeconomic status (being the highest grade & in employment), B, C1, C2, D, and E (being the lowest grade & in unemployment). Spot The placement of an advert within an advertising break. Station average price The average CPT for an individual channel. The amount of a commodity, product, or service available and the desire of buyers for it, regulating its price. In the Supply and demand case of TV, supply is represented by available impacts and demand is represented by advertiser revenue. The specific audience you are trying to reach with your Target audience campaign. A channel whose respective sales house does not own it and is only responsible for selling its advertising space. All other functions e.g. scheduling etc. are handled by the Third party channel channel itself. e.g. 4Sales (Channel 4) is responsible for selling the advertising on DAVE, but the channel is owned and managed by UKTV Time length How long your advert is in seconds. Different time lengths have different costs attached to Time length factor them. A time length factor is a number to multiply your CPT by in order to calculate the cost. The currency by which TV is monitored and delivered - a TVR (television rating) TVR is a % of your target audience seeing your advert in a single instance, sometimes referred to as GRP or gross rating points. The rate at which one audience's TVRs converts to another TVR conversion rate audience's TVRs, represented as a conversion rate similar to an exchange rate. Content that is produced by members of the public and UGC (user generated content) predominantly hosted on social media channels. Universe The total number of people in any given audience. Upmarkets People within the ABC1 socioeconomic group. A channel owned by its respective sales house who is responsible for selling advertising space and all other Wholly owned channel functions of the channel. e.g. Sky One is a channel completely owned by Sky.