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Activites The Gothic
Activites The Gothic
Activites The Gothic
B orn in 1764 with Horace Walpole’s The Castle of Otranto, Gothic literature combines horror and romance. Here are some
2. The story takes place in a castle, ruined or intact, haunted or not, with underground passages, crypts and catacombs.
3. There is a victimizer who is associated with evil and whose powers are immense or supernatural.
4. The atmosphere is oppressive, created by shadows, the moonlight in the dark or flickering candles.
5. Horrifying or terrifying events happen or are feared. Magic or supernatural manifestations occur.
9. The scenes take place in extreme landscapes, like high mountains, thick forests, or icy wastelands.
Vocabulary
1. Classez les mots ci-dessous dans la colonne correspondante. Attention, certains mots peuvent être utilisés plusieurs fois. Aidez-vous d’un
dictionnaire si nécessaire.
remote – isolated – old – supernatural – uninhabited – unoccupied – haunted – gloomy – werewolf – ghost – dark – scary – mysterious – spirit
– manor – disturbing – mansion – weird – scared – eerie – abbey – woods – terrified – young – innocent – surprised – abandoned – menacing –
anxious – moonlight
2. Cherchez les dérivés de fear et fright grâce aux suffixes. Traduisez-les en français.
Rappel : -ful (« plein de »), -less (« sans, dépourvu de »), -some (« qui provoque »)
- Inspiration :
* Percy Bish Shelley = her husband = a poet
* Lord Byron = a friend = a romantique poet
Read ghost stories
* read ghost stories
*scientific experiments = sending electiricity
into dead frogs --> the legs moved
* corpses/creating a creature with body parts
Brought yo life
What have these writers inspired today ?
- Video games
- Cinema = horror stories / silence fiction
- Goth fashion
- Bande / groupes = The Cure, ...
Activité 4 – Compréhension écrite : At Count Dracula’s
*a solicitor = a lawyer
Introduction
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The Count
2. Pick out words and details that describe the count’s character.
33
He lives in a castle / "his eyes blazed with a sort of demonic fury" / no reflection in the mirror
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3. Paragraph 2. How is the count feeling? Say what produces the crisis and what stops it.
He is furious : "his eyes blazed xith a sort of demonic fury" = he sees blood
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4. What does the reader understand about the Count? Who (what?) is he really?
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5. Explain what the Count’s words mean for the reader. And for Jonathan? (l.18)
The reader understands that Jonathan is in danger and there may be other vampires. Vampires
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Jonathan Harker
He is a young soliciter . He only slepy a little the night before. He is at the count's castle. He is shaving.
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No, Jonathan is not aware of who he is : he asks himslef questions about Dracula.
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9. Study the evolution of his feelings throughout the text.
He is tired / he is amazed / he is afraid ("the feeling transformed in fear") / he feels like a prisoner : "locked"
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The Gothic
10. Pick out the words/expressions/elements referring to the strange atmosphere or to the supernatural.
"there was no reflection of him in the mirror" / "the blood was trikling over my chin" / "it is strange" /"his eyes
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blazed with a sort of demonic fury"
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3
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11. Give details about the castle and its environment. What feeling does the place create? (l.20-26)
"no windows" / "on the edge of terrific precipice" / it is described as a prison /stairs / a room
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/ no exit / a prison --> it feels like a prison, a trap, Gigantic, Jonathan seems very small.
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A helpess victim (Jonathan) - a cruel torturer (Count Dracula) - a castle - a cruel victimizer with
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supernatural powers - oppressive atmosphere - magic elments (crucifix stops him, no reflections
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- stairs, impression of labyrinth - suspens and mystery - the victim is fascinated, Jonathan stays -
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J’étais en train de commencer à me raser quand j’ai senti une main sur mon épaule.
« I saw that the cut had bled a little, and the blood was trickling over my chin. »
J’ai vu que la coupure avait un peu saigné, et que le sang était en train de couler le long de mon menton.
Rappel :
Le prétérit simple (-ed ou verbes irréguliers) interrompt une action en cours au prétérit be -ing (be au prétérit +
BV-ing).
came
1. Count Dracula (come) ______________ was shaving
into the room while Jonathan Harker (shave) _______________.
spoke
2. When the Count (speak)_____________________to Jonathan, Jonathan was so surprised that he (cut)
cut
_______________________ himself.
realized
3. When Jonathan (realize) ______________________ was bleeding
he (bleed) _________________________ he (turn)
turned
___________________________ to look for some plaster (= pansement).
Activité 6 : Compréhension orale + écrite – Wuthering Heights
Vocabulary : guess the meaning of the words or expressions underlined in the song.
Tick the correct answer. « The lot falls through without you » means…
□ When I’m alone, I feel so great.
□ If you are not here, then I have nothing.
□ It’s too late to forgive you now.
What is particular about this love story ? What do we learn about the woman ?
Out on the wild and windy moors we'd roll and fall in green.
You had a temper like my jealousy, too hot, too greedy.
How could you leave me when I needed to possess you?
I hated you. I loved you too.
CHORUS
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
Ooh, it gets dark, it gets lonely on the other side from you.
I pine a lot, I find the lot falls through without you.
I'm coming back, love, cruel Heathcliff,
My one dream, my only master.
CHORUS
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
CHORUS
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
Heathcliff, it's me, your Cathy, I've come home.
I'm so cold, let me in your window.
Heathcliff, it's me, your Cathy, I've come home.
Activité 7 : méthodo – Book cover
Summary 5
Critics / opinion 6
Title 3
Author 2
Editor 7
Illustration 1
ISBN 8
Bar code 9
Quotation 4
1
4
3 8
9
Activité 8 – Compréhension écrite – The hand
3
“The Hand” (p.60)
PART 1
The narrator
I (l.1) _______________________________________ the noise of the branche
It (l.1) _______________________________________
horror of nightmare
Me (l.7) _____________________________________ lockwood's arm
It (l.8) _______________________________________
Find information about the creature he meets. Classify it in the following grid.
Pick out the sentences that show the fear the narrator experiences.
4
_____ He sees the creature. 2
_____ He tries to get rid of the hand.
1
_____ He grabs a hand. 6
_____ He offers to let the creature in.
3
_____ The creature refuses to let go. 7
_____ The hand lets go of its grip.
5
_____ The hand starts bleeding. 8
_____ He refuses to let the creature in.
PART 2
Heathcliff / Lockwood
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Focus on lines 32 to 34. Classify the phrases referring to Heathcliff in the grid below.
What can you guess about his relationship with Catherine ? Tick the possible answer(s).
Read the last sentence. Choose the statement that best corresponds to what you understand.
The ghost stayed for a few seconds and blew out the light when he left.
The ghost disappeared and only the wind could be heard howliing.
Activité 9 – Expressions / traduction
TRADUCTION – Expressions
Translate the following expressions. Be careful, translate the idea to find the French expressions.
Traduis les expressions suivantes. Fais attention à bien traduire l’idée pour trouver une expression
française.
Here’s a list of verbs from the text The Hand (Wuthering Heights). WIth the help of the context match each
verb with its translation.
Particle or preposition?
- I switched on the computer : “switch” et “on” peuvent être séparés, « on » est donc une particule.
Une particule change souvent le sens de départ du verbe, donne une précision.
- The cat jumped on the computer : “jumped” et “on” ne peuvent pas être séparés, « on » est donc
une préposition.
The Titanic collided with an iceberg and went down the ocean.
Lila is roaming* through Norman Bates’ frightening and apparently uninhabited house near his old motel, while her
friend Sam is outside. She suspects Norman of being the murderer of her sister.
Lila turned away. She saw the old-fashioned laundry tubs*, and the table and chair beyond them, next to the
wall. There were bottles on the table, and carpentry tools, plus an assortment of knives and needles. Some of the
knives were oddly curved, and several of the needles were attached to syringes. Behind them rose a clutter of wooden
blocks, heavy wire*, and large shapeless blobs of a white substance she could not immediately identify. One of the
bigger fragments looked something like the cast* she had worn as a child, that time she'd broken her leg. Lila
approached the table, gazing at the knives in puzzled concentration.
Then she heard the sound.
At first she thought it was thunder, but then came the creaking from overhead, and she knew. Somebody had
come into the house. Somebody was tiptoeing* along the hall. Was it Sam? Had he come to find her? But then why
didn't he call her name?_
And why did he close the cellar door?_
The cellar door had closed, just now. She could hear the sharp click of the lock, and the footsteps moving away,
back along the hall. The intruder must be going upstairs to the second floor. She was locked in the cellar. And there
was no way out. No way out, nowhere to hide. The whole basement was visible to anyone descending the cellar stairs.
And somebody would be coming down those stairs soon. She knew it now.
If she could only keep herself concealed* for a moment, then whoever came after her would have to descend
all the way into the basement. And she'd have a chance to run for the stairs, then. The best place would be under the
stairway itself. If she could cover up with some old papers or some rags.
Then Lila saw the blanket* pinned* to the far wall. It was a big Indian blanket, ragged and old. She tugged at it, and
the rotted cloth ripped free of the nails which held it in place. It came off the wall, off the door. The door. The blanket
had concealed it completely, but there must be another room here, probably an old-fashioned fruit cellar. That would
be the ideal place to hide and wait.
And she wouldn't have to wait much longer. Because now she could hear the faint, faraway footsteps coming
down the hall again, moving along into the kitchen. Lila opened the door of the fruit cellar.
It was then that she screamed.
She screamed when she saw the old woman lying there, the gaunt, gray-haired old woman whose brown,
wrinkled face grinned up at her in an obscene greeting.
"Mrs. Bates!" Lila gasped*.
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To roam : errer Laundry tubs : lessiveuses Wire : du fils A cast : un plâtre
To tiptoe : se déplacer sur la pointe des pieds Concealed : caché A blanket : une couverture
Reading comprehension
« Psycho »
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2. Focus on the first paragraph. Circle the objects that are listed in the description.
3. Pick out the sentence that best describes Lila’s reaction. What does it reveal ?
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5. « The cellar door had closed, just now » (l.13). What is the consequence ? Quote the text to justify your
answer.
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ACTIVITE 12 – Expression écrite
Imagine the front cover of a gothic novel and write its back cover.
Vous allez devoir créer la première et la quatrième de couverture d’un roman gothique.
Imaginez tous les éléments vus en classe (nom de l’auteur, titre, code barre, numéro ISBN,
…).
Vous pouvez créer ces éléments, trouver une photo (en citant la source), en prendre une ou
encore dessiner.
Vous devrez ensuite créer le résumé. Attention, il ne s’agit pas d’un résumé COMPLET.
Toute l’histoire n’est pas racontée au dos du livre, sinon, personne n’en achèterait. Il s’agit
de raconter le début, la mise en place de l’histoire.
Souvenez-vous également de ce qui fait une histoire gothique, relisez « les ingrédients du
gothique » de la première activité.
120 mots