Ga Key of C Major Major Scales LH: 4th finger on D (2nd degree of scale). RH: 4th finger on B (7th degree of scale).* Parallel motion in octaves aan Contrary motion starting on the same note. 41 Parallel motion in sixths. ao 1 aa 2 “For the importance of knowing the position of the 4th finger, see page 16, par. 4Ww - Primary Chords — Am Bdim GC co oF Gog C Major Triads Root position © Dm Em F ° {onic supertonic mediant subdominant dominant submediant leading tone tonic C Major Cadences Three Positions 3 a3 5 a3 C Major Arpeggios Two-octave arpeggios* B32 fo 2 12 root 123 position 123 Dominant Seventh Arpeggios Two-octave arpeggios root 1st position Inversion 12 read 54 30 2nd 1 a 2.34 ———Key of G Major Major Scales i LH: 4th finger on A (2nd degree). RH: 4th finger on Fé (7th degree). Parallel motion in octaves. Contrary motion starting on the same note: hg pa oEE TheeG Major Triads Root position — Primary Chords — 6 Am Bm D Em Fim aM Cede fonic superionic mediant subdominant dominant submediant leading tone tonic G Major Cadences Three Positions eG ey IV 1 |Vov7]| 1 e HS G Major Arpeggios Two-octave arpeggios root 5 positon 18 Sag Vso 12 e oyrtie Dominant Seventh Arpeggios Two-octave arpeggios, 1 st GALA root 1234 Sats 2 aversion 4 1203, H postion ore 234 a Vaiss 2 123 a 4) zt | |eete ell ee a2 aaeae are eet: ' ana: . i os =Key of D Major Major Scales LH: 4th finger on E (2nd degree). RH: 4th finger on Ct (7th degree). Parallel motion in octaves. al La 130D Major Triads Root position (— Primary Chords — D Em Fim A Bm Chim > D6 Acw tonic supertonic mediant subdominant dominant submediant leading tone tonic D Major Cadences Three Positions 5 1 4 3 nd a rs 2 ota Dominant Seventh Arpeggios Two-octave arpeggios ,.. an root 1234 5439 inversion 4 12 32 *i23 Thad 1234 2nd 12 pee a 234 1Key of A Major Major Scales LH: 4th finger on B (2nd degree). RH: 4th finger on Gt (7th degree). Parallel motion in octaves. aad Contrary motion starting on the same note. eo aes san Parallel motion in sixths. nAA Major Triads Root position (= Primary Chords A Bm cim oo E Ftm Gtdim a AD Eo Ee? IV VorV7 tonic supertonic —_mediant subdominant dominant submediant leading tone tonic AMajor Cadences Three Positions A Major Arpeggios Two-octave arpeggios at 2nd , 22 inversion 4 12 ‘not inversion ts,, 912 [lide root 5 positon 123 ear aeaaks an Dominant Seventh Arpeggios Two-octave arpeggios suAesi: A 23 root pau) 32 151 4 postion 3rd aa?Key of E Major Major Scales LH: 4th finger on F# (2nd degree). RH: 4th finger on Dé (7th degree). Parallel motion in octaves. 1. 3 Contrary motion starting on the same note 13 Ae ap feba a m1 : T Parallel motion in thirds or tenths. ers pe) Paraile! motion in sixths 1 1 neal is af ase 2© Major trlags moot posivon i Primary Chords — & Fém Gim A 8 cim —Dfdim iE — A Boa? tonic supertonic mediant subdominant dominant submediant leading tone tonic E Major Cadences Three Positions one 3 i 3 3 1-1 i 3 5 42 2nd raanaea| 413 a inversion 1 Dominant Seventh Arpeggios Two-ociave arpeggios, root, 1234 543 2 inversion position a $32, 2a . A ra, rr tae Sid 23 nd 123 inversion 2nd 4 ero las, inversion (8) | 3 GHA A ai 2 » = 2Key of B Major* Major Scales LH: 4th finger on B and Ft (1st and 5th degrees)."* RH: 4th finger on Ag (7th degree). Parallel motion in octaves. a0 Contrary moticn starting on the same note. he st Parailel motion in thirds or tenths. \2 aia ra 4 Parallel motion in sixths. 5 3 T 4 2 “Enharmonic with G» major. See page 46, inthe 1st octave LH 4 is used on B—LH 1 thereatter.