PROGRESIONES

ARMÓNICAS - 2
TEORIA 1

 
CATALINA QUIMBAYO VIVAS

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              
D G Gm A7 D F♯m

I IV iv V⁷ I iii

   
               
5 D7 G Gm D

V⁷/IV IV iv I

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                  
9 D G E7 A7 D Bm G

I IV V⁷/V⁷ V⁷ I vi IV

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         
          
13 Gm A7 D G Gm D

iv V⁷ I IV iv I

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                  
  
17 D Am7 D7 G Gm A7

I Par³. V⁷/IV IV iv V⁷

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               
 
21 D G Bm7 A7 D

I IV vi V⁷ I

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               
     
25 D G E7 A7 D

I IV V⁷/V⁷ V⁷ I

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      
          
Am7 D7 G Gm D

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29

Par³ V⁷/IV IV iv I