Journal of Italian Cinema and Media Studies

International Conference

Innovations and Tensions

Italian Cinema and Media in a Global World

The American University of Rome, Italia
Via Pietro Roselli 4, Roma

9-10 June 2017

 
 ConferenceDirectors
Conference Directors
FlaviaLaviosa
Flavia Laviosa(Wellesley
(WellesleyCollege)
College)
ies
es CatherineRamsey-Portolano
Catherine Ramsey-Portolano
(TheAmerican
(The AmericanUniversity
Universityof
ofRome)
Rome)

Assistantto
Assistant tothe
theDirectors
Directors
RyanCalabretta-Sajder
Ryan Calabretta-Sajder(University
(Universityof
ofArkansas)
Arkansas)

ConferenceAssistants
Conference Assistants
MatildeBorio,
Matilde Borio,C
Cassy
Cassy
assieMiller,
Miller,Margaret
MargaretRoberts
Roberts
(Wellesley
(WellesleyCollege)
College)

Sponsors
Sponsors
Wellesley
WellesleyCollege
College
The
TheAmerican
AmericanUniversity
Universityof
ofRome
Rome
Intellect
IntellectLtd
Ltd

Keynote
KeynoteSpeaker
Speaker
Prof.ssa
Prof.ssaMilly
MillyBuonanno
Buonanno
Sapienza
SapienzaUniversità
Universitàdi
diRoma
Roma
Ambigue
Ambiguedistanze
distanzeeeincontri
incontriravvicinati
ravvicinati
tra
trala
latelevisione
televisioneeeililcinema
cinemain
inItalia
Italia

1
Schedule Outline

Friday 9 June 2017 Sat

8.30
8.30-17.00 Registration
9.00
9.00-9.30 Opening Remarks
10.3
9.45-11.00 Panel Series A
12.0
11.15-12.30 Panel Series B
12.3
12.30-13.30 Lunch (Buffet)
13.3
13.30-14.45 Panel Series C
15.0
15.00-16.15 Panel Series D
16.3
16.30-17.45 Panel Series E
18.0
18.00-19.00 Keynote Address Dir
Bla
Professor Milly Buonanno
(20
Sapienza Università di Roma
Reg
19.30-21.00 Welcome Reception Inte
All
Ope
Film

2
Saturday 10 June 2017

8.30-17.00 Registration

9.00-10.15 Panel Series F

10.30-11.45 Panel Series G

12.00-12.30 Intellect Presentation

12.35-13.30 Lunch (Buffet)

13.30-14.45 Panel Series H

15.00-16.15 Panel Series I

16.30-17.45 Panel Series J

18.00-19.30 Film Screening

Director Fred Kuwornu
Blaxploitalian; 100 Years of Blackness in Italian Cinema
(2016)

Registration: Building B, Garden 2

Intellect Book Exhibition: Building B, Garden 1
All Panels: Building B
Opening Remarks, Intellect Presentation, Keynote Address,
Film Screening: Auriana Auditorium

3
Conference
Conference Schedule
Schedule

Friday 9 June 2017 9.4

Friday 9 June 2017 9.4
8.30 – 17.00 Registration – B
8.30 – 17.00 Registration – B Pan
Pan
9.00 – 9.30 Opening Remarks (Auriana Auditorium)
9.00 – 9.30 Opening Remarks (Auriana Auditorium) Cha
Cha
Joh
Flavia Laviosa, Conference Director
Flavia Laviosa, Conference Director Joh
Wellesley College
Wellesley College 1.  M
Lisa Colletta, Dean of Academic Affairs 1.  M
Lisa Colletta, Dean of Academic Sap
The American University of RomeAffairs Sap
The American University of Rome
“Ri
Mario Morcellini, Consigliere alla Comunicazione “Ri
Una
Mario Morcellini,
Sapienza UniversitàConsigliere
di Roma alla Comunicazione Una
del
Sapienza Università di Roma del
James Campbell, International Marketing Manager 2. G
James 2.
UniG
IntellectCampbell,
Ltd International Marketing Manager
Uni
Intellect Ltd
Catherine Ramsey-Portolano, Conference Director “I ra
Catherine Ramsey-Portolano, Conference Director “I
trarat
The American University of Rome tra t
The American University of Rome
3. E
3.
UniE
Uni
“Th
“Th
and
and

 
 

4
9.45 – 11.00 Panel Series A

Panel 1: RAI Past and Future - B 205

Chair: Tijana Mamula
John Cabot University in Rome, Italia

1.  Mihaela Gavrila and Mario Morcellini

Sapienza Università di Roma, Italia

“Ripensare i media di Servizio Pubblico partendo dalla ricerca.

Una consultazione pubblica con i giovani per la RAI
del futuro”
2. Giulia Muggeo
Università degli Studi di Torino, Italia

“I ragazzi di Bandiera Gialla. Il caso Rocky Roberts

tra televisione e riviste giovanili”
3. Emma Barron
University of Sydney, Australia

“The Promise of Readers: 1960s Italian Television

and I Promessi Sposi”

5
Panel 2: Italian Film Genres I – B 206 Pan

Chair: Massimiliano Pistonesi Cha

Independent Scholar, DeA Planeta Libri, Milano, Italia Uni

1. Myriam Swennen Ruthenberg 1. M

Florida Atlantic University, Boca Raton, USA Uni

“Healing the World: the Role of the Poet in Eduardo Ponti’s “Pr
Il turno di notte lo fanno le stelle” of n

2. Patrizia La Trecchia 2. M
University of South Florida, Tampa, USA Uni
“So
“Politics of Italian Gastronationalism in Cinema” e Th
3. Marta Perrotta 3. A
Università degli Studi Roma Tre, Italia Uni

“‘Vedi Napoli e poi muori’. Analisi delle subalternità culturali “L’

in tre docu-soaps ambientate a Napoli: Il boss delle
cerimonie, Lucky Ladies e Morti e stramuorti”

 
6
 Panel 3: Video Games – B 204

Chair: Marco Benoît Carbone

University College London, UK

1. Marco Benoît Carbone

University College London, UK

s “Producers, designers, and film culture: Ideas

of national identity in Italian video games”
2. Mattia Filigoi and Matteo Genovesi
Università degli Studi di Udine, Italia
“Soggettiva videoludica italiana: tra Grezzo 2
e The Town of Light”
3. Ambra Benvenuto
Università degli Studi di Napoli Federico II, Italia

rali “L’architettura nei video-games è solo nei codici?”

7
Panel 4: Lui, lei e l’altro. Re-tracing Gender across Pan
the Popular/Auteur Divide in Recent Italian Film -
B 304 Cha
Uni
Organizer: Dom Holdaway
Università degli Studi di Bologna, Italia 1. E
Arc
Chair: Louis Bayman
University of Southampton, UK “Cin
racc
1. Valerio Coladonato
American University of Paris, France 2. D
Lon
“Vatican Masculinity: Reshaping Normative Models Hob
in Habemus Papam and The Young Pope”
“Fil
2. Dalila Missero of th
Università degli Studi di Bologna, Italia
3. A
“Are Italian Genres Beyond Gender? Lo chiamavano Uni
Jeeg Robot and the Claim for Realism”
“Tra
3. Dom Holdaway Bolo
Università degli Studi di Bologna, Italia

“Un altro pianeta: the Non-Normative Potential

of Mainstream Film”

 
8
 Panel 5: Studi Cinematografici e Cineteca – B 306

Chair: Vanesa Coscia

Universidad de Buenos Aires, Argentina

1. Enzo Lavagnini
Archivio Pasolini di Ciampino, Italia

“Cinecittà 80 anni, 1937-2017. Gli studios che hanno

raccontato l’Italia”

2. Donatella Maraschini and Paola Nasini

London South Bank University, UK and
Hoben Ltd, London, UK

“Filmmaker and the Milanese Independent Cinema Scape

of the 1980s and 1990s”

3. Andrea Gelardi
University of St. Andrew, UK

“Tra vocazione al territorio e azioni internazionali:

Bologna e la sua Cineteca”

9
11.15 – 12.30 Panel Series B
11.15 – 12.30 Panel Series B

Panel 6: Postcolonial Intermediality – B 304 Pan

Panel 6: Postcolonial Intermediality – B 304 and
Pan
Organizer: Serena Alessi and
The British School
Organizer: SerenaatAlessi
Rome, Italia Org
The British School at Rome, Italia Uni
Org
Chair: Caterina Romeo
Sapienza Università di Roma, Italia Uni
Chair: Caterina Romeo
Cha
Sapienza Università di Roma, Italia
1. Cristina Lombardi-Diop The
Cha
Loyola University
1. Cristina Chicago, USA
Lombardi-Diop The
1.  G
Loyola University Chicago, USA
“Interrupted Postcoloniality: Mediterranean Crossings Uni
1.  G
in the VisualPostcoloniality:
“Interrupted Arts” Mediterranean Crossings Uni
“Scr
in the Visual Arts”
2. Serena Alessi diva
“Scr
The BritishAlessi
2. Serena School at Rome, Italia diva
2. M
The British School at Rome, Italia
“Images of Postcolonial Rome” UniM
2.
“Images of Postcolonial Rome” Uni
3. Gianmarco Mancosu “An
University
3. Gianmarcoof Warwick,
MancosuUK “An
3. S
University of Warwick, UK
“Filling Colonial Aphasia. The Use of Found Footage, Uni
3. S
Songs and
“Filling Pictures
Colonial in Asmarina”
Aphasia. The Use of Found Footage, Uni
“La
Songs and Pictures in Asmarina”
“La

 
 

10
 Panel 7: Anna Magnani: Re-thinking Stardom
and Film Acting in the Post-war Period – B 206

Organizer: Sergio Rigoletto

University of Oregon, Eugene, USA

Chair: Catherine Ramsey-Portolano

The American University of Rome, Italia

1.  Giulia Carluccio
Università degli Studi di Torino, Italia

“Scrivere la Magnani. Persona, personaggio,

diva nel lavoro di Suso Cecchi D’Amico”

2. Maria Paola Pierini

Università degli Studi di Torino, Italia

“Anomalia Magnani: donna versus diva”

3. Sergio Rigoletto
University of Oregon, Eugene, USA

“Labored Acting, Acting as Labor”

11
Panel 8: Streaming Media e Social Networks I – B 205 3. M
Inde
Chair: Antonia Cava
Università degli Studi di Messina, Italia “La
seri
1. Paola Panarese, Stefania Parisi, and Marco Binotto
e Th
Sapienza Università di Roma, Italia
“Fertility Day, Fertility Fake. Studio su una campagna
istituzionale e la sua contro-campagna creativa” Pan
Cha
2. Luca Massidda The
Università degli Studi di Camerino, Italia
1. F
“Serializzare gli archivi. Netflix e la microfisica Uni
dei contenuti narrativi”
“Be
Indo
Panel 9: Television Series I – B 204
2. L
Chair: Gevisa La Rocca
Uni
Università di Enna ‘Kore’, Italia

1. Stefania Antonioni and Chiara Checcaglini “Ci

Università degli Studi di Urbino Carlo Bo, Italia e tra

“Da Parenthood a Tutto può succedere: tra remake, 3. V

adattamento e traduzione transculturale” Sain

2. Luca Bandirali “Co

Università del Salento, Lecce, Italia

“Un modello americano per la serialità italiana: il caso 1992”

 
12
 3. Massimiliano Pistonesi
Independent Scholar, DeA Planeta Libri, Milano, Italia

“La storia del cinema per comprendere la svolta della nuova

serialità italiana: Romanzo Criminale, Gomorra, I Medici
e The Young Pope”

Panel 10: Beauty and Fashion – B 306

Chair: Catherine Ramsey-Portolano
The American University of Rome, Italia

1. Francesca Calamita
University of Virginia, Charlottesville, USA

“Beauty Standards, Photoshop Effects and Patriarchal

Indoctrination: Francesca Lolli’s How It Has To Be”

2. Loredana La Fortuna
Università degli Studi di Bari, Italia

“Cinema e moda. La bellezza made in Italy. Stereotipi

e tratti identitari”

3. Vladislav Dekalov and Kristina Grigoryeva

Saint Petersburg State University, Russia

“Concept ‘fashion’ as an Instrument of the Italian Soft Power”

2”
12.30 – 13.30 Lunch in the Garden

13
13.30
13.30 –– 14.45
14.45 Panel
Panel Series
Series C
C

Panel
Panel 11:
11: Future
Future Memories:
Memories: Anniversaries
Anniversaries Pan
Pan
of
of Cinema
Cinema and
and Media
Media Institutions
Institutions –– B
B 204
204
Cha
Cha
Organizer:
Organizer: Marguerite
Marguerite Waller
Waller Inde
Inde
University
University of
of California,
California, Riverside,
Riverside, USA
USA
1.
1. A
A
Chair:
Chair: Rebecca
Rebecca Bauman
Bauman Sap
Sap
Fashion
Fashion Institute of
Institute of Technology,
Technology, State
State University
University
of New York, USA “Pa
“Pa
of New York, USA
2.
2. G
G
1.
1. Frank
Frank Burke
Burke Uni
Uni
Queen’s
Queen’s University,
University, Kingston,
Kingston, Canada
Canada
“Ve
“Ve
“New
“New Directions
Directions in
in Fellini
Fellini Studies”
Studies” del
del
Di
Di pp
2.
2. Marita
Marita Gubareva
Gubareva
Independent
Independent Scholar
Scholar and
and Journalist,
Journalist, Roma,
Roma, Italia
Italia 3.
3. G
G
Con
Con
“Fellini’s
“Fellini’s Aesthetics
Aesthetics and
and the
the Decadent
Decadent Movement”
Movement”
“Th
“Th
3. of
of aa
3. Marguerite
Marguerite Waller
Waller
University
University of California, Riverside,
of California, Riverside, USA
USA

“Transnational
“Transnational Fellini:
Fellini: The
The Cuban
Cuban Connection”
Connection”

   

14
 Panel 12: Television Series II – B 304

Chair: Massimiliano Pistonesi

Independent Scholar, DeA Planeta Libri, Milano, Italia

1. Anna Lucia Natale

Sapienza Università di Roma, Italia

“Parenthood. Family stories tra Italia e Stati Uniti”

2. Giacomo Ravesi
Università degli Studi Roma Tre, Italia
“Vestiti da sposa, sogni imprenditoriali e pistole. L’immagine
del Nord Est nelle serie tv: Sposami, Faccia d’angelo,
Di padre in figlia”

3. Giuseppe Fidotta
Concordia University, Montreal, Canada
“The Bible Project Religious TV and the Pursuit
of an Ecumenical Vernacular”

15
Panel 13: Transnational Identities I – B 306 Pan
Chair: Ryan Calabretta-Sajder Cha
University of Arkansas, Fayettville, USA The

1. Giuseppe Natale 1. M
University of Nevada, Las Vegas, USA Ind

“Italy Within and Without: A Cinema of (Non)Migration” “Ita

i pr
2. Caterina Romeo Ital
Sapienza Università di Roma, Italia
2. A
“Shaping Transnational Identities in the Web Series Uni
Italianers and the Documentary La deutsche vita”
“cit
3. Phillip Drummond ad a
New York University in London, UK
“Sicily in Cinema: Narratives of Place Pan
and Intercultural Identity”
Cha
Uni

1. L
Uni

“I f
di u

2. R
Uni

“Th

 
16
 Panel 14: Web Series – B 206
Chair: Annachiara Mariani
The University of Tennessee, Knoxville, USA
1. Maria Luisa Terrizzi
Independent Scholar, Messina, Italia
“Italianità sul web. Visioni, generi e prospettive attraverso
i progetti web-seriali: A’ famigghia, Welcome to Italy,
Italicus, Ritals”

2. Antonio Mastrogiacomo
Università degli Studi di Napoli Federico II, Italia
“citofona@casasurace. Le web series: identità geoculturali
ad alta definizione”

Panel 15: Film Festivals – B 205

Chair: Lorenzo Fabbri

University of Minnesota, Twin Cities, USA

1. Ludovico Ferro
Università degli Studi di Padova, Italia

“I festival cinematografici. Ipotesi e metodologia

di una ricerca empirica di sociologia del Cinema”

2. Roberta K. Waldbaum
University of Denver, USA

“The Denver Film Festival: Focus on Italian Cinema”

17
15.00 – 16.15 Panel Series D
15.00 – 16.15 Panel Series D

Panel 16: Women and Cinema – B 304 Pan

Com
Pan
Panel 16: Women and Cinema – B 304
of C
Com
Chair: Flavia Brizio-Skov (University of Tennessee,
Knoxville, USA) of C
Chair: Flavia Brizio-Skov (University of Tennessee, Org
Knoxville, USA) Que
1. Flavia Brizio-Skov (University of Tennessee, Org
Knoxville, USA) Que
Fra
1. Flavia Brizio-Skov (University of Tennessee,
Knoxville, USA) Que
Fra
“Do we Have Heroines in Western Films?”
Que
“Do we Have Heroines
2. Bernadette Luciano in Western Films?”
(University of Auckland, New Adr
Zealand) Ind
Adr
2. Bernadette Luciano (University of Auckland, New
Zealand) Ind
“Costanza Quatriglio’s Transnational Triangle: Ver
Voices from
“Costanza the Rubble”
Quatriglio’s Transnational Triangle: Uni
Ver
Voices from the Rubble” Uni
3. Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) Dom
3. Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) Uni
Dom
“The Entrepreneurial Model of the Self: Narratives of Desire, Uni
Struggle, and Failure in
“The Entrepreneurial Italian
Model of Women
the Self:Directors’
NarrativesCinema”
of Desire, Ma
Struggle, and Failure in Italian Women Directors’ Cinema” Uni
Ma
Uni
Luc
Con
Luc
Con
Lou
Uni
Lou
Uni

 
 

18
 Panel 17: (Roundtable): Responses to the Wiley-Blackwell
Companion to Italian Cinema: Reconfiguring the Scene
of Contemporary Italian Cinema Studies – B 204

Organizer and Chair: Frank Burke

Queen’s University, Kingston, Canada

Frank Burke
Queen’s University, Kingston, Canada

Adriano Aprà
Independent Scholar, Roma, Italia

Veronica Pravadelli
Università degli Studi Roma Tre, Italia

SA) Dom Holdaway

Università degli Studi di Bologna, Italia
re,
Marguerite Waller
University of California, Riverside, USA

Luca Caminati
Concordia University, Montreal, Canada

Louis Bayman
University of Southampton, UK

19
Panel 18: Italian Screen Studies Inside and Outside of Italy Pan
B 306 in C

Chair: Alan O’Leary Cha

University of Leeds, UK Uni

1. Giancarlo Lombardi 1. L
College of Staten Island, New York, USA New

“It’s not TV, it’s Sky and HBO: Transnational Seriality “Re
in The Young Pope and The Leftovers” film

2. Catherine O’Rawe 2. S
University of Bristol, UK Uni
“Acting, Non-Acting, and Unconventional Stardom “Sac
from Neorealism to Fuocoammare” Mat
3. Dana Renga
The Ohio State University, Columbus, USA

“The Face of Recent Italian Criminal Television”

 
20
 taly Panel 19: Representations of LGBTQ Communities
in Cinema – B 205
Chair: Serena Anderlini-D’Onofrio
University of Puerto Rico, Mayaguez, USA

1. Laura Leonardo
Newcastle University, UK

“Reception and Perception: Who are Ferzan Ozpetek’s

films for?”

2. Serena Anderlini-D’Onofrio
University of Puerto Rico, Mayaguez, USA

“Sacred Ecosex: Teorema, il Sessantotto, and Pasolini’s

Math/Map of Sexual Fluidity and Amorous Inclusiveness”

21
 16.

Panel 20: Cinema and Art – B 206 Pan

in M
Chair: Tijana Mamula
John Cabot University in Rome, Italia Cha
MIU
1. Jacopo Benci
British School at Rome, Italia 1. L
Uni
“Building on Bertolucci and Wenders. On Luigi Ghirri’s
Iconography” “Re
in N
2. Chiara Palermo
Université de Strasbourg, France 2. G
Uni
“Tra anti-storicismo e nuove forme di storicità.
L’Arte Povera e il cinema sperimentale” “Pro
nell
3. Antonio Falduto
Università degli Studi Internazionali di Roma UNINT, Italia 3. J
City
“Cinearchitetture: The Belly of an Architect,
Underground e L’Eclisse” “Te

22
 16.30 – 17.45 Panel Series E

Panel 21: Representations of LGBTQ Communities

in Media – B 204
Chair: Sciltian Gastaldi
MIUR, Roma, Italia
1. Lorenzo Fabbri
University of Minnesota, Twin Cities, USA

“Remediated Transitions: The Transgender Body

in New Media”

2. Gevisa La Rocca
Università di Enna ‘Kore’, Italia
“Protagonisti o comparse? Un’analisi delle story-line gay
nelle serie tv sulla famiglia italiana”

a 3. Julia Heim
City University of New York, Graduate Center, USA
“Televisual Re/Mediation and Italian LGBTQ Communities”

23
Panel 22: Italian Auteur Cinema I – B 206 Pan
and
Chair: Antonella Del Fattore-Olson
The University of Texas at Austin, USA Org
Uni
1. Alessandro Marini
Univerzita Palackého, Olomouc, Repubblica Ceca
Cha
“L’infanzia di Sergio. Retrospezione e coscienza DJC
in Il sole anche di notte, di Paolo e Vittorio Taviani”
1.  E
2. Ryan Calabretta-Sajder Uni
University of Arkansas, Fayetteville, USA
“Ita
“Water, Rebirth, and Feminist Awakenings
in the Cinema of Emanuele Crialese”
2. C
Uni
3. Massimiliano Delfino
Columbia University, New York, USA
“Ita
“For a Phenomenology of the Digital Poetic Image: The
Martone’s Il giovane favoloso”
3. M
Un

“Int
Aum

 
24
 Panel 23: Italy’s ‘Expanded Cinema’: Cinema
and The Electronic Arts – B 304

Organizer: Emanuela Patti

University of Birmingham, UK

Chair: Laura Leuzzi

DJCAD, University of Dundee, UK

1.  Emanuela Patti
University of Birmingham, UK

“Italy’s Expanded Cinema in Practice: Gianni Toti”

2. Clodagh Brook
University of Birmingham, UK

“Italy’s Expanded Cinema in Practice:

The Expanded Screens of Studio Azzurro’s Video Art”

3. Mirko Lino
Università degli Studi dell’Aquila, Italia

“Interferenze intermediali: le esperienze cinematiche in Realtà

Aumentata. Il caso di Komplex - Live Cinema Group”

25
Panel 24: Who Exploits Whom? Spectatorship in Italian Pan
Exploitation Cinema – B 306
Cha
Chair: Giancarlo Lombardi Uni
College of Staten Island, New York, USA
1. E
1. Luca Zamparini Uni
City University of New York, USA
“Th
“Spectatorship and Giallo Films: the Case of A Bay of Blood” Itali
2. Paolo Pellecchia
2. A
City University of New York, USA
fanh
“From Exploitation to Ethical Engagement in Zombie Cinema”
“Fan
3. Riccardo Antonangeli lo sv
New York University, USA
3. S
“The Grammar of Deformation: the Disruption of Space, fanh
Narrative, Memory in Nazi-Sexploitation Movies”
“Fan
di u

 
26
 n Panel 25: Celebrity and Fandom – B 205
Chair: Flavia Brizio-Skov
University of Tennessee, Knoxville, USA

1. Enrico Biasin
University of Bristol, UK
“The Online Star Text Connection in Contemporary
d” Italian Male Film Celebrities”

2. Agnese Pietrobon
fanheart3, Padova, Italia
ma”
“Fan e Cinema: caratteristiche che determinano
lo sviluppo di fandom”

3. Susanna Norbiato
fanheart3, Padova, Italia

“Fan e Cinema: elementi di correlazione fra popolarità

di un film e costituzione di un fandom”

27
 Sat

8.30

18.00 – 19.00 9.00

Auriana Auditorium Pan

of It
Keynote Speaker
Org
Prof.ssa Milly Buonanno Con
Univ
Sapienza Università di Roma
Adr
Ambigue distanze e incontri ravvicinati Inde
tra la televisione e il cinema in Italia
Mar
Univ

Paol
19.30 – 21.00 Univ
Reception in the Garden
Alan
Univ

28
 Saturday 10 June 2017

8.30 – 17.00 Registration – B

9.00 – 10.15 Panel Series F
Panel 26: (Roundtable): Towards an Historiography
of Italian Documentary Cinema – B 204

Organizers and Chairs: Luca Caminati and Ivelise Perniola

Concordia University, Montreal, Canada, and
Università degli Studi Roma Tre, Italia
Adriano Aprà
Independent Scholar, Roma, Italia

Marco Bertozzi
Università di Venezia-IUAV, Italia

Paola Bonifazio
Univesity of Texas at Austin, USA

Alan O’Leary
University of Leeds, UK

29
Panel 27: The Contribution of Italian Filmmakers Pan
to World Cinema – B 206 con

Chair: Antonella Del Fattore-Olson Cha

The University of Texas at Austin, USA We
1. E
1. Vanesa Coscia
Uni
Universidad de Buenos Aires, Argentina
“No
“Daniele Incalcaterra: uno sguardo italiano sul conflitto nell
del lavoro in Argentina”
2. A
2. Tuğba Görgülü
Uni
Istanbul Bilgi University, Turkey
“Ma
“Turkification of Italian Sex Comedies: When an Italian
che
‘Nonna’ Comes to Istanbul”
3. S
3. Alberto Lena
Uni
Universidad de Valladolid, Spain
“Le
“The Changing Cinematic Representation of the Italian
American: from Giuliano Montaldo’s Sacco and Vanzetti
to Terry Green’s No God, No Master”

 
30
 Panel 28: La violenza femminile nel discorso mediale
contemporaneo – B 205

Chair: Ellen Nerenberg

Wesleyan University, Middletown, USA
1. Elisa Giomi
Università degli Studi Roma Tre, Italia
“Non per autodifesa: la violenza entro relazione intima
nella docufiction Chi diavolo ho sposato?”

2. Antonia Cava
Università degli Studi di Messina, Italia
“Maschicidio? La rappresentazione televisiva delle donne
che uccidono in Storie maledette”
3. Silvia Pezzoli
Università degli Studi di Firenze, Italia
“Le rappresentazioni mediali delle donne camorriste”

31
Panel 29: State Portrait. La rappresentazione Pan
del potere tra fiction e politica – B 306
Cha
Chair: Ryan Calabretta-Sajder We
University of Arkansas, Fayettville, USA
1. C
1. Fabio Benincasa Cal
Duquesne University Rome Campus, Italia
“Th
“Moro, Andreotti e Mazzini: i fantasmi della politica Rom
in Bellocchio, Sorrentino e Martone”
2. Marco Pacioni 2. A
Uni
University of Alberta, Edmonton, Canada
“Concetto e mediaticità dello ‘Stato’ da Machiavelli all’Isis” “Da
form
3. Andrea Polegato fict
University of North Texas, Denton, USA
3. R
“L’oscenità del potere. Machiavelli nella fiction americana” Fas
of N
“Of

 
32
 Panel 30: Television Series III – B 304

Chair: Ellen Nerenberg

Wesleyan University, Middletown, USA

1. Chiara Ferrari
California State University, Chico, USA
“The Dark Side of Italian (Quality) TV:
Romanzo Criminale, Gomorra, and Suburra”

2. Anna Bisogno
Università degli Studi Roma Tre, Italia

” “Da Raccontami a I Medici, da Karol a Luisa Spagnoli:

formati della narrazione e memoria collettiva nella
fiction italiana”

3. Rebecca Bauman
” Fashion Institute of Technology, State University
of New York, USA
“Of Mice and Mafiosi: Masculinity and La piovra”

33
10.30
10.30 –– 11.45
11.45 Panel
Panel Series
Series G
G

Panel
Panel 31
31 (Roundtable):
(Roundtable): Universi
Universi seriali
seriali nella
nella fiction
fiction Pan
Pan
italiana Pro
italiana tra
tra convenzioni
convenzioni ee complessità
complessità narrative
narrative –– BB 204
204 Pro

Organizer: Org
Org
Organizer: Marta
Marta Perrotta
Perrotta The
Università
Università degli Studi Roma
degli Studi Roma Tre,
Tre, Italia
Italia The

Chair: Cha
Cha
Chair: Stefano
Stefano Gnasso
Gnasso Uni
Università
Università Cattolica
Cattolica del
del Sacro
Sacro Cuore,
Cuore, Milano,
Milano, Italia
Italia Uni

Chiara 1.
1. V
V
Chiara Ferrari
Ferrari Uni
California
California State
State University,
University, Chico,
Chico, USA
USA Uni

Elisa “Il
“Il pp
Elisa Giomi
Giomi ee re
Università
Università degli
degli Studi
Studi Roma
Roma Tre,
Tre, Italia
Italia re

Veronica 2.
2. R
Veronica Innocenti
Innocenti R
Università Uni
Università degli
degli Studi
Studi di
di Bologna,
Bologna, Italia
Italia Uni
Marta “Ita
Marta Perrotta
Perrotta “Ita
Università The
Università degli
degli Studi
Studi Roma
Roma Tre,
Tre, Italia
Italia The
3. A
3. A
Uni
Uni
Uni
Uni
“Th
“Th

   

34
 Panel 32: Paolo Sorrentino’s Filmic and Narrative
Production I – B 304
Organizer: Annachiara Mariani
The University of Tennessee, Knoxville, USA

Chair: Giacomo Tagliani

Università degli Studi di Siena, Italia
1. Vito Zagarrio
Università degli Studi Roma Tre, Italia
“Il piano sequenza di Sorrentino. Messa in scena
e retorica dello sguardo”

2. Roy Menarini
Università degli Studi di Bologna, Italia
“Italiano/internazionale: Paolo Sorrentino e il caso
The Young Pope, ricezioni critiche a confronto”

3. Anna Manzato and Antonella Mascio

Università IULM, Milano and
Università degli Studi di Bologna, Italia

“The Young Pope: un caso italiano di ‘celevision’”

35
Panel 33: Italian Auteur Cinema III – B 205
2. V
Chair: Ivelise Perniola Fon
Università degli Studi Roma Tre, Italia
“Co
1. Amanda Minervini
New
Colorado College, Colorado Springs, USA
“Levity, Ethics, and Aesthetics in Sorrentino’s Cinema” 3. N
Ken
2. Daniela Turco
Independent Scholar, Editorial Board of Filmcritica, Roma, “Il v
Italia
“Luoghi, spostamenti, derive. L’esplorazione di un ‘altro lato’ Pan
del cinema italiano, nel percorso poetico-politico di Roberto
Minervini” Cha
Rutg
3. Tijana Mamula
John Cabot University in Rome, Italia 1. A
Uni
“‘Words Matter Less and Less’: Tacit Multilingualism Lyo
and Antonioni’s L’avventura”
“Vin
in It
Panel 34: New Media and Transmedia I – B 306
2. A
Chair: Bernardo Piciché Duk
Virginia Commonwealth University, Richmond, USA
“La
1. Laura Leuzzi 3. L
DJCAD, University of Dundee, UK Indi
“Contemporary Italian Artists and New Media: Roots, “Pro
New Approaches and New Perspectives” and

 
36
 2. Valentino Catricalà
Fondazione Mondo Digitale, Roma, Italia

“Contemporary Italian Artists and New Media: Roots,

New Approaches and New Perspectives”

3. Nicoletta Peluffo
Kent State University Florence Center, Italia

, “Il viaggio transmediale di Le avventure di Pinocchio”

to’ Panel 35: Transnational Identities II – B 206

o
Chair: Rhiannon Noel Welch
Rutgers University, New Brunswick, USA

1. Alessandro Monti and Carole Rozzonelli

Università degli Studi di Torino and Université Lumière
Lyon 2, France

“Vindications of Nationhood through Cinematic Imagination

in Italy and in India”

2. Achille Castaldo
Duke University, Durham, USA
“La dimensione liminare del cinema di Pietro Marcello”

3. Lisa Dolasinski
Indiana University, Bloomington, USA
“Projecting the ‘Sterile Body’: Masculinities, Migrant Men,
and Italy”

37
 Pan
Org
Prin
12.00- 12.30
Cha
Auriana Auditorium Prin

Intellect Presentation 1. G
Univ
James Campbell, International Marketing Manager
“Ma
(Intellect Ltd)
Anim
“Academic Publishing with Intellect” 2. S
Tem

“Th
Il gi

12.30 – 13.30 Lunch in the Garden 3. A

Prin

“Ad
Univ

38
 13.30 – 14.45 Panel Series H
13.30 – 14.45 Panel Series H

Panel 36: Framing the Word – B 304

Panel 36: Framing the Word – B 304
Organizer: Gaetana Marrone-Puglia
Organizer: Gaetana USA
Princeton University, Marrone-Puglia
Princeton University, USA
Chair: Gaetana Marrone-Puglia
Chair: Gaetana
Princeton Marrone-Puglia
University, USA
Princeton University, USA
1. Gloria Lauri-Lucente
1. Gloria Lauri-Lucente
University of Malta, Msida, Malta
University of Malta, Msida, Malta
“Mafia Narratives in the New Millenium: Francesco Munzi’s
“Mafia Narratives in the New Millenium: Francesco Munzi’s
Anime nere”
Anime nere”
2. Stefania Benini
2. Stefania
Temple Benini Philadelphia, USA
University,
Temple University, Philadelphia, USA
“The Poetry of Adaptation in Mario Martone’s
“The Poetry
Il giovane of Adaptation in Mario Martone’s
favoloso”
Il giovane favoloso”
3. Alessandro Giammei
3. Alessandro
Princeton Giammei
University, USA
Princeton University, USA
“Adapting an Era: the Interactive Political and Aesthetic
“Adapting
Universe ofanAssassin’s
Era: the Interactive
Creed II” Political and Aesthetic
Universe of Assassin’s Creed II”

39
Panel 37: Italy’s Hybrid Cinematic Spaces – B 204 Pan
Organizer: Alan O’Leary Cha
University of Leeds, UK Uni
Chair: Gaoheng Zhang 1. E
University of British Columbia, Vancouver, Canada Uni
1. Áine O’Healy “Br
Loyola Marymount University, Los Angeles, USA Dub
“Gender Melancholia in the Borderlands” 2. A
The
2. Alan O’Leary
University of Leeds, UK “L’
nel
“The Power to Picture: Orientalism, Transnational
Italian Cinema and Postcolonial Space”
3. G
3. Allison Cooper Uni
Bowdoin College, Brunswick, USA
“A
“Migratory Nightmares in Contemporary Italian and
Horror Cinema”

 
40
 Panel 38: Subtitling and Dubbing – B 306
Chair: Biagio Aulino
University of Toronto-Mississauga, Canada
1. Emilio Audissino
University of Southampton, UK
“Bringing The Nanny to the Italian Audience.
Dubbing as Adaptation and Assimilation”

2. Andrea Bini
The American University of Rome, Italia

“L’evoluzione del doppiaggio e la sua influenza

nel cinema italiano”

3. Giusi Coppola
University of Liverpool, UK

“A Socio-cognitive Approach to Dubbing

and Subtitling in Television Series”

41
Panel 39: Italian Film Genres II – B 206 Pan
Chair: Simone Dubrovic Cha
Kenyon College, Gambier, USA The
1. Sciltian Gastaldi 1. M
MIUR, Roma, Italia Duk
“Colts, Horses and Oedipus: Tonino Valerii’s Day of Anger” “La
di R
2. Giovanna De Luca
College of Charleston, USA 2. F
Uni
“Paranza dei bambini: The Uses of Children
in Contemporary Italian Mafia Movies” “Sto
Un
3. Giulio Olesen
Bournemouth University, UK 3. E
Rutg
“Slap the Monster on Page One: Representations
of History in the Italian Poliziottesco” “Fro
in G

 
42
 Panel 40: Italian Auteur Cinema III – B 205
Chair: Serena Alessi
The British School at Rome, Italia
1. Matteo Gilebbi
Duke University, Durham, USA
” “La specie regista: tracce dell’Antropocene nel cinema
di Rohrwacher, Garrone, Sorrentino e Frammartino”
2. Francesca Borrione
University of Rhode Island, Providence, USA

“Stop the Pounding Heart di Roberto Minervini:

Un viaggio etnografico negli Stati Uniti”

3. Eleonora Sartoni
Rutgers University, New Brunswick, USA
“From Non-place to Poetic Space: Borderland
in Gianfranco Rosi’s Sacro GRA”

43
15.00- 16.15 Panel Series I

Panel 41: Paolo Sorrentino’s Filmic and Narrative Pan

Production II – B 306
Cha
Organizer: Annachiara Mariani Uni
The University of Tennessee, Knoxville, USA
1. C
Chair: Sciltian Gastaldi Sou
MIUR, Roma, Italia
“Pu
1. Antonella Del Fattore-Olson
The University of Texas at Austin, USA 2. A
Smi
“Sorrentino’s Homage to Pasolini in La grande bellezza”
“Re
2. Russell Kilbourn
Liv
Wilfrid Laurier University, Waterloo, Canada
3. G
“The ‘Primal Scene’: Sorrentino and (the image of) ‘Woman’”
Uni
3. Annachiara Mariani
The University of Tennessee, Knoxville, USA “Mo
abo
“Experiencing Panismo in La grande bellezza and Youth”

44
 Panel 42: Transnational Migrants – B 204
Chair: Giacomo Tagliani
Università degli Studi di Siena, Italia
1. Cinzia Padovani
Southern Illinois University, Carbondale, USA
“Public Media and Immigrant Audiences in Italy”
2. Anna Botta
Smith College, Northampton, USA

“Remaking the Mediterranean Borderscape: Tracking

Lives Lost during Migration”

n’” 3. Gaoheng Zhang

University of British Columbia, Vancouver, Canada
“Morality and Globalization in Italian Fiction Films
about Chinese Migrants”

45
Panel 43: Italian Auteur Cinema IV – B 205 Pan

Chair: Tijana Mamula Cha

John Cabot University in Rome, Italia Fon
1. G
1. Marco Dalla Gassa
Mo
Università Ca’ Foscari di Venezia, Italia
“Il n
“Prossemica delle rappresentazioni. Il viaggio
di u
in Giappone di Antonioni”
2. R
2. Bernardo Piciché
Lon
Virginia Commonwealth University, Richmond, USA
“Francesco Rosi e la corrida” “Di
in A
3. Irene Valle Corpas
Universidad de Grenada, Spain 3. C
Uni
“The Global World through ‘false documentary’
in Pasolini's Appunti per un’Orestiade africana” “Be
Ber

 
46
 Panel 44: New Media and Transmedia II - B 304
Chair: Valentino Catricalà
Fondazione Mondo Digitale, Roma, Italia
1. Giuseppe Gargiulo
MoDyCo/CNRS Université de Paris Nanterre, France
“Il naufragio del Costa Concordia o la narrazione
di un Titanic transmediale”

2. Ricardo Domizio
London South Bank University, UK

“Digital Affect and the Microbiological

in Alex Infascelli’s H2Odio”

3. Cara Takakjian
University of Massachusetts, Amherst, USA

“Between Myself and Me: Continuum of Identity in

Bertolucci’s Io e te”

47
16.30 – 17.45 Panel Series J
16.30 – 17.45 Panel Series J

Panel 45: Italian and Foreign Co-productions – B 306 Pan

Panel 45: Italian and Foreign Co-productions – B 306 Pan
Chair: Claudia Romanelli Cha
Chair: ClaudiaofRomanelli
The University Alabama, Tuscaloosa, USA Cha
Fas
The University of Alabama, Tuscaloosa, USA Fas
of N
1. Claudia Romanelli of N
1.
TheClaudia Romanelli
University of Alabama, Tuscaloosa, USA
The University of Alabama, Tuscaloosa, USA 1. G
1.
UniG
“The ‘Fondo bilaterale di sostegno alla coproduzione Uni
“The ‘Fondo bilaterale
italo-francese’ di sostegno
and the Decline alla coproduzione
of French and Italian
italo-francese’ and the Decline of French and Italian “‘B
Co-productions” “‘B
Co-productions” dell
dell
2. Maria Elena D’Amelio and Karen Venturini
2. Maria Elena D’Amelio and Karen Venturini 2. M
Università della Repubblica di San Marino 2. M
Università della Repubblica di San Marino Uni
Uni
“Performance and Exchange Knowledge in film
“Performance “Im
co-productions:and Exchange
learning fromKnowledge in filmMichel
the documentary “Im
co-productions: learning from the documentary Michel rapp
Petrucciani” rapp
Petrucciani” del
del
com
3. Rui Trindade Oliveira
3. Rui Trindade OliveiraNewcastle, UK com
Northumbria University,
Northumbria University, Newcastle, UK 3. G
3.
UniG
“Italian-Spanish Horror Co-productions of the 1970s
“Italian-Spanish Horror Co-productions of the 1970s Uni
and 1980s”
and 1980s” “Im
“Im
rapp
rapp
del
del
sog
sog

 
 

48
 Panel 46: Transnational Identities III – B 304
Chair: Rebecca Bauman
Fashion Institute of Technology, State University
of New York, USA

1. Giuseppina Sapio
Université Panthéon-Assas Paris II, France

“‘Believe me, I’m Italian’ Uno studio semiotico dell’opera

dell’artista diasporico Adrian Paci”

2. Massimiliano Coviello
Università degli Studi di Siena, Italia
“Immagini e immaginari migranti. Strategie di
rappresentazione dei fenomeni migratori nel cinema italiano
del Terzo Millennio. Parte prima: dall’assoggettamento alla
compassione”

3. Giacomo Tagliani
Università degli Studi di Siena, Italia

“Immagini e immaginari migranti. Strategie di

rappresentazione dei fenomeni migratori nel cinema italiano
del Terzo Millennio. Parte seconda: dall’umanitarismo alla
soggettivazione”

49
Panel 47: Italian Film Genres III – B 205 Pan
Chair: Ivelise Perniola Cha
Università degli Studi Roma Tre, Italia Uni
1. Gianluca Giraudo and Marta Tedesco 1. V
Sapienza Università di Roma, Italia Link
“Cinema porno e donne: quale futuro per l’Italia?” “Il c
cata
2. Clizia Centorrino
Université Grenoble Alpes, France 2. V
Bro
“Le cose belle. Per un’estetica del cinema
documentaristico in divenire” “Ne
of a

3. F
Sap
“Cro
l’ind

 
50
 Panel 48: Streaming Media e Social Networks II – B 204
Chair: Gevisa La Rocca
Università di Enna ‘Kore’, Italia
1. Valentina Re
Link Campus University, Roma, Italia
“Il cinema italiano in streaming: circolazione, visibilità,
cataloghi”
2. Valeria Federici
Brown University, Providence, USA
“Network culture in Italy in the 1990s and the making
of a place for art and activism”

3. Francesca Moretti
Sapienza Università di Roma, Italia
“Crowdfunding Cinema: Come il web sta cambiando
l’industria cinematografica italiana”

51
 Sere
[Pan
18.00 – 19.30
Auriana Auditorium Sere
May
Film Screening
Ricc
Blaxploitalian 100 anni di afrostorie nel cinema italiano
(2016) Stef
Itali
Followed by a discussion with director Fred Kuwornu
Adr
[Pan

Emi

20.00 Dinner at Lo Scarpone (Reservation Required) Biag

Via di S. Pancrazio 15, Roma [Pan

Luc

Emm

Reb
Univ

Lou

Jaco

52
 List
List of
of Conference
Conference Participants
Participants

Serena Alessi (The British School at Rome, Italia)

Serena Alessi (The British School at Rome, Italia)
[Panels 6, 40]
[Panels 6, 40]
Serena Anderlini-D’Onofrio (University of Puerto Rico,
Serena Anderlini-D’Onofrio (University of Puerto Rico,
Mayaguez, USA) [Panel 19]
Mayaguez, USA) [Panel 19]
Riccardo Antonangeli (New York University, USA) [Panel 24]
o Riccardo Antonangeli (New York University, USA) [Panel 24]
o
Stefania Antonioni (Università degli Studi di Urbino Carlo Bo,
Stefania Antonioni (Università degli Studi di Urbino Carlo Bo,
Italia) [Panel 9]
Italia) [Panel 9]
Adriano Aprà (Independent Scholar, Roma, Italia)
Adriano Aprà (Independent Scholar, Roma, Italia)
[Panels 17, 26]
[Panels 17, 26]
Emilio Audissino (University of Southampton, UK) [Panel 38]
Emilio Audissino (University of Southampton, UK) [Panel 38]
) Biagio Aulino (University of Toronto-Mississauga, Canada)
) Biagio Aulino (University of Toronto-Mississauga, Canada)
[Panel 38]
[Panel 38]
Luca Bandirali (Università del Salento, Lecce, Italia) [Panel 9]
Luca Bandirali (Università del Salento, Lecce, Italia) [Panel 9]
Emma Barron (University of Sydney, Australia) [Panel 1]
Emma Barron (University of Sydney, Australia) [Panel 1]
Rebecca Bauman (Fashion Institute of Technology, State
Rebecca Bauman (Fashion Institute of Technology, State
University of New York, USA) [Panels 11, 30, 46]
University of New York, USA) [Panels 11, 30, 46]
Louis Bayman (University of Southampton, UK) [Panels 4, 17]
Louis Bayman (University of Southampton, UK) [Panels 4, 17]
Jacopo Benci (British School at Rome, Italia) [Panel 20]
Jacopo Benci (British School at Rome, Italia) [Panel 20]

53
Fabio Benincasa (Duquesne University Rome Campus, Italia) Flav
[Panel 29] [Pan

Stefania Benini (Temple University, Philadelphia, USA) Clod

[Panel 36]
Mill
Marco Benoît Carbone (University College London, UK) [Ke
[Panel 3]
Fran
Ambra Benvenuto (Università degli Studi di Napoli [Pan
Federico II, Italia) [Panel 3]
Rya
Marco Bertozzi (Università di Venezia-IUAV, Italia) USA
[Panel 26]
Fran
Enrico Biasin (University of Bristol, UK) [Panel 25] USA

Andrea Bini (The American University of Rome, Italia) Luc

[Panel 38] [Pan

Marco Binotto (Sapienza Università di Roma, Italia) [Panel 8] Jam

Pres
Anna Bisogno (Università degli Studi Roma Tre, Italia)
[Panel 30] Giu
[Pan
Paola Bonifazio (Univesity of Texas at Austin, USA)
[Panel 26] Ach

Francesca Borrione (University of Rhode Island, Providence, Vale

USA) [Panel 40] [Pan

Anna Botta (Smith College, Northampton, USA) [Panel 42] Ant

[Pan

 
54
 ia) Flavia Brizio-Skov (University of Tennessee, Knoxville, USA)
[Panel 16, 25]

Clodagh Brook (University of Birmingham, UK) [Panel 23]

Milly Buonanno (Sapienza Università di Roma, Italia)

[Keynote Speaker]

Frank Burke (Queen’s University, Kingston, Canada)

[Panels 11, 17]

Ryan Calabretta-Sajder (University of Arkansas, Fayettville,

USA) [Panels 13, 22, 29]

Francesca Calamita (University of Virginia, Charlottesville,

USA) [Panel 10]

Luca Caminati (Concordia University, Montreal, Canada)

[Panels 17, 26]

8] James Campbell (Intellect Ltd) [Opening Remarks, Intellect

Presentation]

Giulia Carluccio (Università degli Studi di Torino, Italia)

[Panel 7]

Achille Castaldo (Duke University, Durham, USA) [Panel 35]

e, Valentino Catricalà (Fondazione Mondo Digitale, Roma, Italia)

[Panels 34, 44]

] Antonia Cava (Università degli Studi di Messina, Italia)

[Panels 8, 28]

55
Clizia Centorrino (Université Grenoble Alpes, France) Ant
[Panel 47] Aus

Chiara Checcaglini (Università degli Studi di Urbino Carlo Bo, Mas

Italia) [Panel 9] [Pan

Valerio Coladonato (American University of Paris, France) Gio

[Panel 4]
Lisa
Lisa Colletta (The American University of Rome, Italia) [Pan
[Opening Remarks]
Rica
Allison Cooper (Bowdoin College, Brunswick, USA) [Pan
[Panel 37]
Phil
Giusi Coppola (University of Liverpool, UK) [Panel 38] [Pan

Vanesa Coscia (Universidad de Buenos Aires, Argentina) Sim

[Panels 5, 27] [Pan

Massimiliano Coviello (Università degli Studi di Siena, Italia) Lore

[Panel 46] [Pan

Marco Dalla Gassa (Università Ca’ Foscari di Venezia, Italia) Ant

[Panel 43] UNI

Maria Elena D’Amelio (Università della Repubblica di San Vale

Marino) [Panel 45] [Pan

Vladislav Dekalov (Saint Petersburg State University, Russia) Chia

[Panel 10] [Pan

 
56
 Antonella Del Fattore-Olson (The University of Texas at
Austin, USA) [Panels 22, 27, 41]

Bo, Massimiliano Delfino (Columbia University, New York, USA)

[Panel 22]

Giovanna De Luca (College of Charleston, USA) [Panel 39]

Lisa Dolasinski (Indiana University, Bloomington, USA)

[Panel 35]

Ricardo Domizio (London South Bank University, UK)

[Panel 44]

Phillip Drummond (New York University in London, UK)

[Panel 13]

Simone Dubrovic (Kenyon College, Gambier, USA)

[Panel 39]

ia) Lorenzo Fabbri (University of Minnesota, Twin Cities, USA)

[Panels 15, 21]

ia) Antonio Falduto (Università degli Studi Internazionali di Roma

UNINT, Italia) [Panel 20]

Valeria Federici (Brown University, Providence, USA)

[Panel 48]

ia) Chiara Ferrari (California State University, Chico, USA)

[Panels 30, 31]

57
Ludovico Ferro (Università degli Studi di Padova, Italia) Tuğ
[Panel 15]
Kris
Giuseppe Fidotta (Concordia University, Montreal, Canada) [Pan
[Panel 12]
Mar
Mattia Filigoi (Università degli Studi di Udine, Italia) [Panel 3] Itali

Giuseppe Gargiulo (MoDyCo/CNRS Université de Paris Julia

Nanterre, France) [Panel 44] USA

Sciltian Gastaldi (MIUR, Roma, Italia) [Panels 21, 39, 41] Dom
[Pan
Mihaela Gavrila (Sapienza Università di Roma, Italia)
[Panel 1] Ver
[Pan
Andrea Gelardi (University of St. Andrew, UK) [Panel 5]
Rus
Matteo Genovesi (Università degli Studi di Udine, Italia) Can
[Panel 3]
Fred
Alessandro Giammei (Princeton University, USA) [Panel 36]
Lore
Matteo Gilebbi (Duke University, Durham, USA) [Panel 40] [Pan

Elisa Giomi (Università degli Studi Roma Tre, Italia) Gev

[Panels 28, 31] [Pan

Gianluca Giraudo (Sapienza Università di Roma, Italia) Patr

[Panel 47] USA

Stefano Gnasso (Università Cattolica del Sacro Cuore, Glo

Milano, Italia) [Panel 31] [Pan

 
58
 Tuğba Görgülü (Istanbul Bilgi University, Turkey) [Panel 27]

Kristina Grigoryeva (Saint Petersburg State University, Russia)

) [Panel 10]

Marita Gubareva (Independent Scholar and Journalist, Roma,

el 3] Italia) [Panel 11]

Julia Heim (City University of New York, Graduate Center,

USA) [Panel 21]

Dom Holdaway (Università degli Studi di Bologna, Italia)

[Panels 4, 17]

Veronica Innocenti (Università degli Studi di Bologna, Italia)

[Panel 31]

Russell Kilbourn (Wilfrid Laurier University, Waterloo,

Canada) [Panel 41]

Fred K. Kuwornu (Do The Right Films) [Guest filmmaker]

6]
Loredana La Fortuna (Università degli Studi di Bari, Italia)
0] [Panel 10]

Gevisa La Rocca (Università di Enna ‘Kore’, Italia)

[Panels 9, 21, 48]

Patrizia La Trecchia (University of South Florida, Tampa,

USA) [Panel 2]

Gloria Lauri-Lucente (University of Malta, Msida, Malta)

[Panel 36]

59
Enzo Lavagnini (Archivio Pasolini di Ciampino, Italia) Ann
[Panel 5] Kno

Flavia Laviosa (Wellesley College, USA) [Opening Remarks] Ales

Cze
Alberto Lena (Universidad de Valladolid, Spain) [Panel 27]
Nico
Laura Leonardo (Newcastle University, UK) [Panel 19] [Pan

Laura Leuzzi (DJCAD, University of Dundee, UK) Gae

[Panels 23, 34] [Pan

Mirko Lino (Università degli Studi dell’Aquila, Italia) Ant

[Panel 23]
Luc
Giancarlo Lombardi (College of Staten Island, New York, [Pan
USA) [Panels 18, 24]
Ant
Cristina Lombardi-Diop (Loyola University Chicago, USA) Fed
[Panel 6]
Roy
Bernadette Luciano (University of Auckland, New Zealand) [Pan
[Panel 16]
Am
Tijana Mamula (John Cabot University in Rome, Italia) USA
[Panels 1, 20, 33, 43]
Dali
Gianmarco Mancosu (University of Warwick, UK) [Panel 6] [Pan

Anna Manzato (Università IULM, Milano, Italia) [Panel 32] Ales

[Pan
Donatella Maraschini (London South Bank University, UK)
[Panel 5]

 
60
 Annachiara Mariani (The University of Tennessee,
Knoxville, USA) [Panels 32, 41]

ks] Alessandro Marini (Univerzita Palackého, Olomouc,

Czech Republic) [Panel 22]

Nicoletta Marini-Maio (Dickinson College, Carlisle, USA)

[Panel 16]

Gaetana Marrone-Puglia (Princeton University, USA)

[Panel 36]

Antonella Mascio (Università degli Studi di Bologna, Italia)

Luca Massidda (Università degli Studi di Camerino, Italia)

[Panel 8]

Antonio Mastrogiacomo (Università degli Studi di Napoli

) Federico II, Italia) [Panel 13]

Roy Menarini (Università degli Studi di Bologna, Italia)

) [Panel 32]

Amanda Minervini (Colorado College, Colorado Springs,

USA) [Panel 33]

Dalila Missero (Università degli Studi di Bologna, Italia)

6] [Panel 4]

] Alessandro Monti (Università degli Studi di Torino, Italia)

[Panel 35]
)

61
Mario Morcellini (Sapienza Università di Roma, Cin
Italia) [Opening Remarks, Panel 1] USA

Francesca Moretti (Sapienza Università di Roma, Italia) Chi

[Panel 48] Pao

Giulia Muggeo (Università degli Studi di Torino, Italia) Stef

[Panel 1]
Em
Paola Nasini (Hoben Ltd, London, UK) [Panel 5]
Pao
Anna Lucia Natale (Sapienza Università di Roma, Italia) [Pan
[Panel 12]
Nic
Giuseppe Natale (University of Nevada, Las Vegas, USA) Itali
[Panel 13]
Ivel
Ellen Nerenberg (Wesleyan University, Middletown, USA) [Pan
[Panels 28, 30]
Mar
Susanna Norbiato (fanheart3, Padova, Italia) [Panel 25] [Pan

Giulio Olesen (Bournemouth University, UK) [Panel 39] Silv

[Pan
Áine O’Healy (Loyola Marymount University, Los Angeles,
USA) [Panel 37] Ber
Alan O’Leary (University of Leeds, UK) [Panels 18, 26, 37] Ric

Catherine O’Rawe (University of Bristol, UK) [Panel 18] Mar

[Pan
Marco Pacioni (University of Alberta, Edmonton, Canada)
[Panel 29] Agn

 
62
 Cinzia Padovani (Southern Illinois University, Carbondale,
USA) [Panel 42]

Chiara Palermo (Université de Strasbourg, France) [Panel 20]

Paola Panarese (Sapienza Università di Roma, Italia) [Panel 8]

Stefania Parisi (Sapienza Università di Roma, Italia) [Panel 8]

Emanuela Patti (University of Birmingham, UK) [Panel 23]

Paolo Pellecchia (City University of New York, USA)

[Panel 24]

Nicoletta Peluffo (Kent State University Florence Center,

Italia) [Panel 34]

Ivelise Perniola (Università degli Studi Roma Tre, Italia)

[Panels 26, 33, 47]

Marta Perrotta (Università degli Studi Roma Tre, Italia)

[Panels 2, 31]

Silvia Pezzoli (Università degli Studi di Firenze, Italia)

[Panel 28]
s,
Bernardo Piciché (Virginia Commonwealth University,
] Richmond, USA) [Panel 43]

Maria Paola Pierini (Università degli Studi di Torino, Italia)

[Panel 7]

Agnese Pietrobon (fanheart3, Padova, Italia) [Panel 25]

63
Massimiliano Pistonesi (DeA Planeta Libri, Milano, Italia) Myr
[Panels 2, 9, 12] Boc

Andrea Polegato (University of North Texas, Denton, USA) Giu

[Panel 29] [Pan

Veronica Pravadelli (Università degli Studi Roma Tre, Italia) Eleo

[Panel 17] [Pan

Catherine Ramsey-Portolano (The American University of Giac

Rome, Italia) [Opening Remarks; Panels 7, 10] [Pan

Giacomo Ravesi (Università degli Studi Roma Tre, Italia) Cara

[Panel 12] [Pan

Valentina Re (Link Campus University, Roma, Italia) Mar

[Panel 48] [Pan

Dana Renga (The Ohio State University, Columbus, USA) Mar

[Panel 18] [Pan

Sergio Rigoletto (University of Oregon, Eugene, USA) Rui

[Panel 7] New

Claudia Romanelli (The University of Alabama, Tuscaloosa, Dan

USA) [Panel 45] [Pan

Caterina Romeo (Sapienza Università di Roma, Italia) Iren

[Panels 6, 12]
Kar
Carole Rozzonelli (Université Lumière Lyon 2, France) [Pan
[Panel 35]
Rob

 
64
 Myriam Swennen Ruthenberg (Florida Atlantic University,
Boca Raton, USA) [Panel 2]

) Giuseppina Sapio (Université Panthéon-Assas Paris II, France)

[Panel 46]

a) Eleonora Sartoni (Rutgers University, New Brunswick, USA)

[Panel 40]

Giacomo Tagliani (Università degli Studi di Siena, Italia)

[Panels 32, 42, 46]

Cara Takakjian (University of Massachusetts, Amherst, USA)

[Panel 44]

Marta Tedesco (Sapienza Università di Roma, Italia)

[Panel 47]

Maria Luisa Terrizzi (Independent Scholar, Messina, Italia)

[Panel 14]

Rui Trindade Oliveira (Northumbria University,

Newcastle, UK) [Panel 45]

a, Daniela Turco (Editorial Board of Filmcritica, Roma, Italia)

[Panel 33]

Irene Valle Corpas (Universidad de Grenada, Spain) [Panel 43]

Karen Venturini (Università della Repubblica di San Marino)

[Panel 45]

Roberta K. Waldbaum (University of Denver, USA) [Panel 15]

65
Marguerite Waller (University of California, Riverside, USA)
[Panels 11, 17]    
         
Rhiannon Noel Welch (Rutgers University, New Brunswick,  
USA) [Panel 35]  
 
Vito Zagarrio (Università degli Studi Roma Tre, Italia)    
[Panel 32]
   
   
Luca Zamparini (City University of New York, USA)
[Panel 24]    
   
Gaoheng Zhang (University of British Columbia, Vancouver,
Canada) [Panels 37, 42]

   

 
66
 Notes

67
 Notes

68
43]

   
15]
 
A)