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    Accordion Anthology I-X

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    1K views1,759 pages

    Accordion Anthology I-X

    Uploaded by

    -noedroca-
    Accordion Anthology I-X

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 1759

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    TI½1EPATYPbI
    1

    ~JlHBAHHA
    "t!ACTbI
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    4>.JI1i1IICJA.CYPKOBI

    Anthology
    of Coillpositions
    for Button Accordion
    Part I
    Compiled by F. Lips,jA.Surkov!

    vf3)JATEJ1bCTBO «MY3bIKA»
    MOCKBA1984
    State publiShers «Muzyka»
    Moscow 1984
    PE.llAKUHOHHASIKOJIJIEfH51

    nonrononoe B. H., Eropoe B. M., HMxaHHUKHAM. H.,


    Kono6KOB C. M., Ky30BJJeBB. n., nHnc Cl>.p ., MyHTSIHB. A.,
    OaerHH A. E., ICypKoe A. A.I

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    FOREWORD

    Russian folk instruments have a special sig- voluminous repertoire has been built up, with a con-
    nificance in the history of this country's music cul- siderable amount of compositions in various forms
    ture. Widely popular with the masses, bayan, balalai- showing exquisite artistic merits.
    ka and domra are indispensable components of to- First attempts to create an original repertoire
    day's professional music scene. date back to the thirties. Yet the pieces by V. Zarnov,
    Exceptionally great advances have been made by F. Klimentov, V. Rozhkov, let alone the amateurish
    the Russian-type button-key accordion, commonly arrangements of folk-songs, could never satisfy the
    known here in the USSR as bayan •. Its predecessor, musicians' growing requirements. To reveal the
    traceable back to the early 19th century, was a simple, expressive resources of the Russian button ac-cor-
    unpretentious squeeze-box; the modern multitimbre dion, performers were in need of sophisticated large-
    instrument, which gives the player the alternative scale works and unaffected folkloresque miniatures.
    of utilizing ready-made chords or of applying uncon- In the mid-thirties I. Panitsky, an outstanding
    fined I. h. patterns, allows of solving most com- autodidact from Saratov, became one of the best ar-
    plicated aesthetic and technical problems. rangers of folk-songs. Working on the basis of an
    Although the Russian button accordion has been intimate_ knowled·ge of Russian musical folklore, he
    in existence for about a hundred and fifty years, it managed to reproduce its pe-cu'liarities in a very care-
    was only by the end of the twenties that the players ful and delicate way. In his arrangements of lyri-
    began 1o acquire professional training. Since then, cal "drawn-out" songs, the musician has truthfully
    the art of playing the instrument has grown to such reflected their substantial qualities, such as flexibi-
    an extent that the present-day standard is truly in- lity, plasticity and unhurriedness of continuation,
    comparable to that of fifty years ago. metrical freedom, asymmetric . phrase-building. The
    The best of our young accordion players regularly Akh, vy, druzhki arrangement can serve as a vivid
    participate in international performers' competitions, example of that. I. Panitsky has also succeded in
    arid, as a rule, win prizes. Our leading concert accor-preserving the textural properties of' traditional
    dionists, in a level with other instrumentalists, go part-singing as practised in the· midst of the country-
    touring throughout the country and abroad, and are folk from ancient times up to now; reference may
    fervently applauded by the public. be made to the expressive "solo" introduction giving
    The progress of the art of playing the button ac- way to the "choral" refrain in his arrangements of
    cordion was accompanied by the development of the songs Oy da ty, kalinushka and Luchinushka.
    didactic thought, with theoretical contributions by Just the other way about, I. Panitsky's arrange-
    distinguished Soviet experts in 1the field determining ments of Russian dance-style songs show the speci-
    the methodology of training. There appeared numer- fic manner of music-making characteristic of the
    ous methods, self-instruction manuals, and scholarly dextrous rural IS(lUeeze-boxplayers, with their infinite
    papers on various aspects of teaching and per- inventiveness in varying the initial tune in line with
    forming. The growing proficiency in playing the Rus- the increasing excitement of the dancers.
    sian-type accordion has had much bearing on the It is worth noting that I. Panitsky has artistical-
    development of the instrument itself. ly made use of a distinctive dual form, which, in
    These important factors could not but result in A<:ademician B. Asafyev's words, represents "a
    the accumulation of the repertoire and, particularly, typicaNy Russian juxtaposition of a drawn-out song
    in the advancement of creating original pieces of and a dance-style one." 1 This principle of form-
    music to be played on the button accordion. Every building, introduced into tl:ie realm of symphonic
    stage in the process of improving the ·instrument writing by Mikhail Glinka in his brilliant Kamarin-
    gave rise to new aesthetics and techniques of com- skaya, has proved to be in perfect harmony with the
    position, new expressive devices, new features of very nature of the bayan, which is equally appropri-
    musical !language. During the decades past, a ate to melddious tunes and to rhythmicized strains.
    The _procedure of fusing the two types of songs -
    • The term, derived from the name of an Old Russian "drawn-out" and dance-style - has been uniquely
    rhapsodist, has been used in reference to the accordion since
    the first decade of the 20th century. Be sure to stress the second 1
    See: B. Asafyev (Igor Glebov), Glinka. - In: The Soviet
    syllable: /bayaan/, i. e., in. international phonetic symbols, Encyclopedia, vol. 17. Moscow, 1930, p. 228 (Russ.).
    [ba'ja:n). - V. Y.
    7

    exemplified by I. Pan'itsky. Their specific idioms dard of performers. The Concert Suite by N. Chaikin
    either mix in "intermediate" variations (see, e. g., the ( 1962) can be considered a turning-point, for it was
    third entry of the .Nochenka theme, with insertions the first time a composer attempted to utilize the
    of the Vo sadu Ii, v ogorode) or contrast with each single-note-and-ready-·chord I. h. keyboard. The sub-
    other due to textural and modal factors (e. g., the sequent generations of composers have intended their
    juxtaposition of variant - major/ minor - keys at accordion works mainly for the modern-type instru-
    the entry of the Kak pod yablonkoy theine after the ment - the multitimbre single-note/ ready-chord but-
    variations on the Vot mchitsya troyka pochtovaya; or ton-key accordion.
    the juxtaposition of related keys by placing side by As with other musical genres, composers of ac-
    side the songs Akh, vy, druzhki and Uzh kak . .. ) . cordion music have been anxious to overcome a cer-
    A second direction in developing the button ac- tain academic slackness, i. e. the inertia of creative
    cordion repertoire is creating original large composi- thought characteristic of some previous works, so as
    tions. The earliest remarkable instance of that sort to seek for new matters and manners ..
    is the First Concerto for button accordion and Rus- Compositions by A. Repnilrov dating from the
    sian folk instruments orchestra (1937) by F. Rubts'Ov sixties (Capriccio, Recitativo and Toccata, etc.) are
    (Lenin!grad), who has made himself a name as a noteworthy for youthful energy and vitality ex-
    student of folk-music. This two-movement com- pressed by means of innovatory idioms (dissonant
    position may be regarded a.s another example of .sequences of seventh and ninth chords, intricate
    employiDlgthe structural principle of duality ref erred rhythmic patterns, peculiar accents, diversity in tonal
    to above (in a 'larger format, and in a genuinely organ'ization).
    symphonic context): the first movement is based on The creative work of VI. Zolotaryov can be de-
    the idioms of lyrical folk-songs; the second, on those scribed as a milestone of the utmost importance for
    of dance-style songs. In his Concerto, the com_poser the incontestable progress of accordion music in the
    managed to comprehensive1y demonstrate potentials sixties and seventies. In his Partita, his Second and
    of the ready-chord instrument which were far from Third Sonatas, six suites for children, and "Five com-
    being obvious in those days. 2 These potentials mani- positions", the advantages of the new-type accordion
    fest themselves, inter alia, in rather a dense, close have, as never before, been wholly revealed. The in-
    texture (see, e. g., 1st movement, ref. nos 11, 17), in . strument has become a full and equal participant
    the melodization of the 1. h. part (2nd movement, in the chamber sphere of art music.
    ref. nos 16-20), and in the employment of a The composer has entrusted the instrument with
    glissando encompassing the diminished seventh his most iearnest and ambitious ideas, his innermost
    chord. 8 thoughts and feelings. He has imparted to it a world
    In the mid-ifourties and early fifties, compositions of philosophy. The button accordion repertoire has
    by N. Chaikin, A. Kholminov, and Yu. Shishakov been enriched with eJaborate compositions disclosing
    were in the highHght; these composers displayed com- a range of aesthetics unknown to the instrument
    muni•cativeness of expression, diversity and sin- before. In these pieces of musk, the obscure and
    cerity of the emotions express•ed. It is to be noted tragic combines with the sublime and purifying;
    that N. Chaikin tends towards the traditions of ro- the tense dramatkism, with an unassuming humour.
    manticism, whereas in Yu. Shishakov and A. Kholmi- Innovation in the field of aesthetics has called forth
    nov one can periceive a certain influence of "The a considerable advance in stylistks: for the first
    Five". Their accordion works are indicative of their time in the history of Russ'ian accordion music use
    desire to eX!ploit to the utmost the resources of the has been made of serial writing, the twelve-note
    ready-chord I. h. keyboard with a view of searching technique, various sonoristic devices ( clusters and
    for new means of expression. Thus, it 'is only natural cluster-sliding on the keyboard, effects caused by
    that the best of the compositions written by the men- special ways of handling the bellows-tremolos of dif-
    tioned musidans in those years, such as Sonata No. 1 ferent kinds, ricochet, vibrato, etc.). But the main thing
    and Concert'O No. 1 by N. Chaikin, Suite by A. Khol- about the works by VI. Zolotaryov is their depth and
    minov, and Concerto by Yu. Shishakov, have con- unmistakeable sincerity, which has secured their
    stituted the cornerstone of professional training, and firm place in the repertoire of accordionists.
    retain their signifkance today.
    1
    Innovatory works by G. Banshchikov, S. Gubaidu-
    The early sixties mark a new stage in the develop- lina, A. Zhurbin, composed during the past decade,
    ment of the button accordion repertoire. Using the have proved to be important contributions to the
    relatively limited means of the instrument with ready- repertoire. Simultaneously, folklore trends have been
    made chords creatively, composers had been •consis- making themselves clearly discernible in the musical
    tently working for a better technical and artistic stan- output of the last years. On the one hand, there is a
    tendency towards a fuller apprehension of the folk-
    2 As far as the idea of a single-note I. h. keyboard is con- song traditions of various regions of the country; to
    cerned, it should be borne in mind that in the thirties accordions put it differently, composers endeavour to widen
    with such a keyboard had not yet made their way in musical the geography of folk idioms capable of informing
    life, though almost simultaneously with the Concerto by their work. Here one can mention compositions by
    F. Rubtsov there appeared a large composition for all-single-
    note accordion and symphony orchestra - Concerto by T. Sot- V. Zubitsky and V. Dov:gan based on Carpathian
    nikov, which, however, has left no considerable trace in the tunes, works by A. Kusyakov, which re-actualize
    history of accordion-playing.
    3 The present edition gives preference to the modern way
    traditional folklore of the Don river area, etc. On
    the other hand, there is an active search d e e p into
    of executing the tremolo, viz. with the bellows, - instead of the
    finger tremolando as presupposed by the composer in the first the history of musical folklore, which has resulted
    version of the Concerto (see reference number 25).
    8
    in masterly revitalizations of archaic son~s- - old- ment which is extremely rich in aesthetic and technic-
    time lamentations, ritual tunes, etc. Compositions by al resources.
    I( Volkov - his two sonatas and a concerto - are The first volume of the series contains com-
    telling examples of this. positions written by Soviet musicians in the thirties.
    Aesthetically, the best of what has been written Here are biographical notes on the composers.
    for accordion is in no way inferior to the bulk of Rubtsov, Feodosy Antonovich (b. 1904), expert
    modern chamber music. The repertoire created_ by in musical folklore, teacher, composer. Professor,
    Soviet composers during the half-century enjoys Candidate of Art Studies. Graduated from the class
    wide popularity in many countries of the world, of M. 0. Steinberg (composition) at the Leningrad
    where the process of contextualizing the modern ac- Conservatoire in 1931. Member of the USSR Com-
    cordion has much in common with analogous deve- p'osers' Union since 1932. Vocal and choral compo-
    lopments 'in this country. However, owing to the sitions, music for Russian folk instruments orchestra,
    nationa'l peculiarities, the accordion c~lture Q_feach numerous arrangements of Russian folk-songs.
    country bears its specific features. ~oviet performers Papers on Russian folk-mus.ic.
    appreciate accomplishments of foreign_ composers_ of His Concerto No. 1. (1937) is virtually the first
    accordion music, such as J. Hatnk, V. Trojan large-scale piece of art music in the history of the
    (Czechosl·ovakia), G. Breme, . G. Boll (GDR), Russian button accordion. Its musical language is
    T. Lundkvist (Sweden), 0. Schmidt (Denmark), and . based on the traditions of Russian folk-music. The
    dthers. multifarious utilization of potentialities of the ready-
    Today, for all its being integratE:d ,nto the realm chord 1. h. keyboard in this work was an important
    of chamber music, the bayan remams truly popular step in the development of the instrument.
    with the vast strata. That is why writing large Panitsky, Ivan YakoV'levich (b. 1906), concert
    concert works, ambitious in content and form, periformer, teacher, arranger. National Competition
    should never be the only direction of the further de- (folk instruments), Moscow, 1939 (1st prizet
    velopment of the accordion repertoire: it is ~o l~ss Honoured Artist of the Russian Federation.
    needful to compose smaller pieces and fantasies m~- He is renowned for his pioneering activity as a
    mediately reflecting fo'lk songs and dances. In this high-class accor,dion player and arranger whose
    respect, the traditions of I. Panitsky have been suc- art is deeply rooted in the traditions of squeeze-
    cessfully continued during the past two decades by box music-making. His arrangements of Russian
    V. Podgorny, A. Timoshenko, G. She~deryov, a. o. folk-songs date, for the most part, from the thirties.
    To publicize and widely populanze evergre~ns_ of Danilov, Alexander Fyodorovich (1901-65), concert
    button-key accordion music, the Muzyka Publtshmg performer, arranger. Member of the Button Accordion
    House has launched the series, "Anthology of Co~- Trio of Radio Moscow (with A. I. Kuznetsov and
    positions for Button Accordion", which is to compn~e Ya. F. Popkov). •·
    not only works of Soviet composers but a~so music He was a famous virtuoso versed in the art of
    from Czechoslovakia, the German Democratic Repu~- improvisation. His arrangement of the Russian folk-
    lic, Sweden, Norway, Finland, the F:deral Republtc song Yablochko for three accordions. is· still greatly
    of Germany, France, and other countries. appreciated by performers. The present publication
    There is every reason t?. believe that a . furth~r includes a solo version of that arrangement.
    integration of the composit!ons presented m this
    series into the concert practice will be a powerful
    stimulus for composers to create new masterpieces of
    M. Imkhanitsky, F. Lips, IA. Surkov I
    music for the modern button accordion - an instru- Tr.: Ye. Khazanov, V. Yerokhin
    9
    KOHUEPT .Ni 1 CONCERTO N 1
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    pyccKHX Hap0,11.HWX HHCTpyMeHTOB Russian Folk Instruments
    KJ1aBHP Arranged for Button Accordion and Plano

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    BAPHAUHH VARIATIONS
    Ha TeMy .pyccKoA Hapo,11.HoA
    necHH on the Russian Folk-Song Polosynka
    c flOJIOCWHhKa> ("My Patch of Land")

    H. DAHHU,KHR
    I. PANITSICY

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    OH ,llA Tbl, KAJIHHYlllKA OY DA TY, KALINUSHKA 85

    PyccKaH ttaponttaH necHH Russian Folk-Song


    ("Hey Thou Nice Little Snowball-Tree")

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    Arranged by I. Panitsky

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    87
    BAPHAU.HH VARIATIONS
    Ha TeMbl pyccKHX HapO.JJ.HblXneceH on the Russian Folk-Songs Sredi
    «CpeAH AOJIHHblpoeHblH:it H «CeeTHT MeCRU.:it doliny rormiya (" Amidst the Dale
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    H. nAHHU,KHA
    I. PANITSKY
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    90
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    BAPHAUHH VARIATIONS
    Ha TeMbl pyccKHX HapOJl,HblX o~ the Russian Folk-Songs Akh vy,
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    H. flAHHU,KHR
    I. PANITSKY

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    12401
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    BAPHAU.HH VARIATIONS
    Ha TeMY pyccKHX HapO,ll.HYX on the Russian folk-Songs Nochenka
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    H. nAHHU.KHR
    I. PANITSKY
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    12401
    110 BAPHAU.HH VARIATIONS
    Ha TeMW pyccKHX HapOJJ.HblX on the Russian Folk-Songs Vot mchitsya troyka pochtovaya
    neceH «BOT MqHTCJITpOAKa noqTOBaR» ("A Three-Horsed Post-Coach Speeding Onward") and
    H c KaK 00.11. st6nOHbKOii» Kak pod yablonkoy ("Once Beneath That Apple-Tree")
    H. OAHHU.KHR
    Moderato I. PANITSKY
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    8- ------------- ------------------------- ---------------------- ---------------------- ------------ I


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    12401
    117
    Sl6JI01-IKO YABLOCHKO
    PyccKHHHapOAH~H
    TaHeu ("Little Apple")
    Russian Folk-Dance

    06pa6oTKa A. _nutH.noea
    Arranged by A. Danilov
    Sostenuto. Pesante

    Poco a poco accelerando

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    12401
    CO,UEP:>KAHHE
    CONTENTS

    npe.ztHCJIOBHe 3
    Foreword
    "'· Py6u,os. KoHuepT Ni! 1 JVUI 6as1Hac opKecTpOI{ pyccKHX Ha-
    po.ztHl:ilXHHCTpyMeHTOB. KnaBHp • • • . • • . 9
    F. Rubtsov. Concerto No. 1 for Button Accordion and Orchestra of Russian
    Folk Instruments. Arranged for Button Accordion and Piano
    H. fla11,u14,cua. BapHaUHH Ha TeMy pyccKOH HapO.ztHOHnecHH
    «noJJOCl:ilHbK8> • . . • • . • • . . 79
    I. Panitskg. Variations on the Russian Folk-Song Polosgnka ("My Patch
    of Land") ,
    Oa aa Tbl, tca.ltUHYUllCa. _PyccKaH Hap0.ll:HaHneCHSI.O6pa60TKa
    H. IlaHHUKOro • . . . • • • • • . • 85
    Og da tg, kalinushka ("Hey Thou Nice Little Snowball-Tree"). Russian Folk-
    song. Arranged by I. Panitsky
    H. flaHUU,1'ua.BapHaUHH Ha TeMl:il pyCCKHX HapO.llHl:ilX neceH
    «Cpe.ztH .ll0JIHHl:il pOBHl:ilSI>H «CeeTHT MeCHll> . • . 87
    I. Panitskg. Variations on the Russian Folk-Songs Sredi doling rovniga
    ("Amidst the Dale So Wide and Even") and Svetlt Mesgats ("Shines
    the Crescent")
    H. flaHUU/CUrl.Bapaauaa Ha TeMl:il pyccKHX Hap0.llHl:ilXneceH «Ax
    Bbl, .zr.py)l(KH>H «Y)I( KaK no MOCTY·MOCTOUy> . • • 93
    I. Panitskg. Variations on the Russian Folk-Songs Akh vg, druzhki ("Hey
    You Fellows") and Uzh kak po mostu-mostochku ("Once Along the
    Bridge,That Little One")
    H. fla11,u14,cua. Bapaau.aH Ha TeM1:i1pycCKHX Hapo.ztHl:ilx neceH
    «Ho'lleHhKa> H ~Bo ca.zty JJH, e oropo.zte> • • . 102
    I. Panitskg. Variations on the Russian Folk-Songs Nochenka ("Pitch-Dark
    Night") and Vo sadu ll, v ogorode ("In the Garden, in the Ground-
    Plot") ·
    H. fla11,uu,,cua.BapH8U.HH Ha TeMl:il pycCKHX Hapo.ztHl,IXneceH
    «BOT M'IIHTCSI Tp0AKa DO'IIT0B8SI> H «KaK D0.ll H6JJOHbKOH>110
    I. Panitskg. Variations on the Russian Folk-Songs Vot mchitsga trogka
    pochtovaga ("A Three-Horsed Post-Coach Speeding ·onward") and
    K.ak pod gablonkog ("Once Beneath That Apple-Tree")
    H6AO'lKO. PyccKHA aapo.zta1:i1A Taaeu.. O6pa6oTKa A . .UaHHJJoea 117
    Yablochko ("Little Apple"). Russian Folk-Dance. Arranged by A. Danilov

    HcnoJJHHTeJJbCKSH
    pe.ztaKU.HH
    Cl>.Jlanca a IA.CypKoBa
    I
    Edited by F. Lips and A. Surkov I
    AlffOJlOfl1}1
    JH1TLPATYPbl
    JUJ}I 6A}IIIA
    4a<.:Th I
    CocrallHTCJUI:
    ct>pHAPHXPo6cpTOBH'l JIHnC

    AuaTOJIHl! AJieKCCCBH'ICypKOII

    PcAaKTop 5. Kucenea
    flHT. pcnaKT0P n. Cepzee8a
    XyAo)KllHK E. BonKOB
    XyAO)K. PC/..13KTOP I'. )/(ezu11
    Tcx11. pc/..laKTop C. Eenozna3oaa
    KoppCKTOp 11.MupoHOBU~

    fioAnHCaJIO e nc'laTh 11.01.84. ct>opMaT 6yMa-


    rH 60x90 1/8. EyMara ocpccrnall N9 1. fic'laTh
    ocpccr. O61,cM nc'I. JI. 16,0. Yen. n. n. 16,0. Yl!.·
    HJA. n. 18,2. THpa)K 10 000 3K3. l•-hA. N9 1240 I.
    3aK. N9 428. Ucua 2 p. 30 K.

    l•hnarenhcTBo "MyJhIKa ",


    MocKBa, HernHHHall, 14

    MOCK0BCK3ll rnnorpaq>Hll N9 6
    CoJOJnonHrpaqinpoMa
    npH rocynapcTIICHHOM K0MHTCTe CCCP
    no ACnaM H3A3TCnbCTB,nonHrpacpHH
    H KHHlKHOll roproenit,
    109088, MocKBa, )1(-88, IOlKHonopTOBall yn., 24

    A 5209010000 - 216 _
    468 84
    026 (01) - 84
    AHTOJIOTI1H
    JIMTEPATYPbI
    ~TIHBAHHA
    "9ACl'bII
    •.mmc
    <t>
    CCXJTABliITEJib

    Anthology
    of Compositions
    for Button Accordion
    Part ]I
    Compiled by F.Lips

    MOCKBA «lvtYSbIKA, 1985


    Moscow «Muzyka,
    PED.AKUHOfiHASIKOJIJIEf:HSI

    Cl>.,,l1.0.11rononoaB. H., Eropoa 6. M.,


    6e.nJ1KOBB.
    H11xau11KHIM. H., K0.11o6KoeC. M., KysoBJ1ee B. n.,
    nenc cb. P., MyeTBHB. A., Oeeree A. E.

    cMyawn>, 1985 r. COCTaueR■e


    @ H3Jl&TeJD,CTIIO
    TTPEIDiCJIOBHE
    Bo 2-ii BblDYCK «AHTOJIOrHH JIHTepatypbl JlJISI 6aH- D0JIHHTeJib, K0MD03HT0p, De,Aaror; 0K0H'IHJI ropbKOB·
    H8> B0WJIH HaH60Jiee HpKHe o6pa60TKH Hapo,!lHblX ne- cKyIO K0HcepBaTopHIO ( 1967; Kn ace 6asrna H. SI. lfau-
    ceH H raHueB, coa,!laHHble B 40 - 60-e ro,!lbl XX BeKa. KHHa); B TelleHHe MH0fHX JieT 6blJI C0JIHCT0M H pyK0·
    3TH o6pa60TKH 0K838JIH 3H811HTeJibHoe BJIHSIHHe Ha B0,!lHTeJieM KBaprera 6aHHHCTOB e rocy.llapcTBeHHOM
    CT8H0BJieHHe COBeTCKOH 6aJIHHOH WK0Jibl - 0HH B03· xopeorpacpH11ecKOM aucaM6Jie «Bepe3'Ka»; Jl0UeHT
    .D.eHCTBOBaJIHHa cpopMHpOBaHHe XY.ll.0lKeCTBeHH0ro MocKoBcKoro uucruryTa KYJibTyphl; aeTop neceu, 01,ec
    BKyca 6aHHHCTOB, B 3H811HTeJibH0HcreneHH cnoco6cr- H o6pa6oroK JlJIH Keaprera 6asrnoe H JlJIH 6aJ1Ha
    B0BaJIH C0BepweHCTB0B8HHIO HX HCil0JIHHTeJibCK0ro HC· COJIO.
    Kyccrea. 6e.11oa8.118,!lHMHpA.11eKceeBHll (p. 1925) - K0MD0·
    O6pa60TKH Hap0,!lHblX MeJIO,!lHHJlJISI6aHHa B03HHK· 3HT0p, De,!laror; 0K0H'IHJI rMilH HM. rHeCHHblX (1967;
    JIH B cpe.D.e MY3b1KaHT0B·JII06HTeJieii. Ilo3TOMY He cny- KJiacc 6asrHa A. A. CypKOBa); pa6oraeT ne,!laroroM e
    11aiiHo ,!lalKe B H8WH JlHH 0CH0BHblMH aBT0paMH o6pa· MY3b1KaJibH0M YllHJIHllle r. Bna.D.HMHpa; aarop npoH3·
    60TOK SIBJISIIOTCSI C8MH 6aHHHCTbl·HCilOJIHHTeJIH H ne- ee,neHHHJlJISIopKecTpa pyccKHX Hap0.D.HblX HHCTpyMeH·
    .D.aroru·. EcJIH B nepBhlx nhecax Ha Hapo.ZJ.Hble TeMbl T0B, 0T,ne.11hHblXHap0.ll.HblX HHCTpyMeHT0B.
    HCD0JIHHTeJIHcrapaJIHCb C03A8Tb PHA BapHaUHH C pac- Moroa B.11aJJ,HMHp ffHK0.11aeaHq(p. 1925) - HCD0JI·
    lleT0M Ha M8KCHM8JlbH0 D0JIHYIO.n.eM0HCTpaUHIOCB0HX HHTeJih, ne,naror, K0MD03HT0p; 0K0H'IHJI cpaKyJihTeT
    BHPTY03HblX B03M0lKHocreii, ro B nocne.ztyIOlllHX co- Hap0.ll.HblX HHCTpyMeHT0B ( 1953; KJiacc 6aHHa C. n. Be-
    llHHeHHJIX B nepByIO 011epe.ZJ.b 0HH pemaJIH XY.ZJ.0lKeCT· JIHK0Ba, H. SI. lfanKHHa) H HCT0pHK0•TeopeTHK0·K0M·
    BeHHble 38,!l8'1H. B 118CTH0CTH,Bee 60Jibmee BHHM8HHe D03HTOpCKHHcpaKyJibTeT rMilH HM. rueCHHblX (1956;
    aBT0pbl y.n.eJIHJIH pa3BHTHIO o6pa3HOH CT0p0Hbl TOH KJiacc K0MD03HUHH T. H. XpeHHHKOBa, B. SI. We6a-
    HJIH HHOH TeMbl, Bee pa3H0o6pa3Hee CT8H0BHJl8Cb Jl8· JIHHa e JI. H. HayMosa); 3acJiylKeHHblH pa6oTHHK
    .ll0-rapM0HHlleCKaJI H pHTMH'leCKaH 0CH0Ba np0H3Be• KYJibtypbl PCcl>CP ( 1971); B Te11eHHeMH0rHx JieT 38·
    .lleHHH. MHOrHe o6pa60TKH npHo6peTaJIH 6onee CJI0lK· HHMaeTCJI ne,!larornqecK0H ,neHTeJihH0CTblO B My3bl·
    Hble cpopMbl: BapHaUHH, napacppa3hl, K0HUepTHble nhe- K3JlbH0M YIIHJIHllle H r MnH HM. fHeCHHhlX; aBT0p Me-
    Cbl, .cpaHT33HH, 113CTO,!lOCTHraH D0.ZJ.JIHHH0CHM«l><>HH·T0.ll.HlleCKHX pa6oT, COIIHHeHHHH o6pa60TOK .ll.JIJI 6a-
    11ecKoro ,pa31BHTHH. SIH8.
    3H311HTeJibHOeBJIHSIHHe Ha TpaHccpopMaUHIO lKaH- CypKoa AaaTo.11aA A.11eKceeaa11(1919-1983) -
    pa o6pa60TKH 0K333JI0 TaKxce C0BepweHCTB0BaHHe ne.ztaror, HCil0JIHHTeJih; 0K0HIIHJI MilH r HM. fHeCH·
    K0HCTPYKUHHHHcrpyMeHTa H Il0BblWeHHe HCD0JIHH· Hblx (1953; KJiacc 6asrHa C. TT.BeJIHKOBa, H. 51.qaii-
    TeJibCKOHKYJibtypbl C3MHX 6aJIHHCTOB. . KHHa); Jl0UeHT f MilH HM. rHeCHHblX; 38CJiylKeHHblH
    IlpHBe.lleM OCH0BHble CBe,!leHHSI06 aBT0pax 06pa- ,!leHTeJib HCKYCCTBPCcl>CP (1973); 8BT0p MH0rHX Me•
    60TOK, D0MemeHHblX B H8CT0HllleM TOMe. TO.ZJ.HlleCKHXpa6oT, o6pa6oTOK .ZI.JIJI6aJ1Ha.
    Oaeraa A.neKceA Eaceeaaq (p. 1920) - ne.11aror, Maaaoa 8.11aJJ,HMHp B.11a,II.HMHpOaHq (p. 1926) -
    HC00JIH'HTeJib, MeTO.llHCT; 0KOH'IHJI MocKOBCKflO 'KOH· ne,!laror, HCD0JIHHTeJib, K0MD03HTop; 0K0HIIHJI r MilH
    cepBaT0pHI0 ( 1949; KJiacc xopoBoro .llHPHlKHp0BaHHSI HM. fuecHHblX (1957; KJiacc 6aJ1Ha B. r. ropoxoea);
    K. B. Ilruu1,1); erpan e Keaprere 6aBHHCTOB OHerH• Jl0UeHT MocKOBCKOro HHCTHTyTa KYJihTyp1,1; aBT0p CO·
    HblX (1927-1946; c 1934-HM. M. M. HnnOJIHTOBa• 11HHeHHHH o6pa6oTOK .ZI.JIJIpa3JIHIIHblX Hap0,!lHblX HH·
    HeaHoea); .ll0UeHT fMilH HM. fHeCHHblx; 3aCJiylKeH• crpyMeHT0B.
    HblH .11esrrenhHcKyccre PCcl>CP (1973); aBrop «WKo• Wuaea AHaTo.naAAa.11.peeaaq(p. 1925) - HCD0JI·
    Jlbl urpbl Ha 6aJ1He>, MeTO.llH'leCKHX noco6Hii, CTaTeA, HHTeJih, K0MD03HT0p, .llHpH.>Kep.B 193lt-1941 ro,nbl OH
    a T3KlKe PH.Ila o6pa60TOK H opHrHH8JlbHhlX npoH3Be- y11HJICJ1 e UeHrpaJibHOH MY3b1K8JihHOH WK0Jie npH
    )teHHA AJISI 6aHHa. MocKOBCKOH K0HcepaaropHH (KJiacc cpopTeDH8HO
    PH30Jlh ff HKO.naAMaaHOBHq (p. 1919) - HCD0JIHH· A. B. roJih.ll.eHBeH3epa); 3acJiy.>KeHHblH aprHcT PC<l>CP
    TeJib, ne,aaror, Mero,aucr, K0MD03HTOp; 0K0HIIHJI Keee- (1963); racrp0JIHpyer c 1941 ro,na; C0JIHCT MocKOH·
    CKYIO K0HcepeaT0pHIO (1951; KJiacc 6aHHa M. M. re- uepTa; B cocTaee .!lY3Ta 6aHHHCTOB (c H. A. Kpb1JIO·
    JIHCa); c 1946 ro.lla xy ,aoxcecreeHHhlA PYK0B0AHTeJib H BblM) racrpoJiupoeaJI no crpaue H 3a py6elKOM, .11y3r
    y11acTHHK KBapreTa 6aHHHCTOB KneBcKoA cpHnapMo- npuo6peJI WHpoqaiiwy10 nonym1pH0CTb; aBT0p MH0fHX
    HHH; npo<J>eccop KeeBCKOA K0HcepearopeH; HapOAHhlH o6pa6oTOK .llJIJI 0,!lH0ro H .ZJ.BYX 6aHHOB, a TaKlKe opH·
    aprecr YCCP (1982); aerop pHAa Mero,aeqecKHX rpy- rHH3JlbHblX DheC.
    .llOB, a TaKlKe opHrHH3JlbHblX npOH3Be,AeHHH H o6pa- Kau.ya ffHKo.naA Crenaaoaaq ("1923-1978) - ec-
    60TOK Hapo,AHhlX MeJIO,AHHAJIJI 6aHHa. D0JIHHTeJib, ne.11aror; 0K0H'IHJI O.lleCcKyIO K0HCepearo-
    KysaeQOB EareaaA ,tl,MHTpHea■q (p. 1922) - HC· pHIO ( 1969; KJiacc 6aHHa B. M. EBAOKHMOBa); s Telle·
    HRe PSIJl8JieT pa6oTaJI C0JIHCTOM AecaM6JISI necHH H HHCTpyMeHT8JlbH0A: H BOK8JlbHOH MY3b1KH, B TOMqHCJle
    DJJHCKH OJleccKoro eoeeeoro oKpyra H neAaroroM MH0rHX opHrHH8JlbHhlX npOH3BeJleHHAH o6pa60TOK
    .llMW, aeTop o6pa6oTOK NIH 6aS1Ha. ,D.JIJI
    6aHHa. Ilpe.Zl,JiaraeMhleo6pa60TKH .Zl,BHhle pe,llaK-
    WeHAepea feopreA fparopbeBH'I (1937,;__1984) - UHH 1982r.
    KOMR03HT0p,.ffCR0JIHHTeJlb, neJlaror; 0K0H'IHJJ MY3hl- MaTBeea Hropb Jl.opMHAOHTOBH'I (p. 1930) - K0M-
    K8JlbH0eYUJIHute B CHM<l>eponoJie(1958; KJ18CC6aSI- D03HT0p, ne.D.aror; 0K0HqHJI MocKOBCKHA HHCTHT}'T
    H8 8. M. KpaeqeeKo, uacc K0MR03HU.HH H. B. )Kop- KYJ1&Typ1i1 (1976; KJiy6Hoe 0T.D.eJJeeee, KJiacc .D.HPHlKH-
    HJIKa); yqHJJCJIB fMilH HM. fHecHHblX (Mace 6aS111a poeaHHH A. A. Kp10qKoea); pa6oTaeT ne.D.aroroM
    H. SI.qaAKHHa); saHBMaJJcH neJlarorHqecKo:A JleSI- KYJI&TnpoceeTfqHJIHutar. Kanyre; aerop n&ec H o6-
    TeJJbHOCTbIO; 6blJI C0JIHCTOM H 8KKOMD8,HH8TOp0M Sl.11-pa6oT0K .Zl,JIJIaucaM6JieA Hap0.Zl,HhlXHHCTpyMeHTOBH
    TIIHCK0I <l>HnapMOHH•H; 'IJleHOM Co10sa KO'MD0SHTOpoe0T.Zl,eJibHhlX HHCTpyMeHTOB.
    CCCP; 818Topc01IHHeHHAJlJIH opKecTpa pyccKHX ea- THMOmeHKO A.11eKCaHAP A4'aaacr.eBH11(p. l 942) -
    pGJlHliX -HHCTpyMeHTOB, npoHSBe.D,eHHA H o6paOOT01( K0MD03HTOp,ne.D.aror; 0K0HqHJIf MilH HM. feecHHhlX
    AJUI6a-HHa. ( 1971; uacc 6asea B. n. Kysoeneea, Ko11noseuee
    DoAropHWA8JUlAHMHp.Jhc:oa.HBH'I (p. 1928)-Hc- IO. H. Wuwaxoea); ne.Zl,aror BopoeelKcKoro HHCTH•
    DOJIHHTeJlb, KOMD03HTOp, neJlaror; OKOHqHJI XapbKOB- -ryra HCKYCCTB; aBT0p npoesee.n.eeHA AJISI opKecTpa
    CKyIO KOHCepB8TOpHIO (1956; KJl&CC KOMD03HUHH pyccKHX Hap0.Zl,HhlX HHCTPYMeHT0B, ,D.JISI
    0TJleJibHliXHa-
    B. T. 5opHcoea); Jl0UeHT,H. o. npo4>eccopa Xap&KOB- p0.llHliX HHCTpyMeHT0B.
    cKoro HHCTHT)'T8 HCKyCCTB, qJJeH Co10sa KOMDOSHTOpOB
    CCCP (c 1957 r.); asrop ce114>oeHqecKoA,KaMepeo- M. H MXaHu141CUa,
    cp_Jlunc
    FOREWORD

    'volume Two of the "Anthology of Compositions fessor at the Gnesins Institute of Music, Moscow.
    for Button Accordion" contains some of the best Honoured Artist of the Russian Federation. 2 -
    adaptations of folk songs and dances by Soviet "The Button Accordion Method" and other manuals
    musicians, dating from the fourties, fifties and and pedagogical writings. Numerous arrangements
    sixties, which have exerted a strong influence on the and original compositions for button accordion.
    improvement of the art of playing the instrument in Rizol, Nikolai Ivanovich (b. 1919), concert per-
    this country. former, teacher, expert in methodology of teaching,
    First attempts at arranging folk-tunes for the composer. Graduated from the class of M. M. Gelis
    Russian-type button accordion were made by amat- (button accordion) at the Kiev Conservatoire in
    eurs; today, too, this sector of our accordionists' 195I. Since I946, leader of the Button Accordion
    repertoire is not being contributed to, for the most Quartet at the Kiev Philharmonic Society. Professor
    part, by those who are known as professional at the Kiev Conservatoire. National Artist of the
    composers: the tunes of traditional songs and dances Ukrainian SSR. - Pedagogical papers. Numerous
    are usually adapted for the instrument by performing original compositions and arrangements of folk-
    musicians themselves, notably those who are engag- tunes for button accordion.
    ed in teaching the accordion-playing at the music Kuznetsov, Yevgeny Dmitriyevich (b. 1922),
    schools of national importance, as weH as at the concert performer, composer, teacher. Graduated from
    ones of local significance. Initially, most of the the class of N. Ya. Chaikin at the Gorld (Gorky)
    accordion compositions based on Russian folk- Conservatoire in 1967. Assistant Professor at the
    tunes were sets of variations designed so as to give Moscow Institute of Culture. Formerly, leader of the
    the player the opportunity of showing off his vi,rt- Button Accordion Quartet at the Beriozka Dance
    uosity. Later on, aesthetic considerations began to Company. - Songs; original compositions and ar-
    come to the fore, with harmonic and rhythmical rangements for button accordion quartet as well as
    structure becoming more and more sophisticated. solo pieces of music for button accordion.
    Musical form was also growing more complex. Many Belov, Vladimir Alexeyevich (b. 1925), composer,
    compositions built upon folk-.tunes (variations, teacher. Graduated from the class of A. A. Surkov
    paraphrases, concert adaptations, fantasies and the (button accordion) at the Gnesins Institute of Music,
    like) show apparent features of what our musicolo- Moscow, in 1967. Instructor at the Secondary School
    gists are in the habit of describing as "sym- of Music in the city of Vladimir. - Orchestral and
    phonicity". solo compositions for Russian folk instruments .
    .Developments in the practice of adapting folk- Motov, Vladimir Nikolayevich (b. 1925), concert
    tunes for the Russian button accordion were, in many performer, teacher, composer. Graduated from the
    respects, dependent on the improvement of the class of S. P. Velikov and N. Ya. Chaikin (button
    instrument itself as well as on the growth of pro- accordion) at the Gnesins Institute of Music, Mos-
    ficiency of our accordionists. cow, in 1953, and from the class of T. N. Khrennikov,
    Here are some data on the musicians whose ar- V. Ya. Shebalin and L. N. Naiimov (composition) at
    rangements of songs and dances I a,re included in
    Uris edition: -
    2 The nomenclature of the Soviet system of honours for
    Onegin, Alexei Yevseyevich (h. 1920), teacher,
    concert performer, expert in methodology of teaching. notable figures of the music scene is not easy to render into
    English. The highest distinction is National Artist of the USSR
    Graduated from the class of K. B. Ptitsa ( choral (often termed, in English, "People's Artist of the USSR", wllich
    conducting) at the Moscow Conservatoire in 1949. appears to be an over-literal translation of the Russian expres-
    From 1927 to 1946, member of the Onegins Family sion in question). Among the other titles are: National Artist
    Quartet of Accordionists (known, since 1934, as of the RSFSR (or: ... of the Russian Federation), Honoured"
    Artist of the RSFSR (sometimes described - in terms of
    the M. M. Ippolitov-Ivanov Quartet). Assistant Pro- literal translation - as "Merited Artist ... "), Honoured Master
    of the Fine Arts of the RSFSR (sometimes referred to as
    "Merited Art Worker ... "), Honoured Contributor to the Cause
    1 In the headings of the pieces of music based on folk- of Culture of the RSFSR (literally, "Merited Worker of
    songs, the titles of the songs (which, in all the songs in Culture ... ", which sounds, to put it mildly, somewhat
    ques11ion,are fragments of their lyrics) are given both in awkward, and would not be properly understood by English-
    transliteration and in what may be described as "equirhythmic" speaking people). Each of the republics constituting the Soviet
    translation (so that the corresponding musical phrases can be Union (e. g., the Ukrainian SSR) has its own honours system.
    mentally sung with the words - both in Russian and identical to that of the Russian Soviet Federative Socialist
    English). - V. Y. Republic. - V. Y.
    the same Institute in 1956. Honoured Contributor to Shenderyov, Georgy Grigoryevich (b. 1937), com-
    the Cause of Culture of the Russian Federation poser, concert performer, teacher. Graduated from
    ( 1971). Former Instructor at the Gnesins Secondary the class of V. M. Kravchenko (button accordion),
    School of Music and the Gnesins Institute of Music, and.from the class of N. V. Zhornyak (composition),
    Moscow. - Pedagogical writings. Original composi- at the Secondary School of Music in the city of
    tions and arrangements for button accordion. Simferopol in 1958. Continued his studies in the class
    Surkov, Anatoly Alexeyevich (1919-33), teacher, of N. A. Chaikin (button accordion) at the Gnesins
    concert performer. Graduated from the class of Institute of Music, Moscow. Experience in teaching.
    S. P. Velikov and N. Ya. Chaikin (button accordion) On the staff of the Yalta Philharmonic Society.
    at the Gnes ins Institute of Music, Moscow, in 1953.
    1
    Member of the USSR Composers' Union. - Com-
    Assistant Professor at the Gnesins Institute. - positions for Russian folk instruments orchestra as
    Numerous pedagogical writings. Arrangements kr well as for button accordion.
    button accordion. Podgorny, Vladimir Yakovlevich (b. 1928), con-
    Ivanov, Vladimir Vladiimirovich (b. 1926), tea- cert performer, composer, teacher. Graduated from
    cher, concert performer, composer. Graduated from the class of V. T. Borisov (composition) at the Khar-
    the class of V. G. Gorokhov (button accord-ion) at kov Conservatoire in 1956. Assistant P,rofessor at the
    the Gnesins Institute of Music, Moscow, in 1957. Kharkov Institute of the Arts. Member of the USSR
    Assistant Professor at the Moscow Institute of Composers' Union (since 1957). - Symphonic,
    Culture. - Original compositions and arrangements chamber anid vocal music, numerous original com-
    for various folk instruments as well as for choir. positions and arrangements for button accordion.
    Shalayev, Anatoly Anidreyevich (b. 1925), concert Matveyev, Igor Dormidontovich (b. 1930), com-
    performer, composer, conductor. Educated in the poser, teacher. Graduated from the class of
    class of Prof. A. B. Goldenweiser (piano) at the A. A. Kryuchkov (conducting) at the Moscow In-
    Central Secondary Music School, Moscow (from 1934 stitute of Culture in 1976. Instructor at the Secondary
    through 1941). Honoured Artist of the Russian Fede- School of CU'lture and Enlightment in the city of
    ration (1963). Touring since 1941. Performer for Kaluga. - Original compositions and arrangements
    the MOSCONCERT Agency. Member of the MOS- for Russian folk instruments (solo and ensemble).
    CONCERT Button Accordion Duet (with N. A. Kry- Timoshenko, Alexander Afanasyevich (b. 1942),
    lov) - great successes in the USSR and abroad. - composer, teacher. Graduated from the class of
    Numerous arrangements and original compositions V. P. Kuzovlev (button accordion), and from the
    for button accordion (solo and duet). class of Yu. N. Shishakov (composition), at the
    Katsun, Nikolai Stepanovich (1923-78), concert Gnesins Institute of Music, Moscow, in 1971. In-
    performer, teacher. Graduated from the class of structor at the Voronezh Institute of the Arts. -
    V. M. Yevdokimov (button accordion) at the Odessa Orchestral and solo compositions for Russian folk
    Conservatoire in 1969. Former member of the Song instruments.
    and Dance Company of the Odessa Military District.
    Instructor's experience at a children's music school.- F. Lips, M. /mkhanitsky
    Arrangements for button accordion. Tr.: V. Yerokhin
    7
    BAPHAU.HH VARIATIONS
    Ha TeMy pycCKoAH&POAHOA
    necHH on the Russian folk-song
    To Ne Veter Vetku Klonit
    cTo He BeTep BeTKyIUIOHHT>
    ("It Is Not the Branch That's Bending")
    A. OHEfHH
    (1940)
    A. ONEGIN
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    15
    BAPHAUHH VARIATIONS
    Ha Telly yKpaRHCKOAaapOAHOI on the Ukrainian folk-song
    (1944} Doshchik
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    ("Raindrops")
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    HoTbl: Ale07 .ru


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    12917
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    12917
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    24
    UEPEUEJI011KA PEREPYOLOCHKA
    6e.nopyccKaR uapo,llHaR necHR (1947) ("Quail-Hen, Deary Mine")
    Byelorussian folk-song
    Hcno.naaTc.ni.cKa•PCA&Kllll• B. Ky3oaJ1eaa 06pa6oTKa E. Ky3HCl{oaa
    Edited by V. l(uzovlcv Arranged by Ye. l(uznetsov

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    12917
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    12917
    29
    BAPHAUHH VARIATIONS
    Ha Telly pyccKoAHapOAHOA (1949)
    on the Russian folk-song
    Akh, Ty Zimushka-Zima
    neCHH «Ax TW, 3HMJWKa-3HMaJ>
    ("Hey Thou Winter, Pleasant Time")
    H. PHJOnb
    N. RIZOL
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    12917
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    12917
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    12917
    35

    HAY1111TbJIM TSI, BAHIOllIA NAUCHIT LI TYA, VANYUSHA


    PyccKaSIuapo,11.uasi
    necHSI (1950) ("Shall I Teach Ye, Dear Vanysha ...")
    Russian folk-song

    06pa6oTKa B. MoToaa
    Arranged by V. Motov
    Allegretto

    '
    ~~:::::i==.3:=::=~~~:1::±::f~~~~==l:d

    3* 12917
    HoTbl: Ale07 .ru
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    12917
    1..- i:,_
    CTEDb ,llA CTEOb KPYr OM STEP DA STEP KRUOOM
    ("Steppes and Steppes Around")
    PyccKaJIHapOAHaA necHR (1952)
    Russian folk-song

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    Arranged by V. Belov
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    12917
    45
    'IAP,[{AUJ CSARDAS
    BearepcKHAHap0.11,HblA
    TaHel{ (1953) Hungarian folk-dance

    06pa6oTKa H. PH30H
    Arranged by N. Rizo!

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    12917
    HoTbl: Ale07 .ru
    46 ----------------------------------

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    Allegro
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    4. AHTOJIOrHII 12917
    50

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    12917
    52

    OT,ll.ABAJIH MOJIO,ll.Y OTDA V ALI MOLODU


    PyccKaR eapOAHaR neCHH (1955) ("Given in Marriage Was the Maid")
    Russian folk-song
    OGpaGOTKa r. WeHAepeu
    Arranged by G. Shenderyov
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    12917
    HoTbl: Ale07 .ru
    53

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    12917
    Lento

    12917
    BAPHAU.J,tH VARIATIONS 55
    Ha TeMy pyccKOA HapOJI.HOi on the Russian folk-song
    Polosynka
    (1955) ("My Patch of Land"}
    neCHH C fiOJIOCt.lHbKa>
    B. no.o.roPHblA
    V. PODGORNY
    3

    mf--=====-

    Piu animato

    3 3

    *Pe,11,aKqHR1983 r. Edition of 1983 129t7 HoTbl: Ale07 .ru


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    57

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    12917
    n59
    anima sempre legato

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    12917
    60

    Risoluto con moto

    12117
    Allegro 61
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    63

    poco accel. Vivace

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    5. AHTOJIOfHII 12917
    66
    KAK Y HAUJHX Y BOPOT KAK U NASHIKH U VOROT
    PyccKaRHapOAHaRnecHR (1957) (.,By the Gateway, by Our Gate")
    Russian folk-song
    Allegretto OGpaGO'ruA. CypKo■a
    Arranged by A. Surkov

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    129i7
    HoTbl: Ale07 .ru
    67

    Moderato.Tranqulllo
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    12917
    129t7
    69

    129-17
    70
    B03JIE PE11KH,B03JIE MOCT A VOZLE RECHKI, VOZLE MOSTA
    PyccKaHHapOAHaA neCHA (1958) ("Near the Streamlet, near the Causeway")
    Russian folk-song
    B. MoTo■a
    OCSpaCSoTKa
    Con Arranged by V. Motov
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    12 917
    71
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    '2917
    73
    UAPA<l>PA3 PARAPHRASE
    Ha TeMypyccKoAHapOJl,HOA on the Russian folk-song
    (1958) Utushka Lugovaya
    necaa cY,ymKa nyroaaR> ("Ducky~Duck from the Grassland")
    8. HBAHOB
    V. IVANOV

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    12917
    HoTbl: Ale07 .ru
    74

    12917
    75
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    76

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    12917
    ~

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    80

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    12917
    81

    poco rit.

    6 • AHTOJIOfH 12117
    82

    6APblHSI BARYNYA*
    PyccKasl HapOAHaSI D,IUICKa (1960) Russian folk-dance

    06pa6oTxa A. Wuaeaa
    Arranged by A. Shalayev
    Lento, poco a poco accelerando 8----------------------

    * The word means "mistress" (Implying, e. g., "landowner's wife"). Yet, when used with · reference to the
    dance music, It seems to have virtually lost Its direct meaning, so that it is associated - by everyone here in Russia - with
    none but this particular tune, extraordinarily popular with the masses, especially In the countryside. (The same applies to the
    Yablochko dance, included in the first volume of this Anthology.) In pronouncing the term, be sure to stress the first syllable:
    /baarinya/, i. e., in intemational phonetics, ['ba:rinJil. - V. Y.
    12917 HoTbl: Ale07 .ru
    112. 8- - - - - - - - - - - - - - - - - - - - - - - - - - - - -

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    12917
    85

    12917
    Presto

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    87

    UOJIHO,
    BAHSI POLNO,VANYA
    PyccKaSInapo.ll,H&RnecnR (1960) Russian folk-song

    06pa6oTKa B. MoTOaa
    Arranged by V. Motov
    Largo

    Con moto

    \~~~~~~~m~~tW~~~~
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    HoTbl: Ale07 .ru


    12917
    Allegro
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    BO UOJIE 6EPE3A CTOSIJIA VO POLE BERYOZA STOY ALA
    PyccKaAHapOAHaA neCHSI (1960) ("In the Field a Birch Stood In Beauty")
    Russian folk-song
    OGpaGona H. Kllll)'Ha
    Lento cantabille Arranged by N. Katsun

    rit. a tempo
    8-- - - - - - - . - -

    12917
    93

    ..-
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    12917
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    12917
    97

    7. AHT0.1011UI 12917
    98

    12917
    100

    Tempo I

    12917
    101
    BO JIECOllKE VO LESOCHKE
    ("In the Coppice")
    PyccKaH uapOAHaHneCHH (1960) Russian folk-song
    Otipa6oTKa r. WeHAepeaa
    Presto Arranged by 0. Shenderyov
    >

    HoTbl: Ale07 .ru


    103
    Andante
    104
    105
    A. Ha3apeHKO To A. Nazarenko
    <l>AHTA3HSI FANTASY
    aa TeMy pyccKoii aapo,11.aoii (1961 f on the Russian folk-song
    necHH« Ho11eHLKa> Nochenka
    ("Pitch-Dark Ni.ght")
    B. no,u.roPHblA
    Andante in distanza V. PODOORNY
    8------------------------ -------- I
    I

    ~ Lento
    'e;!~

    ten.

    1983 r.
    • Pe11.aKU.HR Edition of 1983 12917

    HoTbl: Ale07 .ru


    106

    cliiaro dolce

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    107

    sccco PPsolitn

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    12917
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    1!917
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    12917
    110

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    12917
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    112

    UPM TYMAHE, UPM ,ll.OJIMHE PRI TUMANE, PRI DOLINE


    PyccKaAaapoAHaAnecHA (1961) ("Foggy Weather in the Valley")
    Russian folk-song

    (?6pa6orKaH. Maraeeaa
    Arranged by I. Matveyev

    Allegro

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    12917 ·
    118

    XO~HRA MRA~EWEHbKA KHODILA MLADYOSHENKA


    PyccKaR HapOAHaRneCHR (1964) ("A Maid Was A-Walking")
    Russian folk-song

    Allegretto 06paCkm,a A. T■Momeao


    Arranged by A. Tlmoshenko

    i' u
    ~

    e-
    Sostenuto a

    12917
    HoTbl: Ale07 .ru
    12917
    120

    (~
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    121

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    12917
    122

    ---------------- ------- I

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    12917
    <P. Jluncy To F. Lips 123
    cl>AHTA3HSI FANTASY
    Ha TeMyyKpaHHCKOil
    Hap0,11,HOA
    neCHH (1964) on the Ukrainian folk-song
    Poviy, Vitre, na Vkrayinu
    c noaiit, aiTpe,Ha BKpaiHy»
    ("Hey Thou Wind, Blow up Our Country")
    B. no.u.roPHblR
    V. PODGORNY

    HoTbl: Ale07 .ru


    124
    Moderato 125

    12917
    8- - - - - - - - - - - - I
    I

    12917
    rit. 127
    8------:---,

    Presto
    (

    12917
    128
    129
    BO CblPOM BOPY TPOUHHA VO SYROM BORU TROPINA
    PyccKaRHapO.D,HaR
    neCHSI (1964) ("There's a Pathway in the Fir-Wood")
    Russian folk-song
    06paGoTK& r. Wea,a.epeaa
    Arranged by G. Shenderyov
    ~

    9. AHTOJ1ora11
    Adagio

    12917
    131
    T empo 1
    1'32
    cl>AHTA3HSI FANTASY
    Ha TeMJpyccKol Hap0,llH0I on the Russian folk-dance
    DJUICKH c6apYHSI> Barynya

    B. no.n.roPHhlR
    V.PODGORNY

    @Meno mosso

    1983 r.
    • Pe.11.aKUHR Edition of 1983 12917

    HoTbl: Ale07 .ru


    133

    loco

    -fr -fr

    Meno mosso.::,...
    Ir .~,
    fr

    s.fP

    12017
    134

    1.2917
    [I] mf

    12917
    137

    J2917
    11917
    Meno mosso
    ~

    12917
    12917
    If

    12917
    143
    Allegro non troppo

    M====- y M MY

    12917
    144

    12917
    145

    to. Aa,o.1Qn1■ 12fU7


    146

    V r Vr V Vf V r V . vrVf V

    12917
    147
    OHBHA SlrO,llA PIVNA V AOODA
    PyccKU HapOAHaJI neCHR C'Sweetish Berry Booze")
    Russian folk-song

    OGpaGcrna A. T■■omeno
    .Arranged by A. Timoshenko

    ..n. ..n.

    Piu mosso

    rit. Con moto


    .0..
    -e-

    ,n,f

    10• 12917
    148

    accel. poco a poco


    149

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    Presto

    12917
    150

    Vrvrv r

    12917
    151

    12917
    152

    ~ '-----

    ===+-PPP

    12917
    153

    noCEIO JIE6E,llY HA 6EPErY POSEYU LEBEDU NA BEREOU


    PyccKaSIHapOAHaSI
    necHSI (1969) ("Now Well, I'm Sowing Goose-Foot on the Bank")
    Russian folk-song
    Andantino 06pa6oTKaA. TNMoweHKO
    8- - - - - - - - - - - - - - - - - - -,
    ~ Arranged by A. Tlmoshenko

    •r ICr F"Jlf!refr I
    1r E£1Ef

    f cresc.

    12917
    154
    155
    Risoluto

    ---------------------- I

    12917
    156

    rit.

    -------
    Sostenuto cantabile

    12917
    Vivace
    ~

    a---------------------- ---~ --- -- ---- - --

    12917
    158

    Presto

    8- - - - - - - - - - - - - - - - - - - - - - - - - - - I

    12917
    HoTbl: Ale07 .ru
    12917
    CO.UEP)KAHHE
    CONTENTS

    IlpeJlHCJIOBHe. ., 3 6aPIJtHI&. PyCCK811eapOJlHall nJISICKa. O6pa6oTKa A. IIIa-


    Foreword naeea . . . . . . . • . . . • 82
    A. OHerHH. BapHaUHH Ha reMy pyccxoA HapO.llHOA
    necHH fJarynya. Russian folk-dance. Arranged by A. Shalayev
    «To He BeTep B8TK,YK,AOHUT' . . . . . . . 7 lloAHo, BaHa. PyccKaH eapo,llR811necRJI. O6pa60TKa B. Mo-
    A. Onegin. Variations on the Russian folk-song To Ne TOBa . . . . . . . . . . . . . 87
    Veter Vetku Klonit ("It Is Not the Branch That's Polno, Vanya ("Don't, Dear Vanya"). Russian folk-song.
    Bending") Arranged by V. Motov
    H. Peaom,. Bapeauee ea reMy yxpaHHCKoAeapoJU10A nee- Bo noAe 6epesa cTOJUa. PyccK811 eap0JlHaH necR11.O6pa-
    HK fl)! OUfUIC' • • • • • • • • • • • 15 6oTKa H. Kallfll8 . . . . . . . . . . 92
    N. Rizo!. Variations on the Ukrainian folk-song Doshchlk Vo Pole Beryoza Stoy_ala ("In the Field· a Birch Stood
    ("Raindrops") in Beauty"). Russian folk-song. Arranged by
    llepeneA<JflKIJ. Be.llopyccxa.11 eapOJlHa.11necH.11. O6pa6oTKa
    N. Katsun
    E. Kyaeeuoea . . . . . • . . . . . 24 Bo AeCo'4,r,e.PyccKaH eapOJlHaHnecHH. O6pa6oTxa r. IIIee-
    Perepyolochka ("Quail-Hen, Deary Mine"). Byelorussian Jlepeaa • . • . . • . JOI
    folk-song. Arranged by Ye. Kuznetsov Vo Lesochke ("In the Coppice"). Russian' f~lk-M>ng:
    Arranged by G. Shenderyov
    H. Peaon&. Bapeauee ea re11y pyccx:oA eapoJlBOA necHH
    «Ax Tilt, SUMYWKIJ·SUMO>. . . • . • . . 29 B. IloJlropelilA. Cl>a&TasHR ea -re11y pyccxoA eapo,lleoA nee-
    N. Riz?I. Variati_ons ?.nthe
    Russia_n folk-song Akh, Ty, RH «HO'le,U,tca, • . • • • • • . . • 105
    z,mushka-Zirna ( Hey Thou Winter, Pleasant Time") V. Podgomy. Fantasy on the Russian folk-song Nochenka
    ("Pitch-Dark Night")
    Hay,,uTb AU TR, BaHJOwa. PyccKaR eapo,llHaH necHR. O6pa-
    60TKa B. Morosa . . . . . . . . . • 35 llpu TYMaHe.,"P" iJo.AuM.Pyccxa,r HapoJU1811 necHR. O6pa-
    Nau.chit Li Tga, Vangusha ("Shall I Teach Ye, Dear . 60TKa H. Maneeea . . . . . -: . . . 112
    Vanyusha ..."). Russian folk-song. Arranged by Pri Tumane, pri DoliM ("Foggy Weather in the Valley").
    V. Motov Russian folk-song. Arranged by I. Matveyev
    Crenb aa cTem ,r,pyzoM. PyccKa11 HapOAB811necR11.O6pa- xoaUAa MAIW81UeHbK,Q. Pyccxa,r HapO,llR811 necRJI.O6pa6oT-
    6oTKa B. 6enosa . . . . . • 38 Ka A. Te11omeaxo . . . . . . . . 118
    Step da Step Krugom ("Steppes and Stepp~ A;ou~d"): Khodila Mladyoshenka ("A Maid Was A-W~lklng"):
    Russian folk-song. Arranged by V. Belov. Russian folk-song. Arranged by A. Timoshenko
    'lapaaw. BearepcKHA Hapo,llHlilATaHeu. O6pa6oTKa H. PH· B. Ilo.11ropHlilA.Cl>aHTa3HH Ha TeMy yxpaeHcxoA RapOJlHOA
    30JIII . . . . . . . . . . . . 45 necHH «llosiQ. siTpe, Ha B,r,paiHy, • • . • • . 123
    Csardas. Hungarian folk-dance. Arranged by N. Rizo) V. Podgomy. Fantasy on the Ukrainian folk-song Poviy,
    Vltre, na Vkraylnu ("Hey Thou Wind, Blow up Our
    OraasaAU M011oay. PyccKaH HapoJlHaH nece,r. O6pa6oTKa Country")
    r. IIlee,llepeea . . . . . . . . . . . 52
    Bo clltpoM 6opy TponuHa. Pyccxa11 HapoJlHa.11 nece,r. O6pa-
    Otdavali Molodu ("Given in Marriage Was the Maid").
    Russian folk-song. Arranged by G. Shenderyov 60TKa r. WeR,Aeposa • . . . . • . . . 129
    Vo Syrom Boru Troplna ("There's a Pathway in the Fir-
    B. IloJlropHlilA. Bapeauee Ha re11ypyccKoAeapOJlROA necRH Wood"). ~ussian folk-song. Arranged by G. Shen-
    «lIOAOCbUU,KQ, . . • . • . . . • 55 deryov
    V. Podgorny. Variations on the Russian folk-song Polo-
    synka ("My Patch of Land") B. noJlropHlilA. Cl>aHT83HHHa TeMY pyccKoA RapOJlHOA
    nnRCKH«BaplJIHV . . . . . . . . . . 132
    Ka,r, y HaWUX y sopoT. PyccKaH eapOJlH811neceH.O6pa6oT- V. Podgorny. Fantasy on the Russian folk-dance Barynya
    Ka A. CypKoea . . . . . . . . . . . 66
    Kak u Nashikh u Vorot ("By the Gateway by Our llusHa azoaa. Pyccxa,r HapoJlH811necHR. O6pa6oTKa A. Ta-
    Gate"). Russian folk-song. Arranged by Surkov A, . M0WeHKO . . . • . . . . . . . . 147
    Pivna Yagoda ("Sweetish Berry Booze"). Russian folk-
    BosAe pe14,r,u,BOSAe MOCTa. PyccKaH eapO,!lHaH necHH. song. Arranged by A. Timoshenko
    O6pa60TKa B. MOTosa . . . . . . . 70 l1oce10 M6eay Ha 6epeey. Pyccxa,r Hap0JlHaHnecHR. O6pa-
    Vozle Rechki, vozle Mosta ("Near the Streamlet, near the
    Causeway").· Russian folk-song. Arranged by 6oTxa A. TH11omeexo . . . . . . . . . 153
    V. Motov Posegu Lebedu na Beregu ("Now Well, I'm Sowing Goose-
    Foot on the Bank"). Russian folk-song. Arranged
    B. Hsaeoe. Ilapact,pas Ra TeMY pyccKoA eapo,lleoA necRH by A. Timoshenko
    .«YTyw,r,a 11yeosaa, . • • . . . • . . . 73
    V. Ivanov. Paraphrase on the Russian folk-song Utushka
    Lugovaya ("Ducky-Duck from the Grassland")

    06UUUIpeAaKIUIJI
    '1>.Jbmca
    Edited by F. Lips

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    A 5209010000-242 469_ 85
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    ~T~TICA

    Anthology
    of Compositions
    for Button Accordion
    Part III
    Compiled and Edited
    by F.Lips

    MOCKBA «MY3bIKA»1986
    Moscow «Muzyka»
    nPEJU1CJIOBHE

    B III qacTb «AHTOJIOrHH .mTeparypbl .1vrn 6a- A. H. Jlycpepa); 11.neH Co103a KOMOOJHTOpoe CCCP
    HHa» BKJllO'leHbl IlbeCbl, B OCHOBY KOTOpblX IlOJlOJKe- ( C 1944 r.); 3acJ1y)l{CHHblf1 .llCSlTCJlbHCKYCCTBPC<l>C p
    Hbl HapO.ll,Hble TaHUbl, HaHrpbllllH, a TaK)Ke o6pa6oT- ( 1980); npeno.naBaJl a rMnH HM. fHeCHHblX Ha cpa-
    KH cpOJ1bKJ10pHb1XMeJl0.11.Hfl,C03)].aHHble B 50-70-e ro- J<y.1bTeTe HapO.IJ.HblX HHCTpyMeHTOB (c 1951 no
    )].bl, He BOUIC.11.lllHeB npe.11.bl.ll.YlUHeTOMa. 1964 r.), a ropbKOBCKOii KOHCepaaropHH (c 1964 r.;
    B HaCTOHlUeM BblilYCKe noMemeHbl o6pa3Ubl TBOp- .C 1972 - npocpeccop); aarop MHOfOll HCJlCHHblX npoH3·
    11ecrna npe.11.CTaBHTeJ1eiipa3JlH'IHblX pecny6J1HK H ro- BC./leHHH .llJIH xopa, CHM<pOHHlJCCKoro,pyccKOfO Hapoµ.-
    po.u.oa Hallett CTpaHbl. HapH.U.Y C nbecaMH MaCTHTblX Horo; .u_yxoaoro, 3crpa.u.noro opKecTpoa, pa311006pa3-
    KOMil03HTOpOB, CHHCKaBUIHX WHpOKYIO H3BeCTHOCTb, HbIX ancaM6Jieii H OT./lC.'lbHblX HHCrpyMeHTOB; SlBJlSlCT·
    3.lleCb npe.u.craaJieHbl MHHHaTtopbl MOJ10.llb!X aBTO))OB. CH Ta1oi-;e aaTopoM y11e6Horo nocoonH «Kypc
    1 1teHHH

    HecMOTpH Ha TO, 'ITO coapeMeHHblH 6aHH CMeJio naprnTyp )lJIH opKecrpa pyccKHX Hapo.11,HblX HHCTpy-
    yraep)K)laeTCH B ccpepe KaMepHO-HHCTpyMeHTaJlbHOrO MeHTOB». TTpoH3BC./lCHHHH. 4aiiKHHa .11,.111 6aHHa cTa-
    HCKYCCTBa H BO MHOfOM IlO)l'IHHHeTCH 3aKOHOMepHO- .rrn Ba}KHeiirneii eex.oii B HrtOpHH 6aHHHOf0 HCOOJIHH·
    CTHM pa3BHTHH npocpeccHOHaJibHO-aKa)leMH'leCKOro HC- TCJlhCTBa.
    IlOJlHHTeJlbCTBa, OH He yTpaTHJl opraHHlJHOH CBH3H C rne6oe EereHHH AneKcaH)l.pOBH'I(p. 1929) - KOM-
    6bJTOBbIM MY3HUHpoaaHHCM H no-npe)KHeMy Jlto6HM B 1103HTOp, ne.naror; OKOH'IHJI 6e.TJopyccKyto rocy.u.apcT-
    caMbIX WHpOKHX CJlOHX CJiywaTeJieii. eennyto KOHcepaaropHIO (1956; K.TJacc KOMn03HUHH
    TT03TOMY HapO.ll.Hble Ha11rpbl1UH, taHUbl H neCNIHble A. B. 6orarb1peaa); 11.TJeHCoto3a KOMTT03Hropoa CCCP
    o6pa60TKH HBJlHIOTCH Ba)l{HO!f cocraBHOII 'laCTblO pe- (c 1955 r.); HapOJJ.HblH aprncr CCCP (1984), .1ay-
    nepTyapa coapeMeHHOro 6aHHHCTa. pear focy.llapcTBeHHO» npeMHH 6CCP ( 1970); npo-
    TTpHBe)].eM OCHOBHble CBC,il.eHHH06 aaropax npOH3- cpeccop MHHCKOH KOHCepearopHH no KJiaccy KOMfl03H-
    Be)leHHII, Bollle.lllllHX B .naHHblii BhmycK. UHH. Coll.: onepa «Teosi eecHa», 4 6aJiera, 5 CHMcpo-
    11nfr, oparopHH, KaHTaTbl, xopb!, KOHUepr .11,.1si ro.'loca
    MoTOe Bna)I.HMHp HHKOJJaeBH'I(p. 1925) - 11cno:1-
    C opKeCTpOM, poMaHCbl, neCHH, MY3b1Ka .llJIS! KHHO,
    HHTeJ1b, ne.naror, KOMil03HTop; OKOH'IHJI cpaKyJlbTCT
    ITpOH3Be.lleHHSl.11,JIHHap0.11,HblXHHCT))YMCHTOB.
    HapOJJ.Hb!X HHcrpyMeHTOB ( 1953; KJlacc 6aHHa
    Ky3Heuoe Bna)I.HMHP HeaHOBH'I (p. 1920) - ttc-
    C. n. BeJIHKOBa. H. 5I. 4aiiKHHa) 11 HCTOpHKO-reope-
    no.'IHHTe.rrb; OKOH'IHJI TTepMcKoe MY3blKaJ1bHOe Y'HWH·
    THKO-KOMn03HTOpCKHH cpaKyJlbTeT rMnH HM. fHeCH-
    we (K.TJacc 6asitta M. r. JltoHbKOBa); apTHCT JleHKOH-
    HblX ( 1956; KJJacc KOMn03HUHH T. H. XpeHHHKOBa,
    uepra; Jiaypear 4-ro BcepoccnficKoro KOHKypca aprn-
    B. 5I. We6aJ1HHa H J1. H. HayMoaa); 3acJ1y)KeHHblll
    croe 3CTP8.llbl ( 1964, 3-H npeMHH; B .llY3TC C ryc.'IHpOM
    pa6oTHHK KYJJbTYPbl PC<l>CP ( 1971). B re11eHHe MHO-
    B. THXOBbIM); aerop ITbeC H o6pa60TOK HapO.llHblX ne-
    rnx JleT 3aHHMa.ncsi ne)larorH'ICCKOH ./lCHTeJibHOCTblO
    CeH H raHues .11,Jisi 6asrna.
    B My3blKaJ1bHOM rMnH
    Y'IHJlHLUe H HM. fHeCHHblX; WeH)l.epee feoprHit fpHropbeBH'I ( 1937-1984) -
    aerop MCTO./lH'ICCKHX pa6oT, CO'IHHCHHH H o6pa60TOK
    KOMIT03HTOp, HCilOJIHHTCJib, ne.naror; OKOH'IHJI MY3bl·
    JJ.JJH6asrna. Ka.ThHOe y11ttJrnme B CHMcj)eponoJJe ( 1958; K,,1acc 6a-
    Wanaee AHaronHH AHApeeBH'I (p. 1925) - HCilOJl· HHa B. M. Kpae11eHKO, KJiacc KOM003HUHH H. B. )Kop-
    HHTCJJb, KOMn03HTop, .llHPH)l{ep; OKOH'IHJJ lleHTpaJ1h- HHKa); Y'IHJICS! B rMnH HM. fHCCHHblX (K.1acc 6asiHa
    ttyto MY3bJKaJibHYto UIKo.ny npH MocKoBcKoii KOHcep- H. 5I. 4aiiKHHa); JaHHMaJicsi neJJ.arorn11ec1-:oii .11eH-
    aaropHH ( 1941; K.nacc cpoprenHaHo A. 6. fo.nb./lCHBef!- re.1bHOCTbto; 6bl.n co.nHCTOM H aKKOMfl8HHaTOpOM 5IJI-
    3epa); 3ac.ny)l{eHHhlli apTHcT PC<l>CP ( 1963); B co- THHCKOH <pHJJapMOHHH,lJJleHOM Coto38 KOMn03HTOpOB
    cTaee .llY3Ta 6aHHHCTOB (c H. A. Kpb1.11oab1M) racrpo- CCCP; aerop CO'IHHCHHii }l.TJHopKecrpa pyccKHX tta-
    .rmpoeaJJ no crpaHe H 3a py6e)l<0M; co.!JHCT MocK011- po.11.Hhix HHCTpyMeHTOB, npOH3BC)leHHlf H o6pa60TOI\
    uepTa; aerop MHOfHX o6pa60TOK .llJIH 0./lHOro H .llBYX JlJIS! 6aHHa.
    6aHHOB, a TaK)l{e opHrttHaJibHblX nbec. CypKOB AHaTOJIHH AneKceeBH'I ( 1919-1983) -
    lfaitKHH HHKonait SIKoeneBH'I (p. 1915) - KOMno- neJlaror, HCflOJlHHTC.nb;OKOHlJH.1fMTTJ1HM. ftteCHHblX
    :lHTOP, ne)laror; OKOH'IHJI HCTOpHKO-Teopern11ecKHH cpa- ( 1953; KJJacc 6aHHa C. n. BeJIHKOBa, H. 5I. 4aiiKHHa);
    KY,/JbTeT K11eacKofi KoHcepearopHH ( 1940; KJiacc KOM- C 1971 r. .llOUCHT rMnH HM. fHeCHHbIX; 3ac.,1y)l{eHHhllf
    no3HUHH Jl. H. PeayuKoro, B. C. KoceHKO, 6. H. J1H- .11.eHTCJibHcKyccre PC<l>CP (1973); asrop MHOrnx MC·
    ro1m111cKoro, K.1ace cneu11a.'lbHoro cpopTenHa Ho TO.ll,H'leCKHXpa6oT, o6pa6oTOK .llJIS! 6aHHa.
    4

    lllumaKOB IOpHH HHKOJiaeBH'I (p. 1925) - K0Mno- .ll.JIH 6aHHa, ,!lJIH aHcaM6Jie» H opKectpa pyccKHX Ha-
    3HTOp, ne.n,aror; OK0H'IHJI HCTOpHK0-teopetHKO-KOMn0- PO.ll.HhIX HHCtpyMeHTOB.
    3HTOpcKHH q>aKyJibTeT fMTTH HM. fHeCHHblX ( 1948; naHHU.KHH Hsau .SIKOBJleBH'I (p. 1906) - HCnOJIHH-
    KJiacc KOMn03HIJ.HH M. <1>. fHeCHHa); 'IJieH CoJ03a KOM- TeJib, ne.n.aror; JiaypeaT BceCOI03HOro CM0Tpa ttcno.1-
    TT03Htopos CCCP (c 1949 r.); c 1948 r. npeno.n.aet B HHTeJieH Ha Hapo,!lHblX HHCTpyMeHtaX B MoCKBe
    fMTTH HM. fttecHHhIX (s 1966-1974 rr. 3ase.n.osa.1 ( 1939 r., I npeMHH); 3acJiy)KeHHbIH aptHCT PC<l>CP
    Kacpe.n,pOH HapO,!lHblX HHCTpyMeHTOB 3TOro HHCTHTyta, (1957); O,!lHH H3 nepBblX 6aHHHCTOB, KOTOpble csoe11
    c 1977 r. - npocpeccop); 3acJiy)l{eHHbIH .n,esneJJb HC- HeyTOMHMOH TBOp'leCKOH .n.eHTe.'lbHOCTblO cnoco6crno-
    Kyccrn PC<l>CP ( 1971). TTepy IO. WmnaKosa npH- BaJIH yTBep)l{,!leHHIO 6aHHa B Ka'lecTBe nOJIHOnpaBH0ro
    Ha.n,Jie)l<aT MHOfO'IHCJieHHble npOH3Be,!leHHH B CaMblX C0JibH0fO HHCtpyMeHta aKa,!leMH'leCKOH KOHIJ.eptHOH
    pa3HOo6pa3HblX )l{aHpax: tpH CHMQ)OHHH (2 ,!lJIH CHM- 3CTpa,!lbl; aBTOp nepBbIX BblCOKonpoqieccHOHa.%HblX
    q>OHH'leCKOro, l ,!lJIH pyccKoro ttapo.n,Horo opKectpa), o6pa60TOK pyccKHX Hap0,!lHblX neceH, a taK)l{e MHOro-
    opatopttH «TTeCHH CeJia lliyweHCKOro», npoH3Be,!leHHH 'IHCJieHHblX tpaHCKpHITIJ.HH ,!lJIH 6aHHa.
    ,!lJIH qiopTenHaHO, apcpbl, aHcaM6JieH, BOKa.1bHble co- J.J.ep6eHKO EereHHH UetpOBH'I (p. 1949) - K0Mn0-
    'IHHeHHH H .n,p. Oco6o 3Ha'IHTeJieH BKJia.n, IO. lliHwa- 3HT0p, ne.n.aror; OK0H'IHJI rMTTH HM. fHeCHHblX
    K0Ba B MY3bIKy ,!lJIH pyccKoro Hapo.n,Horo opKectpa H (1973 r.; KJiacc 6aHHa A. H. fyCH; q>aKyJibtaTHBH0
    OT,!leJibHblX Hapo.U.HbIX HHCtpyMeHTOB. Ero TBOp'leCTB0 33HHMaJicH no KOMTT03HIJ.HH y IO. H. WttwaKosa);
    HBHJIOCb cyw.ecTBeHHblM BKJia.U.OM s peneptyap 6aJia- nperro.u.aBaTeJib IIO KJiaccy 6aHHa B OpJIOBCKOM My-
    Jiae'IHHKOB, .ll.0MpHCTOB, 6aHHHCTOB, rycJIHpOB, a TaK- 3bIKaJibH0M Y'IHJIHW.e ( C 1974 r.); aBTOp IIpOH3Be.n,e-
    )Ke pa3JIH'IHblX aHCaM6JieH pyccKHX Hapo,!lHb!X HHCT- HHH ,!lJIH opKectpa pyccKHX Hapo,!lHb!X HHCtpyMeHTOB,
    pyMeHTOB. KpoMe Toro, IO. lliHwaKOB - asrnp pH.n,a attcaM6Jief1 H OT,!leJibHblX HapO,!lHblX HHCtpyMeHT0B.
    MeTO,!lH'leCKHX •PY.ll.OB, B TOM 'IHCJie y11e6HHKa no HH- Hai-i.MYIIIHH IOpui-i. HHKOJiaeBH'I (p. 1948) - KOM-
    ctpyMeHTOBKe .U.JIH pyccKoro ttapo.n.ttoro opKecTpa. IT03HTOp; OKOH'IHJI r MTTH HM. fHeCHHblX ( 1973; KJiacc
    BJiaCOBBHKTOp fieTpOBH'I (p. 1936) - KOMn03H- 6aHHa A. E. OHerntta); OKOH'IHJI MocKOBCKYJO KOHcep-
    TOp, ne.n,aror, HCnOJIHHTeJib; OKOH'IHJI JlhBOBCKYIO KOH- sarnpHIO ( 1978; KJiacc KOMII03HIJ.HH C. A. BaJiacaHH-
    cepsarnpHIO ( 1963; KJiacc 6aHHa M. n. O6epJOXTHHa); Ha); B 1984 r. OKOH'IHJI acnHpaHtypy no K0MII03HIJ.HH
    B HaCTOHW.ee BpeMH - H. o . .n.ou.eHTa O.n,eCCKOH K0H- B fMTTH HM. fHeCHHbIX B KJiacce rrpoq>eccopa
    cepBatopHH; aBTOp MY3blKH K KHHOq>HJibMaM H MHOfO- H. H. ne»Ko; 'IJieH COJ03a KOMn03HTOp0B CCCP C
    'IHCJieHHblX opHrHHaJibHblX npOH3Be,!leHHH H o6pa6o- 1982 r.; aBTOp CHMq>OHH'leCKOH H xopOBOH MY3b!KH,
    TOK Hap0,!lHb!X MeJIO,!lHH ,!lJIH 6aHHa. npOH3Be,!leHHH ,!lJIH JJ.YXOBOro opKecTpa, ,!lJIH opKeCTpa
    MHCKOB KOHCTaHTHHAJieKCaH,ll,pOBH'I(p. 1921) - pyccKHX HapO,!lHblX HHCTpyMeHTOB., ,!lJIH 0T,!leJibHblX Ha-
    KOMn03HTOp, HCnOJIHHTeJib; OKOH'IHJI KtteBCKYIO KOH- po,!lHblX HHCTpyMeHTOB.
    cepsarnpHIO ( 1952; KJiaCC KOMn03HIJ.HH K. <1>.naHb- fpHJJ.HH 8HKTOp <l>e.11.opoBH'I (p. 1943) - HCn0.'1-
    KeBH'la); 'IJieH CoJ03a K0Mn03HtopoB CCCP (c HHTeJib, .D.HPH)l{ep, KOMn03tttop; oKOH'IIVI fMTTH
    1958 r.); asrnp xopOBblX H HHCTpyMeHTaJibHblX npo- HM. fHeCHHblX ( 1982 r.; KJiacc 6aHHa B. n. Ky30BJie-
    H3Be,!leHHH, neceH, a TaK)l{e MH0f0'IHCJieHHblX nhec ,!lJ1H Ba); COJIHCT H rnaBHblH ,!lHptt)l{ep opKectpa rocy.D.ap-
    6aHHa, ,!lJIH TpHO H KBapteta 6aHHHCTOB, B HX 'IHC- CTBeHHOro pecrry6JIHKaHCKOro pyccKoro HapO.D.HOfO aH-
    Jie - ,!lBa KOHIJ.epTa ,!lJIH 6aHHa c opKectpOM. caM6JIH «PoccHH»; 3acJiy)l{eHHhI» aptHCT PC<l>CP
    JloH,ll,OHOBfietp netpOBH'I (1928-1981) - KOM- ( 1980); asrnp npOH3Be.D.eHHH ,!lJIH opKeCTpa pyccKHX
    no3HTOp; OKOH'IHJI MocKOBCKYIO KOHcepsaTopHIO HapO,!lHblX HHCTpyMeHTOB, .ll.JIH rntapb!, a TaK)l{e IIbeC
    ( 1957; KJiacc KOMn03HIJ.HH E. H. MecCHepa); Ha npo- H o6pa60TOK HapO.ll.HhlX MeJIO.D.HH .ll.JIH 6aHHa.
    TH)KeHHH MHOfHX JieT 3aBe,!lOBaJI pe.n.aKIJ.HeH JIHTepa- Ha IOu Kun AneKcau.11.p (p. 1954) - Hcno.rrnH-
    TYPbl ,!lJIH HapO,!lHblX HHCTpyMeHTOB H3,!laTeJibCTBa TeJib, K0MII03HTOp; OKOH'IHJI rMTTH HM. fHeCHHblX
    «CosetcKH» KOMTT03HTOp»; 'IJieH CoJ03a KOMn03HTopos (1979 r.; KJiacc 6aHtta IO. T. AKHMoBa H A. A. Cyp-
    CCCP c 1971 r.; 3acJiy)l{eHHbIH .n.eHTeJib HcKyccTB Kosa); C0JIHCT opKectpa focy.D.apcrneHHOro aKa,neMH-
    PC<l>CP ( 1978); asrnp npoH3Be.n,eHHH .ll.JIH opKecTpa 'lecKoro pyccKoro Hapo.n.ttoro xopa PC<l>CP HM. TTHT-
    pycCKHX HapO,!lHblX HHCTpyMeHTOB, xopa, cpopTenHaHO; HHU.Koro; asrnp IIhec H o6pa60TOK Hapo.!lHblX MeJIO.ll.HH
    ,!lJIH 6asrna HanHC3HbI: KoHu.epT ,!lJIH fOTOBO-Bbl6opHO- ,!lJIH 6asrna. ·
    ro 6aHHa c OpKecTpOM pycCKHX HapO,!lHblX HHCTpyMeH- KypMaura31,1 Car1,1p6aee (1806 [1818?]-1879
    TOB, CoHaTa, noJIHq>OHH'leCKHe nbeCbl, 3TIO,!lbl, o6pa- [1889?]) - Ka3aXCKHH uapO.!lHblH K0Mn03HTOp, HC-
    60TKH Hapo.U.Hhlx neceH H TaHu.es. IIOJIHHTeJib Ha .ll.OM6pe, npocJiaBH.lCH KaK asrnp HH-
    THMoweHKO AJieKcaH,ll,pA<l>auac&eBH'I(p. 1942) - CTpyMeHTaJibHblX nbec ,!lJIH .n,oM6pbl (K!OH); KJOH Kyp-
    KOMn03HT0p, ne.naror; OKOH'IHJI f MTTH HM. fHeCHHblX Mattra3hI 6bIJIH nporpaMMHblMH no 3aMblC.'1)', Otpa)l{a-
    ( 1971; KJiaCC 6aHHa B. n. Ky30BJieBa, q>aKyJihTaTHBHO JIH n0.D.JIHHHYIO )l{H3Hb Ka3aXCKOfO Hapo.n.a. TsopqecT-
    33HHMaJICH no KOMn03HU.HH - y IO. H. ill Hwa Kosa); B0 KypMaHra3bl OKa3a.TJO orp0MH0e BJIHHHHe Ha pa3-
    ne.naror BopoHe)l{CKoro HHCTHtyTa HCKyccTB; asTop BHTHe MY3hlKaJihH0H KYJihtyphl 3ana.D.HOro Ka3axcta-
    npOH3Be,!leHHH ,!lJIH opKeCTpa pycCKHX Hapo,!lHblX HH- Ha. KJOH HCilOJIHHIOTCH Ha HapO.ll.HhlX HHCTpyMeHTaX,
    ctpyMeHTOB, ,!lJIH OT,!leJll>HblX Hapo,!lHblX HHCTpyMeHT0B. B nepeJI0)l{eHHH ,!lJIH CHMcpOHH'leCKOfO H HapO.!lHOro op-
    COMKHH BJia)I.HMHp HsaHOBH'I (p. 1949) - HcnoJI- Kectpos, cpoptenHaHO, CKpHnKH, xopa H .ll.P- O6pa60T-
    HHTeJib, KOMTT03HTOp; OKOH'IHJI fMTTH HM. fHeCHHhix Ka .ll.,'IH 6aHHa ITbeCbl «A.D.a»» Bb!IIO.TJHeHa .rrnypeaTOM
    ( 1974 r.; KJI3CC 6aHHa 6. M. Eroposa); MY3bIKaJibHblH Me)KJJ.yHapo,!lHoro K0HKypca, ne.n,aroroM AJIMa-ATHH-
    pyKoso,nHTeJib AHcaM6JIH pyccKoA MY3b1KH, neCHH H cKo» KoHcepsarnpHH fa»cHHbIM AttatoJIHeM My6aps1K-
    TaHu.a «JleJib» npH MocKOBCKOH rocy.n.apcTBeHH0H 06- 3HHOBH'leM (p. 1952).
    .1acTHOH q>HJia pM0HHH; asrnp necen, npoH3se.n.elfHH M. H MXaH.Ul{KUu, <P. .llunc
    FOREWORD

    Part Three of the "Anthology of Compositions for of Music, Moscow. - Pedagogical writings. Origi-
    Button Accordion" contains folk-tunes as arranged nal compositions and arrangements for button accor-
    by this country's professional composers and accor- dion.
    dion-players in the fifties, sixties, and seventies - Shalayev, Anatoly Andreyevich (b. 1925), concert
    conventional adaptations of songs and dances and performer, composer, conductor. Graduated from the
    concertante-style paraphrases by both renowned class of A. B. Goldenweiser (piano) at the Central
    masters and younger talented musicians, resident in Secondary Music School, Moscow ( 1941). Honoured
    different republics and provinces of the USSR. Artist of the RSFSR (1963). Touring throughout the
    It is incontestable that the modern button accor- country and abroad under the auspices of the MOS-
    dion has been integrated into the sphere of what can CONCERT Agency, Moscow, notably as a member
    be described as sophisticated chamber music, so the of the MOSCONCERT Button Accordion Duet (with
    present-day stage in cultivating the instrument ad- N. A. Krylov). - Numerous pieces of music for but-
    mits of judging by the standards applicable to the ton accordion (arrangements and originals, solo and
    whole of contemporary art music. For all that, the duet).
    button accordion is by no means divorced from its Chaikin, Nikolai Yakovlevich (b. 1915), composer,
    folk roots - it is still truly popular with the masses. teacher. Graduated from the Kiev Conservatoire in
    That is why widely known songs and dances, notably 1940-in composition (under L. N. Revutsky,
    unpretentious arrangements of traditional folk-tunes, V. S. Kosenko and B. N. Lyatoshinsky) and in piano-
    are absolutely indispensable to the accordionist's playing (under A. N. Lufer). Member of the USSR
    repertoire *. Composers' Union (since 1944). Honoured Master of
    Here is some information about the composers the Fine Arts of the RSFSR (1980). From 1951 to
    and arrangers presented in this volume of our An- 1964, Instructor at the Gnesins Institute of Music,
    thology. Moscow. Since 1964, on the staff of the Gorky Con-
    Motov, Vladimir Nikolayevich (b. 1925), concert servatoire: Instructor (until 1972) and, subsequently,
    performer, teacher, composer. Graduat_ed from. the Professor. - Choral music; numerous compositions
    Gnesins Institute of Music, Moscow, - 111 accordion- for symphony orchestra, Russian folk instruments
    playing (under S. P. Velikov and N. Ya. Chai_kin) orchestra, wind band, light orchestra; ensemble and
    in 1953, and in composition (under T. N. Khrenmkov, solo pieces for varioµs instruments. "A Course in
    V. Ya. Shebalin and L. N. Naiimov) in 1956. Honour- Playing from Orchestral Score (Russian Folk Inst-
    ed Contributor to the Cause of Culture of the RSFSR ruments Orchestra)".
    (1971 ). For many years, Instructor at t_he Gn~sins His works for button accordion have constituted
    Secondary School of Music and the Gnesms Institute a highly importand chapter in the history of accor-
    dion music.
    Glebov, Yevgeny Alexandrovich (b. I 929), com-
    * Some of the compositions chosen for the present publica-
    tion are, as a matter of fact, original concert pieces, with poser, teacher. Graduated from the class of A. V. Bo-
    folk melodies employed as themes which undergo development gatyryov (composition) at the Byelorussian Conser-
    within the framework of a self-dependent structural conception. vatoire, Minsk, in 1956. Member of the USSR Com-
    Yet the bulk of the volume is constituted by folk-songs arranged posers' Union (since 1955). National Artist of the
    in a fairly straightforward and unassuming manner.
    USSR. State Prize of the Byelorussian SSR ( 1970).
    The title of each song, which, in most cases, is incident- Professor of Composition at the Byelorussian Con-
    ally none other but the opening line of the lyrics, is transli-
    terated (viz., romanized) and, in brackets and quotation servatoire, Minsk. - Opera Your Spring; four ballets;
    marks, rendered into English by means of what might be refer- five symphonies; oratorios, cantatas, choral music;
    red to as "equirhythmic translation", that is to say, a trans- Concerto for voice and orchestra; lieder, songs; film
    lation which conveys not only the meaning of the original but music; compositions for folk instruments.
    also its metre (i. e., arrangement of stressed and unstressed
    syllables). The same applies to the two previous volumes of l(uznetsov, Vladimir Ivanovich (b. 1920). concert
    the Anthology (Part One: Moscow 1984; Part Two: Moscow
    1985).- V. Y. performer. Graduated from the class of M. G. Lyun-
    6

    kov (button accordion) at the Perm Secondary Londonov, Pyotr Petrovich ( 1928-81), composer.
    School of Music. Third Prize in the 4th RSFSR Com- Graduated from the class of Ye. I. Messner (com-
    petition of Variety Performers ( 1964) - with the posHion) at the Moscow Conservatoire in 1957. For
    gusli-player V.Tikhonov. Touring under the auspices a long period, Head of the Editorial Department of
    of the LEN CONCERT Agency, Leningrad.- Original Music for Folk Instruments of the Sovetsky Kom-
    compositions and arrangements of folk songs and pozitor Publishing House, Moscow. Member of the
    dances for button accordion. USSR Composers' Union (since 1971). Honoured
    Shenderyov, Georgy Grigoryevich ( 1937-84), Master of the Fine Arts of the RSFSR ( 1978). -
    composer, concert performer, teacher. Graduated Compositions for Russ,ian folk instruments orchestra;
    from the Simferopol Secondary School of Music choral works; piano music; Concerto for fixed-bass/
    in 1958-in accordion-playing (under V. M. Krav- freebass button accordion and Russian folk inst-
    chenko) and in composition (under N. V. Zhornyak). ruments orchestra; solo pieces of music for button
    Continued his studies in the class of N. Ya. Chaikin accordion (a sonata, numerous contrapuntal com-
    (button accordion) at the Gnesins Institute of Music, positions, studies, arrangements of folk-tunes).
    Moscow. Member of the USSR Composers' Union. Timoshenko, Alexander Afanasyevich (b. 1942),
    Performer for the Yalta Philharmonic Society (solo composer, teacher. Graduated irom the Gnesins In-
    and accompaniment). Several years' teaching expe- stitute of Music, Moscow, in 1971 - in accordion-
    rience. - Compositions for Russian folk instruments playing (under V. P. Kuzovlev) and in composition
    orchestra; originals and arrangements for button (under Yu. N. Shish akov). ··Inst.ructor at the Voro-
    1

    accordion. nezh Institute of the Arts. - Orchestral and solo


    Surkov, Anatoly Alexeyevich (1919-83), teacher, compositions for Russian folk instruments.
    concert performer. Graduated from the class of Sorokin, Vladimir Ivanovich (b. 1949), concert
    S. P. Velikov and N. Ya. Chaikin (button accordion) performer, composer. Graduated from the class of
    at the Gnesins Institute of Music, Moscow, in 1953. B. M. Yegorov (button accordion) at the Gnesins
    Honoured Master of the Fine Arts of the RSFSR Institute of Music, Moscow, in 1974. Musical Director
    ( 1973). Since 1973, Assistant Professor at the of the Lei Russian Folk Group at the Philharmonic
    Gnesins Institute of Music, Moscow. - Numerous Society of the Moscow Region. - Songs; compo-
    pedagogical writings. Arrangements of folk-tunes sitions for button accordion; orchestral and ensemble
    for button accordion. pieces for Russian folk instruments.
    Shishakov, Yury Nikolayevich (b.· 1925), com- Panitsky, Ivan Yakovlevich (b. 1906), concert
    poser, teacher. Graduated from the class of performer, teacher. Honoured Artist of the RSFSR.
    M: F. Gnesin (composition) at the Gnesins Institute First Prize in the National Competition of Per-
    of Music, Moscow, in 1948. Member of the USSR forming Musicians (Folk Instruments) in Moscow
    Composers' Union (since 1949). Honoured Master (1939). - Numerous arrangements of Russian folk-
    of the Fine Arts of the RSFSR ( 1971). On the staff songs for button accordion.
    of the Gnesins Institute of Music, Moscow: Instruc- His indefatigable pioneering activities have
    tor ( 1948-77), Head of the Department of Folk Inst- greatly contributed to the cause of consolidating the
    ruments (1966-74), Professor (since 1977). -Two position of the button accordion in the concert hall.
    symphonies; a symphony for Russian folk instruments In the thirties, he was the first to skilfully adapt
    orchestra; an oratorio (Songs of the Village of traditional songs for the instrument.
    Shushenskoye); numerous solo compositions for Derbenko, Yevgeny Petrovich (b. 1949), compo-
    piano, harp, various folk instruments (balalaika, ser, teacher. Graduated from the class of A. N. Gus
    domra, button accordion, gusli); ensemble pieces; (button accordion) at the Gnesins Institute of Mus1c,
    vocal music, etc. A manual of instrumentation for Moscow, in 1973; he had also been studying (op-
    Russian folk instruments; a number of pedagogical tionally) composition - under Yu. N. Shishakov. In-
    writings. structor at the Oryol Secondary School of Music
    His orchestral, ensemble and solo compositions (since 1974). -Orchestral, ensemble and solo com-
    for Russian folk instruments have become indispen° positions for Russian folk instruments.
    sable to the instrumentalists' repertoire. Naimushin, Yury Nikolayevich (b. 1948), compo-
    Vlasov, Victor Petrovich (b. 1936), composer, ser. Graduated from the class of A. Ye. Onegin (but-
    teacher, concert performer. Graduated from the class ton accordion) at the Gnesins Institute of Music,
    of M. D. Oberyukhtin (button accordion) at the Lvov Moscow, in 1973, and from the class of S. A. Bala-
    Conservatoire in 1963. Acting Assi:stant Professor sanyan (composition) at the Moscow Conservatoire
    at the Odessa Conservatoire. - Film music; original in 1978; postgraduate studies at the Gnesins In-
    compositions and arrangements of folk melodies for stitute of Music, Moscow (under N. I. Peiko), with
    button accordion. a learned composer's qualifications received in 1984.
    Myaskov, Konstantin Alexandrovich (b. 1921), Member of the USSR Composers' Union (since
    composer, concert performer. Graduated from the 1982). -Compositions for symphony orchestra;
    class of K. F. Dankevich (composition) at the Kiev choral music; pieces for wind band; orchestral and
    Conservatoire in 1952. Member of the USSR Com- solo compositions for Russian folk instruments.
    posers' Union (since 1958). - Choral works; songs; Gridin, Victor Fyodorovich (b. 1943), concert
    instrumental music, incl. numerous pieces of music performer, conductor, composer. Graduated from the
    for button accordion (solo, tr:io, and quartet); two class of V. P. Kusovlev (button accordion) at the
    concertos for button accordion and orchestra. Gnesins Institute of Music, Moscow, in 1982. Honou-
    7

    red Artist of the RSFSR ( 1980). Musical Director of traditionally played on the two-stringed plucked in-
    the Rossiya Folk Company; solo performances on strument called dombra (the stress is on the second
    the company's concert programmes. - Compositions syllable. - V. Y.). Kurmangazy's kyuis, which were
    for Russian folk instruments orchestra; music for programmatic (descriptive), reflected the real life of
    guitar; original compositions and arrangements of the Kazakh people; they had a great impact on the
    folk-tunes for button accordion. development of the art of music in West Kazakhstan.
    Na Yun Kin, Alexander (b. 1954), concert per- At present, the kyui compositions are also performed
    former, composer. Graduated from the class of as arranged for symphony orchestra, for a group of
    Yu. T. Akimov and A. A. Surkov (button accordion) folk instruments, for a European instrument (e. g.,
    at the Gnesins Institute of Music, Moscow, in 1979. piano or violin), or for choir, etc. Kurmangazy's
    Member of the orchestra at the Pyatnitsky Russian Adai Kyui is arranged for button accordion by Ana-
    Folk Choir. - Original compositions and arrange- toly Mubaryakzanovich Gaisin (b. 1952), prizewin-
    ments of folk-tunes for button accordion. ner in an international performers' competition, In-
    Kurmangazy Sagyrbayev (1806 [1818?]-1879 structor at the Alma-Ata Conservatoire.
    [1889?] ), a virtuoso musician, who had made him-
    self a name as one of the best composers (and per- M. Imkhanitsky, F. lips
    formers) of kyuis - heterophonic instrumental pieces Tr.: V. Yerokhin
    peculiar to the musical culture of the Kazakhs,
    YCnOBHWE O6O3HA4EHHH
    CONVENTIONAL SIGNS

    ~
    rOTOBaH KJiaBHaTypa fixed-bass manual
    Bb160pHaH KJiaBHaTypa f reebass manual
    Ii] 6acbl (o6a pHJJ.a) bass-tones (both standard and third)
    0 6ac ocHOBHoro pHJJ.a standard bass-tone
    B 6ac BcnoMoraTeJibHOro pHJJ.a third bass-tone
    6 Ma)KopHbIH aKKOP.ll. major chord (M)
    M MHHopm,1i-i aKKOP.ll. minor chord (m)
    7 )lOMHHaHTCenTaKKOp.ll. dominant seventh chord
    y yMeHbllleHHblH cenTaKKOp.ll. diminished seventh chord

    t B BepxHeii qaCTH neBOH KJl3BHaTypb1 in the upper half of the I. h. keyboard

    ~ B HWJICHeu qaCTH JieBOH KJiaBHaTypbI in the lower half of the I. h. keyboard


    pa3)KHM Mexa bellows open
    V
    r C)KHM Mexa bellows
    bellows
    close
    reserve necessary
    3anac Mexa
    "'
    ; : tfff bellows shake

    anuzn
    v I"\(,. sim. TpeMOJIO MexoM C ycKopeHHeM (yqameHH·
    eM) H 3aMe)lJieHHeM
    bellows shake with accel. and rall.

    ! KBapTOJlbHblH pHKOllleT quadruple ricochet

    vibr.
    i TpHOJlbHblH pHKOllleT
    BH6paTO
    triple ricochet
    vibrato
    vibr. BH6paTo C H3MeHeHHeM nyJibC3UHH unstable vibrato
    9;i' fll Hi'111 ;oi> HereMnepHpOBaHHOe rnHccaH)lO untempered glissando

    Ann.'IHKaTypa B KPY:>KKaxy1<a3hrnaeTHa HC· Fingering in circles implies subsidiary but-


    @ flOJib30BaHHe BCflOMoraTeJibHbJXPH.!1.0B(o6e- ton-rows (of both keyboards).
    HX KJiaBHaTyp).

    @ HCflOJIHHThOKTaBOHBblllle to be played an octave higher

    ~ HCflOJIHHTbOKTaBOHHH)Ke to be played an octave lower

    PEfHCTPbl REGISTERS
    TTHKKOJIO Piccolo
    KoHuepTHHa Concertina
    KnapHeT Clarinet
    <l>aroT Bassoon
    fo6ou Oboe
    4enecTa Celesta
    6aHH Bayan (ordinario)
    6aHH c nHKKOJIO Bayan plus Piccolo
    OpraH Organ
    6aHH c cparoTOM Bayan plus Bassoon
    TyTTH Tutti
    OpraH c KnapHeToM Organ plus Clarinet
    OpraH c KOHUepTHHOH Organ plus Concertina

    <l>aroT C KJiapHeTOM Bassoon plus Clarinet

    <l>aroT C KOHUepTHHOH Bassoon plus Concertina


    9

    PYCCKHHTAHEU. (1949) RUSSIAN DANCE


    B. MOTOB
    V. MOTOV
    Allegro

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    13291
    ~ II'- -i--
    18
    MOJl)lOBEHSICKA ( 1951) MOLDOVENEASCA
    Mon)J,aBCKHii
    HapoAHbliiTaHeu, Moldavian folk-dance

    06paCioTKa A. Waueaa
    Arranged by A. Shalayev

    @Rubato ,:., I..-. - - .,- IJ_.:;•=-----


    f
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    Pe.uaKUllil 1984 r. Edition of 1984.


    13291
    ----
    20
    2.

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    13291
    _____________ _./
    23
    24

    8---------
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    1329)
    25
    fYUYJibCKHH TAHEU (1952) OUZUL DANCE
    H. llARKHH
    N. CHAIKIN

    Andante languido ~=66

    Sostenuto assai

    f M N'IY 6M

    13291
    26
    Vivo con J=l68

    13291
    27

    13291
    132!11
    29

    calando

    >
    .
    Poco piu sostenuto J=l26

    8------------- ---------- - - -- ----- -------


    30
    8 - - - - -- - - - - - - - - - - - - -- - --- - - -- - - - --- - -
    I
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    ,----,,,___
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    Vivo con bravura J=t68

    13291
    31

    13291
    I
    32

    8----------- -- I

    '

    13291
    33
    ~

    --------~

    Largamente e maestoso

    +=~+-ll:=~~===~~=~-==ir::~~===:t;:====~~==t===-=~l.==i=:t;
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    3. AHTO.nonn,
    J1..!ln 5aRHa 13291
    34
    cl)AHTA3HSI (1953) FANTASIA
    E. rJIE608
    Ye. GLEBOV

    13291
    35

    . .-------

    ,
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    l329J
    36

    f p
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    mp M
    JO

    13291
    37

    ---------
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    13291
    >
    13291
    39
    40

    1329)
    41

    .
    poco a poco

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    a tempo
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    6 __
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    13291
    13291
    43
    CAPATOBCKHE UEPE60Pbl <1955) SARATOV ORNAMENT ALIA
    B. KY3HEUOB
    Lento vrv:- simile V. KUZNETSOV

    f':'i

    simile
    p
    44

    13291
    45

    Allegro
    (8-----)

    1329}
    46
    Lento

    acceler.

    Lento

    13291
    47
    poco a poco acceler.

    ]3291
    48
    PYCCKH0 T AHEU. (195S) RUSSIAN DANCE
    f. WEH,nEPEB
    Largo G. SHENDERYOV

    13291
    49

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    4 . AHTO.~or1111 JI.JIii 6ai1tta 13291


    50 Lento

    8- - - - - -- - - - - - - - - - - - - - - - - -

    13291
    51
    8---- -- ---
    :::--..
    - --- - -- - Allegro
    53
    TO HE BETEP BETKY (1959) TO NE VETER VETKU
    KJIOHHT KLONIT
    PyccKast HapOJJ.Hast
    necHst ("It Is Not the Branch That's Bending")
    Moderato Russian folk-song
    06pa6oTKa A. CypKoea
    Arranged by A. Surkov
    .. ...
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    -
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    @ ~ubato con moto
    u

    13291
    f
    54

    u '----=

    13291
    13291
    56
    Largo

    :::::,,..

    :::::,,..

    8- - - - - - - - - - - -
    rubato
    --------=---- -I

    -+--------

    Lento
    rit.
    f:".

    13291
    57
    KOHUEPTHASI IlbECA (1960) CONCERT PIECE
    Ha aBCTpHHCKHe uapo,11.Hble TeMbl on Austrian folk melodies

    IO. WHWAKOB
    Yu. SHISHAKOV

    Andante
    I .
    \ I.,
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    Allegretto

    13291
    58

    ,,_ .. --... ...... ..


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    r•

    13291
    59

    13291
    60

    13291
    13291
    62
    .,, Allegretto

    ~·. ..
    T
    L..
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    I I

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    -

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    1
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    13291
    63
    XOPOBO)l ( J 964) ROUND DANCE

    r. lll EHAEPEB
    G. SHENDERYOV

    Andantino

    r
    M 7 6
    64

    13291
    7 M
    :::,..

    rdc M

    Lento
    67
    HA 51PMAPKE (1964) ON THE FAIRGROUND

    B. BJJACOB
    V. VLASOV
    Vivo

    11tfcresc.

    © J,fa]laTeJibCTBO «My3b1Ka>, 1976 r.


    13291
    5*
    68

    13291
    69

    . r-----. ,,,---.....
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    • Piit vivo vrvrvrv r vrvrv,vr


    ~ I':',
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    13291
    70

    .."" ., .. - • -.
    .

    ., .., ., .,
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    rit. mosso

    13291
    71

    13291
    72

    13291
    rit. 73
    Meno mosso

    \lE~~~=lt=~===I~~~~======S

    ~~E~~~~$~~~~~~~~*~@

    ~f sf cresc.
    M M

    13291
    74
    PYCCKHH TAHELJ. (1968) RUSSIAN DANCE

    K. MSICKOB
    K. MYASKOV
    Andante non troppo
    75

    ~~~~~~~§~~~~~§tj~~~~~~

    =~
    8
    ~~'===-~:::it= 1==ta~~==± ~*~=-1.=ii
    =F~F;:J+.ll~~ii:::t
    ::f=~~~ =f=~~E EE~Ejc:::j§
    £=~3=:'ti:

    132SJ
    76
    a tempo 77
    poco rit.

    13291
    78 Allegr
    79
    I
    80

    13291
    81
    82

    t329J
    vivo 83

    )3291
    84

    poco a poco cresc.


    85
    YKPAMHCKHH TAHEU. (t968) UKRAINIAN DANCE

    K. MSICKOB
    K. MYASKOV

    Andante non troppo

    )3291
    86

    Con moto
    stringendo 87

    rit.

    Allegro con moto e leggiero

    simile

    J329J
    88

    ------

    13291
    89

    13291
    90

    13291
    91

    Agitato
    92

    7 M:.---======

    ~r

    rlt. Allegro con moto


    poco acceler.

    13291
    93
    !(BE PYCCKHE ( 1968) TWO RUSSIAN
    HAPO!(HblE UECHH FOLK-SONOS
    npuxo~uTe,rocTu,K naM Prikhodite, gos ti, k narn
    ("Come and See Us, Precious Guests")
    06pa6oTKa 0. noH.Q.OHOBa
    Arranged by P. Londonov
    Allegretto
    .
    -- .. .. .. - .. . .. -- - - - -
    I
    '
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    '~
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    y
    V

    ,,.
    r
    JI.

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    L
    -- -, ~ ~ --'-= -= I._, ~ ~ I

    I I I I
    f. I

    cm p
    <

    .... -, L
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    -- . .. - - - - -. --
    -
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    I I ...
    ,, r.w
    ' .. -= -
    - -

    \
    ~lj~~~~fi~ff~~gg~~ffi~~~~~~
    V r V r V r

    ' 6

    13291
    95
    K OMapHMH, l(OMapoqKl,f MOH Komari ki, komarochki moi
    ("My Teeny Ones, Weeny Gnats, Gnatlings
    Mine")
    Giocoso

    13291
    96

    rlt. a tempo
    8------------------------------------------- -----------

    8--------

    7. AttTOJ1on!l1 JI.Jlll 6a11tta 13291


    98
    Y BOPOT, BOPOT (1968) U VOROT, VOROT
    PyccKaH Hapo,11.HaH
    necHH ("By the Wicket-Gate")
    Russian folk-song
    06pa6oTKa A. THMoweHKO
    Arranged by A. Timoshenko

    Allegro ma non troppo


    •

    ________ ,/

    Phi mosso

    @ l·h.11aTe,1bCTBO «CoaeTCKHil K0MD0JHT0p>, 1974 r. O6pa6orKa


    13291
    ,,,,,--------------

    13291
    101

    I
    8- - - - - - - - - - -

    poco acceler.

    13291
    Prestissimo
    8
    :: f'\.. (:~~' .. ==------ r:~~..
    /:~ - ..
    r~ F'\ ..r-...r·r•"""""'
    -- ..- .. - -- ..- -- -- ..- - .. - -.. - --
    -(9--~-,,9- :
    ;

    ,.
    \
    ~
    ~
    A
    ' I
    -- i-
    ,_ - L.-
    .. i-
    rr
    ,_
    ,_
    I
    - - -
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    ' I

    - -- -- - -
    V
    ' ,. -

    '- I
    < -::::=:::---- ff
    , ~-'r-
    I __
    : ..
    I -
    - - - .,,- - ~
    ~

    -- - - • - -
    r--i r=,

    - - -..___..,.
    ,~
    ' ------ Ii.--

    13291
    ----------------
    Liberamente, allargando
    >
    105
    SI HA KAMYWKE CW}KY (1969) VA NA KAMUSHKE SIZHU
    PyccKasl Hapo,11.uast
    OCCHSI
    ("I'm Well Seated on a Pebble")
    Russian folk-song
    _06pa6oTKaA. THMOWeHKO
    Andante
    Arranged by A. Tlmoshenko

    fl
    P leggiero
    M

    © l-fan.aTCJlbCT!lO «COBCTCKHH K0Mn03HT0p>, 1980 r. O6pa60TK3

    13291
    sfp

    Allegretto
    >
    ~ acceler.
    ~ I !-
    ... "
    I --
    - 111--- •-
    - ... ... u - - .-• . I
    ....

    ---
    Tl - 11 - K. ll • -
    r n • Tl -
    r

    ◄ M M M
    t i- i- .i-
    -
    ..
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    - ...
    ,
    •
    - -
    • -
    --
    r --- r r
    ,, I
    @Al1egro
    - ,--
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    - -
    ... -
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    - -
    _,..
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    ..."
    - -- -
    I

    --- - - - - -- -
    ,-
    -....
    .-ii .. - ~ .I
    ,-
    '~
    V

    ..- "
    ...... _,1.~
    •-111-11 -
    t -
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    l -
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    f M,,,.--.6
    I-
    - i -i-
    M
    r~
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    - ri
    - i-
    -
    r;i
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    •
    ,

    r- .. r- r- -
    " , ,_
    - -
    \
    i
    -

    ~f~gf~g~ff~~~~~~liffi~~§j~~~ffl
    ~Hii:H~::M=-==i:ii:=it~~~~~$=$~
    13291
    108
    Sostenuto

    r.\

    Largamente acceler.

    13291
    109
    YTYWKA JIYrOBASI (t969) UTUSHKA LU GOV A YA
    PyccKaR HapO)J.HaR DCCHR ("Ducky-Duck from the Grassland")
    Russian folk-song
    06pa(ioTKa A. THMOWeHKO
    Arranged by A. Timoshenko

    Andante cantabile

    Poco
    ~
    ---
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    []]

    © J,fa,1are.1bCTBO «COBCTCKHH K0Mn03HT0p:o, 1980 r. O6pa60TK3 13291


    110

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    13291
    8. AHTOJIOrHII )I.JIii 6a11Ha 13291
    114 rit.
    ---------------

    Tempo I

    13291
    B. 6ecrjJa.Mu11,bHosy To V. Besfamilnov 115
    HA BElfEPKE (1970) GET-TOGETHER
    IN THE EVENING
    B. BJIACOB
    Adagio V. VLASOV

    6
    m/rubnto

    Vivo

    rit.

    dim.
    CTrtr
    13291
    116
    Andante poco a poco acceler.
    132!!1
    118

    vivo

    simile

    13291
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    13291
    122

    1329)
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    D ~ D 13291
    D
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    124
    Adagio

    mJrubato 5

    cresc.
    5 7 M 5 7 7

    ad libitum

    5
    ~

    13291
    125
    BAPHAUHH (1970) VARIATIONS
    Ha TeMy pyccKOH HapO)lHOH necHH on the Russian folk-song
    « He)leJibKa» Nedelka B. COMl(HH
    ("All Week Round")

    ;::,;.::.~--=--=--r::.-;-:.:.-=.-=------~
    ~
    ,,----..__

    cresc.

    ~ viJJlaT£'JlbCTBO «COBPTCKHH KOM003IIT0p,., 1984 f. )3291


    126

    [lil 'l1tJI
    non leg a o

    8- - - - - - - - - - - - - - - - - - - - --

    8- - - - - - - - - ----------,
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    127
    128

    13291
    --------,

    9,AHrnJ1orn11 Jl.11116a11Ha 13291


    130

    13291
    8- - - - - -

    Lento rubato

    legato

    Allegro, acceler.
    acceler.

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    13~91
    132
    KOP06EHHHKl1 (1975) KOROBEINIKI
    PyccKasi HapoJJ,HaH necHsi ("Pedlars, Peddling Folks")
    Russian folk-song
    Maestoso 06pa6oTKa H. naHHI.IKOfO
    :::>
    Arranged by I. Panitsky

    ...-- --- .. . ..• - - r


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    8------------, rit.

    © «CoeeTCKHH KOM003flTOp», 1978 r. 06pa60TKa


    113.n.areJibCTBO

    13291
    --------------7
    I
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    11.
    8- - - - - - ,
    . -if.

    13291
    134

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    13291
    135

    It. I 2.

    13291
    136

    J329J
    137
    138
    139

    13291
    140

    )3291
    141

    8---------------------7
    I

    13291
    8 - - - - - - - . - - - - - - - - - - - - - - - - - - - - - - - - - - --
    b ~ >

    8- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1
    ~ ~ I

    8-------
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    ----------, a tempo
    ~~~t:'\ I

    8- accel.

    13291
    143
    <l>AHTA311SI ( 1975) FANTASIA
    Ha TeMy pyccKOH Hapo,ll.HOHnecHH on the Russian folk-song
    «A si no nyry» A ya po Lugu
    ("On the Grass I'll Walk")
    E. .ll.EP6EHKO
    Andante quasi improvizando a tempo YE. DERBENKO

    acceler.

    ' f mp-= =-
    ~ ~~~~~~~~~~~~~11!~f~~~~~~~~~~~§~~~~~~~~~
    ncceler.

    ~
    ~ ~====~====~====~~E
    a tempo

    ~~~~~~~~~~~i~~E§~~~t~ll~~p~st~ac~c.~~~~§~~~~~~~~~
    (

    © l13Jl3T€JlbCTBO «My3blK3>, 1986 r.


    13291
    144

    mf --=====

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    I

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    13291
    145
    8- - - - - - I

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    10. AHroJ1orn11)I.JIii 6a11tta 13291


    146

    13291
    147

    Vivo

    p
    vibr. JI,. p.
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    10• 13291
    I
    148
    HAIUHflJIIO 51 XMEJIIO p91s> NASHCIPL YU YA KHMEL YU
    PyccKasr HapOJJ.Hasr
    necHsr ("I Will Pluck Some Hop-Bines'')
    Russian folk-song
    06pa6oTKa IO. HaiiMywuHa
    Arranged by Yu. Naimushin
    Oiocoso

    ~,~ig~E£~~Ri~~~§~~~~~=g~~
    l

    >- poco rlt. a tempo

    © J,fa.uaTeJJbCTBO «CoaeTCKHH K0MU03HT0p>, 1983 r.

    13291
    Moderato

    cantabile
    p M
    150
    do{cissimo

    ten. smorzando m.f dolce

    .:::::::================::::~

    13291
    151

    rit. poco
    ten. ten. ten. ten.
    ::::,-;>- >

    acceler.

    13291
    152
    rit. poco
    ten. ten. ten. ten. ten.
    >

    poco a poco cresc.

    13291
    153

    V r V r simile
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    poco a poco er~SC.

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    13291
    154
    EXAJI KA3AK 3A ,ll.YHAA <1016) YEKHAL KAZAK ZA DUNAI
    YKpaHHCKaHHapo,11.HaH
    necHH ("Went O'er the Danube a Cossack~)
    Ukrainian folk-song

    06pa6oTKa B. rpHAHRI
    Arranged by V. Grldln

    Andantino

    © 113.!laTeJJbCTBO«CoseTCKHII K0Mil03HT0p>, 1983 r. O6pa60TKa


    J329J
    155

    13291
    156

    - ~-
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    J329J
    157
    158

    13291
    159

    .:::::,..
    Prestissimo
    160

    13291
    161

    11. AttTo.nonu, JlJl!I 6ai1Ha 18291


    162

    13291
    -- ~~ ··-- -" f
    ~---------- ·- ---i

    13291
    164

    \
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    13291
    165

    7
    106

    (
    < B M 7

    ~J!~~~~~~~~~~,~~~~3-~~~~~jJ~l~~-i~~~~13~i=~~~i=~~~~~3
    {~:•?~

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    167

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    ~ ~~~~~=;;==:::t:~::::;:::==~~======f

    J329J
    168
    AX Bbl, CEHH, MOH CEHM(t977) AKH VY, SENI, MOI SENI
    PyccKasi napo,ll.ttasi necnsi ("Ah, My Porch - My Porch, My Lobby")
    Russian folk-song

    06pa6oTKa A. THMOWettK,P
    Arranged by A. Timoshenko

    © l-fa)laTeJlbCTBO «CoBeTCKHH K0Mn03HT0p>, 1980 r-. O6pa60TK3


    13291
    ~
    ~~~~~~i=±M--ir.iit~~o~"i==~~~~==:E:
    -~-+*
    ~~~~E~3~---+~~-:;;=:.r=.
    71
    KAK Y 6A6YUJKH K03EJ1 <1978 > KAK U BABUSHKI KOZY0[
    PyccKasi Hapo.11,Hasi
    necHsi ("Grandmamma Her Billy-Goat")
    Russian folk-song

    O6pa6orKa A. Ha !Ou KHua


    Arranged by A. Na Yun Kin

    Allegro giocoso
    8- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

    © J,fa,'l.areJibCTB0 «CoeeTCKHii K0MIT03HT0p:», 1982 r. O6pa6orKa


    13291
    172
    ~

    Poco meno mosso

    13291
    173

    ~ ~~=======?:===~~~=i==f==tE=======i±

    ,~~==~~~~~~~=E=-~~~

    13291
    13291
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    1329J
    176

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    13291
    12. A11To.11orrur
    JJ.lllr 6asiHa 13291
    178
    Y fOJIY6SI Y CH30f0 ( 1979) U OOLUBY A U SIZOOO
    PyccKaR Hapo,11.HaR
    necHR (''The Bluish Dove, the Slaty One")
    Russian folk-song
    O(lpa(loTKa A. Ha IOH KHHa
    Arranged by A. Na Yun Kin

    Allegro giocoso
    ••
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    ---- i rv
    r----- ------..r V
    ~ ~
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    ,..........._

    8--------------- I

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    @ i1Jt1.aTeJibCTB0 «MY3b1Ka>, 1986 r. O6pa60TKa

    13291
    179

    :::::..__./ ~ ~

    1329f
    13291
    181

    @Maestoso
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    13291
    182

    dolce cantabile

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    13291
    >

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    :::::..
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    13291
    184

    dim.

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    ---
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    t329f
    185
    A,LI.AH* ADAI*
    KYPMA.HrA.3bl
    KURMANGA.ZY
    Allegro con brio O6pa6oTKa A, raAcHHa (1982)
    Arranged by A. Galsin

    >
    .. A.11.aii
    - 11.peBHHiipop. KalaXOB, OT.IIH'l&IOlllHikA cMe.llOCTl,IOH orHeHHblM TeMnepaMeHTOM,
    * An ancient tribe of Kazakhs, characterized by bravery and a fiery temperament.
    © l-bJJ.aTe,1bCTB0 «CoBeTCKHii K0MIT03HT0p>, 1985r . O6pa60TKa
    ,1329f
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    13291
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    * PHXOWeT. Cxo6xH yxa3blBalOT Ha 3BeHO, HCDOJIHReMoe' npHeMOM PHXOWeT.

    •• Ricochet. The passages in question are ma,rked with brackets. 13291


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    )3291
    CO)lEP)l(AHHE
    CONTENTS

    Open1-1c.r1os1-1e 3 fl Ha 1w.Mym,ce cu:HCy.PycCKaH HaponttaH necHH.


    Foreword O6pa6oTKa A. TttMoweHKO . . . . . . 105
    Ya nu kamushke :;izhu (''I'm Well Seated on a Pebble").
    B. MoroB. PyccKHH tatteu 9 Russian folk-song. Arranged by A. Timoshenko
    V. Motov. Russian Dance

    Mo,idoBeHR.CKa. MoJI.JaBCKHH Hapo.UHbIHTatteu. Yryw,ca AycOBaR.. PyccKaH HaponHaH necHH.


    O6pa6oTKa A. WaJiaeaa 18 O6pa6oTKa A. TttMoweHKO . . . . . . 109
    Moldoueneasca. ,\\oldavian folk-dance. Arranged' by Utushka Lugovuya ("Ducky-Duck from lhc Grassland").
    Russian folk-song. Arranged by A. Timoshenko
    A. Shalayev
    H. l./aiixwt. fyuyJibCKHH ratteu 25 B. BAacoB. Ha Be4epKe . . . 115
    N. Chai/1in. Guzul Dance \!. Vlasou. Get-Together in the Evening

    £. f Ae60B. <l>aHTa3HSJ 34 B. CoMKUH. BapttaUHH Ha TeMy pyccKOH Hapo.'1.-


    Ye. Glebou. Fantasia HOHnecH11«HeJ.eJibKa» . . . . . . . 125
    V. Somkin. Variations on the Russian folk-song Nedelka
    B. Ky3He40B. CaparoacKtte nepe6opb1 43 ("All Week Round")
    V. Kuznetsov. Sarato\' Ornamentalia
    Kopo6euHuKu. PyccKaSJ ttapo;i.ttasi necHSJ.O6pa-
    r. llleHoepeB. PyccKHH ratteu . 48 6oTKa 11. naHllllKOro . . . . . . . 132
    G. Shenderyuv. Russian Dance Korobeiniki ("Pedlars, Peddling Folks"). Russian folk-
    song. Arranged by I. Panitsky
    To He Berep Ber,cy KAOHUT. Pycc1rnH ttapoJI.HaH
    necHSJ.O6pa6otKa A. CypKoBa . . . . 53 £. /l.ep6eHXO. <l>aHTa3HSJ
    Ha TCMYpyccKOH Hapo,11.-
    To ne veter vetku klonil ("It Is Not the Branch That's HOHnecHH «A SJno .nyry» . . . . . . 143
    Bending"). Russian folk-song. Arranged by A. Surkov Ye. Derbenko. Fantasia on the Russian folk-song A ya po
    JO. lllumaKoB. KottuepniaH nbeca Ha asctpttti- lugu ("On the Grass I'll Walk")
    cKHe Hap0,11.Hbie
    TeMbl 57 Haw.unA,o R XMeA_10.PyccKaH ttapo,11.HaHnecHSJ.
    Yu. Shishakov. Concert Piece on Austrian folk melodies O6pa6oTKa IO. HatiMywttHa . . . . . . 148
    r. f1J eHoepeB. Xoposo.u . 63 Nf!sh~~iplyu !J.a khmelyu ("I Will Pluck Some Hop-
    Bmes ) . Russian folk-song. Arranged by Yu. Naimushin
    G. Shenderyot•. Round Dance

    B. B,iacoB. Ha sipMap1<e 67 ExaA ,ca3a,c 3a /1,ynaii. YKpa1-1HcKasiHapo,ll,HaH


    V. Vlasov. On the Fairground neCHH. O6pa6oTKa B. fpH.UHHa . . 154
    Yekhal kazak za Dunai ("Went o'er the Danube a Cos-
    K. MR.cKOB. PyccKHH tatteu 74 sack"). Ukrainian folk-song. Arranged by V. Gridin
    K. Myaskov. Russian Dance
    Ax Bbl, cenu, .MOUceHu. PyccKaH ttapo,11.HaH
    necHH.
    K MR.cKOB. YKpaHHCKHHTaHeu . 85 O6pa6oTKa A. TirnollleHKO . . 168
    K. Myaskou. Ukrainian Dance Akh vy, seni, mot seni ("Ah, My Porch - My Porch, My
    Lobby'"). Russian folk-song. Arranged by A. Timoshenko
    /1.Be pycc,cue HapodHbte necnu. O6pa6oTKa
    0. JlOH.ll.OHOBa
    Two Russian folk-songs. arranged by P. Londonov: - Ka,c y 6a6yw,cu K03eA. PyccKaH ttapo,11.HaH
    neCHH.
    O6pa6oTKa A. Ha IOH Kirna . . . . _ 171
    fl pUXOOUTe,20CTU, K H,Q.M 93 Kak !' babushki kozyol ("Grandmamma Her Billy-Goat").
    Prikhodite, gosli. k nam ("Come and Sec Us, Precious Russian folk-song. Arranged by A. Na Yun Kin
    Ciuests")
    95 y ZOAy6R. y CU3020. PyccKaSJ Hap0,ll,HaH neCHH.
    Ko.MapuKu, KO.Mapo'l.KU.Mou .
    Komariki, komarochki mot ("My Teeny Ones, Weeny O6pa6otKa A. Ha IOH KHHa . . . . . 178
    Gnats, Gnatlings Mine") U golubya u sizogo ("The Bluish Dove, the Slaty One").
    Russian folk-song. Arranged by A. Na Yun Kin
    Y Bopm, Bopor. PyccKaSJHapo.uHaHnecHSJ.O6pa-
    6oTKa A. TttMoweHK0 98 Kyp.Man2a3bt. A,1J,aii.O6pa6oTKa A. afirntta r 185
    U vorol, vorot ("By the Wicket-Gate"). Russian folk-song. Kurmangazy. Adai. Arranged by A. Gaisin
    Arranged by A. Timoshenko
    AHTOJIOTI1f:I
    J111TEPATYPbI
    ~J1HBAHHA
    'ThCl'bN
    COCTABwrEJib<P.Jll1IIC

    Anthology
    of Compositions
    for Button Accordion
    PartN
    Compiled by F. Lips

    MOCKBA «MY3bIKA> 1987


    Moscow «Muzyka>
    PEnAKUHOHHAHKOnnErH~

    6e..ru1KoeB. Cl>.,.U.onrononoe B. H., Eropoe 6. M.,


    HMxaHHU.KHA M. H., Kono6Koe C. M.,
    Kyaoe.nee B. n.. nanc Cl>.P .• MyHTHHB. A.,
    OaerHH A. E.

    5209010000-344 ~ H3A8TeJlbCTBO cMy3YKa>, 1987 r. CocTBMeRRe


    A026(0l)-87 430-87 .
    CTPE.LU1CJIOBHE

    B IV qacTb «AHTOJJOrHHJJHTepaTypbl JlJJH 6aHHa> }KHT oco6oe MecTo. HanucauuaH ew.e e 1951 r., oua,
    B0lllJIH opHrHHaJJbHble CO'IHHeHHH COBeTCKHXK0Mil0· 6JJarOJlapH CBOHM MY3hlK3JlbHO·XYJl0}KeCTBeHHI,lMJlO·
    JHTopoB H. YaitKHHa, A. XoJJMHHOBa, IO. llIHwaKoBa, CTOHHCTBaM,npo'IHO B0WJia e C0KpOBHll.J,HHU.Y 6aHHHO•
    B. )J.HKycaposa, r. llleuJ1epesa, cOJJlaHHble B 40-e - ro penepTyapa.
    60-e fOJlbl. )J.eMOKpaTH'IHble no CBOeH uanpaBJJeHHO- WuwaKoe IOpaA HaKOJJae&H'I(p. 1925) - KOMno-
    CTH, OHR OTJIH'laIOTCH6oJJbWOH XYJlO}KeCTBeHHOHJHa- anTop, ne)laror; OKOH'IHJI HCTOpHKO•TeopeTHKO·K0Mno-
    'IHM0CTblO. 6J1aroJ1api1 HpKOMY MeJIOJlHJMY, 6oraT- 3HTOpCKHHcJ>aKyJJ&TeTf MOH HM. ftteCHHhlX (1948;
    CTBY H3CTpOeHHH, HCKpeHHOCTHBblpa}KeffHH ny6JJH- KJJacc KOMil03HU.HH M. <I>.fuecHHa); 'IJieH Co10aa
    KyeMble npoH3Be)leHHH npO'IHO yTeepJlHJIHCb B KOH· KOMnoaHTopoe CCCP (c 1949 r.); npeno)laeT e
    uepTHOH H ne)laroruqecKOH npaKTHKe. 11MeHHO 3TH rMnH HM. fHeCHHblX (c 1948 r.; e 1966-1974 rr. aa-
    CO'IHHeHHH,He yTpaTHBWHe ceoeit nonyJJHpHOCTH H B Be)l0BaJJ KacJ>eJlpOH uapOJlHhlX HHCTpyMeHTOB; C
    HaWH ,JlHH, 38JIO}KHJIH OCHOBYopHrHHaJJbHOro penep- 1977 - npo<peccop); aacJJy}KeHHhlH AeHTeJib HCKyc-
    Tyapa, KOTOpblii cnoco6cTBOBaJJ pacueeTy COBeTCKOH CTB PC<l>CP ( 1971). IO. llIHwaKoey npenaAJie}KaT
    6aHHHOH WKOJlbJ H CT8HOBJJeHHIO 6aHHa K8K IlOJIHO· MHOrO'IHCJJeHHble np0H3Be.neHHSI B C8MhlX paauoo6-
    npaBHOfO HHCTpyMeHTa KaMepHO-aKa)leMH'leCKOH KOH· pa3HblX }K8Hpax: TPH CHMcl>OHHH(2 .ll.JISICHMcl>OHH'le-
    uepTHOH3CTpa,zui1. CKOrO, 1 JI.JISI opKeCTpa Ha pO.llHblX HHCTpyMeHTOB),
    1laiKHH ffHKOJJailJIKOBJleBH'I(p. 1915) - KOMilO· opaTOpHH «necuu ceJia lllywencKoro>, npoeaeeAeHHH
    3HTOP, ne)laror; OKOH'IHJI HCTOpHKO-TeopeTH'leCKHH JJ.JJH<popTeneauo, apcJ>1,1,aucaM6Jieii, eoKaJibHhle co-
    ct>aKyJibTeTKHeBCKOH KOHcepeaTOpHH (1940; KJiacc quueunH u AP- Oco6o aua'IHTeJieH sKJia.ll. IO. lllema-
    KOMnoaHU.HH JI. H. Pesyu.Koro, B. C. KoceHKO, KOBa e MY3b1KY ,nJIH uapo.ll.HblX HHCTpyMeHTOB. Ero
    6. H. JIHTOWHHCKOro, KJJacc cneu.uaJJbHOfO cJ>opTe- TBOp'leCTBO HBHJIOCb cyw.ecTBeHHblM BKJl8.ll.OM B penep-
    nHaHo A. H. JlycJ>epa); 'IJJeH Co10aa KoMnoaeTopoe Tyap 6aJiaJiae'IHHKOB, .ll.OMpHCT0B, 6aHHHCTOB, ryCJIH·
    CCCP (c 1944 r.); npeno)laBaJJ s rMnH HM. ruecH- poe, a TaK>Ke paaJIH'IHhlx aucaM6Jieii H opKecTpa pyc-
    HblX Ha ct>aKyJJbTeTe uapOJlHblX HHCTpyMeHTOB (c CKHX napoJJ.HblX HHCTpyMeHTOB. KpoMe Toro, 10. IlIH-
    1951 no 1964 r.), s fopbKOBCKOH KOHcepeaTOpHH (c W3KOB- aBTOP pHJJ.a MeTO,ll.H'leCKHX TPY.ll.OB,B TOM
    1964 r.; c 1972 - npocJ>eccop); aacJJy}KeHHblH .nes1TeJ1b 'IHCJie yqe6HHK3 no HHCTpyMeHT0BKe .ll.JIH opKectpa
    HCKYCCTBPC<l>CP ( 1980); aBTOp MHOfO'IHCJJeHffl,IX pyccKHX uap0.ll.HblX HHCTpyMeHT0B•
    npOH3Be)leHHH JlJIH xopa, CHMcJ>OHH'leCKOfO, pyccKoro .D.aKycapoa·BHKTOp BaCHJJbeBH'I(1932) - K0MD0-
    HapoJlHoro, .nyxoeoro, 3CTpa.nuoro opKecTpoe, paauo- 3HTOP, ne,ll.aror; 0KOH'IHJI O.ll.eCCKYJO K0HcepeaT0pHIO
    o6paaHblX aucaM6JJeii H OT)leJJbHblX HHCTpyMeHTOB. (1957; KJ18CC6asrua B. n. 6VHJieBH'18); 38HHM8JICSI
    SIBJJHeTCHTaK}Ke a1fropoM yqe6uoro noco6uH «Kypc e .aaoquoii acnapautype no KJiaccy 6as1Ha npe Kuee-
    'ITeHHH napTHTYP JlJIH opKecTpa pyccKHX uapoJlHblX cKoit K0HcepeaTOpHH no.ll. PYK0B0.ll.CTB0MM. M. rene-
    HHcTpyMeHTOB>. OpouaeeJleHHH H. lJaiiKHHa .ll.JJH6a- ca (1961-1965); aeTop .ll.BYX KOHU.epT0B JJ.JIH 6a-
    HH_aCTaJJHBa}KHeiiweii eexoii e HCTOPHH6aHHHOro HC- HHa C opKecTpOM, PSl.ll.8 n&ec, o6pa60TOK, 9TIO.ll.0B.
    nOJJHHTeJJbCTBa. WeH.11.epea reopraA fparop1,eea11 (1937-1984)-
    XOJIMHHOB A.neKC8HAP HH.KOJlaeaaai (p. 1925) - KOMnoaatop, ne,ll.aror, HCnOJIHHTeJib. OKOH'IHJI CHM·
    KOMn03HTop; OKOH'IHJI MocKOBCKYIO KOHcepeaTOpHIO <f>eponOJJbCKOe MY3blKaJJbHOeY'IHJIHW,e (1958 r.; KJl8CC
    (1950; KJJacc KOMnoauu.nH E. K. rony6eea); tJJJeH 6asrua B. M. KpaeqenKo, KJiacc K0Mnoaeu.HH
    Co10aa KoMnoaHTopoe CCCP (c 1950 r.); naypeaT ro- H. B. )KopHHKa); Y'IHJICH B rMnH HM. ruecHHhlX
    cyJ1apcTeeHHOHnpeMHH PC<l>CP (1969) u focyJ1apcT- (KJiacc 6asrHa H. SI. lJauKHHa); 6blJI 11J1eH0MCo10aa
    aeuHoii npeMHH CCCP (1978); uapoJlHblii apTHCT K0Mnoaetopoe CCCP (c 1982 r.), aaneMaJJcH ne.naro-
    CCCP (1985); aeTop pHJla onep ( «ODTHMHCTH'lecKaH reqecKoii, ,ll.eHTeJibHOCTbJO; pa6oTaJJ COJlijCTOMe aK-
    TpareJlHH>, «lJanaee>, «llIHHeJJb>, «KoJJHCKa> u Jlp.), KOMD8HHaTOp0M SIJJTHHcKoii cJ>enapMOHHH; aeTop co-
    BOKaJJbHO·CHMcl>OHH'leCKOH MY3b1KH,npOH3Be)leHuii JlJUI 'IHHeHHH )1.JISIopKeCTpa pyccKHX uap0JlHhlX HHCTPY·
    opKecTpa Hapo,ll.HbJXHHCTpyMeHT0B. CpeJlH HeMHOf0· MeHTOB,0beC H o6pa60TOK .ll.JISI6asrua.
    'IHCJJeHHblXCO'IHHeHHii JlJIH 6aHHa CJOHTe npHHa)lJie-
    M. HMXaHu14,cu,l,<P.,Dunc
    FOREWORD

    Part Four of the "Anthology of Compositions for Shishakov, Yury Nikolayevich (b. 1925), com-·
    Button Accordion" contains noteworthy pieces of this poser, teacher. Graduated from the class of
    country's original accordion music of the forties, M. F. Gnesin (composition) at the Gnesins Institute
    fifties and sixties- compositions by N. Chaikin, of Music, Moscow, in 1948. Member of the USSR
    A. Kholminov, Yu. Shishakov, V. Dikusarov, G. Shen- Composers' Union (since 1949). Honoured Master
    deryov. The works included in the present volume, of the Fine Arts of the RSFSR ( 1971). On the staff
    easily understood by the public at large, are highly of the Gnesins Institute of Music, Moscow: Instruc-
    significant in terms of aesthetics. They are sincere, tor (1848-77), Head of the Department of Folk In-
    genuinely expressive, rich in melodies, ingenious struments ( 1966-74), Professor (since 1977). - Two
    in texture. Therefore, they are still frequently played symphonies; a symphony for Russian folk instru-
    both in the concert-hall and in the classroom. As ments orchestra; an oratorio (Songs of the Village
    a matter of fact, these compositions belong to the of Shushenskoye); numerous solo compositions for
    core of the original repertoire of the button accordion piano, harp, various folk instruments (balalaika,
    - a full,and equal participant of the chamber seg- domra, button accordion, gusli); ensemble pieces;
    ment of art music. vocal music, etc. A manual of instrumentation for
    Chaikin, Nikolai Yakovlevich (b. 1915), com- Russian folk instruments orchestra; a number of
    poser, teacher. Graduated from the Kiev Conser- pedagogical writings. - His orchestral, ensemble
    vatoire in 1940- in composition (under L. N. Re- and solo compositions for Russian folk instruments
    vutsky, V. S. Kosenko and B. N. Lyatoshinsky) and have become indispensable to the instrumentalists'
    in piano-playing (under A. N. Lufer). Member of repertoire._ .
    the USSR Composers' Union (since 1944). Honoured Dikusarov, Victor Vasilyevich (b. 1932), com-
    Master of the Fine Arts of the RSFSR (1980). From poser, teacher. Graduated from the class of
    1951 to 1964, Instructor at the Gnesins Institute of V. P. Bazilevich (button accordion) at the Odessa
    Music, Moscow. Since 1964, on the staff of the Gorky Conservatoire in 1957. Extramural postgraduate
    Conservatoire: Instructor (until 1972) and, sub- studies under M. M. Gelis at the Kiev Conservatoire
    sequently, Professor. - Choral music; numerous (1961-65).-' Two concertos for button accordion
    compositions for symphony orchestra, Russian folk and orchestra; a number of character pieces, studies,
    instruments orchestra, wind band, ·light orchestra; arrangements for button accordion.
    ensemble and solo pieces for various instruments. Shenderyov, Georgy Grigoryevich ( 1937-84),
    "A Coui:se in Playing from Orchestral Score (Rus- composer (admitted into the USSR Composers'
    sian Folk Instruments Orchestra)". - His works for Union), teacher, concert performer. Graduated from
    button accordion. have constituted a highly important the class of V. M. Kravchenko (button accordion),
    chapter in the history of accordion music. and from the class of N. V. Zhornyak (composition),
    Kholminov, Alexander Nikolayevich . (b. 1925), at the Simferopol Secondary School of Music in 1958.
    composer. Graduated from the class of Ye. K. Golu- Continued his studies in .the class of N. A. Chaikin
    bev (composition) at the Moscow Conservatoire (button accordion) at the Gnesins Institute of Music,
    in 1950. Member of the USSR Composers' Union Moscow. Performed (solo and accompaniment) for
    since 1950. State Prize of the USSR (1978). Natio- the Yalta Philharmonic Society. -Compositions for
    nal Artist of the USSR (1985). -Operas (Optimis- Russian folk instruments orchestra; original com- .
    tic Tragedy, Chapagev, The Ooercoat, The Carriage, positions and arrangements for button accordion.
    and others); semi-orchestral music (compositions
    for symphony orchestra with vocal parts); music for M. lmkhanitskg, F. Lips
    Russian folk instruments .orchestra. - The Suite for Tr.: V. Yerokhin
    button accordion (1951) is a generally acknowledged
    master-work of accordion music.
    YCJIOBHbIE 0603HAlJEH11SI
    CONVENTIONAL SIGNS

    !TI rOTOBaHKJlaBHaTypa fixed-bass manual


    rn:J e1,16opuaHKnaeaarypa freebass manual
    [fil 6ac1,1 (o6a pHAa) bass-tones (both standard and third)
    0 6ac OCHOBHOro
    PHAa standard bass-tone
    B PHJta
    6ac BCDOMOraTeJibHOrO third bass-tone
    B Ma:>Kopu1i1iiaKKOPJl major chord (M)
    M MHHOpHlilH aKKOpJl minor chord (m)
    7 JlOMHHaHTcenTaKK0PJl dominant seventh chord
    y yMeHbl.l.leHHlilHcenTaKKOPJl diminished seventh chord
    t a eepxHeii 11acTHneeoii Knaeaaryp1,1 in the upper half of the I. h. keyboard
    ~ B HU[){CHeU
    11acTHneeoii KJ1aBHaTyp1,1 in the lower half of the I. h. keyboard
    V paa:>KHMMexa bellows open
    r C:>KHM Mexa bellows close
    -v aanac Mexa bellows reserve necessary

    l=cffr TpeMOJIOMeXOM bellows shake

    rtmmr TpeMOJIOMeXOM C ycKopeuHeM (y11a-


    w.euaeM) H aaMeJtneHHeM
    b·ellows shake with accel. and rail.

    f'
    KBapTOJlbHl,IHpHKOWeT quadruple ricochet

    -
    TPHOJihHhliipnKoweT triple ricochet
    vibr. eu6paTo vibrato
    vibr. ~ BH6paTQC H3MeHeHHeMnyJihCaUHH unstable vibrato
    , K'1H,•,'**
    HeTeMnepupoeanuoe rnuccaHAO untempered glissando

    AnnJIHKaTypa e Kpy:>KKax yKaa1,1eaeT Fingering in circles implies subsidiary


    @ Ha HCDOJlb30BaHHeBCDOMOraTeJibHhlX button-rows (of both keyboards).
    psi.u.oe (o6eHx KJiaeaaTyp).

    @ HCDOJIHSITb
    OKTaBOHBblUJe to be played an octave higher

    ~
    HCDOJIHS!Tb
    OKTaBOHHH:>Ke to _beplayed an octave lower
    PEf11CTPbl REGISTERS

    ~ IlHKKOJIO Piccolo
    €, Konu,epTHHa Concertina
    @ KJiapneT Clarinet
    e <l>aroT Bassoon
    ~ fo6oif Oboe
    ~ lJeJI~cTa Celesta
    @ fiaHH Bayan (ordinario)
    8 Basrn c · DHKKOJIO Bayan plus Piccolo

    =
    it
    Oprau Organ

    •e
    Basin c cj>aroTOM Bayan plus Bassoon
    TyTTH Tutti
    Oprau c KJiapueToM Organ plus Clarinet
    ~ Oprau c Konu.epTHHOH Organ plus Concertina
    @ <l>aroT c KJiapneToM Bassoon plus Clarinet
    @ <l>aroT C KOHu,epTHHOH Bassoon plus Concertina
    6
    H. PU30A10 To N. Rizol

    COHATA .M 1 h moll SONATA No. 1


    (1944)
    I H. lfARKHH
    Allegro risoluto J::108 N. CHAIKIN

    6aHH

    sempre marcato
    7

    I
    .,

    13581
    9

    13581
    a tempo

    marcato

    18581
    11

    ---------
    i r

    13585
    I
    .
    '-----..;--------~--
    13581
    13

    ::>- ::>-

    13181
    Poco phi mosso
    molto
    ::,..

    Tempo I
    13585
    2.AH,o.worH. ,. IV 13SSS
    13585
    sostenuto

    ;:::,,-

    a tempo
    21

    .maestoso

    a tempo

    18585
    22
    TeMa C eapHa~HHMH n Theme with Variations

    tema
    Andante placido J:48

    112.

    ______
    __,, _______
    _.,,,
    • Op■ ■CIIO,IJlell■■ COll&TM -.UKOII DOSTopeH■• 110 II UCTII HeolU&Te.1 .. W.

    • All the repetltlou are to be performed only when the seco..«ImovementIs played separatelv.
    11181
    28
    va~ 1 I
    Moder a to assal • =54

    piu J

    cresc.

    13581
    r
    24

    6 1

    var. 2
    Con moto J:54.
    - ,.·~-.A I
    .. - ~
    - - >. .. - > . - > .
    11:.- .
    --
    I

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    •
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    -

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    ♦
    25
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    I

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    --
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    \ , V ~ u

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    A I
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    -
    -LI

    ...._.....
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    mf 1 I
    "
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    I .. -- - .. '
    JI
    "ll ► ...
    '"
    "JI
    -
    - -
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    -- r- ,I ·1

    poco rubato
    26

    ' . I.,
    ... I - I

    --
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    --
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    -9-

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    ..
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    r
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    6 6 6 6 ,rtf 6 6 6 6

    ~ -..- ,.
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    -
    ~
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    -
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    n~3 I
    Andantino un poco rubato •=so
    sempre legato

    r 13188
    27

    13581
    ossia:•

    var. 4
    r
    Con tristezza
    i r

    * Hcnoauen:a op■ no■rope■u.


    * To be played when repeated.
    111111
    var. 5
    Allegretto grazioso J:112·

    stacc.

    13585
    marcato

    13585
    var. 6 31
    Tempo del comincio J:48

    _______
    _.,.,

    ________
    __.,., ______
    ,,,,
    1358&
    32
    CKepu,o III Scherzo

    Allegro brillante J =116


    >

    ll&SS
    11. IV
    3. AHTo.aorHR. 13585
    34
    Poco piu largamente J.:92
    cantabile ~~,;:j---

    M 6 M M 7

    ,,,,,---
    13581
    36 I

    f M
    >:

    In tempo
    ♦HH8JI IV Finale
    Maestoso .J:S2
    Presto d:96 39
    11581
    - -
    Ul_,,
    ...... -- --
    ..- - -- __..,._ - -- - -- - ...
    II

    - -Y- - - - I
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    --
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    V -

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    ., .J:-:

    Poco piu sostenuto


    ?

    Psub.
    13&85
    I
    . -.. ,_
    l u ..- ... ..............
    molto misurato
    > .. , ,, 11111 ,, , .... .....
    , •
    - ., _::...
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    6
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    ~

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    .
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    - - -·
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    .,. -· -
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    -

    -- -
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    -
    I
    n
    ...___ ~ /

    13585
    47

    poco rit.

    13585
    48 :::,..

    6 M

    r r

    18588
    motto sostenuto

    --
    8- -- - - - -----
    --..
    -- ---
    ------
    - ----- ---------- ---------,
    :
    49

    dim. poco poco

    Presto assai

    4. AKTo.1orN■. •· IV 13585
    50

    13585
    18585
    52

    Prestissimo d=1J8
    53

    . .. . . . l
    I
    J
    ----
    I
    ,.
    ..
    I
    .. ... .. .. -.- ...
    ti~ I,, - .•

    . ~-
    71
    . ~-
    . .
    71
    ,
    -- ...,
    -- -
    I

    --
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    --·
    -
    :7
    a •
    • r 3 I~

    .. ~ ~ ~~ i i~ i
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    .
    .. - -
    \ '
    ....
    I
    '
    '
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    ~ I
    -
    • • • ..

    13581
    54
    JIHPHI.JECKHABAJlbC (t9s&> LVRICALWALTZ
    H. 'IARKHH
    N. CHAIKIN
    Tempo di Valse

    .. - - -.
    \ ~ ff .- .. ............,,.
    I
    I
    -·.. --- .
    .- - -
    . -· .--. ~-
    -- .., .... - .I- -1
    ,

    -
    ~

    -
    I
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    _,
    ~
    ~

    • M M
    ,n,f -
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    ,_ ~
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    j
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    - .. -- - - -. - ·-. -.
    " '
    . --
    ....__ Y,11 --

    u ~

    '
    ~

    y
    . -· ~

    '
    6 -

    13585
    55

    11111
    ,n,f M

    J
    --- - -J
    , -~J:t J J .. ~.I_.( J
    -
    ~

    - ----------- - -
    I:: I ..

    ----
    -
    -
    u

    .
    ~ ~
    '
    I - -
    ---=..,._ --

    .., ... ~

    '
    -..;;;;
    "--'

    M
    - J
    I
    --"
    ~

    I I I

    7
    ....:.:::=
    M

    ... .. I: I'"
    • I'" I= I'"
    r- Jf r
    r
    r
    r H l ...I. ~ f E_
    .,. ... - -
    - -- ----
    -"
    .__
    '

    '
    --=~
    .L
    ~

    ~
    ~

    -
    -
    ~

    L - , ~
    -'-'.

    ---
    ... 16 -

    -
    .__.

    mppiacevole
    57

    poco strlngendo

    1358S
    tlim.

    .J- i"
    - l . T - -
    - ,.. =
    .J•.LJ J J --
    I
    II j

    . .
    -
    .
    -

    . - -
    I
    --- 1
    .
    - -
    ~ ~ ~

    ~ ,.
    'I'
    - ~
    I - -
    I

    poco a poco cresc.


    ~
    I L L ~
    M
    .. • -~ -~
    .. . '- t . . r.. '
    i
    - ~ t
    .-
    fi ,. l
    ~ .. - - .
    ...
    -=-~ . . - . -. .
    ~

    ~ ~ ~

    . • ~ ~ ~

    -
    59

    a tempo

    13585
    60

    IOMOPECKA (1956) HUMORESQUE


    ff. IIARKHH
    N. CHAIKIN
    Tempo giusto

    I I- ·t- I"!'
    ...
    ..~- -•---~_
    -' - - - - - - -..- - --
    ......
    ....
    - It- • -~
    • !f • I- It- .. ~,. •
    -~
    I
    I •
    ., - -
    r
    - -- --
    -
    -
    - -
    - - - --- -- -
    - - - - - -- -- --
    - -
    I""

    ◄ = "V '1/1,f
    &
    :::.

    ~i..
    i
    - ""
    M 1
    I l~ -tt -
    IL L-
    1 ::::i,..
    It- ~ ·I-~
    i.
    '- .t ~ l :t t- l
    I -_~ -- - -.. ,._-
    -- - ,.._
    ~ r
    \ r

    r_ - ;iii-
    ;iii'-- --
    tiilll"'- liiiii-"-

    135_85
    61

    I
    I
    - ..-
    r
    - - - - ---- - -
    . ., I
    • r
    ••
    --
    - -r
    I
    - r::. -
    - - r- - - • ~-a.b•a.~--
    ., -- - ----- - -- - - -.- -- -- - -- - -.--- -- - -- - -- - -
    - - - - - -
    /'."'""':.
    -
    ~ ~ ~ ~ ~
    ._
    ~

    mp
    -
    ' ~ 7~ 7~M 7~M
    11e ~ I:
    i' -- ..- -~ I=
    .. J!° ~

    -.., - --..,
    ]I~
    -·-·
    ~

    I •

    - --. ......, .., - ·-


    ...
    ~

    I .... r ,
    \
    ·-· -,
    •1

    ·-· -• I I
    62

    13585
    63

    poco allarg.

    13585
    64

    a tempo

    13585
    65

    n
    .
    -
    _, _/ -
    • J ~t J ~ ~h~ ~ t- I- It- ~+f--
    -•
    ~ I- ....~- ..
    I .-4t .-. - - - - - - - - - - - - -- - - - - ,.

    - -- -
    - -- ...., -
    - - - ---
    ===-

    j
    I nrf l
    --=::
    ~

    mif 6
    --..-~..s:
    ~

    --==
    --

    ..
    I -.-.
    - -
    --- L
    t- t-
    -
    7 ::::,..
    -1:- I: ·1: :.t
    - 7 :::::,,.

    - --- - -- -
    \ :::::,,. ';::,..
    r -
    ;::,.. :::,.. :::::,,. S,..
    ~
    ., S,.. ::::,.. ,.__
    ~- - - ,.-
    -

    S.AHTOJIOl"HII. 'L IV J358S


    66

    TOKKATA (1956) TOCCATA


    H. qARKHH
    N. CHAIKIN
    Allegro con bravura
    .:::..
    67

    13585
    68
    Il
    ...
    I
    ,
    •
    - r- - --
    ;;;;:- --= -~
    - -- ..··- -. - - - ---. - -. - ---. - --. --- --.
    ---- ~

    ..- . - -----::!' ~

    - -- - - - -. - - . - - -.. - -.
    I~
    ' I I

    ii

    411
    F

    -
    '-= - '-= - -
    '-=
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    I

    I _I I

    m,f M y
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    ~ ~ ·1- i-
    -
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    I

    - -...-- . - ~

    - -,
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    -
    I I
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    ... t.--
    .,
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    - - .. .. . ~- 69

    . .
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    ~ r

    ' " - - -- - - - - -- - - ~ -, I

    .. ~- .. ~ ..
    t
    poco a poco cresc.

    i i= ~ !:
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    --- - . -... - - - - -
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    r II i..

    i..--- --.J
    ~

    L--- -- L--

    a tempo

    135811
    70
    71
    ~

    1351$
    72

    I -
    J -
    \
    ~·
    ,.
    I
    ,.
    ,.
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    I

    --
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    --
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    l 1r i ... E
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    ---
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    -
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    .. ~

    I
    --.....J

    13581
    73

    __________
    ...._.......
    ___,,
    l3SSS
    74

    CKOMOPOUJHHA (1965) RUSSIAN MINSTRELSY

    H. 'IARl(HH
    N. CHAll(IN
    Vivace
    ~

    I Allegro giocoso

    sempre stacc.
    75

    (senza rit.)

    Poco a poco piu animando

    --.........

    13585
    Tempo I

    13585
    Con brio

    m,f

    ...
    ,.I.I -=
    ,, n
    .
    ri

    ..
    ~-
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    11
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    - -
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    -
    13585
    rit. ~
    79

    Grave
    ~ ...--...
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    \ I

    - - . - -
    '

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    ... ........~
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    ..
    --
    ---- ..... .. ...
    ~ ~

    -
    . . -- -◄
    F F

    _ ...
    • 11
    ◄
    >- ◄
    :::> >-
    ◄ ◄
    >-
    '11
    >-
    f M
    I= ~ ~!!:. ~- ..
    7
    ::::- :~
    M

    - -·
    ►-
    r. l,~1i.; t: >
    i-- -
    M
    =;. jJ:
    --- ~

    -- -· ,_,
    -- -· -" -- I

    -
    -
    ~

    - ,~
    -
    I "
    - D' al
    I

    se11no al ♦ e pot ta Coda

    ♦ Coda
    80

    flACCAKAJlbSI (1966) PASSACAOLIA


    H.11ARKHH
    N. CHAIKIN
    Moderato
    1\ I
    ...
    --
    - - -- r

    - --. T

    . --
    . . •
    ..,-
    II
    , .. 1 r1 '-

    Im- =iJ. ~ 1,17 -u- -u


    ' ml ijtT
    . ...
    .-
    - ... . .. -
    --. -
    - --
    ~

    -.,-
    - I 11~ - ••
    ~ • r -
    .-
    ~

    I
    -
    I
    ~

    "T

    '
    I .
    -' .- ,,--
    ~- .
    . . I -
    -=e.
    U I

    qu- v,/V -e- + " +


    ' poco cresc.
    I

    dim.
    --
    I

    --
    - -. -·- --
    ~
    r ,,
    Ell-111.--

    I
    r1
    -
    C

    I
    "

    var. 2

    11585
    81
    ia:
    ..
    ... .-.. .,.
    "
    I

    -
    .---:-:--....
    • I...,_
    V
    -
    -
    -
    -
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    ~
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    - - -
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    - -•
    ' II ' I

    t I
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    -
    ....
    --· .- V,

    V
    .
    ..

    -
    w ,,
    -
    I
    .. ·~ - ·~ ~

    poco a poco cresc.

    6.AHTo.aOrHll.
    •· IV 13585
    13585
    • " .... -
    I I
    --=·
    -I
    ..
    ..
    ,.
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    -··..
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    --
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    r
    -
    .
    I

    V
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    Poco im p etuo so
    ;;:,...

    13&8S
    13685
    M

    var. 9

    var. 10
    Tranqulllo

    qrr

    var. l l Poco a poco piu animando

    I
    I
    I
    I I
    I

    I ' _t1' ' f7t , ' fl,


    I I
    •

    ' tB ' '


    fj [j
    I I

    j:, lh,i;
    * BapHaHT.-a11aw6opaoro Guaa.
    * Version for freebass accordion.
    '' ' '
    13585
    87

    ,ij,n, ,•Li, ,n, . 0


    I

    •, n ,
    I
    I

    1 .,

    I
    I
    I
    I I

    , tJ ,,t] I ., fl , fl
    I I
    I
    •
    .,
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    ~I•~~ ~~f] f1 '


    I

    j, 1 7
    1 "t
    ' '

    I
    I

    ••
    ., 17] ., 'I qiJ ' i ' f] '
    var. 12
    Con moto

    ' ti
    f

    13S8S
    13181
    89

    var. 13
    Molto pesante
    90

    var. 14
    Maestoso r l 1
    91
    CIOHTA (1951) SUITE

    fieCHSI I Song
    A. XOJIMHHOB
    A. KHOLMINOV
    Largamente
    I ~ ~ ~ ~ h# ..
    ~
    I
    r I
    I
    0
    I
    .
    ~---
    -. -· - - -
    - --- ..
    ..
    I . r
    I
    ~~
    ---- .--· - -- - -.- - --
    • - -
    'PP
    - ■• I
    I -
    ~-- ... - - - -
    - .,.,-
    - ..

    13585
    92

    13585
    AJ:l:t.lJ', V

    -g
    g
    Q.
    ~-
    V
    ,v
    V•
    =
    ... (f!·· V
    I V
    ~ 7'1
    II Ii+}[ llv
    V

    v•
    !" l'PI-IIVi
    IL IIIL-ll\,"C
    0

    ~ 1'!111.1 V
    V

    CD
    Cl:>
    !)4

    >

    -....._....;
    .
    !--======

    ~~r·
    mf-=======

    CKepu.o II Scherzo

    Presto brillante

    13585
    95
    -
    7> - - ---
    - - - - -- - - - - -
    , \~ I
    - -
    I ~

    I
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    -
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    0 I I I.

    t - -
    I I
    -
    '
    ·l
    6,_ cresc.
    ,, r
    I -· L -·
    '-
    I •

    - -. ...
    .. -. - .-·
    .
    -
    II
    I ~

    ,,
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    - - -I
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    - - - .. -
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    I . -- -
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    .- - ...
    ... - - - --
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    --l - -.
    cresc.

    I
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    1358S
    cresc.

    13585
    97
    poco a poco rlt.

    ~
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    cresc.

    7. AHTG.IOfH. ... IV
    98

    Lento, rubato

    acceler.

    p
    M

    l358S
    99
    acceler. a tempo
    rlt.

    ) l. -_J
    ~

    I
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    ,._,, .._

    M
    - -- - - -- - - - -- --
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    M
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    6

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    '
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    13585
    100
    rlt.

    _....
    cresc.

    Cadenza

    · poco a poco cresc.

    '1¥ -t@JIJJ)i@Jl{J
    ; ~
    1'@JI\QJ,#fJ ~
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    1 ,,rgtJ't •rTI ct rt t r rf , qrrt crft


    1fiiliitit rr; csrictrft r ~

    poco a poco acceler.

    / 7

    ..
    13SSS
    101

    FY

    13585
    102

    energico

    13585
    103

    ==--"tf
    ="=o=lc==e

    ri .

    acceler.

    rit. - :; 1
    LT a tempo
    .., ◄~
    I - -·
    }

    - ..r -- -
    ..
    l'1
    ,u
    AA I

    .. ' .,.-' -- - - .... -

    -
    r-
    •-
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    l I J
    j
    -

    r◄ r, - -
    r◄ ~ tt"• ~.. r-◄
    -=::::-
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    ~

    '

    - ~~ l1~
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    -
    I "••
    \
    I
    ---
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    -~
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    Tl -
    I
    -~
    .. -
    ..... -ff~ ..-- acceler.

    • ii:::-
    -

    ---- --
    •
    ,'I
    . - J.I -
    ,

    -
    ~. ~- . .. ·--~ - - - - - -
    .. #t .,
    -+-+-..- ◄1::----- ·;t-'
    . ..' - - - ., -~ I

    -
    I
    I
    ..
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    Q,~ i 11'":"'ff~ 11 • cresc.
    -

    - -- -
    ... ,,_ -
    .. ..,,
    I
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    ~--""
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    l,I
    --- .. ~~.__'11.,..
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    r
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    .. ... --- - - .. -
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    •

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    I .. I: !1: 'i:
    .. .,,.. ..
    .. - - -. - - -·.. • - -
    j ,
    -l) -; -I) --
    - '
    J I I
    ' ,
    104

    HoKTIOPH III Nocturne

    13588
    P-=== tenuto

    marcato
    106

    l358S
    107

    >-

    poco a poco calmando

    rrr
    5

    P--=======
    108

    IV Finale

    Largo maestoso

    13585
    109

    13585
    110

    13585
    13585
    •
    113
    a tempo

    I ~ ~ I ♦
    I
    I ~

    ..
    f t
    ..&iL

    r u- ~
    :
    u-
    ' I

    * BapHaHT A,IR HCDo.lHeHHR GesUAeH .. H■.


    Version for performing without the Cadenza.
    8.AHTo...orHR.
    11. IV 13586
    13683
    Meno mosso

    poco a poco cres,.


    u
    M M

    8* 13585
    Allegro

    13&88
    13585
    13585
    13S8S
    120

    13185
    121
    acceler.

    -========t:•/
    cresc.

    ••

    13585
    122
    IlATETH'-IECKASI PATHETIC
    HMUPOBH3AUHSI (1957) IMPROVISATION
    IO. WHWAKOB
    Vu. SHISHAKOV
    Con rnoto

    poco rlt.

    aUarg.
    .poco meno mosso

    a tempo (mosso}

    13181
    poco piuf
    6~ -~

    13585
    124

    Tempo I

    rtt.
    I _..,.. - ~~)
    ::!
    - --~ ,_
    -
    - 1-
    -~
    - "
    - -.
    .
    - -
    I ...
    I . . - - - !M=- ~-
    Ill"
    ' 1=-

    l
    --t 1-itr" I t J:f
    ---.

    ◄; cresc.

    .
    -- ..- . - -.. --- . .
    t.
    j I I I
    .. .
    .- -- -. - -
    a

    - - ·-. T
    .,
    -. --
    -- - --
    ~

    ·-
    ., ~ ~ ~

    -rr --.._
    -· I > > > .> > >'>

    piu lento
    IA ..,- ............. •
    I
    -.,- -- ---
    .
    -- -- -- -- -- --
    -~ - -
    .

    I ~ .:... .!-.
    ~

    L 'Gi
    ~- r
    ...... ,_ ,._
    G

    l r.,..
    ... ...
    ◄ 6
    M

    . i M
    I:
    I
    . . .- - -
    > >
    -. ...
    > --
    -
    >-- •
    ~

    ~
    . .
    ~
    -
    ~

    ,_
    - ' . .,.
    > > > ◄--
    >
    -~

    11111
    125
    OPEJIIOJ].HSIH TOK KATA (t967) PRELUDE AND TOCCATA
    UpeJ110~HH Prelude
    IO. WHWAKOB
    Vu. SHISHAKOV
    Andantino mosso

    poco piu mosso


    rlt.

    cresc. molto

    ...
    poco piu mosso

    11881
    126

    Tempo I

    poco piu mosso

    13585
    127
    Meno mosso
    poco rlt

    I":"-..
    Lento
    I":"-..
    l l l l

    ToKKaTa Toccata
    Allegro molto e secco
    128

    13588
    129

    •f I

    >

    9 .AHTo.1orNa.
    11. IV 13585
    180

    13681
    ,.......-....... ..-.. - - •
    - -. ~--
    ~

    ,_
    I " l
    •
    --.. -
    ~
    " - --
    ~
    - -
    ~

    - .
    .u...,

    -- ----
    ' II
    !I ,. .. l
    -- -1 - - - - - . - I

    "
    .......
    '

    I - I
    --. ---.,._
    __,
    - .-- .. - ..
    I .. -- -- - -- .. ...
    ;~-
    -- ~
    - ·- .-
    .,

    -
    ~ ~
    ~

    -.
    ' I
    13585"
    182

    poco rlt

    marcato

    I ..-
    ~

    - .
    ..
    ~
    . ~
    .-- -
    -- . -- - -· .....
    --
    • lfj: pl~ ~ ..-- .-; - ... .......
    ,. • .. )
    .

    flGI~

    t -

    . .
    ..
    . I.
    -r
    -
    - . - -
    .
    .--
    .
    I -- - ,. - ... - - .. -- . -
    -
    I I
    - -
    \
    • -,.c
    - - - tr- -
    ~

    •
    ~

    tr• - - -

    ....
    133

    f3585
    184 A. T1racAen1ro

    CKEPU.O (1958) SCHERZO


    B. JI.HKVCAPOB
    V. DIKUSAROV
    Allegro
    ....... ...> . -. - >.. . >. .
    -_...
    .. •• ..
    4f .. . L,:
    '
    ..-.
    JI ..
    . -. -. --.
    I

    -
    .-. -··- -
    -.. - . ..
    - . -
    - . - - -..
    .L&!.
    • -
    --. -I-
    I
    •
    ~

    PP leggiero
    .. .
    I
    -
    I
    - - - -
    ... I -
    I
    -
    cresc.
    j -.-·- ••·~- --
    ·- - - - - -
    .. ,. ~

    . --- . . . . -;
    - - -__,,.,,,,--.
    - .--
    4~ /"':. I I
    , . ' ...
    .. - .. . - - ..- -- -. . -
    - __.,,
    I I I

    ..,. . -
    I . . - - # •

    ....... -
    • -
    I
    ....
    j
    M M 6

    - .. -~ .
    -- -. -. s: :I:
    r' --·-. .....
    .. - - -.
    .. -. .- .
    -
    -. -. - - -
    -- ,.,
    ' I

    1,1 ~

    13585
    135
    136
    137
    138
    139

    !M

    ....
    - - -- --. -
    .. ..- -...- -- -- . . -..
    I -
    , A .1,1 I+
    ,_
    :.
    - - - ..
    . - -- " -
    I
    -
    . It
    -. - .~--
    .
    .l.l

    tJ
    I
    I I
    I -

    . -. .
    I nc
    '

    ◄ pp
    j -- --
    11

    -•. - -• --.
    . _,
    - -. ..
    L.

    - .
    - -
    L1
    I.I. ...

    -.
    I
    ~
    ~
    ~ I I

    \ • I JI

    y •

    1lfl'molto legato
    6 y 6 y

    13585
    140

    rr r
    M
    141
    13581
    143

    a tempo

    7 y

    13588
    144

    D 'al segno t1l ♦♦ e poi la Corla

    13585
    145

    CfJJl,3110

    10.AltToaorn. "· IV 13581


    146

    8-------------.
    I

    13585
    147
    B. Eect/}aMUAbHOBY To V. Besfamilnou

    nPEJIIO,llHSI (1959) PRELUDE


    B. .ll.HKYCAPOB
    V. DIKUSAROV

    Moderato non slentando

    13585
    148

    l3S8S
    149

    /-----------i------
    Allegro agitato

    1358$
    150

    111585
    151

    allarg.

    I
    .
    ,. I
    ~ .- -.
    ~
    I

    . ,. ... ., .... ---


    8-----

    ~
    •
    ..- ,,
    I

    -
    -
    I
    ~
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    I
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    ~

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    .
    •=•
    I
    ~ 11· - --
    'Ir I
    .
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    7 -,

    t..,_. i ~ ... 7
    ~ .. i: , ___
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    ,,. &..

    -
    -...c.
    --
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    7 - '
    ~

    ' . -,,

    -
    I -

    -
    -

    poco a poco rlt.


    >

    molto Tit.
    152
    Moderato
    153

    '
    ..
    •.,.=
    I
    ~
    •

    ..... --.-.r ...


    ~
    .
    ~

    --
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    ~
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    I
    - ~.,_
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    -... ~
    -
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    -
    ,.
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    ' LI ' '◄

    7
    ~
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    I -•--=...,... .. ., -
    ~

    .___ --·, -
    -· -.
    I
    ~
    I

    .
    ,,cr
    legato
    llitu;

    13585
    154

    UPEJIIO,ll.HSI H TOKKA TA (t9s9) PRELUDE AND TOCCATA

    UIEH,P.EPEB
    f.
    0. SHENDERYOV
    Lento J=&o

    -- •
    I - - - ..
    slm.
    I
    I .··~ -.
    ~
    -- ......_.
    '
    .... -- - - .. ..
    - -~ -
    I
    ,
    - - ~

    - -- - - ---
    ff -
    ,. --.. ,.
    ,,
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    -
    ~ JI

    - ~ ,._

    't
    I '-
    j --·
    pp
    --
    " tt• TT-9-ff•

    ---
    ff 1

    -
    ---
    Ret l1 - ff•
    ---
    \ r - • -..

    .. --
    ...

    ( -...
    ~

    -•
    I
    - ... .. -
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    ..
    - ..
    ·-- .,..
    ··~" tt·-
    .. -- .. . --- - -
    .~
    ..
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    -
    ~

    ,_ ,.
    --
    -
    ,

    .
    ~-.:.:.." •- tt•
    TIU • ,
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    ◄
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    It - -- -
    ~

    .. -
    ... --
    " -
    - II

    Tl -- __,,.,

    13585
    155
    allarg.

    ~rit.

    a tempo
    ~~
    -- -----
    ~

    attacca
    13585
    156

    II I ,.
    -.. . -- - • .J.:
    ~
    ~--• ~ --- " - - • ..t:i~
    --
    I,. .. •
    . ..
    ~

    I.. - • - - • -
    - --- -
    cresc.
    ... . . . .. .. ---.. -.
    .
    .,- ...
    -"' ---
    - - .- -- -.- .--
    I I I I
    --
    -
    .
    I
    - -------
    .T T
    . .
    I I -
    I
    I
    - - - - - - - -
    ---.----
    I .I
    I I
    I
    I
    I
    --------
    11185
    157
    ,.
    .._
    I I .L I hj J
    ----"'---- - - - --
    ,'I
    ..
    I
    - •
    - - ..
    ~.
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    159

    13585
    CO,llEP)KAHHE
    CONTENTS

    H. lJAFiKHH
    N. CHAIKIN
    CoHaTa N2 1 6
    Sonata No. I
    JlHpH'leCKHA B8JlbC 54
    Lyrical Waltz
    IOMopecKa 60
    Humoresque
    ToKKaTa 66
    Toccata
    CKoMopowHHa 74
    Russian Minstrelsy
    IlaCC8K8JlbH 80
    Passacaglia
    A. XOJIMHHOB. C10nTa 91
    A. KHOLMINOV.Suite
    IO. llIHllIAKOB
    Yu. SHISHAKOV
    IlaTeTHtJecKaH HMnpoeuaauHH 122
    Pathetic Improvisation
    TTpeJJIOJJ.HH
    H T0KKaTa 125
    Prelude and Toccata
    B. ,l1.11KYCAPOB
    V. DIKUSAROV
    C1<epuo 134
    Scherzo
    IlpeJJIOJJ.Hfl 147
    Prelude
    r. lllEH.[lEPEB. npeJJIOll.Hfl H TOKK8T8 154
    G. SHENDERYOV. Prelude and Toccata

    06maH pe.llaKUH <t>


    • .Tlanca
    Edited by F. Lips

    HoTaoe B3AIBBe

    AHTOJJ0rHSI
    JIHTEPAn"Pbi JlJISI BASIHA
    11@1CT• IV
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    fioARHC8H0 a Ha6op 22.06.86. OOARHCaHOa nnan 19.03.87. ~IIIT (J)X:V,,1/a•By11ara
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    YCJI. xp.-OTT. 20,0. Y'l.~H3JI..ll. 24,09. TapalK 10 000 !IIC3.Hall,. M 13586. 3ax. 1631. Uena 2 p. 90 IC,

    H3AITMioCTIO«Myana», 103031, Mocua. Hern■HHH, 14


    MoCX0IICXH TBD0rpa4>a1111\ 6 Co103ROIIBrpa4>npo11anpa fOCYAlpcTHHH0II IC0IIHTeTeCCCP
    no Ae.11111 nonarpa4>•• H llRBlKRoft Toprou■• 109088, M.OCICBa,
    H3Jl.1TeJlloCTB, :>K-88,
    IOlllHODopTO■all yn •• 24
    AHTOJIOrMH
    JIMTEPATYPbI
    ~JIHBAfIHA
    "tlACTbV.
    COCTABv.ITE.Jlb
    <P.ID1I1C

    Anthology
    of Compositions
    for Button Accordion
    Part V.
    Compiledby F.Lips

    MOCKBA «MY3bIKA> 1988


    Moscow «Muzyka>
    PE.nAKUHOHHASI KOJIJIEfHSI:

    B. ell. 6e.1urK0B,
    B. H. Aonrononos, 6. M. Eropos,
    M. H. HMxaHHU.KHA, C. M. Kono6Kos,ell. P. Jlunc,
    B. A. MyHTSIH,A. E. OeerHH

    EDITORIAL BOARD

    V. F. I3elyakov, V. N. Dolgopolov, B. M. Yegorov,


    M.. I. Imkhanitsky, S. M. Kolobkov, F. R. Lips,
    V. A. Muntyan, A. Ye. Onegin

    52090I 0000- 345


    Ao26(01)-88 453- 88 C «MyaYKa>, 1988 r. COCTaBJJeHHe
    Ma.aaTe.nbCTBO
    nPE.llHcnOBHE

    B V 'laCTb «AHTOJIOrHH JIHTepaTypbl JUUi 6aJIH8> . cpe.zr.cre KOMDOSHTopcxoro DHCbMa- oCSorawe11ae ero
    aowna npoaaaeAeHHH r. WeeAepeaa, K. MHcKoaa, DOJIH4>0HHqecKoroJl3blK8, 4>aKTypeoro H3JIOJICeBHJI,06-
    H. qaAKHHa, A. PenaHKoaa, A. THMoweeKo H 8.11.3o- HO~eHHe Te116poBO-AHH8MHqecKoAnaJIHTpbl. 3TO 6bl-
    noTapesa, coaAaHHble a 60-e roJlbl, 3TH npoH3BeJleHHJI JIO 06ycnoBJ1eHo uaqaawe11ca pacnpocTpaueeee11 r o-
    xopowo H3BeCTHblH nonynBpHbl cpe.u.H68JIHHCTOB: OHH T O 8 O•B bl (SOpH Or O M HO r OT e II 6 p OB Or O 6a-
    J1BJ1J110TCJ1
    HeoneMneMoA qacTblO yqe6eo-neAarorHqe- BH8 C ero HOBblMH xy.a:olKeCTBeHHblMH B03MOlKHOCTJI-
    cKoro H KOHUepTHOro penepTYapa He TOJlbKO COBeT- MH.
    CKHX, HO H sapy6elKHblX MY3b1K8HTOB, HeO)lHOKpaTHO CK838HHoe 00380.IIJleT cqHT8Tb npOR3BeAeHHB,
    aanHChlB8.IIHCbeeJlYll.tHMH HCDOJIHHTeJIJIMH Ha Bceco- npeAcTaBJJeHHble B Jl&HHoA qacTH «AHTOJJorHH>, sea-
    J03HOMpa.AHO H UeaTpan&HOM Tenesa,4eHHH, Ha Bce- quTenbHblM BK.118.llOM B C03Jl8HHe opHrRH8JlbHOA JIH-
    co10seoA q>HpMe rpaMOJiaCTHHOK «MeJIOJlHJI>. Bon1,- TepaTy phi JlJIB 6aaea, a T&KlKe B8lKHblll ST8DOMe pas-
    WHHCTBOH3 HHX DOCTOBHHOBKJnoqaJOTCBB nporpaM- BHTHH 6aHHHOro HCDOJIHHTeJlbCKOro HCKyCCTBa B ne-
    Mbl ecepoccHACKHX, aceco10sHblX H MelKAYH8pO)lllblX JIOM.
    KOHKypcos. IlpHBe)leM OCHOBHbleCBe,lleHHB 06 aBTOpax coqa-
    IlpOH3Be.zr.eHHRAJIJI 6aaaa 9TOro nepHOJl8 epeMeHH HeHHA, eoweAUJHX B 9TOT BblDYCK. .
    xapaKTepH3YIOTCfl HeKOTOpblMH HOBblMH qepTaMH Wee.a:epeareopraA fparop1te■H• (1937-1984)-
    B OTJIHqHeOT paeee C03.llaHHblX. PacwHpH.IICB caM o6- KoMnosHrop, HCDOJIHHTenb, ne)laror; OKOffqHJI MY3bl·
    pa3HhlA CTpoA: MY3hlKH: eCJIH npe.lK)le KOM003HTOphl K8JlbHOe Y'IHJIHllle B r. CHMq>eponone (1958;KJI8CC
    o6pa1.U,8JIHCbK cq>epe lKH3Hepa.llOCTHOA,K ODTHMHCTH- 6asaa B. M. KpaeqeuKo, KJiacc KOMD03HUHH
    qecKH•CBeTJIOACTOpOHe 6blTHJI, TO Tenepb ace qawe H. B. )KopHHKa); yqHJICB B MnM r HM. reecHHblX
    DOBBJIBIOTCJIo6pa3bl q>aHT8CTffqecKHe, HppeaJlbHble (KJiacc 6a.HH8 H. $1.llaAKHHa); 38HHM8JICRne.zr.arorH-
    (Kanpeqquo A. PenHHKoaa HJIH KaMepeas CIOHTa qecKoA: )leBTeJibHOCTbIO;6hlJI COJIHCTOM H aKKOMD8HH8·
    Bn. 3oJIOTapeea); npOHHKHYTble 60JibWHM DCHXOJIO- TOpOM SIJITHHCKOAq>HnapMOHHH; qneH Co10aa KOM-
    rHSMOM, eanp11lKeHHoA 9KcnpeccneA (KoenepTH&R D03HTOpoe CCCP (c 1982 r.); aerop CO'IHHeHHA A/IH
    c10HTa H. qaAKHHa, napTHTa Bn. 3onOTapeea). op1<ecTpa pyCCl<HX Hapo~HblX HHCTpyMeHTOB, npoH3-
    C yCJIOlKHeHHeM o6paaeoro co.n;eplKaHHJI 06ora- ee,AeHHAH o6pa6oToK .a:ns6asea.
    w,a10Tc11MY3b1K8JlbHO• Xy,11.0lKeCTBeHHblecpe,11.creaBbl· MacKOB KOHCT&HTHH A.11excaH,QOBH'I (p. 1921) -
    paSHTeJlbHOCTH: MeJIO.llHKa H8Cblll.taeTCft 6onee JlHC- KOMD03HTOp, HCDOJIHHTenb; OKOHqHJI KHeBCKYIO KOH-
    COHaHTHOAHHTepsanHKOA, oco6oA OCTpOTblJJ.OCTHraeT iepBaTOpHIO (1952; KJiacc KOMD03HllHH K. <I>.,llaHb-
    rapMOHHqecKHA ft3hlK, o6HOBJIBIOTCBna.zr.oeas H pHT- KeBHtfa); qnee Co10sa KOMnosHTopos CCCP (c
    MHtfeCKaB c(j>epbl B coquHeHHHX. 1958 r.); aBTOp xopOBblX H HBCTpyMeHT&JlbHblXnpo-
    Hap.HAY C MY3hlKOA, Henocpe.n;cTBeHHOonepa10w,eA- H3BeJl,eHHA, neceH, a T&KlKe ),IHQfOqHCJieHHblX Dbec JlJIH
    C.HHa HHTOH8llHH HapO.llHOro MeJIOCa (nbeCbl r. Illee- 6asiua, JlJISI TpHO H KBapTeTa 6aHHHCTOB,e HX qec-
    .n;epesa H A. THMOWeHKO, «<l>epanOHTOBMOH8CTblpb. ne - .a:ea KOHUepTaJlJIH 6asaa c opKeCTpoM.
    Pa3MhlWJleHHe y (j>pecoK ,llHOHHCHH> Bn. 3ononpe- lfalKHH ffRKOJlaAjlKOB,le■Hq (p. 1915) - KOMD0-
    ea), OOSJBJIHeTC.H see 6on1,we coqaeeeuA, r,11.eTaKHe 3HTOp, ne)laror; OKOH'IHJIH~OpHKO•TeopeTHeCKHA q>a-
    HHTOH8UHHJlOCT8TOqHoonocpeAOB8Hhl H K8K 6bl paCT- KYJJbTeT KHeBCKOA KOHcepeaTOpHH (1940';' KJiacc KOM-
    BOpeHhl B OpHrHHaJlbHOMaBTOpCKOMS13bl.Ke(npe,ACT8B·. D03HUHH n. H. PesyuKoro, B. C. KoceHKO, B. H. nst-
    neHHhle e AaHHoA: qacTH nponaBeAeHHH H. tlaAKHHa, TOWHHCKOro, KJl8CC cneuaaJibHOro (j>opTeneaHO
    K. MHcKoaa, A. PenHHKoea, Bn. 3onoTapeea). A. H. ny4>epa); qneu Co10sa KoMnoaHTopoa CCCP
    Heo6xo.ztHMo TaK>Ke yJEaaaTb ea cymecreeeey10 )le- (c 1944 r.); saCJiyEeHHhlA AeBTenb HCJCYCCTB PC<l>CP
    Ta.111,:e npoesee,AeHHsx .zr..nH6&Hea 60-x ro.zr.oe npoHc- (1980); npeno,ll8B8JI B fMilH HM. fRecHBYX RI q>a-
    xo,zr.HT aeaqHTeJibHOe pacwHpeHHe Bhlp83HTe.llbHblX JCYJJbTeTe HBPO.llHblX HHCTpyMeHTOB (c 1951 no
    1964 r.), e ropbKOBCKOAK0HcepeaTopHH (c 1964 r.; HM. ruecHHblX ( 1971; KJiacc 6aJ1HaB. n. Kyaoeneea,
    C 1972- npoct>eccop); 8BT0p MH0r0'IIHCJleHHblX npoH3- cl>aKyJibT8THBHO 38HHM8JICSI no KOMDO3HU.HH y
    ee.11euHA .a;m1xopa, cHM4>ouaqecKoro,pyccKoro uapo.11- IO. H. WawaKoea); qneu Co10aa KOMno3HTopoa
    Horo, ,ayxoeoro, 3CTp8.1lHoroopKecTpoe, paaHoo6paa- CCCP (c 1987 r.); H. o . .1100.euTa Bopoue:>KcKoroHH-
    HblX aucaM6JieA H 0TJleJlbHblXHHCTpyMeHT0B;SIBJISleT- CTHTyTa HCKYCCTB;aBTOp npOH3Be,lleHHH,llJISI opKe-
    CSITaK}Ke aeTopoM yqe6uoro noco6Hsr «Kypc 'IITeHHSI CTpa pyccKHX eapOJlHblX HHCTpyMeHTOB, JlJISIOT,lleJib·
    napTHTYP JlJISIopKeCTpa pyccKHX Hap0JlHblX HHCTpy- HblX HHCTpyMeHTOB.
    MeHT0B>.TTpOH3BeJleHHSI H. lfaAKHHa JlJISI6asua cra- 3onoTapea Bna,11.Hcnaa Ae,11.peeaHq(1942-1975)-
    JIH ea}KueArneA eexoA e HcTopHH 6as1Huoro HcnoJIHH- KoMno3HTop; OKOH'IIHJIMara)laHCKOe MY3b1K8JlbH0e
    TeJibCTBa. Y'IIHJIHme(1968; KJiacc 6asrua H. A. Jlecuoro); B
    PenHHKOBAn6HH JleOHH,11.0BH'll (p. 1932) - KOM- 1968-1969 rr. KOHCYJibTHpoeaJICJI no KOM003HU.HH y
    003HT0p, ne.11aror,HCD0JIHHTeJib;0K0H'IIHJIHpKyTCKOe P. K. IUe.a;paua; e 1971-1972 rr. y'IIHJICSI e MocKOB-
    MY3b1K8JibHoe yqHJIHme (1953; KJiacc 6asua M. C. Hea- cKoA KOHcepeaTOpHH(KJiacc KOM003HU.HH T. H. XpeH-
    uoea), a e 1959 r. -neuaurpa.11cKy10 KoucepeaTOpHIO HHKOBa); aBTOp opaTopHH «naMJITHHK peBOJIIOU.HH>,
    (KJiacc K0MD03HU.HH B. B. BoJiornauoea); 'IIJieu Co10aa npOH3Be.a;eunA JlJIJI CHMcl>OHH'lleCKOro,K8Mepuoro op-
    K0MD03HTopoeCCCP (c 1961 r.); .a;ou.eHT 4>HJ1Hana KecTpOB,CTPYHHblXKBapTeTOB, BOK8JlbHblXCO'IIHHeHHA.
    neuHHrpaJJ.CKOA KOHcepeaTopHH B r. TTeTp038BOJlCKe; BaSIHHOeTBOp'lleCTBOBJI. 30JIOTapeea- 3H8'11HTeJib-
    8BTOP opKeCTpOBblX, XOpOBblX H HHCTpyMeHT8JlbHblX HblA BKJl8J]. B pa3BHTHe opHrHH8JlbHOA JIHTepaTyp!i
    npoH3BeJ].eHHH. Oco6oe MeCTOB TBOp'lleCTBeKOM003H- JJ.JIJIroToeo-ebl6opHoro MuoroTeM6poeoro 6asea.
    TOpa 38HHM8IOTCO'IIHHeHHSIJ].JISI6asrua, JJ.pyrHXua-
    pOJJ.HblX HHCTpyMeHT0B.
    THMOmeHKO A.neKC&H,11.p
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    K0M003HT0p, ne.11aror, HCnOJIHHTeJib; OKOHqHJI rMnM
    FOREWORD

    Part Five of our "Anthology of Compositions for Soviet Union within the period in question is bound
    Button Accordion" is made up of instructive and con- up with the circumstance that the sixties were the
    cert pieces of this country's accordion music of the years of the f ix e d-a n d-f re e b a s s button accor-
    sixties; among the composers are G. Shenderyov, dion making its way in performing practice, which
    K. Myaskov, N. Chaikin, A. Repnikov, A. Timoshen- could not but greatly widen the circle of textural,
    ko, VI. Zolotaryov. The works included in the present timbral and dynamic means at our disposal.
    volume are frequently broadcast by Radio Moscow All in all, the present volume reflects an exceed-
    and Soviet Television, they are found in the ingly important stage in the upbuilding of the con-
    catalogues of Melodiya Records; most of them are cert repertoire of accordionists, and in the develop-
    constantly heard in national and international per- ment of the art of playing the instrument.
    formers' competitions. Here is some information about the composers: -
    New thoughts and feelings, new facets of artistic Shenderyov, Georgy Grigoryevich ( 1937-84),
    imagery emerged in our accordion music in the composer, concert performer, teacher. Graduated
    sixties, with depth and tensity of expression charac- from the Simferopol Secondary School of Music in
    teristic of quite a few ·compositions brought into 1958- in accordion-playing (under V. M. Kravchen-
    existence in those years (e. g., Concert Suite by ko) and in composition (under N. V. Zhornyak).
    N. Chaikin, Partita by VI. Zolotaryov); inter alia, Continued his studies in the class of N. Ya. Chaikin
    rise had been given to music evoking phantasmagoric (button accordion) at the Gnesins Institute of Music,
    visions (Capriccio by A. Repnikov, Chamber Suite Moscow. Member of the USSR Composers Union
    by VI. Zolotaryov). In short, the listener was no lon- (since 1982). Performer for the Yalta Philharmonic
    ger supposed to get by with a portion of optimism Society (solo and accompaniment). Several ..years'
    and light-heartedness. teaching experience. - Compositions for Russian
    And, as a matter of course, stylistic innovations folk instruments orchestra; originals and arran-
    had not been slow in advancement: the range of gements for button accordion.
    expressive devices can be said to have grown to be Myaskov, Konstantin Alexandrovich (b. 1921),
    incomparably more comprehensive than in the composer, concert performer. Graduated from the
    previous decades. Suffice it to say that it was in the class of K. F. Dankevich (composition) at the Kiev
    sixties that many a composer of accordion music had Conservatoire in 1952. Member of the USSR Com-
    taken to making use of apparently discordant po&ers Union ( since 1958). - Choral works; songs;
    elements in melody and harmony, and of certain instrumental music, incl. numerous compositions for
    novel patterns both in the matter of tonal organiz- button accordion (solo, trio, and quartet); two con-
    ation and in the domain of rhythm. certos for button accordion and orchestra.
    Alongside of numerous pieces of music im- Chaikin, Nikolai Yakovlevich (b. 1915),composer,
    mediately informed by traditional (folk-song) teacher. Graduated from the Kiev Conservatoire in
    melopoeia (G. Shenderyov; A. Timoshenko; VI. Zo- 1940- in composition (under L. N. Revutsky,
    lotaryov - "Contemplating the Dionysian Frescoes V. S. Kosenko and B. N. Lyatoshinsky) and in piano-
    of St. Therapont's Monastery"), new-style works had playing (under A. N. Lufer). Member of the USSR
    been called into being - compositions which bear Composers Union (since 1944). Honoured Master
    but an indirect relation to the musical vocabulary of the Arts of, the RSFSR (1980). From 1951 to
    of traditional folklore in that what can be identified 1964, Instructor at the Gnesins Institute of Music,
    as folk-song idioms appears to be, so to speak, dis- Moscow. Since 1964, on the staff of the Gorky Con-
    solved in a highly individualized musical language servatoire (since 1972, Professor thereat). -Choral
    (N. Chaikin, K. Myaskov, A. Repnikov, VI. Zolotary- music; numerous compositions for symphony or-
    ov). chestra, Russian folk instruments orchestra, wind
    Another distinctive feature of the bulk of what band, light orchestra; ensemble and solo pieces for
    had been written for the instrument here in the various instruments. "A Course in Playing from
    Orchestral Score (Russian Folk Instruments USSR Composers Union (since 1987). Acting As-
    Orchestra)". sistant Professor at the Voronezh Institute of the
    His works for button accordion constitute a highly Arts. - Orchestral and solo compositions for Russian
    important chapter in the history of accordion music. folk instruments.
    Repnikov, Albin Leonidovich (b. 1932), composer, Zolotaryov, Vladimir Andreyevich (1942-75), com-
    teacher, concert performer. Graduated from the dass poser. Graduated from the class of N. A. Lesnoi
    of M. S. Ivanov (button accordion) at the Irkutsk (button accordion) at the Magadan Secondary
    Secondary School of Music in 1953, and from the School of Music in 1968. Continued his studies - in
    class of V. V. Voloshinov (composition) at the Lenin- composition - with R. K. Shchedrin (by way of con•
    grad Conservatoire in 1959. Member of the USSR sultation, 1968-9) and in the class of T. N. Khren•
    Composers Union (since 1961). Assistant Professor nikov at the Moscow Conservatc,ire (1971-2). -An
    at the Petrozavodsk Branch of the Leningrad Con- oratorio (Monument to the Revolution), orchestral
    servatoire. - Orchestral, choral, and instrumental compositions (for symphony orchestra and for cham-
    music, notably compositions for button accordion ber orchestra), string quartets, vocal music.
    and other folk instruments. His accordion works are a highly significant
    Timoshenko, Alexander Afanasyevich (b. 1942), contribution to the repertoire of the fixed-bass/free-
    composer, teacher, concert performer. Graduated bass multitimbral button-key accordion.
    from the class of V. P. Kuzovlev (button accordion)
    at the Gnesins Institute of Music, Moscow, in 1971;
    concurrently, he had been optionally studying com• M. lmkhanitsky, F. Lips
    position (under Yu. N. Shishakov). Member of the Tr.: V. Yerokhin
    YCnOBHblE 0603HAllEHHSI
    CONVENTIONAL
    SIGNS

    [f] rorosa.11uasaaTy pa fixed-bass manual


    ml s1:,16opHaJ1KJla&HaTypa freebass manual
    w1 6ac1:,1(o6a p.11Aa) bass-tones (both standard and third)
    0 6ac 0CH0BH0ro PJ1J18 standard bass-tone
    B (SacBC0OMOraTeJlbHOro PH.Ila third bass-tone
    6 Ma>Kopa1:,1AaKKOPJl major chord (M)
    M MHHOpHliA
    8KKOpJl minor chord (m)
    7 JlOMHHaHTcenTaKKOPJl dominant seventh chord
    y yMeHbWeHHHA cenTaKKOPJl diminished seventh chord
    t e sepxHeu qacTHneeoA Knaeua-ryp1:,1 in the upper half of the 1. h. keyboard
    ,l.. B HU31CHeuqacTHneeoA KJ1aeaa-ryp1:,1 in the lower half of the. I. h. keyboard
    V pas>KHM Mexa bellows open
    r C>KHM Mexa bellows close
    -v sanac Mexa bellows reserve necessary

    : =
    Y,-l"'~
    011 TpeM0JIO
    MeXOM bellows shake

    ccuwu TpeMOJIO
    MeXOM C ycxopeRHeM
    eM) H 3aMeAJieHHeM
    (yqameHH· bellows shake with accel. and rall.

    t KBapTOJlbHHA pHKOWeT quadruple ricochet


    ~ TpHOJlbHHA pHKOWeT triple ricochet
    vibr. - BH6paTO vibrato
    vibr. ~ eu6paTO C H3MeHeHHeM nyn&C8UHH unstable vibrato
    HeTeMnepHp0B8HHOe rnHCC8HAO untempered glissando
    AnnnuKaTypae xpy>Kxaxyxas1:,1eaer ea nc- Fingering in circles implies subsidiary
    non&soeaeee BCOOMOr8TeJlbHHX PHAOB button-rows (of both keyboards).
    (o6eax Kna&HaTYP).
    HCD0JIHHTb
    OKTaBOA awme to be played an octave higher
    HCDOJIH51Tb
    OKT8BOI HH:>Ke to be played an octave lower
    PEfHCTPbl REGISTERS
    ~ TIHKK0.1'10 Piccolo
    @ Koeu~pTHHa Concertina
    @} K.napee-r Clarinet
    e 4>aror Bassoon
    @ fo6ol Oboe
    ~ lleneCTa Celesta
    @ 68'1H Bayan (ordinario)
    8 6SRH C DHKKOJIO Bayan plus Piccolo
    0 Oprae Organ

    ••e. 6HH C ct,arOTOII


    Tyna
    OpraH c uapReTOM
    Bayan plus Bassoon
    Tutti
    Organ plus Clarinet
    0 Opraa c KOHuepTHHol Organ plus Concertina
    e C!>aroT Cx.napReTOM Bassoon plus Clarinet
    @ Cl>aroT C KOHUepTHHOI Bassoon plus Concertina
    8
    PYCCKASI CIOHTA ( 1959) RUSSIAN SUITE
    )lyMKa Dumka
    r. WEH,ll.EPEB
    G. SHENDERYOV

    ..
    Con moto
    _r
    - ~
    -r
    _.---::: -
    J-...
    -- __:__

    -----
    ••
    -~- - - . - - - - - .- - - --- - -,j.r- -:;J-
    \
    - ...
    - -. - ... --
    .- . - - - - --
    -
    -
    I ·:_ ~ ~

    - -
    . ~

    -
    --= ---
    - - -
    ~

    ., I " ■

    -·
    I• I ~ -
    • • - I

    ~
    I

    .....
    - '- - -
    - V

    13928
    9

    Largo

    13928
    lfacTywKa Chastushka
    poco 1>f6mosso
    Lento r.,

    13918
    11

    13928
    12

    13928
    13928
    13928
    15
    PyccKHATanen. Russian Dance
    n

    n
    17

    Cantando

    rit.

    Lento. Poco a poco acceler.

    2. AHTOJIOrHll JIHTepa-ryp1,1 AJill 6aaaa


    20

    noaMA (1960) POEM

    K. M.SICKOB
    Andante con estro poetico K. MYASKOV

    •I
    6

    r 13928
    13928
    22

    '
    '1 I I
    -
    "· ...
    - -. -
    ,..
    I

    --
    I
    -
    --.... ;/'""

    -- -
    ..........
    - --- -
    /:'.
    .
    I I

    - -- -
    .......
    ~

    - • r

    -
    - - ..
    ..... .. . .
    -- ,-
    .
    - ~

    -
    ~

    r- ◄ ~ ~ -◄ = ◄~ r· ◄ ...
    !.
    411

    <
    r -t· t r
    l ,___
    .
    . '-
    -- -
    /'1t:
    . ·- :1 -
    . /'"lt
    'J .,_
    - - -.. .
    :&: :s:
    . . . .
    ,·~ .. . -4-, -- . - . -

    ]3928
    23

    poco rlt.
    13928
    u

    13928
    26

    morendo PPP

    13928
    27

    CKEPUO (1960) SCHERZO


    K. MSICKOB
    K. MYASKOV
    Allegro vivo

    lU28
    29

    13928
    Meno

    13928
    31

    ,
    -u. .. ----
    II
    .
    - - -- . -
    - ---
    - ,-. .
    1, -- -
    ,
    -
    - - ~

    ... -
    ....... .,.,.. '1-1
    -
    "'!. "!"" tt4-- • -
    ~ ~

    4
    !.
    -
    -
    1:: ~ fr
    ◄
    - qi -- -
    i'- -· ..
    - - .
    -- - . - .- -
    .,,,. .......
    _

    '
    '
    -
    .- - ,-

    - ~
    ....
    \
    ~

    I I
    I i.........
    - r- -~ ~

    Cadenza
    :-----------
    13928.
    32

    poco rit,

    18928
    3. AKTOJI0rHR nHTepa-ryphl itnR 6&Rll8
    13928
    35

    KOHU.EPTHASI CIOHTA (1962) CONCERT SUITE


    0 peJIIOJI.HR Prelude
    ff. qARKHH
    N. CHAIKIN
    Moderato J=63
    36

    tr--

    13928
    37

    13928
    38
    39

    poco rft.

    a tempo
    ..
    :::,.. :::,.....-..

    13928
    40

    •
    >
    13928
    41
    cl>yra Fugue

    poco cresc.

    13928
    42

    ---------

    13928
    43

    13928
    44

    13928
    45

    13928
    46
    CapaoaH,ll,a Sarabande
    Andante sostenuto ~=46

    13928
    47

    CKepu.o Scherzo

    -
    ~ li ~
    --..-· -- . -. - ---·---- -~---
    Allegro vivace (~.=108)
    .. . ..
    -- .
    --· --- --·
    -· -
    ~

    -
    > --
    c::I

    "
    ff 1

    ' -- ~ ~ ~
    ~

    t.
    (fl fl cresc. mo/to

    - -·-- --·
    II

    - - - - .. -.
    T .a •
    -
    - A•• --
    ~

    '

    13928
    48

    13928
    49

    4. AaTonor1u1.n■Tep&Typw A,1111 CSa ■■ • 13928


    51

    4• 18928
    13928
    53

    13928
    54

    13928
    55
    P,. Mar10utK.OBY To D. Matyushkov

    KAflPH'-11.JHO (1960) CAPRICCIO


    A. PEOHHKOB
    A. REPNIKOV

    rit.

    a tempo

    6 M

    13928
    13928
    13928
    58

    13928
    I\
    -
    ,...
    - --~- • -~•
    - -- - - ,... -..-r - ~-- ·- . I _l1 _
    -
    ii,
    -"_,
    - .. - ...- IL

    I -'~
    I

    - - r- ,- --.J .. -
    -
    .....
    ...---- -- -
    . ,-

    .-- -
    I. -.1.. I "1
    - -
    I
    t ~-•
    -
    -.. -
    i,l!e6_, -~
    -
    -
    - - - ~ !J!~-~- -•r.. -•
    - r

    ..rr_
    ~ti
    .. ! ....
    -f -I:
    I

    -
    \
    r -
    r- r-- -
    -
    r - r-- -
    -
    ~ 11.h ~ !- ......~
    - -
    -- L. b~ b-.
    .. I
    - - ...----=- ......- ,~ -
    I
    ~
    .. I I
    '--
    . .._ -- -
    --
    I - ... - I r- r- ..-- -- -
    '
    -I

    - - --
    I

    -
    ~

    -
    - r
    rJ
    4 ~

    - l'•J,f!

    ff -
    .. ... ! ~
    ~tf
    _J
    , . L. /
    --
    ~
    6

    !f l
    ./ ~~ ~
    I\ -
    L

    - --
    •·

    - ·- ..... -- r- - ,- ,._,
    I

    --
    '

    T
    - - r- -
    v-:::
    -- I .--
    r

    Sostenuto
    ~
    I

    I
    r
    , r

    8- ---- ,

    If

    13128
    60
    13928
    62
    ,..
    . .. '~
    Largo
    .I=
    -
    C-
    - -.....:~ ~

    -
    !:
    -- ......
    L

    - -..
    -
    . l. .. -
    ,... ..
    -
    Jnl

    I ··-. - -- - ....
    --
    ~

    ••I I
    6 6 6 - .~

    ~~ - _.
    ...Ii:: :J... -4 .. ~ .. ....
    '
    ..
    l
    \.
    . .
    -
    .. I

    ,u,•
    •
    ·~
    -
    - -
    ~,. ~=-
    ~
    -- - - I ~.. ~ 1:: 1-;!
    ~~

    - - - - -- - - - -
    -
    ... "!...
    - - ◄•
    -
    ::--
    ~
    - - - .
    - - - - - - ---
    I-

    .
    .... -
    I-

    ,, ..,,.., I- ~...... _._


    .....
    - .,.... . ....
    ::.- . I!:
    - ..... -
    l - -•- -
    11\.
    --- - -
    -■--

    - - - - -
    ·~
    -
    ~

    ,_ --
    ....
    I ' I 6 - - j
    -
    -

    '

    ~ .. ~-- .....
    ... . ◄•
    ~~
    . ~ - ~ :: .
    .. ... :- ..
    ..... ,. ... _. .. ..
    ~= ~- ............
    JI ...
    .. ..- J
    I
    '
    \
    L

    .-·..-
    -·
    :J~

    - ..,.
    •
    -
    .-.. -
    -
    -
    - •
    - - - -
    - -
    - - ◄

    - - - - - - - - -
    .
    -
    - - - -
    ;I~

    ~
    ,,_
    ...
    --

    13928
    Allegro 63

    l
    ,

    !
    _, I

    --
    ;:;.....____;:_..,,.•
    p
    -
    -
    .
    - - ......
    - - ~----- -- ~........____
    ...... - -- - - .
    ~~
    •. ~ -- - -
    ::::::,..~ ~

    ~·--- I

    ' ....poco a poco cresc.


    6
    =~
    -t
    -~
    j ,,
    L

    -- --
    ••
    .. - ·-
    ,1 ..

    - -
    == - --
    -
    --
    ==
    -.- -
    .-
    '

    \
    I I I I

    -
    , #i

    --
    -- - -- --
    - - - - - -.
    - ----. - - - . ~-
    ' - - JJ
    I

    - -cresc.
    -
    e.J ~........____
    - .. - __.
    - ~----------
    ..I

    """ ~ :::::.........__ ,;:........_ ~


    j

    I
    I --·
    . -
    It-I-
    -
    poco a poco
    -
    . I-
    - · I-
    - -
    · I- ... ~~

    ...
    -
    ,-,
    - - - -
    ' I I I I I I

    13928
    65

    CKEPU.O (1962) SCHERZO


    A. PEDHHKOB
    A. REPNIKOV
    Presto

    5. AHTOJIOfRll JIHTepuypbl AJIII 6a11ea 13928


    66

    13928
    p dolce

    £ 6

    13928
    68

    paco cresc.

    I
    ,
    I
    ~
    ..
    ~
    ----
    -... . -
    ..,
    ~
    -

    - - - -- -
    ~
    ~

    ~ ~ ~~~

    ---
    --
    Tl

    - - .
    I
    ~ -
    -- - -. - ,_
    . .- .- ..
    -
    -----
    - - ..- ..--
    -
    --=

    ' -..6

    -
    ~. ·l .- . . -- -
    j ---
    -- ~.

    .
    .
    ,,_
    =~
    -·- -
    .. .- -.-
    '
    ~

    13928
    69
    70

    a poco cresc.
    M

    8- - .._ ----~-------- --- --- ------


    . ' ...
    .::::,..
    -·ll C -
    ...-I.
    -.. ·'n- ..
    1
    I

    I .. I ,_
    - -- - - - .-- - .
    -
    - - -u-,.
    I] I If I I
    IJ- '"- ~ ~

    -
    ~
    r

    I - -
    - - ..-- rr-
    Jr -~- .,-
    ff
    II --·
    L --

    - -
    '

    13928
    71

    Tranquillo

    "' ~,.
    -
    -
    ll

    ... . .. -.. -.. -. , -


    ... .- --1,,..---....~1
    --
    t:'\
    -
    - . .
    -
    ,
    I - . ---.........., ' •
    -
    I
    y I ,6
    -•
    -
    ~ J

    -
    -
    ~
    4':- I I I I
    ◄ sf
    -.:t- .
    f="

    I --·
    - ...
    . - -
    ... - - - -
    Presto
    72

    8-----------------------------------------------------

    8 :.,
    .
    - "".-
    j\
    -~ '
    I '
    -.
    ,, I
    ~
    - .
    -
    •
    '
    -
    •
    ,
    -
    ,
    -- - -
    • I
    -. --. -
    p :::,,,,

    111,f
    187-
    M
    -~. . :l-
    j ---
    -
    . - . - -
    • ~
    ~

    , - -r- -. -• - - - -. -
    ...
    ~
    \ I

    13928
    73

    HMUPOBH3AUHSI (1965) IMPROVISATION


    A. PEDHHKOB
    A. REPNIKOV

    Largo J=60-63
    .' ......-----, I -~ . . ~
    --. --·--·--· ----- ' .,.._ - -- -·- ..
    ' .,
    -- -
    -.

    j - - I
    ,~
    - ---
    ~

    I
    ,I -
    ~

    --
    ◄ [r] pp legato
    .
    l --- - --
    I

    --~
    ~

    \
    I

    -
    --....._____ _,/
    ri

    -
    ~

    'fl'

    13928
    74
    ,,..--,._

    ~i J~ ~J5
    f If dim.
    #

    ,,,,,---------
    qJ,·-----Q

    6 6

    13928
    75

    ==----===

    Presto J=l 68-176 fr


    ,, __ . -. .~ frI - . - .
    - - .- . .- -
    ::::,,..,....-
    ,
    -- - - ,~
    .
    I
    ~

    ~ I I
    ,_ I• ....
    .
    -- .- .
    l
    '
    ~ "
    • if6 6
    ...
    : I: ..... I-
    - -
    .. ·I-
    - t -... ·t ·I-- ·t-
    tiff
    ...:-t.:
    =-
    ·I- I:
    - ·-
    I

    ,I- ~
    I ·-
    . - -- - - - -- -- - -
    \ -.
    B
    . ,-,
    B
    . ..
    , ,

    B B
    -jt.f" ~
    Ossia !i►c:.gmtltctu!•tiiUff..flF err!
    :
    I
    ~
    I .0.
    :
    I

    13928
    76

    ..-~ -- -- •-- • .
    --
    =:- - -- • ~:;.
    >- :::>
    ~ - • ~ I. .!
    I
    I :.
    I ,,
    -
    I - ' - -- --
    ..-~ - -
    -

    -
    cc·
    JJ
    ., L

    "
    -
    - -
    .....
    .
    JI I

    "'1' ~ -~
    .:
    r
    C .
    Ll
    <L-A
    ~
    r
    ~
    -
    .l J ~t et
    .
    6,
    #
    --·-
    poco a poco cresc.

    ' -- • ~
    .. - .. -=

    13928
    77

    II

    rit.

    -=/fl

    rit.

    13928
    78

    ~--------------:--.-_-_- ________
    __
    V q e ,_,_,,....,, 0 e V ..., •4"'" """~

    6 6 6

    rit.

    s/P =-PPP

    13928
    79

    SACCO OCTHHATO (1965) BASSO OSTINATO


    A. PEilHHKOB
    A. REPNIKOV
    Lento J=54-56 ~

    f r

    13928
    80

    13928
    81

    6. AHTOJIOTHR IIHTepnypbl Jl;IIR Ouaa


    82

    TOKKATA (1967) TOCCATA

    RECITATIVO A. PEDHHKOB
    A. REi>NIKOV

    Lento ad libitum

    u
    P---======
    ___ a_t!_m..P!
    ____ _______________________________________ _
    8

    8---,---'------- '----"'
    --- - - ----

    ntI w ~ ~____)f@:t !L__~~J~.#l5I I

    13928
    ==- pp attacca
    83

    TOCCATA
    Presto

    6* 1392!
    84

    i, =>,--.._ - - - ::,-

    -- -- -- - -- - -- -- -- -- -- -- --
    ::,-
    ,
    - -. ---..- -,.- --- -- ---- --- n ---
    -
    - - - .. ,_
    ~

    -- -- --
    - -
    - I.I
    - r

    I '
    - - - -
    ,
    ~
    -
    sf mf J dim.

    ;1
    -- ...
    -- -
    M

    -
    6
    Ill
    M
    ~-t
    - ,._.I: It :t s:
    - ,J
    --
    ~

    -
    ' - ... •- ,
    ·-·
    1-J
    85

    ...
    ....
    ◄
    I
    -
    .,
    .
    --
    fl

    i -- -- - - -
    I

    ff
    ..-
    =
    =
    - •- - •- •- ...
    -- --
    - -
    - -
    - ..
    -
    - - -
    •...
    -
    - ,.-
    -
    •
    -
    -
    .
    • - - -- - . - - ...
    -
    - • -- •
    - ,.-
    - - -- - -- -- --
    _, ~

    - -
    ...F
    ··-
    .....-- -
    -- - .-
    -

    -
    u
    .c•
    -- -- •--
    •
    ---
    ,,. -
    . . . . . •
    i' = - - - - - - - - - - - - - - - - - - - -
    --· &a

    &• I I I I I I

    --- I

    13928
    86

    ......
    ft ...._____
    _______ _____
    ---r6. M

    cresc. ~

    > > > >

    13928
    87

    .........____.
    I

    ___,,,,,
    --------
    88
    ~~ ~ >► >
    ... -- -- -- •-- ►· ► ..... -
    ·> > >>
    - -- -- -- -•r-- .• .
    ·-----.•
    89

    - - --. • • . --
    I I I I I
    . . - -- --. . --
    -- . --• -- ---
    '- I I
    /' r

    \ J - - - - - - - - I
    ...--
    •
    >
    •
    I_ ....- .,_.. I 'I

    j
    I
    --·., -
    ft
    -- --..·- ..- .--
    I - -
    '\ ,
    ... I
    '

    i,~◄ J
    /
    I
    - ..- -- -- -
    - -- -- ...
    - -~
    -- ... ... ...
    - - - - - -- ...
    ~

    -- -- - - - - - -
    ~ • >• >• >• ;. >• >•
    > *~ >• ;. ;. ;. >• >• >• - -
    - -- - - - . ~

    < p6 M
    t I I: ·s:-~ ·1=s:·t: t. I:
    ..
    I
    '\ --·
    .,. - - -
    ·-·-· ..
    - - .
    r

    ..
    - -

    E.rr
    .....__...., r r

    13928
    90

    ~
    .. - - - - . ~ . - --- --- -- - - - - - - -
    >
    -- ~- - - -
    -- -- -- -- ..- -
    -
    .

    ~-
    .
    J
    -
    --- --- --- .-- - --- ... ::>
    - -
    ..._ -
    T
    ~
    M -
    - - - - ----
    If..» M dim.

    .i: ~ .t. 1t·t s:·~·S: .s:


    --·
    . - "''-. - , ~

    - - - - - . - -
    ,
    - I
    '
    ...
    ~ .

    - - -- - ~-.......... - - ...
    -
    - - .. -- --
    - -
    -
    I
    I
    • ....
    -
    - - -
    - - -
    -
    -- - ..-• -
    - -- --
    -
    -
    - -
    -
    ~

    I -- -- ,,,,. -- - - .
    I I J
    ::>'-...' • • • • • • ,:...'-"

    ' ( .i:6 ~l
    6 M ::>
    .1:.1- l I- I: I- ~1:I- I: I- l:~1-.t.1-
    / -- ..
    \. .•
    -.A
    ,,
    ti
    -
    ... .
    -·
    ..
    ~

    ... .. ~
    ,I-

    ... ,
    - - - - -
    -
    13928
    91

    p poco a poco cresc,

    ,
    I - --
    \
    -- -.- ----
    -- -.
    ,,
    ·---
    . n
    - -
    ---
    -- -
    ---- -- -
    -
    - ---
    - -
    -
    -
    -
    a
    ,,,,,---_!.
    -
    --
    -
    - .. -- - - --
    - - -
    - - -
    --
    -
    •
    t •
    ~

    II
    • • •
    ◄ sf&
    I i;I:
    I --· -- - - - - - - - - -. - - - - - -
    - ,-
    I
    •
    I
    . _, - ....• -
    I

    ' - -- - - -- - - -- - - - - - '

    #j~ > > >It


    - . - --- -- --- • •- •-- •-- --•
    2 .,,,,.-
    \
    -
    "-
    •- --•- •- --- .."'•- -• •- •- -• •- --•
    - ---
    - -- --- --- --- -- ---
    I
    I r
    " ....._
    -
    ...,, - -
    n
    1.-
    -- --
    I •
    ◄ ~
    t ..Hi~-~
    ,,,~. - -. .- -
    --·
    -. - ..
    ~

    H "I
    -,,,, -
    \
    - - '

    Lento

    a tempo
    •
    - - '- -.
    \

    I ''-.. -- -.- - .
    --- -..... -
    -- :.- :;jt -....:. .-...
    I I ~
    '
    Ill
    ~

    - - - - - - - •
    i

    ~~ - -::i- - :.>
    '

    ~~~---
    ~ ◄I
    t -- ~ ·f/J > > > > > > > >
    II
    t ... .. - ~
    ..
    -.-··- - --
    --- . - .
    -
    I
    -> -
    ,

    - -- -,,,, - -- - - - - - -
    I I I I i
    ".J
    .
    - - - ' > > > > > > > >
    '·

    iJ o ,u
    ::::,. >
    au
    >:::,...
    13921
    I

    Il , l
    :::,...
    - ''
    II
    92 (1963)
    PYCCKHE KAPTHHKH RUSSIAN PICTURES
    Mapw March
    Tempo di Marcia A. THMOWEHl(O
    A. TIMOSHENl(O
    ••

    8----------------------------------------,
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    Oceuu.Hst cKa3Ka Autumn Tale
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    13928
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    13928
    Moea ateeHeH puHe To my wife Irina 105
    KAMEPHASI CIOHT A (1965) CHAMBER SUITE
    Be11epHHHnpeJ110.D.HH Evening Prelude
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    13928
    115

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    13928
    3oey MfHOBeHbSI I'm Calling Instances 119

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    13928
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    121

    CTapHHHaH cKa3Ka An Old fairy-Tate


    Allegro tranquilto lamentoso cantabile

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    9. AIITOIIOfH .IIBTepayYp!,1 .v.n•6aaaa


    130 3ayapay MuT~eHKO To Eduard Mitchenko
    DAPTHTA M 1 (1968) P ARTITA No. I
    BJI. aonOTAPEB
    VI. ZOLOTARYOV
    Allegro
    Maestoso ( J=I 00)

    Ad libitum motto impetuoso


    131

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    13928
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    138

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    13928
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    IV

    10. AllTOIIOrHll ARTepuyp1,1 JJ;All 6aua 13928


    146

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    13928
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    4>EPAUOHTOB MOHACTbIPb CONTEMPLA TINO THE
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    pe,11.aKUHR Cl>.nHnca ST. THERAPONT'S MONASTERY
    Grave BJI. 30JIOTAPEB

    ~
    VI. ZOLOTARYOV
    8 8 8

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    [!J > > >>>


    B--- - - - - -- - ------ ------- --- - - ------- -- - - - -- - - - ------- --- -------- . - - - ---

    1392'8
    CO.UEP}l(AHHE
    CONTENTS

    IlpeAHcnoeee 3 BaJJbC·WyTKa 98
    Foreword Jocular Waltz
    r. l1leHaepes. PyccKaH croHTa Kon1:i16eJ1bH8JI 100
    G. Shendergov. Russian Suite Lullaby
    ,UyMKa 8 Taaeu MaTpeweK 102
    Dumka Dance of Matryoshkas
    llacTymKa 10 B.tt. 3o.ttoTapeB. KaMep.HH CIOHTa
    Chastushka Vl. Zolotaryoo. Chamber Suite
    PyccKeA naeu 15 BeqepHHH npeJJIO.llHH 105
    'Russian Dance Evening Prelude
    K. MRCICOB. Il03M8 20 CeeT JJYHbl 33 OKH3MH CTPYHTCH ... 108
    /(. Mgaskoo. Poem Moonlight Spurting Outdoors ...
    K. Msic,cos. CKepuo 27 Hoq,aoA c-aerona.11 113
    /(. Mgaskov. Scherzo Snowfall at Night
    H. l/au,cuH. Koau.epTH8JICIOHTa Ta1HHCT&eH·H1:i1e
    en.11eHHJ1 115
    N. Chaikin. Concert Suite Mysterious Visions
    Ilpe.1110,llHJI 35 3oey MraoeeHbH cyMpaqaoA neqanu ... 119
    Prelude I'm Calllng Instances of Gloomy Sorrow
    <l>yra 41 CTapn,lllffasi CK83K8 121
    Fugue An Old Fairy-Tale
    Capa6a·H.lla 46 BA. 30AOTapeB. napTHTa ,Nii 1
    Sarabande Vl. Zolotaryov. Partlta No. I
    0Kepuo 47 Allegro 13Q
    Scherzo 134
    Grave
    A. PenHu,cos. Kan,peq-qeo 55 137
    A. Repnikov. Capriccio Andantino
    A. PenHu,cos. CKepuo 65 Presto 142
    A. Repnikov. Scherzo BA. 30AOTapes. <l>epanoHTOBMOHaCTblpb.Paa-
    A. PenHu1CoB.HMnpoeesauaH 73 MblWJleHHey 4>pecoK .neoHHCHH . 153
    A. Repnikov. Improvisation · Vl. Zolotargoo. Contemplating the Dyonisian Frescoes
    of St. Therapont's Monastery
    A. PenHUICOB.
    Bacco OCTHHaTO 79
    A. Repnikov. Basso ostinato
    A. PenHu,cos. To~KaTa 82
    A. Repnikov. Toccata
    A. TUMotueHICO.
    PyCCKHeK8PTHHKR
    A. Timoshenko. Russian Pictures

    Mapw 92
    March
    0cefflHHHCK83K8 95
    Autumn Tale
    HO'l'lloe B3A8BBe

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    COCTABv1TEJib<P.JH1ITC

    Anthology
    of Compositions
    for Button Accordion
    Part 1Z[
    Compiled by F.Lips

    MOCKBA «MY3bIKA> 1989


    Moscow «Muzyka»
    PE,Zl.AKUHOHHAflKonnErIDI

    BeJIJIKOBB. 4>.,,llonrononos B. H., Eropos B . M.,


    HMXBHHllKHH M. H., Kono6KoB C. M.,
    Kyaosnes B. n., Jlenc 4>.P., MyHTHHB. A.,
    OHerHHA. E.

    EDITORIAL BOARD

    Belyakov V. F., Dolgopolov V. N., Yegorov B. M.,


    Imkhanitsky M. I., Kolobkov S. M.,
    Kuzovlev V. P., Lips F. R., Muntyan V. A.,
    Onegin A. Ye.

    5206050000-2'8
    .\026(01)-89 443-89 ~ HaA&TeALCTBO
    cMyawa>, 1989r. COCTaueH
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    BKJJIOqeuhl npOff3Be)J.eHHff COBeTCKHX KOMD03HTOpOB, «Op<peA H 3BpHJJ.HK8>), 3 6aJieTOB, 15 MY3b1K8JlbffblX
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    Ha o6pa3HOro CTpOSI DOTpe6oBaJia OT KOMD03HTOpoe MY3h1Ka K 35 KffHO<pHJibMaM. ,[lJIH peaJIH38UHH CBOHX
    HOBOHHHTOH8UffOHHOHc<pepbl H, COOTBeTCTBeHHO, HO· 38MblCJIOB )Kyp6HH uepe)J.KO HCD0Jlb3YCT coqetaHffff
    BblX xy.11.o>KeCTBeHHblX cpe)J.CTB Bblp83HTeJibHOCTH ro- pa3Jiffqffb(X CTHJIHCTffqecKHXDJI8CTOB.
    TOBO·Bb160pHoro 6affna; c JJ.pyrou iKe CT0p0Hbl - Ha Wemaxoe IOpHii HHxonaeeeq (p. 1925 r.) - KOM-
    cpe,llCTBa Tp8JJ.HUHOHHOro6asrna C r0T0BblMH aKK0pJJ.a- no3HTop, ne)J.aror. B 1948 r. OKOHIIHJI rMnH HM. rue-
    Mff B JieBOH KJI8BHaType eme B 3H8llHTeJibHOH creneHH CffHblX (c 1966 no 1974 rr. - 3ae. Ka<peJJ.p·ounapo,11.HhlX
    npOJJ.OJiiKHJlffonHpaTbCSI MH0rHe ff3BeCTHble K0Mn03H· HHctpyMeHT0B; c 197T r. - npo<peccop). llJieH Co103a
    T0pbl, DJI0)J.0TBOpH0pa6oTaBWHe B 3TOH o6JiaCTH MY· K0Mn03HTopoe CCCP c 1949 r., JacnyiKeHHblit .n.esi-
    3blK8JlbHOrO HCKYCCTBa. reJib ffCKyccTe PCCl>CP (1971). ABTOp opatopffH «nec-
    Hapff.11.Y C npOH3Be)l.eHHffMH, HHDHC8HHblMH Ha 0C· HH cena lllywencKoro», .llBYX CffM<pOHffH,a taKiKe MH0·
    H0Be co6cTBeHHoro TeMaTHqecKoro MaTepHaJia npe.n.- roqucJieHHblX npOH3Be)J.eHHH )).Jiff opKectpa pycCKHX Ha-
    cTaBJJeHHblXB TOMe aBTOpOB, B Hero BOlllJIH JiyqUIHe POJI.HblX HHCTpyMeHTOB, ancaM6Jieit H 0T,lleJibHblX
    o6pa3Ubl tpaHCKpHDUHH H3BeCTHOro ne)J.arora-6affHH· HHCTpyMeHTOB. I(poMe Toro, IO. H. llIHWaKOB ffBJIHeT-
    CTa M. SlwKeBHlla . .[laHHble TpaHCKpHnUHH npHo6peJIH CSIaBTOp0M pHJJ.a MeTO)J.HqecKHXtpy )).OB, B TOM qffcJie,
    WHpOKYIOnonyJrnpH0CTb B CHJIY pHJJ.8npHqffH. Bo-nep- yqe6HHKa no HHCTpyMeHT0BKe )J.JISIpyccKoro uapoJJ.HO·
    BblX, 6Jiaro,llapH BblC0KHM xy,11.oiKe<;TBeHHblM)J.0CT0HH· ro opKecrpa. TBop11ecreo IO. H. lliuwaKoBa - cymecT-
    CTBHMu 6JieCTHllleMy TeXHfflleCK0MY B0DJI0UleHHIO Bbl· BenuhlA BKJiaJJ.B pa3BHTHe opKecTpOBOro H cOJibHOro
    pa3HTeJJbH0ro MeJioca MY3hlKH C. B. PaxMaHHHoea H napOJJ.HO·HHCTpyMeHT8JlbHOro HCKYCCTBa.
    H. lllTpayca; B0·BTOpblx, 6Jiaro)J.apH 3HHIIHTeJibH0MY •laiiKHHHuxomm Hxoeneeu11 (p. 1915) - K0Mno-
    o6orameHHIO 3T0ro MeJJOCa TpaHCKpHnTopoM 3a cqcT 3Htop, ne)J.aror. OKOHIIHJI HCTOpHK0•TeopetuqecKHH <pa-
    pa3H006pa3H0H DOJIH<pOHHlleCKOH TKHHH, HHTepeCHblX KYJibTCT I(HeBCKOA KOHCepsaropHH ( 1940; KJiacc KOM·
    <paKTYPHblX HHX0)l.0K, 6oraTCTBa <paHT83HH B opHa- no3HUHH JI. H. PeByUKoro, 6. C. I(ocenKo, 6. H. Jisi-
    MeHTax naccaiKHOH TeXHHKH. rowHHcKoro, KJiacc cneuHaJibHoro <poprenHaHo
    Bee coqHHeHHH, B01UeJJ.1UHee HaCTOHlllHH TOM, A. H. Jly<pepa). C 1951 no 1964 rr. npeno.n.aBaJI B
    CblrpaJIH H npoJJ.0JiiK8IOTHrpaTb 60JibWYIO poJib B CTa- r MnH HM. fnecHHblX Ha <j>aKyJibTeTe nap0JJ.HblX HH·
    H0BJieHHHTeXHHlleCKoro M8CTepCTBa, B <popMHp0B8HHH CTPYMCHT0B, c 1964 r. - B ropbKOBCKOli K0HCepeaT0·
    pa3H0CT0p0HHero XYJl0)KeCTBeHH0ro BKyca, yrny6JieH· pHH ( c 1972 r. - npo<peccop). llJieu Co10aa KoMn03H·
    Horo MblWJieHHSI6aSIHHCTOB. 51BJiffffCb HeOT'beM.leMOH Topos CCCP c 1944 r. 3acny>KeHHhlii JJ.CHTCJihuc-
    11actb10 KoHuepTHoro H ne.n.arorHqecKoro penepTyapa, KyccTB PCCl>CP ( 1980). ABTOp MH0ro11HcJieHHhlX
    0HH, BMecte C TeM, HKTHBH0 HCn0Jib3YIOTCSIH B KOH· npOH3BC)J.CHHH )J.JISIopKecTp0B - CHM<p0HHlleCKOro,pyc-
    KypcHOH npaKTHKe, a HeK0TOpble H3 HHX 6blJIH nanH- CK0rO uapo.n.uoro, JJ.YXOBOr0, 3CTp8JJ.H0ro; .11.Jlffxopa,
    caHbl cneuHaJibH0 .II.Jiff pa3JIHqHblX K0HKypcoe B Ka- pa3H006pa3HblX aHcaM6Jieii H 0T)J.eJibHblX HHCTpyMeH-
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    .Rmxeeeq Hmm MaMoeeq (p. 1923) - ne.n.aror, 6asiHa ctaJIH Ba>KHeiiIUeit eexoii B HCT0Pffff 6asrnuoro
    K0MD03HT0p, HCD0JIHHTeJib. B 1949 r. 0K0HqffJI I(ueB- HCD0JIHHTeJibCTBa.«YKpaHHCKaH CIOHTa> 6hlJia o6H38·
    CKYIOKOHcepBaT0pffIO no KJiaccy 6affHa M. M. feJiffCa. reJibHblM npoHJee.n.eHHeM Ha MeiKJlyHapOJlHOM K0HKYP·
    C 1950 r. - npeno.n.aeareJib KHeBcKoA K0HCepBaropffH ce «I(y6oK MHP8> Br. 6p10rre (6eJibfHSI, 1971 r.).
    no KJiaccy 6affHa (c 1973 r. -JJ.OUeHT). ABrop MHoro- JloH,D;OHOB Ile-rp Ile-rpoeuq ( 1928-1981 ) - K0Mno-
    q~cJiennblx opurHHaJibHblX npOH3Be)J.eHHHJI.Jiff 6affH8, 3HT0p. OKOHIIHJI MocKOBCKYIO K0HCepBaT0pHIO no
    a TaKiKe KonuepTHblX o6pa6oTOK u TpancKpHnUHH KJiaccy KOMD03HUHHE. H. Meccuepa. Ha npoTHiKeHHH
    np0H3Be)J.eHffHKJiaCCHKff. MH0rHX JieT 38Be,IJ.0B8JI pe)J.aKUHeH JIHTepatyphl ,llJlff
    )Kyp6HH AneKcaH,Iq> BopHCOBH'I (p. 1945) - KOM· Hapo.n.HhlX uucrpyMeHroe H3,llareJibCTBa «CoeercKHH
    n03HT0p. B 1969 r. 0KOHIIHJI r MTTH HM. rueCHHblX no K0MD03Htop>. llneH Co103a KOMD03HtopoB c 1971 r.
    KOMD03HUHHy H. 11. TTeiiKO, a B 1973 r. - KaK MY3hl· 3acnyiKeHHblit .n.eHTeJibHcKyccTB PCCl>CP ( 1978). Ae-
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    1970 r. AKTHBHO pa6oraeT B pa3HblX iKaHpax. ABTOp caubl: I(ouuepT C 0pKecTpOM pyccKHX Hap0,!1.HblX HH·
    crpyMeHT0B, CoHaTa, noJIH<l>OHHtteCKHenbeCbl, 3TIOJ).bl, cKOH K0HcepearopHH (KJJacc K0Mn0JHU.HH T. H. Xpew-
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    6aHHa Hcn0JIHHJiacb e Kattecree o6H3aTeJibHoro npo- npOH3BeJ).eHHHJ).JIHCHM<l>OHHttecKoro, KaMepHoro op-
    HJBeAeHHH Ha I BcepoccHHCKOM K0HKypce ucnoJIHHTe- Kecrpoe, crpyHHblX KBapreT0B, B0KaJibHblX COlJHHeHHH.
    JieH ua uapoAHblX HHcrpyMeHrax e 1972 r. e r. MocKee. BaHHHOe reoptJecreo BJI. 3oJiorapeea - JHatJureJibHblH
    3onoTapee Bna,nuCJiae AH.npeeeuq ( 1942-1975) - BKJI8A B pa3BHTHe OpHrHH8JlbHOH JlHTeparypbl JI.Jiff ro-
    K0Mn03HT0p. OKOHlJHJl MaraJJ.aHCK0e MY3blKaJibH0e T0BO·Bb16opuoro MHororeM6poeoro 6asrna.
    yttHJIHllle ( 1968; KJiacc 6aHua H. A. Jlecuoro). B
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    FOREWORD

    Part Six of the "Anthology of Compositions for (composition) at the Gnesins Institute of Music,
    Button Accordion" contains selections from Soviet Moscow, in 1948. Since 1948, Lecturer (in instrumen-
    accordion music of the sixties and early seventies. tation and realization of open score) thereat (from
    In those years, both types of button accordion were, 1966 to 1974, head of the Department of Folk Inst-
    on nearly equal grounds, partaking in this country's ruments; since 1977, Professor). Member of the
    musical life - the modern fixed-and-freebass inst- USSR Composers Union .(since 1949). Honoured
    rument, capable of efficiently reflecting what was "in Master of the Arts of the Russian Federation
    the air", that is to say. what can be described as new (1971).-An oratorio (Songs of the Village of
    modes of thinking in terms of music, and the con- Shushenskoye), 2 symphonies, ensemble and solo
    ventional fixed-bass accordion, which was far from compositions for Russian folk instruments. Pe-
    yielding to its rival. dagogical writings; "A Course in Instrumentation
    Apart from original compositions, the volume for Russian Folk Instruments Orchestra". -He made
    includes some adaptations, viz.. Sergei Rakhmanin- a valuable contribution to the cause of building up
    ov's and Johann Strauss' instrumental pieces as the repertoire of Russian folk instruments orchestras,
    transcribed by Ivan Yashkevich, a noted accordionist and to that of solo performers on the instruments of
    and teacher. These concert transcriptions enjoy great the kind.
    popularity, which is accounted for, in the first place, Chaikin, Nikolai Yakovlevich (b. 1915), composer,
    by the universally recognized aesthetic merits of the teacher. Graduated from the Kiev Conservatoire (in
    originals themselves and, secondly, by the transcrib- musicology) in 1940; in his student days, he was also
    er's resourcefulness in contrapuntal writing, or- studying composition (under L. N. Revutsky,
    namentation, etc., in other words, by his proficiency B. S. Kosenko, B. N. Lyatoshinsky) and piano playing
    in textural matters. (under A. N. Lufer). From 1951 to 1964, Instructor
    All the compositions and transcriptions selected at the Department of Folk Instruments of the Gnesins
    for the present publication have had an important Institute of Music, Moscow. Since 1964; on the staff
    part to play both in the development of our accor- of the Gorky Conservatoire (since 1972, Professor).
    dionists' technique and in the cultivation of their Member of the USSR Composers Union (since 1944).
    artistic imaginativeness. Indispensable to the pur- Honoured Master of the Arts of the Russian Federa-
    poses of pedagogics and concert practice, they have tion (1980). - Numerous compositions for symphony
    also been constitutive of the repertoire of musical orchestra, Russian folk instruments orchestra, brass
    competitions - some of them are known to have been band, light orchestra; choral and chamber music; solo
    written expressly for definite contests of young accor- compositions for various instruments. "A Course in
    dionists (by way of a compulsory item on the prog- Score Playing (Russian Folk Instruments Orchest-
    ramme). ra)". - His accordion compositions constitute a pi-
    Here is some information about the composers: -
    Vashkevicb, Ivan Adamovich (b. 1923), teacher, music. -chapter
    votal in the history of the instrument's
    composer, concert performer. Graduated from the item on the programme of Suite
    The Ukrainian
    the
    was a compulsory
    "World Cup" com-
    class of M. M. Gelis (button accordion) at the Kiev petition in Brugge (Bruges), Belgium, 1971.
    Conservatoire in 1949. Since 1950, Instructor thereat
    (since 1973, Assistant Professor). - Numerous Londonov, Pyotr Petrovich (1928-81), composer.
    originals and transcriptions for button accordion. Graduated from the class of Ye. I. Messner (com-
    Zhurbin, Alexander Borisovich (b. 1945), com- position) at the Moscow Conservatoire. For years, in
    poser. Graduated from the class of N. L Peiko (com- charge of editions for folk instruments at the Sovetsky
    position) at the Gnesins Institute of Music, Moscow, Kompozitor publishing house, Moscow. Member of the
    in 1969; completed a postgraduate course in musico- USSR Composers Union (since 1971). Honoured
    logy (under Yu. G. Kon) at the Leningrad Concer- Master of the Arts of the Russian Federation
    vatoire in 1973. Member of the USSR Composers (1978). - Orchestral (Russian folk instruments),
    Union (since 1970).-5 operas (among them the choral, piano music. For button accordion: Concerto
    first Soviet rock opera, Orpheus and Eurydice), (accordion and Russian folk instruments orchestra),
    3 ballets, 15 musical comedies, symphonic, chamber Sonata, contrapuntal compositions, studies, arran-
    and choral music; numerous pop songs; 35 film gements of. folk songs and dances. -As to his Sonata
    scores. - He often makes use of what is known as for button accordion, it was a compulsory item on the
    polystylistics. programme of the 1st National Competition of Per-
    Shishakow,Yuri Nikolayevich (b. 1925), composer, forming Musicians (Folk Instruments) in Moscow,
    teacher. Graduated from the class of M. F. Gnesin 1972.
    Zolotaryov, Vlad isl av Andreyevich ( 1942-75), string quartets; vocal music. - His accordion
    composer. Graduated from the class of N. A. Lesnoi works are justly considered exceptionally important
    (button accordion) at the Magadan Secondary School factors in the making of a repertory of original com-
    of Music in 1968. Thereupon, he was studying com- positions for the multitimbral fixed-and-freebass but-
    position under R. K. Shchedrin (by way of consul- ton-key accordion.
    tation, 1968-69) and under T. N. l(hrennikov (at the
    Moscow Conservatoire, 1971-72).-An oratorio
    (Monument to the Revolution); compositions for M. lmkhanitsky, F. Lips
    symphony orchestra and for chamber orchestra; Tr.: V. Yerokhin
    YCJIOBHblE 0603HA4EHHSI
    CONVENTIONALSIGNS

    [rJ roroeasr KJJaauaTypa fixed-bass manual


    I]] Bbl6opuasrKJl8BHaTy
    pa freebass manual
    (ID 6achl (o6a pHJla) bass-tones (both standard and third)
    0 6ac OCHOBHOro
    PR.ll8 standard bass-tone
    8 6ac BCOOMoraTeJlbHOro
    pHJla third bass-tone
    6 M8>KOpHb1H
    8KKOp.ll major chord (M)
    M MHHOpHblH
    aKKOp.ll minor chord (m)
    7 AOMHHaurcenTaKKOP.ll dominant seventh chord
    y yMeHbWeHHblH
    cenTaKKOpJl diminished seventh chord
    t B BepxHeii '18CTHJJeBOH
    KJlaBHarypbl in the upper ha.If of the I. h. keyboard
    -1, B HU31CHeii '18CTHneaou KJ188Harypb1 in the tower half of the I. h. keyboard
    V pa3>KHMMexa bellows open
    r C>KHMMeXa bellows close
    -V Janae Mexa bellows reserve necessary
    vr:vr-
    t• ~ rpeMOJIOMeXOM bellows shake

    ,.vitUlll
    ,..i,
    "r·
    st
    m.
    rpeMOJIOMexOMC ycKopeHHeM {yqaweHH·
    eM) H 38Me.llJleHHeM
    bellows shake with accel. and ra11.

    f KBapTOJlbHblH
    pHKOWeT quadruple ricochet
    ~ tpHOJJbHblR
    pHKOWeT triple ricochet
    vibr. ___.eH6paro vibrato
    vibr. ~en6paro c H3MeHeHHeMnyJJbCaUHH unstable vibrato

    i,rn,.,Hf'•t••: rfeTeMnepupoeaHHOe
    rJIHCC8H.llO untempered glissando

    AnnnuKatypa e KPY.>KKaxyKa3bleaeT Ha Fingering in circles implies subsidiary


    ct HCnOJlb30BaHHeBCOOMOraTeJlbHblXpHJlOB button-rows (of both keyboards).
    (o6eHx KJl&BH&TYP).
    HcnoJJHSITb
    OKTaooABblWe to be played an octave higher

    HCnOJIHSITb
    OKTaeofr HH>Ke to be played an octave lower
    PErHCTPbl REGISTERS
    ~ nuKKOJIO Piccolo
    S KoeuepTHHa Concertina
    @ Knapuer Clarinet
    e c1>aror Bassoon
    ~ foooA Oboe
    ~ 4enecra Celesta
    @ 6asrn Bayan (ordinario)
    @ 6asiH C DHKKOJIO Bayan plus Piccolo
    = Oprau Organ
    @ 6asrn c cj>aroroM Bayan plus Bassoon
    o TyTTH Tutti

    C Oprau c KJ1apneroM Organ plus Clarinet


    ~ Opran C KOHUepTHHOH Organ plus Concertina
    e c1>arOT C KJlapHeTOM Bassoon plus Clarinet
    ~ c1>arorC KOHUepTHHOH Bassoon plus Concertina
    8
    BECEHHME fOJIOCA (1963) VOICES OF SPRINO
    BaJI&c Waltz
    KoHuepTHaH oopa6oTKa It. SlwKeBH'la H. WTl'AYC
    Transcribed by I. Yashkevich J. STRAUSS

    Tempo di Valse

    6asrn

    14199
    8- - - 8- - - - - - - -
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    14199
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    rit. a tempo rit.

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    2. AHTO:!OrHI! 14199
    18 ten.

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    2• 14199
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    a tempo

    14199
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    24
    HTAnbiHCKAi
    nonbKA (1972) ITALIANPOLKA
    KoHuepTHas:1o6pa6oTKa H. SlwKeBH11a C. PAXMAHHHOB
    Transcribed by I. Yashkevich S. RAKHMANINOV

    Scherzando poco rit.

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    a tempo

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    26
    a tempo

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    30

    rail.
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    14199
    34

    poco cresc,

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    14199
    35

    motto rail.

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    8------------------- I
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    14199
    36
    KOHUEPTHbIA AHnTHX (1966) CONCERTDIPTYCH
    HcnOJIHHTeJlbCKaSI pe.11.aKUHSI Cl>.J1HDC8 A. )l(YP6HH
    Edited by F. Lips A. ZHURBIN

    Xopan Chorale

    i
    --- r

    © HJ11.areJ1bCTBO «CoeeTCKHH KOMnOJHTOp», 1983 r.


    14199
    37
    allargando

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    e esp essivo
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    14199
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    39

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    pp
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    pp marcato H me odie

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    42

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    43

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    44

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    47
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    14199
    48
    Con tutta forza

    14199
    49

    8------------ - ----- --

    Maestoso

    4. AHTOJlOrHH 14199
    50
    Tempo I

    8- - --
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    14199
    51
    TOKKATA (1969) TOCCATA
    A. )l(YP6HH
    HcnoJ1HHTeJ1bCKaH pe)laKU.HHCl>.J10nca
    A. ZHURBI"'
    Edited by f. Lips

    ~ Largo

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    © l-llJUITCJlbCTBO «My11,11,a», 1982 r.


    4• 14199
    52

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    14199
    55

    14199
    56

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    14199
    57

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    14199
    f

    14199
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    14199
    60
    COHATA.Ni I ( 1968) SONATA No. 1
    HcnoJ1HHTeJ1bCKas:1 IO. BocTpenoea
    pe,11.aKU.HH to. WHWAKOB
    Edited by Ju. Vostrelov Ju. SHISHAKOV
    I
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    >

    14199
    61

    ---.....

    poco cresc.

    14199
    62

    14199
    63

    14199
    64

    14199
    65

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    14199
    66

    14199
    67

    14199
    68

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    14199
    69

    14199
    70

    14199
    71

    ---...

    14199
    72

    II

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    14199
    73

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    75

    14199
    76

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    COHATA
    .Mt (1971) SONATA No. t
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    ~ lhJ1.aTeJ1bCTBO «MyJ1,1Ka», 1978 r.


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    OSITb KOMU03HUHA (1971) FIVE COMPOSITIONS


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    14199
    156

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    14199
    157

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    14199
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    14199
    COJlEP)KAHHE
    CONTENTS

    fl peaucAOBUe
    Foreword
    H. IIITPAYC. Beceaaue roJJoca. BaJJbC.KoauepTHaHo6pa-
    6oTKa H. SlwKeBHlfa . . . . . . . . 8
    J. STRAUSS. Voices of Spring. Waltz. Transcribed by I. Yashkevich
    C. PAXMAHHHOB. HTaJJbHHCKaH noJJbKa.KouuepTHaS1
    o6-
    pa6oTKa H. SlwKeBHlfa . . . . . . 24
    Italian Polka. Trai:iscribed by I. Yashkevich
    S. RAKHMANINOV.

    A. )l(YP6HH. KouuepTHhlH
    AHnTHx
    A. ZHURBIN. Concert Diptych
    XopaJJ 36
    Chorale
    Allegro 42
    A. )l(YP6HH. ToKKaTa 51
    A. ZHURBIN. Toccata
    IO. IIIMIIIAKOB. CoaaTa .M l 60
    Yu. SHISHAKOV. Sonata No. I

    H. lJAPIKHH. YKpaaucKaHcJOHTa 93
    N. CHAIKIN. Ukrainian Suite

    n. JIOH.llOHOB. CouaTa NI} I 108 ·


    P. LONDONOV. Sonata No. 1

    BJJ. 30JIOTAPEB. nHTb KoMno3uuari 120


    VJ. ZOLOTARYOV. Five Compositions

    BJJ. 30JIOTAPEB. CoHaTa.N't2 130


    VI. ZOLOTARYOV. Sonata No. 2
    HoTeoe R3J18RHe

    AHTOJ1onu1 JlHTEPATYPbl ,llJ151 6A51HA

    4aCTb VI

    CocTat1UTeAb <l>puopux Po6epTosu~ J1unc

    Pe,11aKT0P 6. KuceAetl. JlHT. pe.11.aKT0PH. YMHOBa


    pe.11.aKTopE. B0A,co11. Texa. pe.11.aKT0pblT. Cepzeesa.
    Xy.11.0>1<.
    r. <l>0Ku1ta. KoppeKTop r. We6apwo11
    H/K

    no.11.nacaao a Ha<lop 31.03.88. no.11.nacaao a neqaTb 14.02.89.


    <l>opMaT 60X901/8 . 6yMara ocj,ceTHaR Nt I. rapHHTypa
    JIHTepnypHaR. ne'l&Tb ocj,ceTH8R. O<l"beM ne'I. JI. 20,0.
    Yen. n. n. 20.0. Yen. Kp.-on. 20,0. Y'l.·H3.ll.. JI. 23,0.
    Tap. 10 000 3K3. H))J.. N• 14199. 3aK. N, 1120. l.leHa 2 p. 80 K.

    Ha.11.aTeJlbCTBo«MyJhlKa>. 103031. MocKBa, Her,1HHH3R, 14

    MocKOBCKaR THnorpacj,HR Nt 6 Co103nonarpacj,npo11u


    npH rocy,11apCTBeHHOM K0MHTeTe CCCP no .11.enaM
    H3)1.3TeJlbCTB.DOJIHrpacj,HH H KHH>KH0R Topr0BJIH,
    109088, MOCKB3, )1(-88. IO>KHOnopT0B3R yn .. 24
    AHTOJIOTWI
    JIMTEPATYPbI
    ~JIHE.AHHA
    "t!ACl'b
    1Zll
    COCTABwrFJib <P.Jiv1TIC

    Anthology
    of Compositions
    for Button Accordion
    Part 1Zl[
    Compiled by F. Lips

    MOCKEA «MY3bIKA> 1990


    Moscow «Muzyka>
    PEJJAKUHOHHASI KOnJIErHSI

    BeJUIKOBB. cl>.,Eropoe B. M.,


    HMxaHHUKHA M. H., Kono6KOBC. M., Ky3oenee B. n.,
    Jbmc cl>.P., MyHTSIH B. A., CeMeHoe B. A.

    EDITORIAL BOARD
    Belyakoy v. F., YegorOYB. M.,
    ImkhanitskyM. I., KolobltoYS. M., KuaoYleYV. P.,
    Lips F. R., Muntyan V. A., SemyonoYV. A.

    A 5206050000--032 -9 © H31l&TeJll>CTBO 1990r.


    ,,MY31,1K&",
    445 0
    026(01)-90 CocraaneHHe.
    IlPEn:HCJIOBHE

    B VII qacTb ,,AHTonore11 n11repaTypb1 .o;nH 6ast- BhIA cpaKyn&reT (Knacc 6astaa B. B. BeccpaMHJl&HO•
    Ha" BKJll0'1.!8Hblnpomee.o;eHHH COBeTCKHXKOMI103H· ro), B 1977 r. - K9Mn03HTOpCKHA cpaKyJl&TeT (Knacc
    ropoe, ~03.D:aHHhle e 70-x ro.o;ax. Mo)KHO c yeepeH- KOMn03HUHH M. M. CKop11Ka), B 1979 r. -.llHPH)Kep-
    Hocn,10 KOHCT8THp0B8Tb,'l.!TOB 8TOT nepHO.O:npoH- CKHA cpaKym.reT (Knacc B. B. rtte.O:b1W8) KHeBCKOii
    30WJ10 OKOH'l.laTem.HoeYTBep)K.o;eHHecoepeMeHHOrO KOHCepBaTOPHH. C 1976 r. - COJIHCT YKpKOH•
    MHOrOreM6poeoro rOTOBO·Bbl60pHOro 6aHHa. 3H&'l.!H· uepTa. tJnett CK CCCP (c 1978 r.). AeTop
    TeJlbHO pa3.o;BHHyJlHCb o6pa3H0•8MOUHOHanbHble one phi, CHM(pOHHH, KaMepHO·HHCTPyMeHTanb•
    rop"3OHTbl KOMI1O3HTOpCKOro caMOBhlpa)KeHHH, HOA H BOKam.HOH MY3bIKH, a T8KX<e uenoro pst.o;a
    6aHHy CTaJIH .o;oeepH'Il>CHHaH6onee cep1>e3Hbfe H KPYITHhIXCO'l.!HHeHHA.o:nst 6aS1Ha.
    COKPOBeHHble 38MbICJibl aeTopoe. HaMHOrO pa3HO- llep(;eHKO EsreHHA IleTpOBH'I (p. 1949)- KOMilO·
    o6pa3Hee CT&HOBSITCS'Icpe.o;CTB8 MY3bIK8nbHOH 3HTOP, HCilOJlHHTeJib. B 1973 r. OKOH'l.!HJI rMnH
    BhlP83HTeJibHOCTH.B 6aHHHOH MY3b1Ke H8'1.!HH8eT HM. rHeCHHblX (Knacc 68SIH8 A. H. rycSI; cpaKym.Ta•
    npHMeHstThCH .o:o.o:eKacpoHH8Si TeXHHKa ITHCbMa, THBHO 38HHMaJICSi no KOMI103HUHH y IO. H. llIH•
    He06bl'l.!Hble oqepTaHHS'I o6peTaeT cpaKTypa, ITOSIB• waKoea). C 1974 r. ~ npeno.o:aearem. no Knaccy
    nHIOTCSiKOJlOpHTHbleCOHOpHCTH'l.!8CKHe KpaCKH. 6aSIHa e OpnoaCKoM MY3bIKam.aoM )"IHJIHll.\e.
    B TO )Ke BpeMSI npo,nOJI)KaeT pa3BHB&ThCSi H tJneH CK CCCP (c 1986 r.). ABTop npomee,neHHA
    o6oraman.cH H8p0,nHO·H8UHOH8JlbHOe H8'1.laJIO: .D:JlSi OpKeCTPa PYCCKHX HapO,ntthIX HHCTPyMeHTOB,
    KOMI103HTOpbI nO-HOBOMy, CTHJIHCTH'l.leCKJilCBeX<o aHCaM6ne:A H OT,nem.HblX aapO,nttbIX HHCTpyMeHTOB,
    eocnpOH3BO.O:HTKapTHHbl xapaKTepHoro Hapo.nttoro BoHaKOB BJJ&,QHMHpMlaaAnOBH'I (p. 1940) -
    6h1Ta coepeMeHHOH pycCKOH ,nepeBHH, caoeo6pa3He HCITOJlHHTeJlb, ne.o;aror, KOMn03HTOp. JlaypeaT
    ryuym.CKHX KapnaTCKHX HampbIWeA, .O:OHCKOrO Me)K.o:yaapo,nttoro KOHKypca e KmmreaTane (rlIP,
    Ka3a'l.lbero cpom.Knopa, 3areAnHBhIX 6onrapcKHX 1970 r., 2 npeMHst); 3acny)KeHHbIA apTHCT PC<l>CP
    PHTMOB. (1982 r.) B 1963 r. OKOHllHJl rMnH HM, rHeCHHhlX
    Bee npe,ncTaaneHHble B HaCTOHll.\eM 113.D:aHHH (Knacc 6a.sma H. 51. qaAKHHa), cpaKyn&TaTHBHO
    aBTOpbI- 6aHHJilCTbl, a coeepweHCTBe BJia.o;eIOll.\He 38HHMaJICSino KOMn03HUHH y r. H. IlHTHHCKoro. B
    MHOroo6pa3HblMJil cpe.O:CTBaMH coepeMeHHOrO 1972 r. OKOHllHJl aCCHCTeHTYPY•CT8)1(HpOeKyno
    6astHa.Oco6eHHO 3H8'1.!HTenbHOHeexou B Pa3BHTHH Knaccy 6aSiHa a rop&KOBCKOH KOHcepeaTOpmt:
    6aHHHOro HCKyCCTBa CTaJia Tpen.H COHaTa (pyKOBO.D:HTen1,H. SI. tJaAKHH). C 1958 r. pa6oTan
    Bn. 30JIOTapeea, B KOpHe H3MeHHBW&Si cnO)l(JilB- nenaroroM B MY3hlKanbHhIX yqe6HblX 3&Be.o:eHHSIXB
    WJileCSIK TOMY epeMeHH npe.o;CTaBJleHHS'IO B03MOX<- pa3nH'l.!HhlX ropo.o;ax CTPaHbI, C 1970 r. - npeno.o:a-
    HOCTS'IX 6astHa K8K KaMepHO-aKa.O:eMJil'l.leCKOl'OeaTen& no KJiaccy 6aSiHa e 3-M MOCKOBCKOM
    HHCTPYMeHTa 11 3aMeTHO IlOBJIHS'IBW8SiHa nocne- o6nacTHoM MY3h1Kan&HOM yqHIIHll.\e r. 3neKTPO•
    ,tlyIOll.\ee TBOptleCTBOKOMI103JilTOp0BB STOA o6naCTH. CTanH, O,nHOepeMeHHOc 1975 r. - COJlHCT MOCKOH·
    BKJIIOlleHHhle e VII qacT& AHTonor1111 npomee- uepTa. ABTop npoe3eenea11A .llJlSi opKecTPa Hapon-
    .o:eaH.st oTHocstTCstK 'l.!Hcny aa116onee penepTyap- HhlX HHCTPyMeHTOB, BOK81ll,HblX CO'IHHeHHA, a
    HblX CO'l.!HHeHHA,HaWe.O:WHXWHpOKoe npHMeHeHHe TaK)Ke MHOrOlJHCJleHHhlXn1,ec ,ll.JUI 6astHa KOHUepT-
    8 KOHuepTHOH, KOHKypCHOH Jil ne.o:arorH'l.leCKOH HOrO H nenarorH11ecKoro nnaHa.
    npaKTHKe. CeMeHOB BSNecnae AHaTO.RheBH'I (p. 1946) -
    3onO"r&pijB Brla.nHcnae AimpeeBHll (1942 -1975) - HCnOJIHHTenb, ne.o;aror, KOMI103HTOp. .llHnJIOMaHT
    KOMI103HTOp. B 1968 r. OKOH'l.!HJl Mara.o;aHCKoe Me)K.o:yaapo,nttoro KOHKypca e KnHHreHTane (rlIP,
    MY3blKanhHOe y'l.!HJIHll.\e (Knacc 6aSiaa H. A. Jlecao- 1967 r., 5 Mecro), naypeaT xy_no)KeCTeeHaoro KOH•
    ro). B 1968 - 1969 rr. K0Hcyn&T11poeancst no KOMn0- Kypca IX BceMHpttoro cpecT11eanH Monone)KH H
    3HUHH y P. K. ll{e.QpHHa. B 1971 -1972 rr. Y'l.!HJICSI B CTy.o;eHTOBB CocpHH (1968 r., 6pOH30B&.R Me.O:aJlb).
    MOCKOBCKOAKOHcepB&TOpmt: (KJiacc KOMil03JilUJilH 3acny)KeHHhlA apTHCT PC<l>CP (1977). OKOH'l.!HJl
    T. H. XpeHHHKoea). AeTop opaTopHH ,,IlaMstTHHK rMnH HM. rHeCHHblX e 1969 r. {Knacc 6aSIHa A. A.
    peeoruouHH", npo113ee.o:eHHA.QJIS'ICHMq>OHH'l.leCKOrO, CypKoea), a e 1974 r. - acCHCTeHTypy-cTa)KHpOBKY
    KaMepaoro opKeCTPa, CTPyHHblXKBapTeTOB, BOK8Jlb- (pYKOBO.llHT8Jlb-0. M. ArapKOB). B 1979 - 1982 rr.
    Hb1X COllHHeHHA. BastHHOe TBOptleCTBOBn. 30JIOTa- Y'l.!HJlCSi B POCTOBCKOM MY3hlK8JlbHO-nenarorH•
    peea -3H8'1.!HT6JlbHbI0 BKna.o:B pa3BHTHe OpHrHH8Jlb- 'l.leCKOMHHCTHTYTe (Knacc KOMIT03HUHH A. H.
    HOH JlHTepaTypbl .llIDI MHOroTeM6poeoro rOTOBO·BbI- KycHKoea). C 1969 r. - 3aeeny10ll.\HA Kacpenpoa
    6opaoro 6aS1aa. HapO,llHblX HHCTpyMeHT.:>BPOCTOBCKOro MY3hlK8nb•
    3y6~ BJJ&,QHMHp11.ammOBH"l (p. 1953) - Ho-nenaror11t1ecKoro HHCTHTYTa (c 1983 r. - npocpec-
    KOMIT03HTOp, HCilOJIHHTeJlb,JlaypeaT Me)K,nyHapo.o:- cop ). C 1988 r. - npocpeccop Kacpe,npbl HapO,nttblX
    HOro KOHKypca ,,Ky6oK MHpa" a Xen&CHHKH HHCTPyMeHTOB rMnH HM. raeCHHhlX. AeTop pSI,na
    (1975 r., 1 npeMHSi), B 1976 r. OKOH'l.!HJIopKeCTpO- npo113eeneHHA ,nJISi 6a.s1Ha.
    M. HMxaHUUKUO, 4>. Rune
    FOREWORD

    Part Seven of our ,,Anthology of Compositions accordion) at the Kiev Conservatoire in 1976, from
    for Button Accordion" contains selections from this the class of M. M. Skorik (composition) thereat
    country's accordion music of the seventies. That in 1977, and from the class of V. B. Gnedysh (con-
    decade saw the definitive consolidation of position ducting) in 1979. Since 1976, soloist on the staff
    of the new-type bayan - the multi-timbre fixed-and- of UKRCONCERT. Member of the USSR Composers
    freebass button-key accordion. The modernized Union (since 1978). -An opera, a sympho11y,chamber
    accordion came to be used as a vehicle for and vocal music, numerous large-scale compositions
    expression of a wide range of most profound for button accordion.
    thoughts and feelings, with expressive devices Derbenk.o, Yevgeny Petrovich (b. 1949), compo-
    becoming ever more varied and refined. Creative ser, performer. Graduated from the class of
    musicians, writing for the instrument, started making A. N. Gus (button accordion) at the Gnesins Insti-
    extensive use of dodecaphony, sonoristics, and other tute of Music, Moscow, in 1973; he also studied
    textural innovations. composition under Yu. Yu. Shishakov. Since 1974,
    At the same time, composers went on to draw Instructor (in playing the button accordion) at the
    on the wealth of musical folklore. They succeeded in Oryol Secondary School of Music. Member of the
    reflecting, in a new manner, the daily round of the USSR Composers Union (since 1988). - Orchestral,
    contemporary Russian country-folk, the originality of ensemble and solo composition~ for Russian folk
    the Carpathian Guzul music-making, of the Don instruments.
    Cossack melopoeia, of the intricate Bulgarian Bonatov, Vladimir Mikhailovich (b. 1940), per-
    rhythms. former, teacher, composer. Second prize at the Inter-
    All the composers presented in this volume are national Competition in Klingenthal, GDR (1970).
    professional accordionists, all of them are perfect Honoured Artist of the Russian Federation (1982).
    performers. Especially significant, as regards both Graduated from the class of N. Ya. Chaikin (button
    the development of the art of playing the instrument accordion) at the Gnesins Institute of Music, Mos-
    and the enrichment of the relevant repertoire, is the cow, in 1963; he also studied composition under
    Third Sonata by VI. Zolotaryov, a splended piece of G. I. Litinsky. In 1972, he completed special courses
    chamber music, radically novel in respect of the in accordion playing at the Gorky Conservatoire
    technique of accordionistic writing; its influence (under the guidance of N. Ya. Chaikin). Since 1958,
    makes itself felt in quite a few accordion compo- accordion teacher at the musical schools of different
    sitions brought into existence in the seventies and cities of the USSR. Since 1970, Instructor (in accor-
    eighties. dion playing) at the 3rd Moscow Region Secondary
    The works included in the present edition are School of Music in the town of Electrostal. Soloist
    frequently played in the concert hall as well as in on the staff of MOSCONCERT (since 1975). - Com-
    the classroom; you will also find them on the positions for Russian folk instruments orchestra,
    programmes of a number of national and inter- vocal music, numerous concert and instructive pieces
    national performers' competitions. for button accordion.
    Zolotaryov, Vladislav Andreyevich (1942-75), Semyonov, Vyacheslav Anatolyevich (b. 1946),
    composer. Graduated from the class of N. A. Lesnoi performer, teacher, composer. Oiploma (V) at the
    (button accordion) at the Magadan Secondary School International Competition in Klingenthal, GDR (1967).
    of Music in 1968. Thereupon, he studied composi- Bronze medal at the 9th World Youth Festival
    tion under R. K. Shchedrin (by way of consulta- in Sofia (1968). Honoured Artist of the Russian
    tion, 1968-69) and under T. N. Khrennikov (at the Federation (1977). Graduated from the class of
    Moscow Conservatoire, 1971-72). - An oratorio A. A. Surkov (button accordion) at the Gnesins
    (Monument to - the Revolution); compositions for Institute of Music, Moscow, in 1969; in 1974, he
    symphony orchestra and for chamber orchestra; completed special courses thereat (under the .gui-
    string quartets; vocal music. - His accordion works dance of 0. M. Agarkov). He also studied compo-
    are justly considered exceptionally important factors sition at the Rostov Institute of Music (under
    in the making of a repertoire of original compo- A. I. Kusyakov, 1979-82). Since 1969, head of the
    sitions for the multi-timbre fixed-and-freebass button- Folk Instruments Department of the Rostov Insti-
    key accordion. . tute of Music (since 1983, Professor). Since 1988,
    Zubitsky, Vladimir Danilovich (b. 1953), compo- Professor at the Gnesins Institute of Music, Mos-
    ser, performer. First prize at the ,, World ;.::up" cow. - A number of compositions for button accor-
    International Competition in Helsinki (1975). Gra- dion.
    duated from the class of V. V. Besfamilny (button M. Imkhanitsky, F. Lips
    Tr.: V. Yerokhin
    YCJIOBHbIE OBO3HA qEHH51
    CONVENTIONAL SIGNS

    [E) rOTOBaH KJiaBHaTypa fixed-bass manual


    rm Bbl60pHaH KJiaBHaTypa freebass manual
    mi 6acbl (o6a pH.Qa) bass-tones (both standard and third)
    0 6ac OCHOBHOroPH.Qa standard bass-tone
    B 6ac scnoMc;>raTeJI&HoropH.Qa third bass-tone
    6 Ma)K0pHbIR aKKOp.Q major chord (M)
    M MHH0pHbIR aKKOp.Q minor chord (m)
    1 ,Q0MHHaHTCenTaKK0p.Q dominant seventh chord
    y yMeHhIIIeHHblH cenTaKK0p.Q diminished seventh chord
    t B aepxHei1 t.IaCTHneB0H KJiaBHaTypbI in the upper half of the l. h. keyboard
    ♦ B HUJKHei1t.IaCTHneBOH KJiaBHaTypbl in the lower half of the l. h. keyboard
    V pa3)KHM Mexa bellows open
    r C)KHM Mexa bellows close
    7/ Janae Mexa bellows reserve necessary
    VQ,r
    l=Wl TPeMOJIOMeXOM bellows shake

    raqnu
    vrvr

    ¾
    TPeM0JI0 MeX0M CycKopeHHeM (yt.Ia~eHHeM)
    H 3aMe.QJieHHeM
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    to be played an octave lower

    '
    HCilOJIHHTb0KTaB0H HH)Ke
    PErMCTPbl REGISTERS
    ~ lIHKKOJIO Piccolo
    ~ KoHuepTHHa Concertina
    @;} KnapHeT Clarinet
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    =
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    Organ
    Bayan plus Bassoon
    0 TyTTH Tutti
    C OpraH C KJiapHeTOM Organ plus Clarinet
    ~ OpraH c KOHUepTHHOH Organ plus Concertina
    e <I>aroT C KJiapHeTOM Bassoon plus Clarinet
    @ <l>aroT C KOHU6PTHHOH Bassoon plus Concertina
    6
    To Friedrich Lips

    COHATA .Nit3 SONATA No. 3


    (1972)
    I Bn. 30JIOTAPEB
    VI. ZOLOTARYOV
    Maestoso ad lib. HcnOJJHHTeJlbCKH pe.11.aKU,HSI•• Jlanca
    Edited by F. Lips

    6A.SIH

    Allegro hen ritmico con anima J= 135


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    45
    Posatamente lamentoso

    Tempo I
    @

    14467
    46
    Energico
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    14467
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    14467
    49
    rnolto rlt. poco a poco

    Meno mosso ( ad. lib. J = 72)


    ::::,,..
    ,,,-----....___
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    .

    A. Schonberg. Verklarte Nacht. Op. 4 *(~ = 72)


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    * A. WeH6epr. HO'lb. Co11.4.


    flpoceeT.11eHHaa
    u •
    4 - AHrono!'H.111
    JIHT-plbl ,llJUI 6&m1&.qacn. VII. 14467
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    14467
    52
    KAPUA TCKASI CIOHT A CARPATHIAN SUITE
    (1974)
    1
    B. 3Y6HU.KHR
    V. ZUBITSKY

    Andante severo, motto imperioso J = 63 AaTOpcKaR


    peAaKQHR

    -
    loco
    ten.
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    Original version
    vit r. vf r.

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    -- w

    --==:::::,...<: > < >


    a<H> sub.P dim. PPP
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    non dim.
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    Motto sostenuto ii= s~
    a tempo
    @ moltovibr.

    :fH molt
    ubp sf.fj,-=

    © lfaD.aTMbCTBo «Coscrc,rnil KuMnoJurnp>, 1983 r.


    14467
    sa
    Tempo I
    loco
    poco accel.

    sf mp --======f• impetuoso

    sf sf

    poco allarg.
    a rl .~ ten. poco a poco agitato
    - ··- -
    -

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    cresc. poco a poco
    legatissim<J J
    sub. meno

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    stretto

    Monumentale sostenuto
    8------------------ -----------,
    . i

    j
    \.
    sf sf

    14467
    54

    Andantino molto tranquillo J = 92

    -0-
    - --------------
    -0-
    -------------

    espress.

    Pochissimo con moto J = 116

    espressioo nervoso pochissimo

    legatissimo possibile

    __________
    __.,
    14467
    55
    Allegro subito j = 112

    -------- ..____,____... -----


    -e-
    poco agitato

    _____________
    __,-e-

    3===-

    ~ Andantino tranquillo J = 112-116


    Vloco

    14467
    56

    {j-------------i
    I

    Allegro molto ,:;= 12 0

    9
    J sff articulato, deciso
    sonorissimo

    -----

    14467
    57

    8 . ---------------------------------------------------------- --------------------- -- ---------


    ~ ~

    f sonorissimo
    .>

    8------------------------------- --------------- -----:

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    ienufo sim.

    Subito andante,rubato
    9

    )4467
    58

    Poco allegro

    ==

    Poco tranquillo

    poco rit. Andante tranquillo


    ten. C .....
    p pastorale -=

    a a I

    Piu tranquillo- J = s4 -s2 rit. _


    ----
    --------------- ------
    1

    --- ----------
    14467
    -==.==- --=. attacca
    59
    2

    Vivacissimo motto preciso

    14467
    J

    14467
    ..,....,..
    ~
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    14461
    62
    .c tempo
    y

    sub. mf

    14467
    63
    1

    re.
    poco cresc. mo/to

    .:::,,.. .:::,,..

    > > rm::::,.


    ::::,.
    Andante sostenuto = 112
    ,J Allegro subito d = 96
    l
    ~

    r r
    14467
    64
    Andante J = 96

    Allegro robusto J = 92
    8

    Andantino ~ = 112
    ~ f:-_ -;;;;------~

    rit.

    14467
    65

    accel. poco a poco

    >
    [Bl> tenuto ~
    Tempo I (Vivacissimo preciso)

    5 - AHTonorl-UI J1HT1)W ,tlJlJI 6aRHa. '{acn, VII. 14467


    I

    V r.Ti!

    c,,
    -.""...
    -..a
    senza rlt.

    5* 14467
    68

    s re o
    8- - - - - - - - - - - - - - - - - - - - - ---- -- - - ---------

    8- ---- ---- -- -- - - -- - "j


    I
    Presto

    14467
    attacca
    69
    3
    Moderato assai quasi Adagio J = 60-69
    ten. quasi gliss.

    3
    m.f severo, porlando rubato espress.

    poco rit. a tempo


    porn accel.

    14467
    70 sostenuto

    ,--
    - LJ w- - - ~uasi

    legato possibile
    Poco meno mosso .
    8'=-5:.-- - - - - - ------

    14467
    71
    Con moto. Sempre agitato

    a
    f :;::;::::--mf
    patetlco

    sempre

    a a

    poco a poco cresc.

    poco string. r.\


    ~

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    a
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    I
    a poco a larg.
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    impetuoso
    ' I

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    ~
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    ◄- P◄ i,.. -.

    14467
    72

    Phi mosso
    "loco

    a o sempre
    lto disperato

    poco rubato

    f espress. molto
    -===::-

    tenuto, possibile
    agitato poco a poco
    >------..

    poco a poco allarg. molto

    14467
    Largo assai. Grandezza Ji= 72 73
    8

    Agitato ( quasi allegro) J = 12

    ~ a 9

    ~~ii~~~~~~~~~~~~~~~~
    ml legato

    Tempo I ( Moderato assai)


    f.'!\
    ~.;.

    mflacrtmoso, p
    r.\

    sostenuto
    ~

    legatissimo sempre p r motto espress.


    ·.._poco porla~---_--,

    i ~ ~1~
    3
    ·~- Tpellb C yc1<opeHMeM.
    14467
    74

    ~ -
    ~
    ~

    ~ ~~11p1,p,eJ
    ~flg~~~~~~~~~~
    sostenuto 3
    3 r 3 vT8r. 3

    =wa414E
    J~ 1
    =----=-P
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    '-......__/-
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    ~
    11 11
    --===
    ::::=- -------===
    spirituoso
    i:_ 3 ten. rapido

    H!2 a a@,~□2-I J-------


    -._,,
    ~
    =====--
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    J 1@ a J J J J-----
    -
    ffeD
    ---======
    :::::::==--=::::======-
    -
    mf motto
    c::::::
    -
    espress.
    -
    poco a poco cresc.
    8 sostenuto
    --- >-
    ~~
    3 3 > \.:,) \.:,)
    ff cresc. motto
    ,..... possibile

    attacca
    14467 [rJ
    7S
    4
    Festivo a piacere
    ~ senza metrum
    w ''<tor V v r v rvv rv l!J..

    sfP sfP sfp sfps


    a a
    -~tm.
    poco {!, poco motto cresc. , sempre marcatissimo
    Ampiamente ~ = 60-66

    arcatissimo, sonore 3
    M

    a piacere

    >
    Presto subito -d = l 00
    8- - - - - - - - - - - .,sim.
    Vr '> ;;--,-.
    -> '..
    .C:::..c'-. 1
    LI,,._
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    j
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    mf ma~catissimo,

    -
    ::b-r....--.~ •·•
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    -- -
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    ~alto ritmico

    ..
    7

    -
    1

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    7
    -
    A.._

    -
    ·.--
    3 3 3 3
    14467
    ~
    i~E~~~~~~~~~~~~~@

    ....
    r.'\ ritmico m Ito

    > >
    Andante rubato J = 100 mare., quasi Timpani

    ~~ -
    .-
    I

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    ,."'
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    f r vr
    -
    ..._...,..
    t -
    t - -

    p
    severo, legato
    "
    r f'--~ "
    T=
    -====-
    11

    Presto sempre ritmato J = 120


    'I-·
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    ' I 1---- --~I I
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    (Andante molto rubato)

    ~-J~ ~ ~ loco ....


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    vibr. ........ sonabile I

    - - >- --- - - -..- -- - - . . I

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    > sim. I rztmato sempre
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    14467
    77
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    A A A
    14467
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    14467
    gliss. a
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    14467
    allarg.
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    3 3
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    6 - AHTonorH>IJU'IT-J)W AJUI 6IUIH8, qac-n, VII, 14467
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    82 Tempo I (Allegro vivacissimo)
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    14467
    83

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    84

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    85
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    14467
    86
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    mf
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    14467
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    14467
    88
    U$1Tb JIY60'-IHhlX FIVE RUSSIAN
    KAPTHHOK POPULAR PRINTS
    ( 1974)
    UpOBO,ll,bl 3HMbl Shrove-tide festivities
    E. )].EP6EHKO
    Largamente, ma con moto Ye. DERBENKO

    llj

    r allarg.
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    © J,fa,D.aTeJJbCTBO «CoseTCKHii KOMn03HTOp»-, 1982 r.


    14467
    ff.~M

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    14467
    92
    KOJJbloeJJ&HaH Lullaby

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    [BJ

    r=-
    93
    The Merry Andrew and the Bear

    14467
    94
    * HrpaTb npa BOii pyKoii Ha ecn0M0faTeJlbH0M PHAYneeoA KJlaBHaTypw.

    "' R . h., third-bass buttons. 14467


    96

    r
    97

    Haarpblw Instrumental Folk-Tune

    Moderato

    If

    7 -AHTononu1 JDff-1)1,1 AJIJI 6.-a. qacn, VII. 14467


    98

    14467
    99
    JlepeeeacKne030PHH~bl Mischievous Countrywomen

    Allegro scherzando

    14467
    100

    ______
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    14467
    101

    i
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    102
    103
    COHA TA-6AJIJIA)lA SONAT A-BALLADE
    (1975)
    B. 60HAKOB
    Presto V. BONAKOV

    © 113.D.aTCJlbCTBO «CoaeTCKHii KOMilOJHTOp>, 1977 r.


    14467
    105
    poco cresc.

    14467
    IiJ-

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    14467
    8- - -

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    14467
    109
    110
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    14467
    111
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    14467
    112

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    1''" "I
    118
    Moderato

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    8 -AKronol'MJI JIHT-pW AM 6.-a. 'lacn. VII. 14467


    114

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    115
    Molto presto

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    14467
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    14467
    118

    14467
    119

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    14467
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    14467
    122
    60J1f APCKASI CIOHTA BULOARIANSUITE
    )laA11oeo xopo Daichovo Horo
    (1975*)
    Allegro vivace B. CEMEHOB
    V. SEMYONOV

    * Pe.o.aKU.HH
    1988 r.
    * Version of 1988.
    ••
    © l13AaTCJlbCTBO «My3H'lHa YKpaiHa>, 1984 r.

    14467
    14467
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    attacca
    125
    Cee11.aea· Sevdana·

    Andante cantabile

    piuf

    ~-~~~~~~~~~~~~~~~~~
    ~
    8 Piu mosso
    I

    ~~

    * TeMa K0Mn03HT0pa r. 3.~aTeaa-lJepKHHa.


    * Theme by composer G. Zlatev-Cherkin. 14467
    n!h-1

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    14467
    127
    faHKHHO xopo Oanklno Horo

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    14467
    128
    • npu noaTopeHuu
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    sim.
    8 129

    9- AliToJlOl'HJI JIH!'-1)W A11$1 6&JIH&.


    Qacm, Vil. 14467
    130 llaM11m11, B. llJy,cusuHa In memory of V. Shukshin
    KAJIHHA KP ACHASI OUELDER ROSE
    4>aHTa3HHHa -TeMy necHH ,SI. 4>peaKeJu1 Fantasia on the theme of a song by Jan Frenkel
    (1976)
    Andante
    s vibr. B. CEMEHOB
    V. SEMYONOV

    mdf-----i
    non vibr.

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    © lfa.aareJibCTBO«My3b1Ka>, 1984 r.
    14467
    ----------
    131

    ----------------------
    -,:,-
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    ________
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    14467
    132
    piu mosso

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    ritard. poco a poco

    14467
    133

    Adagio

    ~~~~~~~~~~~~~~;~~~~l~~~!~~~~~~~~~!~f~!1~~~~~~~~~~~~~~~
    !~~~~~~g~~*~~~fi3~~~~

    14467
    134

    14467
    135

    ------------ I

    r r
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    14467
    136

    motto rail.

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    14467
    137
    ~OHCKA~PAUCO~H~ DON RHAPSODY
    Depe1,dl cKa3 First· Tale
    (1977)

    B. CEMEHOB
    V. SEMYONOV
    Maestoso

    [!)
    poco meno mosso

    1 D

    hIT
    © J13.11ateJ1bCTBO«My3H'IH8 YKpaiHa>, 1982 r.
    1446-7
    con moto

    mp legato

    molto rail.

    14467 [!]
    189
    Maestoso

    J).J~

    - - >
    ~

    '

    poco a poco

    14467
    140
    BTopoAcKa3 Second Tale

    @ Presto con brio


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    14467
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    14467
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    14467
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    TpeTHH cKaa Third Tale


    @Maestoso

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    © 113.uareJJbCTBO «COBCTCKHii KOMn03HTOp», 1979 r.
    14467
    poco rit. r::-i

    14467
    Vivace 153

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    14467
    14467
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    14467
    14467
    157

    meno mosso poco a poco accel.

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    a tempo
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    158

    14467
    COJIEPJ<AHHE
    CONTENTS

    Bn. 3OnOTAP£B
    VI. ZOLOTARYOV
    CoH&Ta NO 3. . • • • . . . . . • • • . . • • • . • • • 6
    Sonata No. 3
    B. 3YBHUKH0:
    V.ZUBITSKY
    KapnaTCKaSICIOHTa., • • • • • • • • • • • • • • • 52
    Carpathian Suite
    E. JIEPBEHKO
    Ye. DERBENKO
    IlSITI» ny6o11Hb1X KapTHHOK. • • • • • • • • • • • 88
    Five Russian Popular Prints
    B.BOHAKOB
    V.BONAKOV
    CoH8.T&-6aJIJiaJla •••••••••••••• ·• • • • 103
    Sonata-Ballade
    B.CEMEHOB
    V.SEMYONOV
    Bonrapc1<aS1CJOHTa.• • • • • • • • • • • . • • • . 122
    Bulgarian Suite
    KanHHa KpaCH&SI. 4>8HT83HSI Ha TeM)' neCHH
    SI. fl>peHKensi. • • • • • • • • • • • • • • • • • • • • 130
    Guelder Rose. Fantasia on the theme of
    a song by Jan Frenkel
    }loHcKast panco,ruu1 • • • • • • • • • • • • • • • • 137
    Don Rhapsody
    HarHoe~

    AHTOJlOrHSI JlHTEPATYPM JVUI BAJUIA


    'lAC'noW
    CocTUH'l'9lllo~ PoC5eJIT09H'I
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    Pe.qaaop H. YMHOeO.Xy,ioa. pe,qaKTOp & Bomcoe.


    TUH. ~ r. JlcmwUHG. KoppeKTOpr. .meCJapu,oe.
    H/IC

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    oct,ceTIWI I' l. rapNHTYJI&mnep&TYJJIIM.Ile'l&n. ocl,ceTHa& O&l,ew ne11. n. 20,0.
    Yen. n. n. 20,0. Yen. q,.-on. 20,0. YIL1U- n. 23,7. THpUt 10000 1U. Ha, I' 14467.
    3uc. P 220. U- 2p.901t.
    Ha.u'NIIIIICnO
    ,,Myaaca", 103031, Moc:aa, Her.JIHIIHU, 14
    Moca:-■11 Tltl1ClrP■4'IUI I' 6 roca:-- CCCP,
    109088,Moc:aa, JK-18,l>:aJIOIIOPTONII
    yn., 24.
    AHTOJIOn:1fi
    Jil/ITEPATYPbI
    ~J1H BAHI-IA
    1:!ACTbVIII
    COCTABwrEJ.Ib <P.JU1I1C

    Anthology
    of Compositions
    for Button Accordion
    Part VIII
    Compiled by F. Lips

    MOCKBA «MY3bIKA> 1991


    Moscow «Muzyka>
    PEllAKUHOHHASI KOJIJIErHSI

    BensrKoe B.cl>.,Eropoe B.M.,


    IIMxaHHQKHA M.H.,Konot>KOBC. M., Ky3oenee B. n.,
    J1HIIccl>.P.,MyHTSIHB.A., CeMeaoe B.A.

    EDITORIALBOARD

    BelyakoTV. F., YegoroTB. M.,


    lmkhanitskyM. I., KolobkoT V. P.,
    S. M., KUSOTleT
    LipsF. R., MuntyanV. A., SemyonoTV. A.

    A 5206050000- 070
    399 91 @ <Z>.
    P. nKIIc, 1991 r. CocTasneHHe
    026(01) - 91 -
    IlPEilHCJIOBHE
    B VIII 'llaCTh AHTononrn: J1HTepaTyph1 ,z:i;1151 6a51Ha BKJla,ZJ;B opHrHHaJlhHYIO JlHTepaTypy ,ZJ;J151 roTOBO-Bbl-
    BKJlIO'tJeHbl npOH3Be,z:i;eHH51,C03.ZJ;aHHhie COBeTCKHMH 6opHOro MHoroTeM6poaoro 6a51Ha.
    KOMn03HTopaMH B 70-e rO,ZJ;bl.3TH CO'tJHHeHH51 OTJ1H'lla- THMomeHICo AneKcaH,[Q) A«t>aHaCLeeH'I (p. 1942) -
    IOTC51 MHOrHMH HOBaTopcKHMH qepTaMH. Ilpe:>K,z:i;e KOMn03HTOp, ne,z:i;aror, HCnOJlHHTeJlb; OKOH'tJHJlrMillf
    ecero, 3TO np051BHJ10CbB cymeCTBeHHOM o6HOBJleHHH HM. rHeCHHblX (1971; KJlaCC 6a51Ha B. Il. Ky30BJ1eaa,
    no,z:i;xo,z:i;a
    K npeTaopeHHIO q:>OJ1hK11opHoroMaTepHana. cpaKyJlbTaTHBHO 3aHHMaJ1C51 no KOMn03HUHH y
    HaH6011ee 51pKO3TO 3aMeTHO B TBOp'tleCTBeK. BOJlKOBa, IO. H. IIIHmaKoaa); "tJJleH Co103a KoMn03HTopoa CCCP
    H B 'llaCTHOCTH, B ero IlepBOH COHaTe. KoMn03HTOp (c 1987 r.); noueHT BopoHeJKcKoro HHCTHTyTa HCKyCCTB;
    o6pai.qaeTC51 K ,z:i;peBHHM q:>OJlbKJlOpHbIM nnacTaM - aBTOp npOH3Be,z:i;eHHH,ZJ;J151 OpKecTpa PYCCKHXHapO.ZJ;HblX
    npH'tJHTaHH51M,3an11a'tJKaM, o6p51.ZJ;OBblM necHoneHH51M, HHCTpyMeHTOB, ,ZJ;J151 OT,ZJ;eJlbHblX
    HHCTpyMeHTOB.
    KaJleH,z:i;apHbIM noneBO'tJHblM HaHrpbllllaM, anepeble IBHmaKoe IOpmi HHKonaeeH'I (p. 1925 r.) - KoMno-
    npeTBopeHHbIM B COJlbHOH6a51HHOHJlHTepaTYpe. Hoaa- 3HTop, ne,z:i;aror. B 1948 r. OKOH'tJHJlrMnH HM. rHecH-
    K (pOJlbKJlOPY, XOT51H Ha HHOH CTHJlH-
    TOpCKHHno,z:i;xo,z:i; HblX (c 1966 no 1974 r. - 3aB. Kacpe,z:i;pOHHapO.ZJ;HblX
    CTH'tJeCKOHOCHOBe,o6Hapy:>KHBaeTC51B PycCKOH CIOHTe HHCTpyMeHToa; c 1977 r. - npocpeccop). qneH Co103a
    A. THMOllleHKO - B OCHOBY3TOro CO'tJHHeHH51 nonoJKe- KOMn03HTopoa CCCP c 1949 r. 3acnyX<eHHblH ,z:i;e51Tenh
    Hbl coapeMeHHbie (pOJlbKJlOpHbie nnaCThI, 6a3HpyIOI.qHe- HCKyccTB PCcl>CP (1971). AaTop opaTopHH "IlecHH cena
    C51 Ha Tpa.ZJ;HUHOHHOHna,z:i;orapMOHH'tJeCKOH OCHOBe: IllymeHCKoro", ,z:i;eyx CHMq:>OHHH,a TaKJKe MHOrO'tJHC-
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    CKOHnJ151CKHBopoHeJKCKOH 0611acTH - TonoTyxa H ,z:i;p. H(.IX HHCTpyMeHTOB, aHCaM6JleH 11 OT.ZJ;eJlbHbIX HHCTpy-
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    OT cpopTenHaHHblX UHKJlOB ,ZJ;J151 ,ZJ;eTeHKOMn03HTOpOB- BoJIKOB KHpH.1IJIEerem.eeff'I (p. 1943) - KOMn03H-
    KJlaCCHKOB- Il. qaHKOBCKOro, C. IlpOKOcpbeBa, r. CBH- TOp, ne,z:i;aror. OKOH'tJHJ1MocKOBCKYIO KOHCepaaTOpHIO
    pH.ZJ;OBa,a TaKJKe aHanorH'tJHblX 6a51HHblX UHKJlOB no Knaccy KOMn03HUHH A. H. Xa'llaTYp51Ha a 1967 r., a a
    H. qaAKHHa, K. M51cKoea, - caeJKo, HoeaTopcKH npe- 1969 - non ero pyKOBO,ZJ;CTBOM acnHpaHTypy. C 1967 r.
    TaopeHHbIX 3onoTapeBbIM. IlleCTb ,z:i;eTCKHX CIOHT nopa- pe,z:i;aKTOpH3.ZJ;aTeJlbCTBa"CoaeTCKHH KOMn03HTop", C
    3HTeJlbHO pa3H006pa3Hbl no co,z:i;ep:>KaHHIO - 3,ZJ;eChH 1969 no 1975 - npeno,z:i;aaaTeJlb HHCTpyMeHTOBKH a
    rpyCTb, H pa,n;OCTb,H IOMOP,H BOJIUie6cTBO••• rMnH HM. rHeCHHbIX, c 1970 no 1988 - ne,z:i;aror Moc-
    HOBbIM CJlOBOMB 6a51HHOMpenepTYape CTana "Hc- KOBCKOH KOHCepaaTOpHH (Knacc HHCTpyMeHTOBKH H
    naHHa,z:i;a" B11. 3onoTapeaa. Kpaco'tJHbie neA3aJK- KOMn03HUHH), C 1988 r. - 38B. Kacpe,z:i;poRKOMn03HUHH
    Hbie 3apHCOBKH y 3onoTapeBa CO'tJeTaIOTC51 C HMnpOBH- rMnH HM. rHeCHHblX, noueHT. C 1979 no 1989 r. -
    3aQHOHHblMH rHTapoo6pa3HblMH nepe6opaMH, HHTOHa- ceKpeTaph npaaneHH51 CK PC<l>CP. 3acnyJKeHHbIH
    UH51MH H pHTMaMH TeMnepaMeHTHblX HcnaHCKHX ,z:i;e51TenbHcKyccTB PCct>CP (1988). AaTop mecTH onep,
    TaHuee, Hame,z:i;mHx HHTepecHoe cpaKT)'pHoe aonnome- ,z:i;eyx CHM(pOHHH, KaMepHO-HHCTpyMeHTaJlbHOH H
    HHe Ha coapeMeHHOM 6a51He. aoKaJlhHOH MY3bIKH. Iln51 6a51Ha HM Han11caH KoHuepT
    B TOMe npe,z:i;cTaaneHbl TaKX<e npOH3Be,ZJ;eHH51 KJlaC- C CHM(pOHH'tJeCKHMopKeCTpOM H TpH COHaTbl.
    CHKOB6a51HHOHMY3b1KH H. qaHKHHa 11IO. IIIHmaKoaa. llaA:lcHH HHKonaA Shcoeneeff'I (p. 1915) - KOMno-
    O,n;HO 113 xpOHOJlOrH'tJeCKH nocne,ZJ;HHX npOH3Be,ZJ;eHHH 3HTop, ne,z:i;aror. OKOH'tJHJl HCTOpHKO-TeopeTH'tJeCKHH
    qaHKHHa - "IlOJ1Hq:>OHH'tJeCKa51 CIOHTa" - 3aMeTHO 060- cpaKyJlbTeT KHeBCKOH KOHCepaaTOpHH (1940; KJlaCCbl
    raTHJlO penepTyap HCnOJlHHTeJleH B 0611acTH nonHcpC- KOMn03HTopoa JI. H. PeayuKoro, B. C. KoceHKo,
    HH'tJeCKOHMY3b!KH H 3HaMeHOBano co6oA HOBblH 3Tan B. H. J151TOllIHHCKoro, Knacc cneuHaJlhHoro cpopTenHa-
    B 3BOJ1IOUHHTBOp'lleCKOro CTHJ151KOMn03HTOpa. Eme HO A. H. Jlycpepa). C 1951 no 1964 r. npeno,z:i;aaan a
    0,ZJ;HO CO'tJHHeHHe, MaCTepcKH npeTBOp51IOmee pyccKHH rMillf HM. rHeCHHbIX Ha q:>aKyJlbTeTe HapO.ZJ;HblXHHCT·
    (pOJlbKJlOp, - "YrJlH'tJCKHe KapTHHKH" IO. IIIHmaKOBa - pyMeHTOB, c 1964 r. -B ropbKOBCKOH KOHcepaaTopHH (c
    6hmo cneuHaJlhHO HanHcaHo ,z:i;1151 MeX<,z:i;yHapo,z:i;Horo 1972 r. - npocpeccop). qneH Co103a KOMn03HTopoa
    KOHKypca "Ky6oK MHpa", COCT051Bllleroc51B 3AHXOBeHe CCCP c 1944 r. 3acnyX<eHHbIH ,z:i;e51Tenh HcKyccTa
    (ronnaH.ZJ;H51)a 1977 ro,z:i;y. PCct>CP (1980). AaTop MHOrO'tJHCJleHHbIX npOH3Be,z:i;e-
    3onOTapee Bna.QHcnaa Almpeeeff'I (1942 - 1975) - HHH ,ZJ;J151 OpKeCTpOB - CHM(pOHH'tJeCKoro, pyccKoro
    KOMn03HTOp. OKOH'tJHJl Mara,z:i;aHCKOe MY3bIKaJlhHOe xopa, pa3Hoo6-
    Hapo.ZJ;Horo,,z:i;yxoaoro, acTpa,z:i;Horo; ,z:i;1151
    yq1111Hme(1968; Knacc 6a51Ha H. A. JlecHoro). B 1968 - pa3HblX aHCaM6JleH H OT,ZJ;eJlbHblX HHCTpyMeHTOB.
    1969 rr. KOHCYJ1bTHpoaa11c51 no KOMn03HUHH . y SIBJ151eTC51 TaKJKe aBTOpOM yqe6Horo noco6H51 "Kypc
    P. K. IUe,z:i;pHHa.B 1971 -1972 rr. y'l!HJ1C51e MocKoacKoD 'tJTeHH51 napTHTYP ,ZJ;J151 opKecTpa PYCCKHX HapO.ZJ;HbIX
    KOHCepeaTopHH (Knacc KOMn03HUHH T. H. XpeHHHKO- HHCTpyMeHTOB", IlpOH3Be,z:i;eHH51 H. qaHKHHa ,ZJ;J151
    ea). AeTop opaTOPHH "IlaM51THHK peBOJlIOUHH", npOH3- 6a51Ha CTaJlH aaX<H€HllleH aexoR B HCTOpHH 6a51HHOrO
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    poa, CTpyHHOro KBapTeTa, BOKaJlbHblX CO'tJHH~HHH. TeJlbHblM npOH3Be,ZJ;eHHeMHa MeJK,n;yHapO.ZJ;HOM KOH-
    Ba51HHOeTBOp'tleCTBOB11. 3onoTapeaa - 3Ha'tJHTeJlbHblH Kypce "Ky6oK MHpa" Br. Bp10rre (BenbrH51, 1971 r.).
    M. HMxaHUUKUU, cP. Jlunc
    FOREWORD

    Pa:·t Eight of the "Anthology of Compositions for Tirnoshenko, Alexander Afanasyevich (b. 1942), com-
    Button Accordion" contains some modern-style pieces of poser, teacher, concert performer. Graduated from the
    this country's accordion music of the seventies. The class of V. P. Kuzovlev (bu'tton accordion) at the Gnesins
    novelty of writing makes itself felt, first and foremost, in Institute of Music, Moscow, in 1971; studied (optionally)
    the composers' approach to the folklore material, with a composition with Yu. N. Shishakov. Member of the USSR
    spec:al interest in those genres of musical folklore which Composers Union (since 1987). Assistant Professor at the
    had never before been reflected in the concert accordi- Voronezh Institute of the Arts. - Orchestral and solo
    onist's repertoire. In this connection, attention should be compositions for Russian folk instruments.
    drawn to the First Sonata by K. Volkov, where effective Shishakov, Yuri Nikolayevich (b. 1925), composer,
    use is made orage-old dirges, wails, ritual songs, calendar teacher. Graduated from the Gnesins Institute of Music
    -~unes. Another instance of "neo-folklorism" is the Russi- in 1948. Thereat, head of the Department of Folk Inst-
    an Suite by A. Timoshenko, who chose to turn to some ruments (1966 - 74), Professor (since 1949). Honoured
    more recent types of Russian folk music, based on the Master of the Arts of the RSFSR (1971). - An oratorio
    viable formulas of conventional tonality, - stradaniya ("Songs of the Village of Shushenskoye"), two sympho-
    (rural amorous "sighs"), Russian quadrille, topotukha (a nies,ensemble and solo compositions for Russian folk
    "stamping" dance, Voronezh Region), etc. instruments. Pedagogical writings; "A Course in Instru-
    An altogether different trend is exemplified in the mentation for Russian Folk Instruments Orchestra". -
    innovatory Six Children's Suites by VI. Zolotaryov, each He made a valuable contribution to the cause of building
    of which is an impressive set of character pieces, positi- up the repertoire of Russian folk instruments orchestras,
    vely Russian in melopoeia, somehow or other resembling and to that of solo performers on the instruments of that
    the well-known children's albums for piano by P. Tchai- category.
    kovsky, S. Prokofiev, G. Sviridov, as well as the analo- Volkov, Kirill Yevgenyevich (b. 1943), composer,
    gous button accordion cycles by N. Chaikin and K. Myas- teacher. Graduated from the class of A. I. Khachaturyan
    kov. Th0 suites are amazingly diverse in content. Melan- (composition) at the Moscow Conservatoire in 1967, and
    c.lloly.joy, humour, magic ... from the latter's master class thereat in 1969. Since 1967,
    A new word in our accordion music was VI. Zolota- editor at the Sovetsky Kompozitorpublishing house. In
    ryov's Hispaniad. The Spanish motifs in Russian music 1969 - 75, instructor in instrumentation at the Gnesins
    consHu:e a special chapter of its history; suffice it to re- Institute of Music, Moscow. In 1970 - 88, instructor in
    fer to the Spanish overtures Joto aragonesa and "A Night instrumentation and composition at the Moscow Conser-
    ir Madrid" by M. Glinka, or to N. Rimsky-Korsakov's vatoire. Since, 1988, head of the Composition Depart-
    Spanish Capriccio, or to the "Spanish Songs" of D. Shos- ment at the Gnesins Institute of Music, Moscow; Assis-
    takovich. In Zolotaryov, the vivid Spanish guitaresques, tant Professor. From 1979 to 1989, Secretary of the Bo-
    with their spirited dance patterns evoking colourful land- ard, RSFSR Composers Union. Honoured Master of the
    scapes, are in the most interesting manner translated into Arts of the RSFSR (1988). - Three operas, two symphoni-
    the texturally rich and sumptuous language of the modern es, chamber and vocal music; Concerto for button accor-
    button accordion. dion and symphony orchestra; three sonatas for button
    Besides, the volume includes remarkable composi- accordion.
    tions of our classics of accordion music. The Contrapuntal Chaikin, Nikolai Yakovlevich (b. 1915), composer,
    Suite by N. Chaikin appreciably differs in style and aes- teacher. Graduated from the Kiev Conservatoire in 1940;
    thetics from his previous works; the "Uglich Pictures" by studied composition (under the guidance of L. N. Revuts-
    Yu. Shishakov, proficiently embodying the wealth of Rus- ky, B. S. Kosenko, and B. N. Lyatoshinsky) and the piano
    sian folklore, were written for the "World Cup" Interna- (with A. N. Lufer). From 1951 to 1964, instructor at the
    tional Competition (Eindhoven, Holland, 1977). Folk Instruments Department of the Gnesins Institute
    Here is some information about the composers: - of Music, Moscow. Since 1964, on the staff of the Gorky
    Zolotaryov, Vladislav Andreyevich (1942- 75), com- Conservatoire (since 1972, Professor). Member of the
    poser. Graduated from the class of N. A. Lesnoi (button USSR Composers Union (since 1944). Honoured Master
    accordion; at the Magadan Secondary School of Music in of the Arts of the RSFSR (1980). - Numerous compositi-
    1968. Studied composition under the guidance of ons for symphony orchestra, Russian folk instruments
    R. K. Shchedrin (by way of consultation, 1968-69), and orchestra, brass band, light orchestra; choral and cham-
    with T. N. Khrennikov (at the Moscow Conservatoire, ber music; solo compositions for various instruments.
    1971-72). - An oratorio ("Monument to the Revolution"), "A Course in Score Playing (Russian Folk Instruments
    large-scale and chamber orchestral compositions, string Orchestra)". - His works for button accordion constitute
    quartets, vocal music. - His works for button accordion a highly important chapter in the history of accordion mu-
    rank exceptionally high in the repertoire of those culti- sic. - His Ukrainian Suite was a required item on the pro-
    vating the modern-type multitimbral fixed-and-freebass gramme of the" World Cup" International Competition
    instrument. (Bruges, Belgium, 1971).
    M. Imkhanitsky, F. Lips
    Tr.: V. Yerokhin
    YCnOBHblE OBO3HA l.JEHHSI
    CONVENTIONALSIGNS

    IT] roToea.s:rKnaeHaTYpa fixed-bass manual


    00 Bb16opHa.s:r
    KnaeHaTypa freebass manual
    [[I 6aCbl (o6a p.s:r.na) bass-tones (both standard and third)
    0 6acoCHoeHorop.s:i:.na standard bass-tone
    B 6ac ecnoMoraTenhHoro p.s:r.na third bass-tone
    6 M8)KOpHb1:A
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    "'
    V p83.)ICHM
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    Ha Hcnonh3oeaHHe ecnoMoraTenhHblX button-rows (of both keyboards).
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    ucnom&Th oKTaeo:ABblWe to be played an octave higher

    ucnonHSITh OKTaeo:AHH)Ke to be played an octave lower

    PErHCTPhl REGISTERS
    ~ IlHKKono Piccolo
    €, KoHuepTHHa Concertina
    § KnapHeT Clarinet
    e Cl>&rOT Bassoon
    ~ ro6o:A Oboe
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    C OpraH c KnapHeToM Organ plus Clarinet
    ~ OpraH C KOHUepnnio:A Organ plus Concertina
    i} cllaroT C KnapHeTOM Bassoo~ plus Clarinet
    @ cllaroT C KOHuepTHHO:A Bassoon plus Concertina
    6 MoeMy CblHYI'eHpuxy To my son Genrikh
    lllECTb AETCKHX CIOHT * SIX CHILDREN'S SUITES*
    C10ttTa NQ1 (1968) Suite No.l
    IIPHllBOPE
    CKOMOPOXH l. MINISTRELS
    AT COURT
    Bn. 30Il0TAPEB
    Allegrogiusto Vl.ZOLOTARYOV
    . . .. . . . . . . ..... . ... . .. . . .......

    . . . . . . . . ... . ... . . . . . . . . . . . . . . . . .

    . . . . . . . . . . . . . . . . . .. . . .. . . . . ..... .

    ~loco
    .. . . molto rit.
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    . . . .
    -----

    * Hcnomurre.m.c:tc:AJ~ ~- Jhmca.
    * Edited by F. Lips.
    © 113.Q&TeJibCTBO "CoeeTCKl1H KOMI10311TOP", 1976r.
    14742
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    14742
    10
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    14742
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    14742
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    14742
    15

    MAPIDCOilllATHKOB 5. TOYSOLDIERS'
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    11POBY10lEHHE 1. AWAKENING

    AllegrettoJ = 120

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    2* 14742
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    14742
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    14742
    IIPOfYTIKA 2. A STROLL

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    24
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    14742
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    47
    CroMTa Ni~4 (1974) Suite No.4
    OT3BYKHTEATPA I. THE REPERCUSSIONS
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    14742
    48

    molto rit.

    14742
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    PA3MHillilEHHE 2. MEDITATION

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    14742
    71

    2
    72
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    * Hrpan, B JD>6oM TeMDe B 38BHCHMOCTH OT CTeileHH TeDifflleCICOH nO.QBHHJTOCTH.

    *Whatner tempo you choose (depending on your playing technique).


    14742
    73

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    14742
    74

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    14742
    TARARUSHKI* 75
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    14742
    76
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    77

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    14742
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    80 4,pui>puxy Runcy To Fridrikh Lips
    HCTTAHHAAA (1974)
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    14742 \:J
    81
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    6• AHTononui llHT-plbl ,11JU1 6&m1a, 'l&CTI> VIII 14742


    82

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    14742
    83

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    84 loco
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    14742
    86

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    ,..You may play solely the upper part. 14742


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    14742
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    I I I
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    14742
    91

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    14742
    92

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    14742
    95

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    14742
    149

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    14742
    150

    <l>YfETTA 2. FUGUETTA

    Allegretto ; = 88

    14742
    14742
    152

    IIACIIbE 3. PASPIED

    Allegretto grazioso ~ 152

    attacca

    .IlYBJib DOUBLE
    L'istesso tempo

    14742
    154
    KAHOH 4. CANON

    AndanteJ = 72-76

    re con espres

    loco

    --

    14742
    JKHI'A 5. GIGUE

    @, Allegrogioviale.l.=132

    *IlOBTOpeHHe adlib. 14742


    156

    14742
    157
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    14742
    158

    ...
    COllEP)KAHHE
    CONTENTS

    Bn. 3OTIOTAPEB
    Vl. ZOLOTARYOV
    IlleCTbneTCKHXCIOHT
    Six Children's •suites
    C100TaN°'l . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
    Suite No.1
    C1011TaN°2 • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
    Suite No. 2
    C1011TaN°3 37
    Suite No~3
    C1011TaN°4 47
    Suite No. 4
    C1011TaN°5 55
    Suite No. 5
    C1011TaN°6 66
    Suite No. 6
    HcnaHHana. HcnaHcKaSIpanco.QHSI• • • • • • • • • • • • • • • 80
    Hispaniad.Spanish Rhapsody
    A. THMOillEHKO
    A. TIMOSHENKO
    PycCKaSICIOHTa. • • • • • • • . • • • • . • • • • . • . • • • . • • 102
    Russian Suite
    IO. IllHillAKOB
    YU. SHISHAKOV
    YrnHG:CKHe KapTHHKH• • • . . • • . • . • • • • • . • . • • . • . 127
    Uglich Pictures
    K.BOTIKOB
    K. VOLKOV
    CoHaTa N° I • • . • • • • • • • . • • • • • • • • • • • • • • • • • • 134
    SonataNo.1
    H.1:lAHKHH
    N.CHAIKIN
    IlonH$OHHG:eCKaSI CIOHTa• • . • • • • • • • • • • • • • • • • • • 147
    Contrapuntal Suite
    HOTHoe H3.ttaHHe

    AHTOnorH51 nHTEPATYPbl nnH BASIHA


    qaCT& Vlll
    COCTu.HTeru. 4>pH.QpHll:Po6epT0BHII flHl'IC

    Pe.ttaKTOp H. YMHoea. Texit. pe.ttaKTop T. nanwuHa. KoppeJCT0p A. BapUCH:UH.

    H/K
    Ilo.QnHcaH0 a Ha6op 25.02.90. Il0.ttnHCaH0 a ne'laTb 15.01.91. 4>opMaT60x90 1/8.
    ByMara oq,ceTHaff NO1. rapHHTypa TH.Qe. Ile'laT& oq,ceTHast. O6'beM neq. :n.20,0.
    Yen, n,n. 20,0. Ycn.Kp,-on.20,0. Y'l,•H3.Q. n. 23,7. THpa• 10000 9K3. Hm.NO 14742. 3ax. NO45.
    UeHa Sp.

    HmaTeru.crao ,,MyWKa", 103031, MOCKaa, HernHHHu, 14


    MOCKOBCKU THl'lorpaq)W! NO6 rocKOMne'laTH CCCP,
    109088, MocKBa, JK-88, IOlltHOnOpTOBaff yn., 24
    6 8.R'l!ec.naey CeMeJfoey To Vyacheslav Semyonov

    3l1MHl1E 3API1COBKH WINTER SKETCHES


    Cx:,HTa Suite

    V30pbl tta cTeKA.e Tracery on a Window- Pane


    A.KYCSIKOB
    A.KUSYAKOV
    HcnomuneJlbCKafl JJeJJAlClUffl
    B. CeMeu
    Edited by V. SemyOito-v
    Andante ~ = 72- 80
    s

    ~vibr.,-..

    sempre dolcissimo mp -=========

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    3
    © l-b.11aTeJibCTBO ,.CoueTClOd~ J<OMn03HTop", 1981 r.
    14929
    7
    Sostenuto
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    TpoiiKa Troik a

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    ITOCHAeAKH Sit- Round Gathering

    Moderato j, = 96 -104

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    14929
    13
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    14929
    1

    CeBepttbu1 BeTep Northerly Wind

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    14929 attacca
    18
    Bbl.i\.liHfl An Epic
    ~ Andante cantabile J = 66

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    22
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    ilp a3 ARM'-IHa5I Festive M.usic

    Vivacissimocon bravura~ = 192


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    14929
    24
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    14929
    26

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    14929
    28

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    U,9H
    To Vyacheslav Semyonov

    COHATA NQl SONATA No.1


    (1976)
    I
    BapHfill.Mli Variations
    A.KYCSIKOB
    A.KUSYAKOV
    HcnOJ1HH'l'8JlbCKa~ 8. CeweHOB&
    8 Largo rubato Edited by V. Semyonov

    @sm. d-1.r-:-------~
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    © 1-1:inarem, cTSo ,.Co11e1'CJC


    1dt KOMn03~TOp", 1979 r.

    !4929
    - 31

    con moto

    cantabile

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    H929
    32
    Piumosso.Rusoluto
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    > > >-> >> >- > > > >-

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    14929
    33

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    14929
    34

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    !4929
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    125
    KOHUEPTHAH
    TTAPTHTA PARTITA CONCERTANTE
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    126 pochissimo string.
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    14929
    !n the upper pa1t of the keyboar,.1
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    133

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    14929
    135

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    14929
    137

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    139

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    140

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    J4929
    III. Aria 141

    Adagio con amore


    un poco rubato

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    Monophonic freebass manual. H929
    ...
    142
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    Two-voice freebass manual. 14929


    vibr . 143

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    14929
    144 TempoI J = 1w

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    Three-voice ti'cehass manu~ I I 4929
    145
    IV. Perpetuum mobile
    Allegromotto,deciso~ :c 176
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    167
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    U929
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    O.ne2y Hiap08y To Ole,z SharoY

    COHATA NQ1 SONATA No.I


    ( 1977)
    r. BAHII[HKOB
    I G. BANSHCHIKOV
    0. Illapoea
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    14929
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    14929
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    00 14929
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    14929
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    14929
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    14929
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    14929
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    14929
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    d',pu3puxy .Jiuncy To Friedrich Lips

    DE PROFUNDIS
    (1978) C.rYBAiUIYilHHA
    S. GUBAIDULINA
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    14929
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    14929
    214

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    14929
    215

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    J4929
    216
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    14929
    217
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    14929
    218
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    149 29
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    14929
    220

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    14929
    221

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    149211
    CO,IJ;EPiKAHHE
    CONTENTS

    A KYCHKOB
    A. KUSYAKOV
    3HMHH e 3apwcoBKH.C10HTa ·····················................... .............. 6
    Winte r Sketches. Suite
    CoHaTa N!! 1 ............................ .................................... ............... 30
    Sonata No 1
    Cottata ~ 2 ............................................................................... 60
    Sonata No 2
    <I>yraH 6ypJiecKa ....................................................................... 83
    Fugue and Burlesque .
    B. }lOBfAHb
    V. DOVGAN
    CoHaTa-panco,1:um. BepxoBHHcxru:r ................... .......... ............... JOI •
    Rhap sodie Sona ta. Verkhovina
    B. 3Y6111..l;KHA
    V. ZUBITSKY
    KoHQep,-Hrut naptHTa a CT}{Jle,!OK8.JOBO~ HMIIpOBHJaU:HH .. ....... 125
    Partitaconcertante in mod o di jazz-im provisazione
    B. BJIACOB
    V. VlASOV
    Tiapaq;ipasHa H8P0.ltH)'IOTeMy ......... ......... ........ ......... .......... ...... 167
    Paraphrase on a Folk-Tune
    r. EAHillliKOB
    G. BANSHCHIKOV
    CoHara N.! 1 ...................... ............................... ................... ....... 179 ·
    Sonata No 1
    C. rYEA0,LJ,YJIHHA
    S. GUBAIDULINA
    De profundis ...... ............. .......... ........... ............... ......., ....... ,.,_
    ...... 210
    _. TOJIOrllIH
    JIVITEPAT_DI
    ______
    JI5I E ___,
    "9ACTbX

    Anthology
    of Compositions
    for Button Accordion
    PartX
    AHTOJIOTilIS:
    JIMTF~PATYPbI
    ~JI5I BM.IHA
    "t!ACTn X
    COCTABMTEJTh cp_JIMIIC

    Anthology
    of Compositions
    for Button Accordion
    PartX
    Compiled by F.Lips

    MOCKBA «MY3hIKA» 2004


    Moscow «Muzyka»
    66K85.314
    A72

    PE,MKllHOHHAA KOJIJIEfIDI
    Be.IDIKOBB. <l>.,EropoB B. M.,
    HMXaHHUKHH
    M. H., Kono6KoBC. M., Ky:30sneBB. II.,
    .Jbmc <l>.P., CeMeHoBB. A.

    EDITORIAL BOARD
    BelyakovV. I., Yegorov B. M.,
    Imkhanitsky M. I., Kolobkov S. M., Kuzovlev V. P.,
    Lips F. R., Semyonov V. A.

    fYII «M3,ZJ;aTeJibCTBO
    Cl> «MysbIKa» 6Jiaro,D;apHT
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    33. co,IJ;eikrn11e X qacrn AHToJiornH JIHTepaTYPbI
    B 113,ZJ;aHHH ,IJ;IDI 6asma

    A 72 AllToJiorumrrepaTYPbl.wm6ama. qaCThX / COCT.<l>.JIHnc. - M.: MY3b1Ka,


    2004. - 248 C.
    ISBN 5-7140-0238-5

    B .llecsrryIO,3aKJJJO'IHTCJil,H)'JO 'l8CTh AHTonorHHBOIWIHC03,ll8HHI,le B nocne.iume.llCCJITHJJCTHJIXX


    BCKa OpHI'HHam.HlilC CO'UIHCHJUI ,llJUI 6asllfa H3BCC'IHLIX OTC'ICCTBCHHl,IX KOMII03HTOpoB: f. JiaJmuucoea,
    C. 6epHHcKoro, K. BOJDCoea, C. fy6abyJIHHoA:, 3. ,lleHHcoea, E. ,llep6eHKo, A Xyp6HHa, P. Jle.lle-
    Heea,Il. JloH.lloHoea,A Haraeea, E. IlQZll'llAua, J;J.P.116oea, B. CeMeHoea,A XOJJMHHoea.
    ,llJUrMy31,IKaHTOB-Ilpocl>eccHOHaJJOB, C1Y,llCHTOB H IlC,llal'OI'OB MY3hlKaJJl,m.tX y,le6m.tX 3aBC.llCHlffl,
    KOHilCprHpYJOllglX, HCilOJIHHTeJICA:.
    BBK85.314

    ISBN 5-7140-0238-5 C H3,llllTCJil,CT «MY31'00l>,2004 r.


    IlPE.L(HCJIOBHE

    ,ll;eeRTIUI, 3aIC/IIOtIHTeJibHasIqaCTI, AflTOJIOI'HH II0MHH> 110 B. PaerryTHHY, rrpoH3Be.zi;eHHii.ztm1xopa,


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    eRTH T0Max AflToJIOrHH (11epBasI qaCTI, BbIIIIJia B opKeCTpa, KoHuePT .wm6ama H KaMepHoro opKe-
    1984 r.) H3,llaTeJibCTB0M«M}'3b1K3» e0BMeCTH0 e Ka- CTpa, TpH eoHaTbl, «CTuxupa HoaHHa fpo3Horo»
    q>e~oA Hap0,llHbIX HHCTp}'MeHT0B PoceHAeKOii aKa- .wmBH0JI0HtieJIH H 6ama H ,np.
    .zi;eMHHM}'3bIKH HM. fHeeHHbIX eo6paH1,I Jl}"IIIIHe 1Kyp6RBAn:eKcaH,llp BopHeOBHtI (p. 1945) -
    npoH3Be,lleHIDI .wm6asIHa, HanHeaHHble K0MII03HT0- K0MII03HTOp. B 1969 r. 0K0HtIHJI fMilH HM. fHe-
    paMH 6b1Bwero CCCP B XX BeKe, HatIHHasI e 30-x eHHl>IX 110 KJiaeey K0MII03HUHH H. H. IleHKO, a B
    ro.l(0B - BpeMeHH 110.mmeHIDI 11epBbIX eotIHHeHHH 1973 r. - aeIIHpaHzypy IIPH JleHHHrpa,neKOH K0H-
    npoq>eeeHOHaJil>HbIXaBTOp0B. eepBaT0PHH HM. H. A PHMeKoro-KopeaKoBa y
    BaJKHeHWHM 3aB0eBaHHeM 6asIHHCTOBBO BT0- IO. r. KoHa. lJ.n:eH CK CCCP e 1970 r. 3ac.nyxeH-
    poA II0JI0BHHe xx eT0JieTIDI CTaJI 11popb1BBe.ll}'IUHX H1>1A.ne.SITeJibHeKYeCTB PCl>(2003). ABrop p.H.l(a
    MY3bIKaHT0B Ha aKa,neMHtieeK}'IO eueHY, H pewaio- onep, B T. q_ 11epBOH OTetieCTBeHHOH pOK-011ep1,1
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    .l(aHH0M T0Me, .SIBIDIIOTe.SI 3HatIHTeJll,HbIMH <l>HIYPaMH C10HTa H .np.
    B o6JiaeTH OTetieCTBeHHOHKaMepH0-HHCTp}'MeHTaJib- B~oa feHH8,IJ;HH HBaHoBHtI (p. 1943) -
    HOH M}'3bIKH, a 60JibWHHCTBOH3 HHX HMeIOT WHp0- K0MII03HT0P, 11e,naror. B 1966 r. 0K0HtIHJI JleHHH-
    K0e Me)KJlyHapo,llH0e IIpH3HaHHe. rpa,neK}'IO K0HeepBaTOpHIO HM. H. A PHMeKoro-
    HaraeaAn:eKcaH,llp IleTpoBHtI (p. 1947) - K0M- KopeaKOBa 110 KJiaeey K0MII03HUHH B. A Apanoua,
    no3HTop. B 1980 r. 0K0HtIHJI fMilH HM. fHeeHHbIX a B 1969 r. - ae11HpaHzypy 110,llero PYK0B0.l(CTB0M.
    110 KJiaccy KOMII03HUHH H. H. IleAKo. ABTop BO- lJ.n:eH CK CCCP e 1967 r. ·ABrop 011epH1>IX, eHMq>o-
    KaJibHbIX H HHCTp}'MeHTaJibHbIXCOtIHHeHHH, B T. 11. HHtieeKHX H KaMepHbIX llpOH3Be,l(eHHH,.BT. q_ tieTbl-
    .ztm16asIHa HM HaITHCaHbl: CoHaTa llaMRTH BJI. 3o- pex eoHaT .wm6ama .
    JIOTapeBa, .l(Be ,ll;eTeKHe eIOHTbl, Ilo3Ma .wm6asIHa, fy6ai.lly.mma Co<l>IDI AerarouHa (p. 1931) -
    CTpYffH0ro opKeCTpa H y.napHbIX H ~- 0,D;HHH3 KpyrrHeHWHX KOMII03HTOpOB coupeMeHHo-
    JIOB,D;OBOB IleTp IleTpoBHtI (1928-1981) - CTH. B 1954 r. 0K0H1mJia KalaHeK}'IO K0HcepBaTO-
    K0MII03HTOp. OKOH1DIJI MoeKOBeK}'IO K0HcepBaTO- pHIO 110 KJiaccy <l>opreIIHaHO r. M. KoraHa, B 1959 r.
    PHIO HM. n. H. lfa:itKOBCKOro 110 KJiaccy K0MII03H- MoeKOBeK}'IO KOHcepBaTOpHIO HM. Il. ff. qait-
    UHH E. H. MeeeHepa. 3ac.nyxeHHbl1t ·.zi;e.SITeJib He- K0BCK0ro 110 KJiaeey K0MII03HUHH H. H. Ile:A:Ko, B
    KYeCTBPCCl>CP (1978). lJ.n:eH CK CCCP e 1971 r. 1963 r. - acIIHpa.H.Typy110,nPYK0BO,D;CTBOM B. ,SI. me-
    ABrop rrpoH3Be.zi;eHH:it .wmopKeCTpa pyccKHX Hapo.zi;- 6aJIHHa. lJ.n:eH CK CCCP e 1961 r. 3ac.nyxeHHbl1t
    HbIX HHCTp}'MeHTOB,xopa, 4>opre11HaHO.,ll;JIJI6asIHa ,ne.SITe.111>
    HeKYCCTBP<l> (1990). ABrop eHMq>oHHtie-
    HM HanHe3.Hbl: KoHUePT e opKeCTp0M pyccKHX Ha- eKHX, xop0BbIX, KaMepH0-HHCTp}'MeHTaJibHbIX rrpo-
    P0.llHbIX HHCTp}'MeHTOB,CoHaTa, o6pa6oTKH Hapo.zi;- H3Be,lleHHH.,ll;JIJI6ama e10 C03,llaHbl: «De profundis>,
    HbIX 11eceHH TaHUeB H ~- CoHaTa «Et exspecto», «CeMb CJioB> .wm 6ama,
    BOJIKOB KHpHJIJI EBreHbeBHtI (p. 1943) - K0M- BH0JI0HtieJIH H KaMepHoro opKec-rpa, «Silenzio» .wm
    II03HTOp, 11e.naror. OKOH1DIJI MoeKoBeK}'IO K0Hcep- . 6ama, eKpHIIKH H BH0JI0HtieJIH, KoHUePT .wm6ama
    BaTOpHIOHM. Il. ff. lfa:itKOBCKOro B 1967 r. 110 KJiae- H eHM<l>oHHtieeKoro opKeCTpa «Ilo.n 3HaK0M CKop-
    cy K0MII03HUHH AH. Xa11azypma, a B 1969 r. - llH0Ha> H~.
    ae11upaHzypy 110.zi;ero PYK0B0.llCTB0M. lJ.n:eH CK ,IJ;ep6en:oEBreHHii IleTpOBH11 (p. 1949) -
    CCCP e 1969 r. 3aB. n<I>e~oH K0MII03HUHH PAM K0MII03HTOp, 11e.zi;aror.OKOH1DIJI fMilH HM. fHe-
    HM. fHeeHHbIX, rrpoq>eccop, 3ac.nyxeHHbl1t .zi;e.srrem, eHHbIX 110 KJiaccy 6ama A H. rye.SI, <l>aKYJibTaTHBHo
    HeKYCCTBPCCl>CP (1984). ABrop 011ep1,1«)Kuuu H 3aHHMaJie.SI110 K0MII03HUHH y IO. H. illHWaKoBa.
    4
    lJneH CK CCCP c 1986 r. 3acnY)KeHHhIH .nesITeJib poBa, a B 1958 r. - acrrHpaHTypy y Hero xe (paHee
    HCK}'CCTBP<l> (1990). A1nop npOH3Be,neHHHJlIDI xo- yqHJicR y H. II. PaKoBa). ABTOp opaTOpHH, KaHTaT,
    pa, OpKecrpa pyccKHX Hapo,nHbIX HHCTp}'MeHTOB, CHMq>OHl{qeCKOHH xopOBOH MY3bIKH, HHCTp}'MeH-
    JlIDI OT,neJibHbIX Hapo,nHhlX HHCTp}'MeHTOB. TaJibHbIXKOHUepTOB.IIy6JIHK}'eMaH nbeca <<•••Ha q>O-
    BepHHcKHii Cepreif CaMyarroBl{l{ (1946-1998) - He pyccKoro neibaxa» - ero nepBoe coqHHeHHe
    KOMII03HTop. B 1975 r. OKOH'IHJI fMIIH HM. fHe- .llIDI 6aRHa.
    cHHhIX no KJiaccy KOMn03HUHH A. r. llyraeBa. 3a- P.a:6oeBna,nHMHp Bna,nHMHpoBuq (p. 1950) -
    CJIY)KeHHblH .nesrrenh HCK}'CCTBP<l> (1996). llneH CK KOMII03HTOp.YqHJICRB MocKOBCKOHKoHcepBaTopHH
    CCCP c 1979 r. ABTop qeTblpex cHMq>OHHH,KOH- HM. II. M. lJaii:KOBCKOro no KJiaccy KOMII03HUHH
    uepToB JlIDI pa3Jll{l{Hb1X HHCTp}'MeHTOB,PeKBHeMa, A. M. XaqaTypsrna, OKOH'IHJIfMIIH HM. fHeCHHhIX y
    KaMepHO-HHCTp}'MeHTaJibHOH H BOKaJibHOHMY3b1KH. Hero xe B 1977 r., acnHpaHTypy npH JleHHHrpa.ncKoii:
    ,llml 6aHHa HM HanHcaHbI: CHMq>OHIDIM 3 «11He6o KOHcepBaTOpHH HM. H. A. PHMcKoro-KopcaKoBa B
    CKpbIJI0Cb»c CHMq>OHl{qeCKHM opKeCTpOM, «11dolce 1979 r. y B. A. AparroBa. llneH CK CCCP c 1978 r.
    dolore» JlIDI BHOJI0H'IeJIHH 6aHHa, «MopcKoH neif- 3aCJIY)KeHHhrn.nesrreJib HCK}'CCTBP<l> (1995). ABrop
    3IDK»,llIDI CKpHnKH H 6aHHa H ,np. CHMq>OHl{qeCKHX,xopoBhIX, KaMepHblX H q>OpTenH-
    CeMeHOB BH'IeCJiaB AHaTOJibeBl{q (p. 1946) - aHHblX npoH3Be,neHHH. IIy6JIHK}'eMaH nheca - nep-
    ne.naror, HCn0JIHHTeJib, KOMII03HTOp. B 1969 r. Boe COql{HeHHeKOMII03HTOpaJlIDI 6aHHa.
    0KOH'IHJI fMIIH HM. fHecHHhIX no KJiaccy 6aHHa Ilo~ Eq>peM HocHq>oBuq (p. 1949) - KOM-
    A. A. CypKOBa, a B 1974 r. accHCTeHTypy-CTIDKH- no3HTop. OKOH'IHJI MocKOBCKYJO KOHcepBaTOpHIO
    pOBK}' (pYKoBo,nHTeJih0. M. ArapKoB). C 1979 no HM. II. M. llaii:KoBcKoro no KJiaccy KOMII03HUHH
    1982 r. yqHJICR no KJiaccy KOMII03HUHH B POCTOB- IO. M. BYUKO H H. H. CH.lleJibHHKoBaB 1974 r. 3a-
    CKOM MY3bIKaJibHO-ne,narofl{l{eCKOM HHcnrryre y cJIY)KeHHhIH,neRTeJibHCK}'CCTBPoccHH (2000). llneH .
    A. M. KycRKoBa. Hapo,nHhrn apTHCT PoccHH (1995). CK CCCP c 1978 r. ABrop Tpex cHMq>OHHH,ceMH
    IIpoq>eccop PAM HM. fHecHHhIX c 1988 r. ABTOp onep, 6aneTa, 18 HHCTp}'MeHTaJibHblX KOHUePTOB,
    MHoroqHCJieHHblX npoH3Be,neHHH JlIDI 6aHHa; cpe.n;H xopoBOH MY3b1KH.,llml 6aRHa HM HanHcaHbI: KoH-
    HHX: CoHaThI M 1, M 2 («BacKapHa,na»), «BpaM- uepT C KaMepHblM OpKeCTpOM,«JIHIIC-KOHUepT» C
    cHaHa», <l>aHTa3IDI Ha TeMY necHH H. <l>peHKeJIR CHMq>OHl{l{eCKHM opKeCTpOM, «Ex anima» co CTpYH-
    «KanHHa KpaCHaH»H .np. HbIM KBaPTe'fOM,CoHaTa H .n;p.
    ,ll;eHBCOB 3.llHCOH BacHJibeBl{q (1929-1996) - XOJIMHHoB AneKcaHJlP HHKonaeBuq (p. 1925) -
    Bbl}laIOIIUfHCRpyCCKHHKOMII03HTOp. OKOH'IHJI ToM- Bbl,!laIOIUHHCR PYCCKHH KOMn03HTOp. B 1950 r.
    CKOeMY3yqHJIHIUeno KJiaccy q>aprenHaHo B 1950 r. OKOHqHJI MoCKOBCKYJOKOHCepBaTopHIO no KJiaccy
    H MexaHHKO-MareMaTl{qeCKHHq>aK}'JlbTeTTOMCKOro KOMn03HUHH E. K. fony6eBa. llneH CK CCCP c
    YffHBepcHTeTa (1951). B 1956 r. oKOH'IHJI MocKoB- 1950 r. JlaypeaT focy,napcTBeHHhIX npeMHH
    CKYJOKOHcepBaTOpHIOHM. II. M. llaHKOBCKOro no PC<l>CP (1969) H CCCP (1978). Hapo,nHbIH ap-
    KJiaccy q>oprenHaHo B. C. BenoBa H no KOMII03H- THCT CCCP (1985). ABTop 6onee .necRTH orrep
    UHH B. H. IIle6anHHa. ABTop onepHbIX H 6aneTHblX ( «OnTHMHCTHqecKaR Tpare.nIDI», «llanaeB», «IIIH-
    napTHTyp, CHMq>OHl{l{eCKOH,KaMepHO-HHCTp}'MeH- Henh», «KoJIRcKa» H ,np.), BOKaJibHO-CHMq>OHH-
    TaJibHOHH BOKaJibHOHMY3hIKH, uenoro pR]la HHCT- qecKHX coqHHeHHH, npOH3Be,lleHHH )lJIR OpKecTpa
    p}'MeHTaJibHblXKOHUePTOB.B 1987 r. HM HanHcaHa pyccKHX HapO,llHblX HHCTp}'MeHTOB.
    <l>aHTaJHRHa TeMbl COBeTCKHXneceH 30-x fO}lOB ABTOp 3HaMeHHTOHCIOHTbl .llIDI 6aRHa (1951),
    «IIapoxo.n IIJibIBeT MHMO npHCTaHH» .llIDI 6aHHa, BOIIIe)lIIIeH B COKpOBHIUHHllY6aRHHOro penePTYapa,
    q>OprenHaHOH y.napHbIX. H KoHUePTHOH CHMq>OHHH.llIDI 6aRHa (1999), 3a-
    Jle.n;euee PoMaH CeMeHOBl{l{ (p. 1930) - Bbl- BepII1a10meif X qaCTb AHTOJIOI'HH JIHTepaTypbl ,llIDI
    .llaIOIUHHCRpyccKHH KOMII03HTOp. B 1955 r. OKOH- 6asrna.
    qHJI MocKOBCKYIOKoHcepBaTOpHIO HM. II. M. llaif- <P.Jlunc
    KOBCKoro no KJiaccy KOMII03HUHH A. A. AneKCaH}l-
    FOREWORD

    Toe tenth and last part of our Anthology of of the RSFSR (1984). Author of the opera 'Live and
    Compositions for Button Accordion (Bayan) consists Remember' after V. Rasputin, as well as of numerous
    of original bayan pieces composed at the close of the works for chorus, symphony orchestra, orchestra of
    20th century. Toe Anthology, whose first volume Russian folk instruments. His bayan works include
    appeared in 1984, was prepared by the Muzyka the Sinfonietta for two bayans and symphonic
    publishing house in collaboration with the chair of orchestra, the Concerto for bayan and chamber
    folk musical instruments of the Gnesins Academy of orchestra, three sonatas, 'Canticle of Ivan the
    Music, Moscow. Its ten volumes contain the best of Terrible' for cello and bayan.
    the bayan music written by the composers of the Zhurbin Aleksandr Borisovich (b. 1945) -
    former USSR in the 20th century, beginning with the composer. In 1969 he graduated from the compo-
    '30s, when the first pieces by professional composers sition class of Professor N. I. Peiko at the Gnesins
    appeared. · State Institute for Musical Education; in 1973 he
    During the second half of the 20th century, the completed his post-graduate studies at the
    foremost bayan players succeeded in forcing their Leningrad Conservatoire under the guidance of
    way to the academic musical scene. This was Yu. G. Kon. Member of the Union of Composers
    conditioned not only by the growth of their mastery, of the USSR (since 1970). Honoured Art Worker
    but also by the leading composers' increasing interest of the Russian Federation (2003). Author of
    in bayan. Virtually all the authors whose works are several operas, including the first Russian rock-
    included into the present volume are major figures of opera 'Orpheus and Euridice', as well as of
    our chamber instrumental music, and some of them symphonic, chamber instrumental, vocal works
    enjoy a worldwide renown. and pop songs. His bayan works include· three
    Nagayev Aleksandr Petrovich (b. 1947) - com- sonatas, the Concert Diptych, Fantasy and Fugue,
    poser. In 1980 he graduated from the composition Toccata, Suite, etc.
    class of N. I. Peiko at the Gnesins State Institute for Banshchikov Gennady Ivanovich (b. 1943) -
    Musical Education. Author of vocal and instrumental composer, teacher. In 1966 he graduated from the
    works, including a number of compositions for bayan composition class of B. A. Arapov at the Leningrad
    (Sonata in memory of VI. Zolotaryov, two Children's Conservatoire and in 1969 he completed his post-
    Suites, Poem for bayan, string orchestra and graduate studies under Arapov's guidance. Member of
    percussion, etc.). the Union of Composers of the USSR (since 1967).
    LondonovPetr Petrovich (1928-1981) - com- Author of operas, symphonic and chamber works,
    poser. Graduated from the composition class of including four sonatas for bayan.
    E. I. Messner at the Moscow Conservatoire. GubaidulinaSofiya Asgatovna (b. 1931) is one of
    Honoured Art Worker of the RSFSR (1978). the most prominent composers of our time. In 1954
    Member of the Union of Composers of the USSR she graduated from the piano class of G. M. Kogan
    (since 1971). Author of works for Russian folk at the Kazan' Conservatoire, then she studied
    instruments, chorus, piano. He wrote a number of composition with N. I. Peiko at the Moscow
    works for bayan, including a concerto with orchestra Conservatoire (graduated in 1959), and in 1963 she
    of Russian folk instruments, a sonata, arrangements completed her post-graduate studies there under the
    of folk songs and dances. · guidance of V. Ya. Shebalin. Member of the Union
    VolkovKiril1 Evgenievich (b. 1943) - composer, of Composers of the USSR (since 1961). Honoured
    teacher. In 1967 he graduated from the composi- Art Worker of the Russian Federation (1990). Author
    tion class of A. I. Khachaturian at the Moscow of symphonic, chamber, choral works. Her music for
    Conservatoire, in 1969 completed his post-graduate. bayan includes 'De profundis', the sonata 'Et
    studies under the guidance of Khachaturian. Member exspecto', 'Seven Words' for bayan, cello and string
    of the Union of Composers of the USSR (since orchestra, 'Siienzio' for bayan, violin and cello, the
    1969). Head of the composition chair at the Gnesins concerto for bayan and symphonic orchestra 'Under
    Academy of Music, Professor, Honoured Art Worker the Sign of Scorpion'.
    6
    Derbenko Yevgeny Petrovich (b. 1949) - composer, Ledenyov Roman Semyonovich (b. 1930) - an
    teacher. Graduated from the bayan class of A N. Gus' outstanding Russian composer. In 1955 he graduated
    at the Gnesins State Institute for Musical Education, from the composition class of A A Aleksandrov at
    studied composition as an optional subject with Yu. N. the Moscow Conservatoire; in 1958 he completed his
    Shishakov. Member of the Union of Composers of the post-graduate studies under Aleksandrov's guidance
    USSR (since 1986). Honoured Art Worker of the (he studied also with N. P. Rakov). Author of
    Russian Federation (1990). Author of works for chorus, oratorios, cantatas, symphonic and choral works,
    orchestra of Russian folk instruments and separate folk concertos. The piece ' ...against a background of
    instruments. Russian landscape' published in the present volume is
    Berinsky Sergei Samuilovich (1946-1998) - his first work for bayan.
    composer. In 1975 he graduated from the Ryabov Vladimir Vladimirovich (b. 1950) -
    composition class of A G. Chugayev at the Gnesins composer. Studied composition with A I. Kha-
    State Institute for Musical Education. Honoured Art chaturian at the Moscow Conservatoire; in 1977
    Worker of the Russian Federation (1996). Member of graduated from his composition class at the Gnesins
    the Union of Composers of the USSR (since 1979). State Institute for Musical Education. In 1979
    Author of four symphonies, concertos for various completed his post-graduate studies at the Leningrad
    instruments, Requiem, chamber instrumental and Conservatoire under the guidance of B. A Arapov.
    vocal works. His bayan works include Symphony No. 3 Member of the Union of Composers of the USSR
    'And the Heaven Disappeared' for bayan and (since 1978). Honoured Art Worker of the Russian
    symphonic orchestra, 'II dolce dolore' for cello and Federation (1995). Author of symphonic, choral,
    bayan, 'Seascape' for violin and bayan. chamber and piano works. The piece published in the
    Semyonov Vyacheslav Anatolievich (b. 1946)- present volume is his first work for bayan.
    teacher, performer, composer. In 1969 he graduated Podgaits Efrem Iosifovich (b. 1949) - composer.
    from the bayan class of A A. Surkov at the Gnesins In 1974 he graduated from the composition classes of
    State Institute for Musical Education; in 1974 he Yu. M. Butsko and N. N. Sidel'nikov at the Moscow
    compieted his post-graduate training under the Conservatoire. Honoured Art Worker of Russia (2000).
    guidance of 0. M. Agarkov. In 1979-82 he studied Member of the Union of Composers of the USSR
    composition with A I. Kusyakov at the Rostov (since 1978). Author of three symphonies, seven operas,
    Institute for Musical Education. People's Artist of a ballet, 18 concertos, choral works. His bayan works
    Russia (1995). Professor of the Gnesins Academy of include a concerto with chamber orchestra, 'LIPS-
    Music (since 1988). Author of numerous works for Concerto' with symphonic orchestra, 'Ex anima' with
    bayan, including Sonatas Nos. 1 and 2 ('Baskariada'), string quartet, a sonata, etc.
    'Brahmsiana', Fantasy on Ya. Frenkel's song 'Kalina KholminovAleksandr Nikolaevich (b. 1925) - an
    krasnaya' ('Red Guelder Rose'), etc. outstanding Russian composer. In 1950 he graduated
    Denisov Edison Vasilievich (1929-1996) - an from the composition class of E. K. Golubev at the
    outstanding Russian composer. In 1950 he graduated Moscow Conservatoire. Member of the Union of
    from the piano class at the Tomsk music college, Composers of the USSR (since 1950). Winner of
    while in 1951 - from the faculty of mechanics and State Prizes of the RSFSR (1969) and the USSR
    mathematics at the Tomsk University. In 1956 he (1978). People's Artist of the USSR (1985). Author
    completed his studies at the Moscow Conservatoire of numerous operas ('Optimistic Tragedy', 'Chapaev',
    where his teachers were V. S. Belov (piano) and 'The Overcoat', 'The Carriage', etc.), vocal-
    V. Ya. Shebalin (composition). Author of operas, orchestral works, works for orchestra of Russian folk
    ballets, symphonic, instrumental and vocal works, instruments. His famous Suite for bayan (1951) ranks
    numerous concertos. In 1987 he wrote a piece among the masterpieces of the bayan repertoire. His
    entitled 'The Steamboat Passes the Haroour' - a Concertante Symphony for bayan (1999) crowns the
    fantasy on Soviet songs of '30s for bayan, piano and 10th part of this Bayan Anthology.
    percussion. F. Lips
    Tr.: L. Hakopian
    YCJIOBHhIE OliO3HAqEmm
    CONVENTIONAL SIGNS
    [E] roTOBWIKJUlBHalYJ>a fixed-bass manual
    [ID Bhl60pHW1KJiaBHalYJ>a freebassmanual
    [§] 6ac1,1(o6a pJI.z:ta) bass-tones(both standard and third)
    0 6ac OCHOBHOI'O pJI.z:ta standardbass-tones
    B 6ac BCDOMOraTeJILHOro pJI.z:ta third bass-tones
    6 Ma)l(OpHhlH aKKop.n major chord (M)
    M MHHOpHhlH aICKOp,n minor chord (m)
    7 .noMHHaHTcemaKKop.n dominant seventh chord
    y }'MeHLmeHHhlH cemaKKop.n diminished seventh chord
    t B BepXHeiiqaCTHJieBOH KJiaBHalYJ>LI in the upper half of the l. h. keyboard
    t B HIDKHeiiqaCTHJieBOHKJiaBHalYJ>hl in the lower half of the l. h. keyboard
    V pa3)1CHM Mexa bellows open
    r
    v,.r_v_r
    C)ICHM MeXa bellows close

    ;-~ TPeMOJIO
    MeXOM bellows shake
    v_r_v_r_•.J:m
    ..- -
    (L~~~LCr
    TPeMOJIO
    MeXOM
    CycKOpeHHeM bellows shakewith accel. and rail.
    (yqameHHeMH 3aMeAJieHHeM)
    ; TPex,nOJILHhlH
    pHKOlliCT triple ricochet

    i qeTLipex.noJILHLIH
    pHicOmCT quadruple ricochet

    ! IDITH,llOJILHLIH
    pHKOllieT quintuple ricochet
    vibr. BH6paTO vibrato
    WI/\Jwv
    BH6paroc H3MeHeHHeM
    nyJILCaUHH unstable vibrato
    ;q 1•1 IHS :il ■ I
    HCTCMnepHpOBaHHOe
    r.JIHCCaH,no untempered glissando

    ® AnnnHKazypaB Kp~Kax YKaJLIBaCT Fingering in circles implies subsidiary


    BCDOMOraTCJILHhlX button-rows (of both keyboards).
    Ha HCDOJIL30BaHHe
    pJI,nOB
    (o6eHXKJiaBHalYJ>).

    @ HCDOJIHJITI,
    OKTaBOH
    Bhlllie to be played an octave higher

    ~ HCDOJIHJITI,
    OKTaBOH
    ffH)l(e to be played an octave lower

    PErHCTPbl REGISTERS

    ~ IIHKKOJIO Piccolo
    @ KoeuepTHHa Concertina

    @ KJiapHeT Clarinet

    ~ <l>aroT Bassoon

    ~ fo6oii Oboe

    ~ qeneCTa Celeste

    @ IiWIH Bayan (ordinario)

    @ OWIHC DHKKOJIO Bayan plus Piccolo

    ~ OpraH Organ

    ~ oWIHc <t>aroroM Bayan plus Bassoon

    ~ TYITH Tutti

    ~ Opratt c KJiapHeroM Organ plus Clarinet

    ~ OpraH C KOHUepTHHOH Organ plus Concertina

    ~ <l>aroTCKJiapHCTOM Bassoonplus Clarinet

    ~ <l>aroTc KOHUepTHHoii Bassoonplus Concertina


    8
    IlaMamu BR. 3oRomapeea In memory of VI. Zolotaryov
    COHATA SONATA
    (1977)
    UcnoJIHHTeJihCKaH peJ.J;aKUHH
    B. Myurnua A. HArAEB. Coq. 13
    Edited by V. Muntyan A. NAGAYEV. Op. 13

    Easrn

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    16226
    47

    mp

    -------
    16226
    ----------

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    16226
    49

    Piii mosso
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    4- 11055 16226
    50 >

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    >
    a tempo

    16226
    pHKOlllef
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    4* Im 16226
    v r r V

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    16226
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    16226
    54
    <Ppuopuxy Jluncy To Friedrich Lips
    COHATA .N"2
    2 SONATA No. 2
    (Sonata quasi una ...)
    (1981)
    Hcnonu11TeJibCKaS1
    pe,D:aKU.HH
    (J>. Jlunca A. iKYPliHH
    Edited by F. Lips A.ZHURBIN

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    16226
    mf
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    16226
    56
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    16226
    57

    rit.
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    >

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    16226
    .. ..

    ---======P

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    16226
    Tempo I (Allegro molto)

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    16226
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    16226
    16226
    62

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    16226
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    16226
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    .
    64

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    16226
    VI V

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    Tap the indicated rhythm on the gauze or on the casework.
    16226
    5 - 11055
    66

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    16226
    67

    .
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    5* 16226
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    16226
    70
    - -- -
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    Switch several times between any registers. 16226
    71
    Onezy mapoBy To Oleg Sliarov

    COHATA N2 2 SONATA No. 2


    (1984)
    IlpoJior Prologue
    0. lllaposa
    HcnoJIHUTeJibCKaHpe.QaKUUH r. 6AHI.QHKOB
    Edited by 0. Sharov G. BANSHCHIKOV

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    16226
    72

    ff

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    attacca
    16226
    73

    COHATA SONATA
    ~=132
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    16226
    74

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    16226
    -·
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    r~r- 16226
    8- - - ,

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    16226
    77

    cresc. poco a poc

    16226
    78

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    16226
    79

    8---------------------------------------------------------------
    ,,,---.___

    r------

    r-=-------r----r· 16226
    80

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    16226
    3

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    ~ 16226
    6 - 11055
    3 >! ten.

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    I
    non rit.

    .J

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    III

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    16226
    83
    8-------------------------------------------------------------
    ,..---.

    poco rit.

    a tempo
    lo

    poco rit.

    attacca

    6* 16226
    84
    Post scriptum

    ---=======
    mp .PP

    16226
    85

    16226
    86
    <Ppuopuxy Jluncy To Friedrich Lips

    ET EXSPECTO *
    CouaTa Sonata
    HcnOJIHHTeJibCKaSI pe.11.aKQHSI<I>.
    Jlunca (1986) C. rYliAH)l;YJIHHA
    Edited by F. Lips S. GUBAIDULINA

    <v<u><u> pp----===========

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    16226
    non vibr. 87

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    ..-~-
    -

    --------------
    ~ ~

    j
    ------ --
    .,_
    --
    L •· r

    - -- -
    ~

    .,
    ~ ~ ~

    V -

    .. - - -
    V

    .. ~

    --
    u •
    l4 ~
    -------
    '
    mii=l14.b
    L.:!..J
    '
    v1 r. non vibr.
    'r, .....
    vibr.
    ,v..... ' '
    non vibr.

    '
    --======
    f s.fp s.fp -c:::::::::.
    f

    :0:
    e-
    vibr.

    ' '

    * IlHTHAWlbHblii pHKOWeT c DOCJJCAYIOWHM ee6paTO.


    Quintuple ricochet with subsequent vibrato.
    ** TpeXAWlbHblH pHKOWeT C neceoii AWieiiea ClKHM.
    Triple ricochet with the first eat falling on the moment of closing the bellows.
    *** Hen11epblBHblHpHKOWeTeceMHCTopoeaMHMexa(nHTBAWlbHblH pHKOWeT ue OTDYCKSH
    KJiaBHW).
    Continuous ricochet with all the sides of the bellows (quintuple ricochet without releasing the keys).
    **** Hcnwieeeee ene MeTpa.
    Play without metre. 16226
    88

    * 8 3DH30AaX
    BHeMeTpa3HaKHaJlbTepauuu AeiiCTBYIOT
    B npeAeJiax BH3KH.
    In the metrically free episodes, the accidentals apply to the notes within a grouping only.
    16226
    89

    'i • ~
    • ~
    .... i.• .. - - I
    - I
    rit.

    - .... - - - ,.. - ~- ..
    '
    - - - -
    ..-- --
    - ..
    w
    I ,.,
    V
    ,,_ ,.,,_
    • ~ ~ V w
    II -

    \
    '
    "T

    t...
    .... '
    - -
    l
    lo. -
    v•
    - ~ ~ Tl !!'. 7 ..

    <
    1Cf p
    c ...
    ....-- -
    .... '
    - - -- - - -- --
    - ..
    w -
    ,. ~
    - _,
    ~
    V - v• oT
    I I I
    Im !ID
    co n moto

    = 84 A
    !!QI~ ~
    '<:::::I
    loco
    1

    16226
    -.----..

    <D-0>

    -0>
    ~Piu mosso
    ~ vibr, 1non vibr.,
    • •• J,,J··...:·: .u~ ...
    ...
    I - ---
    ..I\
    --
    -
    ,, ,
    ,. --
    - -·
    .. -- J

    .,
    ~ ~

    <GJ>
    tJ

    I
    I .- ---
    <D0
    I\ -0> 0 -■
    ,.
    -.. --
    ~. ••--- -·
    - . -·~
    s.fp
    - - ...
    -
    ' , J

    tJ ..p I' 1

    s.fp s.fp sff


    =

    16226
    91
    III
    A Presto ~ ~
    ~ f vibr. V ~ 1= ~ 1 f V f
    ~---,-..q~1
    ,~=
    ii......... ,~- ~~J~w.~1~1
    ====:!E.' RS::;
    ~~
    ,t~i~t~l::::JlE::E
    mtli 1

    . ~~===-· pp --=====ifIJ
    v r v r v r v r v r v r Ji=Ji v r v r
    )-19:-J;-~J.
    :J;lzj.l l l l I~J.J.J.J.J.l J.Ilj;~lzi-
    J.l J.J.Ilb
    >-
    -==:::.~====- -======~==== ~

    16226
    92

    ~~ v ~r vr vrt, vr
    )I9:~ ~ I~ ,.ffl,,: 1 I111fflf ~ ~ ~ I& ,t111 ,:1 I
    f #l'f
    mf =====--p-=::::::::: -= =
    V I V I V I t , V I V I V I V 1
    )I9:#11 !! ; !! !! !! :f I/j; ffl? !! !! !! :f Ill;#111 ; 1 ; 1 Ij;

    1 n,· ff@-g1 1 Ia,ff@?!!


    I 9: !! !! :f Iii 11 1 11 1 ; 1
    @

    ef- = ======- ======-

    16226
    93

    ~ v fi=Ji r v r vrvr vr vr vr vr
    11
    t>=g!f•ilJ.1A~~lilJ.i& nn.tl?lllllnu:"trVqf
    1'1'1
    iii
    mf·--===== ====- _,=====--

    ::::::==-

    ::::::==- --==============if

    ~ v )i=)i > r vr v r 'j,_r v r b v r g v r v r


    g,~•,iu1nin1111u1& ·~u111u1ffti utt t 111
    11,=
    f--======= c::::::::::

    16226
    94

    ,, -
    f\
    ■ -
    \
    -
    ,~
    ■
    .. .
    --
    - - ..
    ..
    ... .. •-·~- ■
    -' - ■
    LJ. "
    - ■ --
    ■
    \
    -
    ■

    ■
    ... _
    \

    r
    '
    •
    u .
    ■ -
    I

    "
    •
    qt,.llr ~
    I ■

    • --
    ■

    ■- .
    ■

    •-n -.
    .~
    -,1' ■ -

    sf sf
    - I
    ..- .. •• ,_.
    ~- ~
    !. I

    - ., ..
    ..
    .. -
    .L -
    ~

    r
    - ■

    ■ -
    - ,., - ■-
    ■

    - -,
    ■ -
    - ■ -
    .. -
    ....
    - -, "
    ~

    I;'
    ■

    V " V

    V
    ■-,

    • "'!"

    1il. I~~ I~~ 1cil. t:°"I


    .,,
    r
    f\
    -- ., . -,
    ■ -

    ... ..
    ..
    ~

    ""
    ■
    -,., - "".. - -~· ...
    .. ■

    - - - -..
    11-
    ■

    - -
    u " "
    -

    ....- ...".
    ff

    . -.. - -..
    ,.. .. t:°"I
    .. .

    ·~
    --- -
    ,-
    ., .,
    I
    ~

    •-■-
    -
    "-'-'.
    -
    ■
    •
    -
    -
    c-....
    ~
    ••
    ■--
    - r-1

    - - ,'
    -
    " ■

    u •• . •ti~
    ~
    ~ Prestissimo
    ~I~~
    t:°"I

    sff sff sff


    I:'. t:°"I t:°"I

    sff
    t:°"I t:°"I

    16226
    vibr. J\) I:\ vibr. non vibr.
    95
    I:\ non vibr.

    sf.Ip f
    I:\

    non vibr.

    '
    if :::::::=-

    16226
    96

    Piu mosso non vibr


    ~ V vibr. 1, •••· , .Y.
    ••vibr. , ~on vibr.

    □· Q__[J.
    •••••vibr.

    sJp sJp

    16226
    IV 97

    ' '

    . '" ~-
    .. .. ' ' - ... ' ..,-=· '
    fl ~lo+~,.-..
    ::..
    .... . - .. - --
    - - ...
    -"-
    . ., ,,
    ·- -
    I

    u
    ,-
    I .
    ~

    (:)&" 9 ,u•~ _I
    "1>C.

    U"• -
    f ff f.
    - . -... ---- . ~- .
    fl
    •- ... ,
    L..

    ... -~
    ,,
    -
    , 7
    ..
    • ~ . ..- . ... - -- --· -·
    -
    --
    ~

    u pr
    ~
    ~ .___,~
    ffi)
    Ii [ID 6 1!-t~· I I H~·

    ' '
    ff

    ffi)

    ' ,~ '

    Im [ID

    '

    ' '

    7 - 11055 16226
    98

    .-
    '-
    fl
    IJ
    ..
    ... - ~
    -·.
    ------· ' - .. ' - I
    ,, _
    --
    _,I

    ·~

    . '
    - ~-
    _ _,-_.J.
    I
    ..
    ... '- I
    -- .. '
    _,
    -,

    I I I
    ~

    cresc. poco a poco

    .,,
    .,,
    fl
    .,,,_- .. .. ..
    . .. I

    - . ...
    , ,~ '- ..,_
    .. --
    1.-
    ,_ -
    .
    r
    ,_

    ~ ~----3 . R~-3. ~
    11 11 I
    ~J '.::.---9

    ' ' ' '

    '

    ' ' ' ' '

    '

    16226
    99

    ....
    r-+ .
    r:l
    • /4\
    --
    r.-,.•/4\
    - - - - - - - -
    I
    t I I I I I
    J fff I I I I I

    I' ...
    LJ LJ LJ LJ LJ LJ LJ LJ LJ
    fff •
    • r-- - - - - - - - - - -
    +---,

    ..
    I ....
    ,.

    I I I. I I I I
    I

    I
    ..
    =.
    l ....,

    • LJ LJ LJ LJ LJ LJ LJ LJ LJ LJ
    ~= 116
    ~V
    111 v <D'" <@>~v<tJ2<v<e>•
    **

    ff---======
    1 V

    1 1,

    * ans 0601na'lenns ecero o6J.eMaKJJaenayYpLI.


    K.riio'I
    Key to indicate the whole range of the keyboard.
    ** BouywnLtii KJJanan.
    Air valve.
    7* 16226
    100
    V
    A Conmoto
    ~ legatosim.
    ,"'~~ ,,..._

    -= = -=:::::::::

    [ID

    16226
    101
    ~

    I\~ L,_
    ..- .Li

    I .- "
    I

    @.
    <

    I\ ~
    - M, ., -- -

    "
    "
    @.)

    16226
    102

    ~~.2.~-----

    16226
    103

    -===:::.f
    ~~-------,----

    16226
    104

    16226
    105
    <l>puopuxy Jluncy To Friedrich Lips
    TOKKATA TOCCATA
    (1987)
    McnoJIHHTeJibCK3SI peJJ,aKUHH<I>.Jlnnca E. )J.EPiiEHKO
    Edited by F. Lips Ye. DERBENKO

    Presto ruvido
    >

    staccatissimo marcato

    4 4
    3 2 3 2

    16226
    sim.

    - R-R-R-R

    16226
    16226
    16226
    J~
    ~~

    .-·.-.. .- --
    "' -- "' 0 0

    --
    --
    aO

    - -
    L ~

    - --
    II k

    "
    -
    -
    .. -.
    fi I
    '
    -
    =
    •- .,- - ..
    --- . - .. -• -- - -- .....
    -----
    II k
    ,,
    ,=-~
    -
    '
    ~l -,"';-,I'"; 7. ?t_ U"

    Meno mosso, parlando


    ....-.. -. - - --
    •• .... -
    .. -
    ••
    r:::c
    "..
    --
    aO

    -
    L

    -
    II k
    - - ----
    I
    <
    I
    - .. -.
    •- -
    fi I
    "
    p - = ..
    ..
    =
    legato
    ··-
    t::"'11•

    ..,
    vibr. ad lib.

    -·
    = .,
    - ., - - ..
    ~

    - =
    ,.
    -·
    ~
    -- ~
    --
    -,.
    ten.
    .,,_. ..-
    . •.
    - ....-:j. -"
    ~ ~

    ' "
    " II k
    •• ~ ~

    ~ U" U"
    '-'

    acceler.
    Con moto, espressivo

    16226
    llO

    Rubato, stretto

    16226
    111

    --
    Dramatico

    .' " "'....--.


    fl I
    - ===-
    J:l. J:l.
    - 1:-::- • - I
    -
    J:l. -
    -
    I I

    --
    I
    ,. ,. ,.
    .,, ,-- ,--
    y-
    y I
    ,.

    t.J
    ff

    -- -
    .. --- - ---- --
    fl
    .....-- -
    I I ~

    < .-' y

    y
    ,.
    ,~ - • - •
    t., [ID

    .."' . - -"' ...-.. - -· --


    ~

    -
    -~----
    ,.

    ------
    -
    L •·
    ....
    .. -
    '
    - -- -· -
    I y

    y
    ~
    ~

    ,.,.-
    ~ '
    ~

    Im

    ...,...--
    J:l. t.:-_
    - _,
    . ~"1-- ....- ~--
    --
    acceler.

    -- --
    fl I J:l. L.:- 1,1_

    - -
    I I I •.I I
    .,,, ,--
    y-
    ,-- -,. - y-
    -
    .' y

    .
    ,- ,- I II

    t.,l

    •-
    fl
    -..,,.-. "' --
    y
    I I
    ------
    - ~

    - ----- -- --- ---


    '
    t.,I

    - ..
    -...-.. -•-__::r
    - -
    y
    -- -
    ' -·
    .,,. - '
    -- -
    -
    -- -

    Largamente

    16226
    112

    sf ===-

    Vivo subito
    . Andante

    c::::::::::

    --- stacc.

    16226
    113

    8 - 11055 16226
    114 rit. Tempo I

    --------

    loco

    :::::::=-p
    ----1--.:...1':\.._ __ -+--._

    16226
    115
    </Jpui)puxy Jluncy Friedrich Lips gewidmet

    IIAPTHTA PARTITA
    "TaK rosopuJI 3aparycTpa" "Also sprach Zarathustra"
    HcnOJIHHTeJILCKaB ptmaKUHB «I>.Jlunca C. liEPHHCKHH
    (1990)
    Edited by F. Lips S.BERINSKY

    Ka.z:,;eeuuu I Kadenz

    ct,
    •"'
    I -1 ~!'
    _.._ -- -- ...
    --
    .-
    -~- - - -· - - --· - -~
    _, ... ,t-. ' -
    ~ ..,..
    ~ ~

    - ~
    ~
    -~- 11-11

    I
    --
    =-• ~

    I
    .~

    I 3 I
    I I 3
    <
    I 1~ nJ-J -- -
    I --·-·
    -&
    ~
    --
    8* 16226
    116

    - _3 _

    .- .
    '
    t.
    f\ ..
    -
    -
    s: I-
    -
    s: ..,..
    - -
    .I.I, .. .. --
    ,_

    ri
    -
    -
    ----
    !---~ - -
    ~

    I 3 3
    <

    --:---,1- .h_ --- ~·-:-·---·---·-


    'ir~
    ..---- ----
    - ...
    a

    --
    LL_
    " L.
    -
    -Im
    ,w

    I I &I
    " '
    ,,
    !,__
    6 I -
    ~

    J
    -
    ~

    >

    16226
    117

    16226
    118
    Tanen: II Tanz

    \.../------
    .
    _, _, I.A

    r I

    - I N N /

    &---------------
    r--rcrrrcrrrcrrrcrr

    16226
    119

    > >>>>>

    16226
    120

    r~
    3 ...J

    > > > > > >

    16226
    121
    8- - - - - - -, 8- - - - - - -,
    <f>◊)
    ~

    8--------------------,

    8------------------------------------------------------------'

    * lleTblpe,mOJibHblH pHKOWeT.
    Quadruple ricochet.
    16226
    122

    .-
    ~ >
    -
    1>
    ,1_
    -
    1>
    -- ,>
    --- ,
    1>
    - -- ----
    >
    ,_,
    ,> >
    .,,
    I
    -
    - -- -- -- >-- >-- >-- >--
    - -
    .,, -, - - - - - - -
    -
    '- ,I

    -- -
    t) z • •

    --
    -
    - - -
    --- - - > > > >
    - -·
    -·
    L~-
    ----
    "-.. - .. - - - -
    - "'
    =
    "' "' "- "-

    - - - - - - - - .... • .
    -
    I

    ■
    >
    ■
    >
    ■
    >
    I
    >
    I
    >
    ■
    >
    ■
    >
    I
    > -
    > > > > 1> ,> > > > > >>>> >- >- >- >-
    I\
    - --- -i.·_
    -- - - -
    - - - --
    -
    r
    '-' ,J
    -- - - ..---
    - - -
    __

    ,
    ,,, "E.

    ~
    ~

    ,-
    - -------
    .....,...,...,...,...........
    ,
    ..:::..:::...:::..:...::IIE:IS.
    -
    CL
    - - -

    4-- "'I- i::....i...= 1.....1 1.....1


    tJ

    - -·
    I

    - - - - - -■ I I I I I - -
    ■ ■
    >>>> ----- ..:> ..:> ..:> ..:>
    > > > > > > > >

    b.-
    I .- - --
    '-
    t)
    fl
    r

    ,J
    ,
    I
    ,1_

    '"t-
    - -------
    -------
    I-
    ------- -
    - --
    >>>>
    .,- - .I
    - - .
    bl
    --
    I
    - - -.
    ., I ...
    •

    I
    (

    I ,-._ > > > >


    I -
    L
    ..
    aO
    --
    - > > > >
    .. -
    I

    --- ---
    16226
    123

    ___________________________ I

    8--------------------------------------------------------------

    - > > 15·8


    > > .
    - -· -- .,- ..-
    - ·~
    I --:::, I --:::, I

    -..=- .,- -
    I -
    I II
    .,_
    ....... -
    >
    ~

    -> - .,- >-


    I
    ~
    ~

    --
    ~

    - ---
    -- --
    -- - -
    -- --
    -

    -- - ""'-
    - ,...
    "
    "-'
    )
    <
    111!]1

    j ' -· ..,.....,.....,.....,.....,.....,...........
    -
    - I

    8- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
    ■
    I
    ■
    I
    --■

    --. -.•
    > - - - - > - - - - > - - - - > ·-- - - > - - - - - - .
    ■

    16226
    * qeTbipex,nOJibHLiii pHKOWeT.
    8--------------------------------J
    Quadruple ricochet.
    16226
    125
    > > >

    8--------------------------------------------------------------

    r .--.... > > >

    8---------------------------J

    16226
    126

    XopaJI III Choral

    _,
    .-' ,
    u
    ~

    .
    ""
    r• --
    ••-
    ~
    L

    -- ,.-~ ... -·
    -· '-'~•
    I

    - - - -. -
    • r
    I
    -------
    .
    ~-'-'-
    I
    ...._.
    -·
    I
    .
    --
    ••
    --
    ....
    r•

    pp
    fl I
    ,,. I
    --
    - ,,.--
    --- ,,..
    --------
    r•

    •
    r

    "
    r,
    ~ -
    • r..-•
    r..-•
    ,,. -
    II
    ••
    r,
    ~

    r
    ,,
    fl
    w ••
    I
    "" .. ..
    ....
    V

    -..
    ~
    --.. -.. 1L ~-.
    ..IL . ;:-;----~
    ..
    -- .·'--'~•
    ,.y

    I . ••
    r•
    r,h
    . r,
    - ... . -· -·
    ,-, ""'. . ,--

    - ""'.
    y .-

    -
    ~ r,o ~ r r r

    u
    I
    <
    I fl
    l r --
    -- - r,
    ~

    ,,..
    --
    I

    --
    I
    ,,.
    ,,. ., ..
    --
    "" ""
    -- r"'•
    ••
    ------====----
    ~ ~
    '
    u

    rI
    - ..
    f'J--:::--,._
    • l I
    .
    I -,,,., -- -- -·..-- --
    w
    '. -
    ,~
    ·-= "'-'" -- -
    --
    ~

    r,; ><- ~-,

    I
    u - -------~-- __,-

    <
    I
    -- ~-
    fl I I
    ..
    I •-u-
    ' "
    . r
    r"'•
    .
    ... - r

    ,,

    -------- --
    --
    ••
    ·-
    I,
    -
    "I
    ,.
    , -••-
    ~~
    -

    ---.:____--

    16226
    127

    ;::::;

    I •- - - ...
    ,I\
    ..
    ,.
    ••.--..
    ~

    .. ~
    V
    .. --
    - .. ..
    --.. ---
    ., ~

    ' '
    -..
    '
    ~
    ■ Al n7
    -,,
    TIR-d.___ -
    ■

    ~
    AT

    9~~ ,e.

    ' .... -
    <

    -- --- --- --.. -


    '
    I

    I -...----.-..-
    -.. ...-·
    , ~
    .--..

    -
    -
    ------- .... -·- - .. ..,. -
    ~

    ,. w
    ~
    I
    .,
    ~
    .,
    .. -
    ~

    .,
    '
    •
    ~

    ' '

    16226
    3

    ----- -------
    -------
    ---------

    16226
    129

    l'I V 5 -
    ..•..,. -:::---
    ~
    -
    --....,_
    - ---- - ,.._,
    .. ..,,
    I - - - -
    , .... - -
    ~ ~

    I- ........•r-
    ' .,
    t)
    ~

    -.... I
    F" --- ~
    -
    - 7

    j ' -.. ..
    -·
    L~
    .. >C
    ----1
    ..,, - -·
    ~
    f-: L11f-••
    - - -- -·
    -· -
    -·-
    I':)
    rJ
    rJ
    ,,
    -•.
    ~

    - ~

    -------- 6
    -8-
    -----
    ' '

    .-
    - ~
    -e-
    - •
    -r----~
    .
    - . - -
    .,
    '
    u

    ~ -· ..
    --· - ..-
    - ~

    -.
    ~

    -
    II -
    I
    r
    r

    •--.:..____..s,...:__
    •
    •

    ~-----==-----
    rJO
    rJO
    •

    16226
    9 - 11055
    130

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    <l>puopuxy Jluncy To Friedrich Lips


    PEKA JIIOliBII RIVER OF LOVE
    Kanpuqquo Capriccio
    (1996)
    IIcnoJIHHTCJihCK8SI pe.i:i:aKUHSI <I>.
    Jlunca B. PHliO B. Co<I. 63
    Edited by F. Lips V. RYABOV. Op. 63

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    16226
    195
    ,Ppuopuxy Huncy To Friedriclt Lips
    <I>AHTA31UI FANTASIA
    naMHTH AJIL<f>pe}l;aIllunTKe in memory of Alfred Schnittke
    (1998)
    HcnOJIHUTeJlbCKaH pe,llaKUUH Cl>.Jlunca E. no,n:rAAu;.
    Coq. 146
    Edited by F. Lips E. PODGAITS. Op. 146

    Sostenuto A 68

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    16226
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    <PpuiJpuxyJluncy To Friedrich Lips
    KOHUEPTHAH CONCERTANTE
    CMM<l>OHMH SYMPHONY
    )];JUI BMIHA FOR BAYAN
    (1998)

    HCDOJlllll'l'eJll,CK8H PQ~ fl). JIBnca A. XOJIMHBOB.Co11.95


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    16226
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    16226
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    238
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    239
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    16226
    241
    Allegro J= 126

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    16226
    242

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    16226
    243

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    16226
    244

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    16226
    245

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    16226
    COJJ:EP)KAHlfE
    CONTENTS

    IlpeauCJl06Ue .................................................................................. 3
    Foreword ........................................................................................ 5
    A. HArAEB
    A. NAGAYEV
    CoHaTa. Coq. 13 ...................................................................... 8
    Sonata. Op. 13
    IT. JIOH,[(OHOB
    P. LONDONOV
    CKepu;o-ToKKaTa . ...... ...... ... .. ..... ... .... ... .... ... ..... .. ...... ......... ...... .. 35
    Scherzo-toccata
    K. BOJIKOB
    K.VOLKOV
    OIUIThHa,n:rroJieM Kym1KOBhIM.CoHaTa NQ2 ........................ 41
    Again Over the Field of Kulikovo. Sonata No. 2
    A. )l(Ypfil1H
    A. ZHURBIN
    CoHaTa NQ2 (Sonata quasi una ... ) .......................................... 54
    Sonata No. 2 (Sonata quasi una ... )
    f. BAHII(HKOB
    G. BANSHCHIKOV
    CoHaTa N2 2 ............................................................................. 71
    Sonata No. 2
    C. fYBAM,[(YJIHHA
    S. GUBAIDULINA
    Et exspecto. CoHaTa .................. ....... ........... ...... ....................... 86
    Et exspecto. Sonata
    E. ,[(EPBEHKO
    Ye. DERBENKO
    ToKKaTa .................................................................................... 105
    Toccata
    C. BEPHHCKHH
    S. BERINSKY
    IlapTHTa <<TaKroBopIDI 3apazycTpa>> ...................................... 115
    Partita «Also sprach Zarathustra>>
    B. CEMEHOB
    V. SEMYONOV
    BpaMCHaHa. Parrco.z:i;HH ............................................................. 136
    Brahmsiana. Rhapsody
    3. ,[(EHHCOB
    E. DENISOV
    OT CYMpaKaK caezy ................................................................. 152
    From Gloom to Light

    P. JIE,[(EHEB
    R. LEDENYOV
    ...Ha q>oHepyccKoro ne:u:Jaxa ................................................. 169
    ...againsta Backgroundof Russian Landscape
    B. P.REOB
    V.RYABOV
    PeKa mo6BH. KanpH'll:IHO.CotJ. 63 ......................................... 182
    River of Love. Capriccio. Op. 63
    E. IIO,[(fAfiU
    E. PODGAITS
    <l>attTaJIDI naWITH Am,q>pe,nalIIHHTKe. CotJ. 146 .................. 195
    Fantasia in memory of Alfred Schnittke. Op. 146
    A. XOJIMHHOB
    A. KHOLMINOV
    KoHUeprnaH CHMq>OHIDI ,zum6aHHa. Coll. 95 ............................ 215
    Concertante Symphony for Bayan. Op. 95

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