Summary on Nadia Fall ‘s process as a

practitioner:
 There aren’t distinct rules to her work massaged Verbatim
rather than Alecky Blythe’s Pure Verbatim, adapts text.
 Make sure that you “can’t see the acting” so that it feels real.
 Sometimes good parts have to be cut for the arc of the story.
 Wants the piece to feel observational, tackles characters and
playwriting with a forensic approach.
 Focus on speech pattern, psychology and the story of the
person.