1.

CARIÑOSA
The loving or affectionate one is a Philippine dance of Hispanic origin from the Maria Clara suite
of Philippine Folk dances, where the fan or handkerchief plays an instrumental role as it places
the couple in romance scenario.

Apparel

Boys: Barong Tagalog and colored pants

Girls:  Camisa (a white sleeve) or patadyong kimono

Music: Is derived into two parts: A and B. It is 3/4 in rhythm like some of the Spanish dances.
The Philippine Rondalla are playing this music of the dance.
Counting: In a measure one ,two , three.

Arrangement/Formation: Partners face each other about six feet apart. The Girl is at the right
side of the Boy when facing the audience.

For Viewing: https://youtu.be/Ow85T4gk8yY

2. PANDANGGO SA ILAW
The word pandanggo is from the Spanish fandango, a dance in 3/4 time. The phrase sa ilaw is
Tagalog for “in light” and it refers to the three oil lamps that a dancer has to balance — one on
the head and one on the back each hand. The oil lamp is called tinghoy. Sometimes, candles
in glasses are used instead of an oil lamp.

Apparel
Boys: Barong Tagalog and a pants.
Girls: Kimona at Saya 
Music: Is divided into three parts: A, B, C.

Counting: one, two, three to a measure.

Arrangement/Formation: Partners stand about six feet apart facing the audience. The three
lighted oil lamps are placed on the floor between them. The girl stands at partner's right. The oil
lamps are of two sizes, the one to be placed on the head being larger than the two for the
hands.

For Viewing: https://youtu.be/WMYO6KQfkik

 3. PANDANGGO (ILOCANO)
This dance is as popular as the jotas and is also of Spanish origin. This may be danced in any
social gathering. This particular dance was found in Moncada, Tarlac. Philippine folk
dance which has become popular in the rural areas of the Philippines. The dance evolved
from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic
period. The dance is accompanied by castanets. 

Apparel

Boys: Barong Tagalog and white or black trousers.

Girls: Black skirt and white camisa of Maria Clara style.
Music: : Is divided into three parts: A, B, C.

Counting: one, two, three to a measure.

Arrangement/Formation: Partners stand about six feet apart facing the audience. The three
lighted oil lamps are placed on the floor between them. The girl stands at partner's right.
For Viewing: https://youtu.be/9Q2uxTWNjKc

4. LA JOTA

La Jota dance is a Spanish dance from the Northern part of the Spain particularly in
Aragon. Jota means jump in Latin. It describes the lively, bouncy movements of the
dance. Jota dance has a ¾ rhythm and the steps have a similarity with the waltz.

Apparel

Boys: Barong Tagalog and black pants/trousers.

Girls: Maria Clara costume

Music: In five parts: A, B, C, D, and Finale

Counting: one, two, three to a measure, or one, two, three, four, five, six to measures.
Arrangement/Formation: Partners face each other about six feet apart. When facing audience,
Girl stands at partner’s right side. One or more pairs may take part in this dance.

For Viewing: https://youtu.be/oUTEw6efDY8

 5. SAKUTING
Originating from Abra province of northern Luzon, this dance interprets a mock fight between
Ilokano Christians and non-Christians using training sticks as props. It is traditionally performed
during Christmas in town plazas or from house-to-house as a carolling show. In return, dancers
receive presents or money locally known as ‘Aguinaldo’ or token gift.

Apparel

Boys: Barong Tagalog and red pants/trousers.

Girls: Balintawak

Music: In ten parts: A, B, C ,D,E ,F ,G ,H and I.

Counting: one, two or one and A to A, measure of 2/4 ; one, two, three to a measure of ¾.

Arrangement/Formation: Stand opposite each other 4 feet apart. Four couple make a set.
Lines alternate M & W.

For Viewing: https://youtu.be/vukgWlBG2d4

6. TINIKLING

Tinikling is a traditional Philippine folk dance which originated during the Spanish colonial era.
The dance involves two people beating, tapping, and sliding bamboo poles on the ground and
against each other in coordination with one or more dancers who step over and in between the
poles in a dance.

Apparel

Boys: Barong Tagalog and long red pants/trouser.

Girls: Balintawak costume and patadyong

Music: is divided into two parts: A and B.

Counting: one, two, three to a measure.

Arrangement/Formation: Dancers stand at the left side of the bamboo poles, girls in front,
facing the audience.

For Viewing: https://youtu.be/Fd52AkGu65E

 7. KASAGANAAN

It means prosperity is danced at these harvest festivals. It is a common practice in many regions
in the Philippines to hold a harvest festival especially when the harvest is good it is an
expression of thanksgiving. Dancing, singing, feasting with the traditional lechon, pig roasted
whole and drinking tuba, lambanog, or basi are features of celebration.

Apparel

Boys: Barong Tagalog and red, white or any colored trousers.

Girls: Balintawak costume with tapis and panuelo (panyo) around neck.

Music: is divided into two parts: A and B.

Counting: one, two, three to a measure.

Arrangement/Formation: Partners face each other at six feet apart. When facing audience,
Girl is right side of Boy. Any number of pairs may take part in this dance.

For Viewing: https://youtu.be/g1Vj3uiC9k4

8. BULAKLAKAN

Bulaklakan is a dance of floral garlands, dedicated to the Virgin Mary during the Roman Catholic
celebration of their holy week. It is performed widely during the month of early May.
“Bulaklakan” refers to green orchids and other flowering plants.

Apparel

Boys: Barong Tagalog and pants/trousers.

Girls: Balintawak costume and a pair of wooden slipper (bakya).

Music: Is divided into two parts: A and B.

Counting: one, two, three to a measure of ¾ .

Arrangement/Formation: The girls in this dance each hold a garland of leaves and flowers
attached to a wire, bamboo or rattan so that the garland will arch when held overhead and will
gently sway these arcs of garlands to gracefully give honor to Virgin Mary.

For Viewing: https://youtu.be/ElN5OZN6ljA

9. BAKYA DANCE
"Bakya" means wooden shoes. They are the common footwear of the poor in the "barrios".
During the rainy season almost all people wear them. They are made in different materials,
colors, and shapes. This dance is very interesting and lively. In a playful mood, young boys and
girls are supposed to be teasing each other rhythmically with their "bakya".

Apparel
Boys: barong Tagalog with red trousers
Girls: Balintawak costume
Music: is divided into four parts: A, B, C, and D.
Counting: one, two, three to a measure of ¾ time and one, two to a measure in 2/4 time.
Arrangement/Formation: Partners stand opposite each other about six feet apart. The girl
stands at partner's right when facing the audience. From two to any number of even pairs may
take part.
For Viewing: https://youtu.be/oyj2c1PFppc

10. ITIK- ITIK

This dance originated from a dance called Sibay, which was performed to the tune of Dejado.
The present form got its name in the following manner. The people around who saw her dance
liked it so much they all imitated her. The dance has since been called Itik-Itik from the word
Itik, which means duck. This dance is now very popular among the Visayan settlers of the
province of Surigao, especially in the towns of Cantillan, Lanuza, and Carrascal. It is usually
performed as a ballroom dance in social gatherings. There are many variations of Itik-Itik steps
from which the dancers make their selection and combination.

Apparel
Boys: Barong Tagalog or camisa de chino and white trousers.
Girls: Balintawak style costume or patadyong.

Music: is composed of two parts: A and B.

Counting: one, two, three to a measure.
Arrangement/Formation: If performed a ballroom dance, couples are scattered around the
room. For demonstration, partner stand about six feet apart, Girl at right side of partner when
facing audience or front. One to any number of pairs may take part in this dance.
For Viewing: https://youtu.be/FJIvlTR2HDI
11. SALAKOT
The “Salakot” is a wide brimmed hat. It protects the Filipinos from the sun’s heat and from the
rains. In this dance the “salakot” is used to enhance dance figures and hand movements. It is
best danced by girls only, but maybe performed by both boys and girls. The dance steps were
arranged for Play Day, 1935, University of the Philippines.

Apparel
Boys: Barong Tagalog, with long red trousers and bakya.
Girls: Balintawak costume and bakya (wooden shoes).
Music: is divided into three parts: A, B, C.
Counting: one, two, or one, and two to a measure of 2/4 time and one, two, three in ¾ time.
Arrangement/Formation: Partners stand in front of each other eight feet apart. When facing the
audience the girls stand at the boys’ right. Any number of pairs may take part.
For Viewing: https://youtu.be/_Zvt5p59RH4

12. ESPERANZA

This lively dance originating from the province of Camarines Sur on the southern part of Luzon
must have been named after a lovely lady.

Apparel
Boys: Barong Tagalog, with white trousers.
Girls: Balintawak costume or patadyong.

Counting: one, two, or one, and two to a measure

Arrangement/Formation: Partners stand in front of each other eight feet apart. When facing the
audience, the girls stand at the boys’ right. Any number of pairs may take part.
For Viewing: https://youtu.be/re2PXYcwsSI