LAY IT Tay ie 7 SoA ele7m ARTISTRANCID First of all, Rancid are the real deal, and no one lives and breathes punk rock like Tim Armstrong, Lors Frederiksen, Mali Freeman, and Brett Reed, who've always stayed true to their DIY roots: Three Chords cond the Truth. They've toured extensively worldwide and have broken ground and blozed trails for numerous bands and artists. They set the stan- dord—before Green Day. But let's go back to 1987... Matt and Tim form Operation ivy. Op Ivy, who influ- enced Green Day and countless others, is the most: recognized and critically acclaimed East Bay punk band ofall time. (Green Day's first punk show was with Op Ivy at Gilman St The Op Ivy record is past gold and is stil a much soughtafter record. Now speed ahead a few years to: 1993 RANCID, the first record, is recorded at the Epitaph home studio, Westbeach, with Tim, Matt, and Brett. Enter Lars Frederiksen, who joins right after the band is formed in February. They make a video for “Hyena,” which gets played on MTV; the band tours and tours. The record is critically acclaimed, and a hell of a lot of fanzines say that this record put punk rock back on the map. 1994 LET'S GO is produced by Brett Gurewitz! The band has five days to make o record and they end up recording 23 songs. Also critically acclaimed across the board! The band makes videos for “Nibilism” and “Salvation,” which receive a lot of play on MTV; the songs also do well as radio singles. The band continues to four the States and around the world 1995 AND OUT COME THE WOLVES is recorded with Jerry Finn. I's the bond's bestselling record and continues to sell boatloads. Picked by Rolling Stone and Spin as one of the essential records of all time. The band makes videos for "Time Bomb” and “Ruby Soho” and both do very well as radio sin- gles. The record makes quite a few Top 10 lists that year and Spin voles them one of the most influential bands. In fact, for two years in a row, 1995 and ‘96, Roncid is voted as one of the Most Influential Bands in Spin. The band tours cround the world ‘and in November ‘95 play Saturday Night Live as featured musical guest. At the end of '96, after bout three years of touring and three records with some 60 sides, they take « break and begin record- ing different sessions in about five different studi in Kingston, Jamaica; New Orleans; New York City; the Bay Area; and L.A. Those songs make up the life Won't Wait record. 1998 UFE WON'T WAIT grabs o star review in Rolling Stone. The band tours internationally. The record features musical contributions from a huge number of talented friends of the band—a critical milestone for the band that reclly showcases their awesome song- writing and might. To this day the band pulls out some of those tunes on the road and they never fail to please and inspire new fans. 2000 RANCID (V) is produced by Brett Gurewitz. Kind of back to the early Rancid sound and reminiscent of lo¥’s Go and the first record, it makes the hardcore punks very happy. The band plays their biggest tour to date, including the Reading Festival cond Japan, and are on the cover of KERRANG’S bestselling issve of all time. The bond headlines the Warped Tour and right afterwards have their biggest headlining tour to date 2003 INDESTRUCTIBLE is produced by Brett Gurewitz. Lars cond Tim have written more songs together for this record than any other previous release. The record is punk! It's lyrically and musically upside your head. It includes brilliant songwriting and sing-along choruses reminiscent of ...And Out Come the Wolves,15 19 27 34 39 45 48 52 57 63 68 72 76 80 CONTENTS Axiom David Courtney Detroit Django Fall Back Down Journey to the End of the East Bay Life Won’t Wait Maxwell Murder Old Friend Radio Havana Red Hot Moon Roots Radicals Side Kick Time Bomb White Knuckle Ride Bass Notation LegendFast Rock. (Guitar Wortls and Musie by Tim Armstrong, Lars Frederiksen and Matt Freeman bs © 2000 You's A Ratesnake ASCAP) A Rete Ramsiros by Whten Mase Faison nc Intrrational Copyright Secured “AI Rights RosotvedBbS cs Gs Bbs BbS —_BbS chs os Bb EbS Bhs. ctsperce ae Brees eel eee —, a a8 a 1012-10108 SS Vo ee 8 8 8 5 EEE i — ee ee ee ws pbs Ebs pbs cts See = — == ve +3 [Fp fet — ett — EEFs cs a LWe're on the cusp of an e plo sion 1 curity force or woos 4 lan es [Raa peg ppt 7a an swer with e- vil, ‘that's the way that 1 play, it. nash, spit, yeah, 1 grind my teeth, Let © my own do = vice, you'll sre ly see. —Chorus bs pbs 2» 4 e Gora gun and i Bbs bs @s os a = ae a ee pea tes —————— = star ~ ing back st 6 666 6 6x: ae 6666 star - ing back atDAVID COURTNEY Words and Music by ‘Tim Armstrong and Lars Frederiksen horas Moderately fast Rock J= 128 (Gulu) Dm a pep ppatap tree | = al you moth - er - fuck - ers, crim - i - an on tt A oes SSS SS Gr a = ed dont ee ea eee aE ra ice ee wen all you moth - er - fuck - ers, crim - i - als will be suck - es if, you Bass Pest Gm Dm Em A 1.Well, if you're fi—+—5 3 234 Copyright© 2003 You'e A Ratesnake (ASCAP) Al Figs Acmiistors by Woxon Music Puitsng,te Traine! Copyright Secured Al Rights Rosotved 9Verse Deubletime fee ee D Da emt A ie Sf SS = o — Sea ie ea re ae ni fied oh kos ee ea alae — — SSS SS Ee SS oeeeeeve ae — ier = = er +. bn A bat 6 oy + al vil ~ tains Gimt Dm = = Soulh of world, re - ward ~ ed, the un = der = 10 Prance Rob-in Hoodee ee ee ee —— if you pay your debt you won't are, please om omy ad Bm e—— : — 2 ven-geance will "2nd ime, wf Bass Fll2 Fe SSSeoe Coors wba Fi. 12 tne) Dm A Dat « Gn Dm pe eee —< S22 Sei eee all you moth -er~ fuckers, cm =i - nals will be suckers if you don't step a - side for Ent A Dm A Dut « a : = “$+ Da - vid Count ~ ney. Well, all you moth =r fuckers, crim ~ i = nals will be suckers if you 7 pe Gn Dn Em? A Em? a 5 == —— ——— == i don't step a= side for—dDa- vid Coun ney. 2. = Da = vid Court - ey Rass Gute Soto Dm a Dat 6 om Dm re = eee i pera aaa ee a posses eee Leeeeee SSS oS Set ae 2 12Bridge G He = (Spoken:) Listen up, all you skagheads, ass Fg? angsters, See —— Se eae eee ee = = = = 1 333 3 + +4 a A Ba A 6 — = = = villians and whores The dark figures from the shadows p< ~ F =a 8 a8 : T+ so + ss w/ Bass Fig. 2 (2 times) G A Bm A pte o crept up from behind, where they brandished a gun, pointed it directly at his. face Be And they shuddered at the sigh When the words were spoken, "Go ahead, son, but you're é Bm A Bm A —— = = = making a big. mistate.” As the coolness of the night reflected 6 = = eff the cobblestone roads, and silence took over, he sad, == eeeee eo cet eea ' te 2 ie = =F —— “Do ym kno who the fick 1 am? Yea wet ci = - © 4 = [ea ieee Dm A Duo 6 oa Da o- = - (oo ee ee © = a ya eee OD a ec ON sete 2 =——— —— = = T = = = g E 3 : En? is Dn A Dm c é — oe tt ne p22 oe Ee past ee Da vid Court - ney Wal ail ya eee me wll Oeeeeker it yeu = —— —— 2: a —— 444 aes = . eae tnt oa x7 A boDETROIT Words and Music by Tim Armstrong and Roger Freeman Taro “Moderate Rock J= 116 2d Gime, Double-ime e ‘Bas Fp | tines) Ne BS Ply Atines ee Baa hose fe ee = 2 at 2 aS Heo = foe ae Se et aE 7 F ee " + “it 7 wi ir = as Es Ply 3 tines es 2 ime Bas Fil as bs Es bs = es _—— So 2 ——— eo = L.Did = a'tkoow what time ic was il the an went dhven GS eataiiet sadidesi cut - Semeeteteee™ in jan vith a bus dropped me off and Thad” w ‘cough “came 1 could n't bree become 1 i 2 Doble tine teal three times Da FLL Copyright © 1005 Rancid Maso (ASCAP) AL Fights Rrrastors by Hkon Man Pub, ne. Interatonal Cpymgm Securos_ ‘Al gs essed 15w/ Boss Fig, 2 times) aS bs = bs — ———s = ey a eee e ie —— ae De = tro, Mich = i = gam — onthe bs downtown drunk ~ en priest anda hock ~ of. five fun dred dol = las bail coukl-'t real - ize by. be-ing col - is - fied, “cause it wm thin, ‘Tha’ why I'm ised off She as bs Es bs Last night 1 was fight - ing on the street, But 10 ~ No-bod-y knew, com-pa-ny crew stand-ing by the strwet Tike that bad_-no mon - ey, 1 had the time, She had drecham-pagne, I had the Cis co wine, Fd double-tine fe! as bs Bs bs po > ee tere a ——— se nl et me lt corr Sho tings me beat T Mt the pore 1 ed the skin guia ilk tht She sido you wan = mt come? "Cause you bel- tr hit -ry We'll have bell to pay. — cane AS Es bs igi = [Se = ee = = — ea eee | —= ——— = a ay ete as Es bs a af = = : oe o ee —= = a= 1 pot a pood feel-ing ev-'ty-thing's gon-na be-all _ = ie = _ = = lo peeee [ ie ae E Se Se ee 16Some run — some fight 1 got 2 good feel-ing"bout a bad city to ~ night, 7eit y 10 night. ——— = ag : + = = = Guitar Solo Dowble-time feo AS Abs as ps pbs cs Play 4 tines nd double-time fee! / Bas Fig. 1 (4 times) ES DS. al Code (take 2nd ending) 18 Coda feel-ing "bout aDJANGO Words and Music by Tim Armstrong po Iateo g i Past Rock = 158 chm ot chm cm ict % — e eee if + + Pa Vene ‘ouble-sime fel chs thing. clear, then you dis. = ap - peat, head Hight, you're the deer. to seer, I ee ——— ; — = ae + a a a CCopyeght © 2008 Vou Rattsnake (ASCAP) ‘Nights Adminstorod by Wen MusiePublning, no Inggmationl Copyright Secured Al Figs Rosorvod 19ats cts—————— 5 f a ee ee ee a J = Bb aa === 2 ae x ss ==6 SS + ES = FS ADS FS a = es ea eee eee eer @ = se Stee eat eae es CRs == eae 7 —= =e = = © aa f + al these fiends, and we were e = qual But in four = door — car not know - ing what's go - in’ on He had no food, he's all a lone. what you gon You get aol Mat - ty said, mi do lion years “Fool me shame aay’ Seta = ing out on yous 36As E = ee = 5 = ce “ es i es oe ee ee ae ee ee SSS = Chorus o 5-6 3 heres a * I cs os as Fs oo ee eae ie we 7 ——_— 5 ney to the end, To the en end To the end, a ec ee - a Pt — — Ae z = 37Inertode cs as He tes ring 4 4 yon eitep 0 tee iat @ 85 5s 6 5 8 | DS. el Code -Q-Coda Outro os as Fs c eS = ; aa ae Ese 2 <4+—+ + seerent os as rs c (Citar eet) a aLIFE WON’T WAIT Words and Music by Tim Armstrong, Lars Frederiksen, Mark hlyrie and Victor Ruggiero Inte Madea at Regn = 168 “ cm F o Sea rs) Hyer 3 = — = Ea IE = (9b $f ete ; =e ge ba ¥ Fr 3 = a ° i a F b> = - : — $e + ort ter-tor-iss and un - ge ~ si fehl ae Re fame of war dy = na mite fash, fides on the weak wd the. poor con scence of fe pbs le can = t te pt sleep. The con - tse Padme 4 — i = ——s e. z = 3 a ; ae Z € 1 Basi, 1(3 tie Ga Db fee ees ee -2. i | 4H - gous and pres - od - gious Keep te © quest. for te to - ly gral The Dow't Wwan-aa see my broth-er in pain; fit-Mle man fight-ing big man’s wars slom-er-ate ofthe ma tons have m0. sbounds in which they sock Was tthe on eee — - * ———— ee tear ee ae a G peo mda wate The Don't know oth-in'"bout no red, white and blue, Lit tle man make the fich-est man’s dough mob tell-in! thee = A wines this ale of feu? on bb eee en =p po ew SS SS SS SSS SS SS : fm zit own the ll -u- ak and hecho = ir wont te gin sing) Too man-y wins mo - bod- y lose. tall come down t9 what will hey chowe. How man-y of us wish thar we were ob - jee - tiv-i-t, ze - wy.) py 181 Want To Go here Acton Ms ASCAP, al Sege OF Pam eran ne EMD ongwen Geran ui (Si and Uo: Reapers seh GR ‘A Fights for | Wart To Go Where The Acton Is MusleAamintorod by xen Muse Publahing. In. Al Fights fer Darovan German Muse Cantal and Asritstred by Universal - San Intemational Copyngh Secured AI Rights serve ‘Ot PolyGram inemationa, ne.(The vi-sion is 8 Come a long and tell your The vi-sion isa or sis = ter and. your broth sis - ter and_your broth er. 2.0h,—bb a Cae Bridge ws Net as Fig. 2 Gm) » Gu) wo rule the cm world or don't know Gm) wo») why, — mm ole he wld, = yal(u/echo repeats) AIL the on > om ; ——— = 2 a — an = sais = white men and black men, son of the white folk wthminds of muss de- ste - ton md ss pee oS SSS < a z = = ++ +—+ = & a] $ = aaa aunder so ‘much bond 5 pa = ; =, w/t Fe 1.061) Db + cs —- — —— z = ew = = —— Pe ee wal ee “a 0 Tate a fe 2Dy-m-mte Blew “hte a ee —— a > ee eee ad von gun srt - ¢ - gos will keep. us in fear - ing to keep what's rine We the peo Gov - ern ~ ment rides onthe weak and poor. slay -"ty with an - oth - er dis, = guise on, rise How much — more can our peo ple bear? Need no mow di - i= = plespeak - ing our ‘mind. ‘Yeah, once more, would. you Don't want’ to see my broth - er in pain mo more. When the lit- le man Nights all the up our peo - ple ast rise up De 42ide your fate, and ite won't — ee Gm Db be = eet : zi i ee = = spears Se SSS === ee = rT ars ——. = +—+ + : pa ‘De pe F — oe = Se See ————- a} 5 <— a aaa ae = = ee ie — — —, ae a o SS SSS SSS = ‘The vi sion is new wor = dex) “wf addional Reggne-sye yea a end 43re oe ee Gl gar ae elle ae —, " = fo = * SS A = = c == aaa = a word x te = = = ad c a Pte a = = eee 2 ; = =a 5 earn ee z —« = = = 3a 3 E Bb Gm —— —-z ———— sis ~ ter and your broth - erMAXWELL MURDER Words and Music by Tim Armstrong, ‘Matt Freeman and Lars Frederiksen nero Fast « Doube-tne tet Verse 9 see. (stick clicks) ay (4 —— ——= 1. Max-well can tell he's in hell: 2, Max-well got a hand in this plan: 9s, }———r ; z E = cs bs [ASS $ — a 2 fe ie See C—O just wan you to vis = i him thee Same old game that he's play ~ in. he knows that’ you're inthis plan Chop the rock he = fore you bought it ed ~ = Le z = a + 3 - + | — + = Pre-Choras cs os Ds ° 2 : = f —= = = 44 se) = ————— =e His rules we never fain. ] ‘Sick-mess, Max - well knows you caught it.) Oy es yaaa a evry -bod = y wana ——— —_—— ——— a +s os 5 5 - - aa see o_o —— ‘of time, Where's the fel- on, the charge-a~ ble fel- on, the ees ee ee ee ee ee —— a —— 8 et {get high to-night be-fore they runout 3==e==-sS==—— @ 28 —— > —. = 3 Copyright © 1995 | Want Te Go Whare The Acton Is Music (BM) ‘A Fights Admiictoree by Woren Music Publning Inc Intrationl Copyright Secured Al Fights Rasatvedcs 6 FS Se £ 2 —- === —_ —— name of the crook who com-mit ted the crime? 14,2. Nine nine} z 3. nine ‘nine ‘nine | : = ——-— 2 2 7 = 2 $ bs rs As bs ge ee ees ey a] 9 = f ar ierre ee a ee te eet ete Pare pf f — eo z = rs ss bs ——S= = z t= ak ln 46pple ete ete te ste nee eee a DS. al Coda O-Coda bs = (ee Dial ms a Pie a a 47OLD FRIEND ‘Words and Music by Tim Armstrong, Matt Freoman and Lars Frederiksen Intro Fast Reggae 1=171 Bn D Bm D © > OY eee : Se ales pet — - - — 5 4 Oo + +—_— Copyright © 1995 | Wane To Go Where The Action ke use (MN) 'AI Fights Admiistooa by Wowen Music Pupining, ie 48 Intemational Copynignt Secured A Fights RessivedFem > ® z s € ae = cunt ieet ie Co ee : fatten Py Deg ———— —— SS z 4 —= Fin D a E Fin > Cleveland a gain, as 6.2 a E Fm D 3 s - — ——— > | e so - ties tha youl nev - er te = Beve AM a E Hm > SS oe. z= ——-— So . SSS know it 1 war it 1 wear it ony seen vee “ml Se ies, Bas Fi 22m) a E Fm D aut eS mi ss # Se ——_ =| 2.Thowe must be some ~ thin’ “boot you tht 1 kod, but ihe ale ds ty my love for you. And know for - m- nme get preyed on by val = tes yes ig = y= ix roa na M3 an a a ——— Y, eee E 5 — testtime, w/ Bas Fig. 3 3 mes) A E Fm. D — ————— — ee a ee ee f Pf Se “te Se Bree = vee oe A E Fkm D — ‘ as Po - — SS ao eee st ea ek Se eo Se eee 3 : 2 — at —> = = = ee ee as : : ci — Bs SS ¥- ota: GT oe ae ee Fem D A old friend, Come and see me a - gain, soon, Good mom - ing, heart- = ache, You're ke an old__iend Come and sce me - gain, soon, Interiude 50ae Belge abel as Ds, # eS Some-where in A ~ mer =i - ea, through — the cy tiie But we ere far fom home, Fas Ds A BS Fas D z —— s Be =e 2S St o ? bor you brow ih was pon mabe al =e Guitar Solo a 5 Fa D = : SS eS - = aa . + = B Ds a Cade @Coda outro D a E Fim ae ee ae pees 9 ——— 4.Well the un - —— z pear —: J pe eee ee] = | 444+ 992 a E Fe D A pat S ees E = Es 51RADIO HAVANA Words and Music by Tim Armstrong Intro Verse st Rock «= 180 (Sound tees) (Dra) , as 8 e LF Dias 2A Ticad has 13s 8 Baw Fg ————— ee f rs —— = FE ° + c Am 6 a = = f = bois tke 8 sound rack ssid you got to male cholo, —— | —— ra 2 2 —— £ ——— —e ao * = —— - 2 ++ se) Bass Fig. 11 318 ies) : = ————.. _—S —— con - cur - rent play = back = Teath - er skin anda vel = vet voice. The © SSS eS = ee Chev = y wih othe om = di 0 on read that it ain't ° ver yet i= =— i733 emg © 200 Yan 4 Patera ASCAP) A Fights Aumiistored by Woon Mucie Puig, ie aS Triseratnal Copyight Secured Al Right RosotvedChores Find Woe. Fig gd. Vor, w/ Yoo. Fig. | Isttime, Bass Pi. 2 2a tne, wo Bass Fig. 2 (Ist 3 mes) Bas Fs. 8 = Yeah, 1 ace 6ve Bass Fig. 3 (Ist 6 meas) FS 54AS as leering Bas Fig (2 mes) Fs = : 7 Check i Fif- ty - sev-en Chevy with the me = di 0 on saIntertode ‘Spanish rio broadcast ww/ Bass ig. 3 (times) DS. et Code —— - ce oo oo ao — — “ + a3 Chorus ‘8/ Bass Fig. 2 (2 times) cs Gs as Bs fa + gi tive from an Ha - va na Nisa hee tee eee na ee ga Voc Vo. whens ne? cs os as Bs io gig ct Pyne ———aeEe SS a + —_—t > a from tine, jul fang a Fn fatto Fs os as 3 a E + = +f 2 2 SSS a= | i i = = = =RED HOT MOON Words and Music by Tim Armstrong, Lars Frederiksen, Brett Reed and Rob Aston Intro Chorus thot moon, take the 6 wot fs SSS ba, dows = opm be pe nl 1 oan a = SS SS = *. on - —— se 2 ; a= ‘ 6 Loo | shee — SSS a ae = | | ee eats ret E Ls z = ———— SSS eee E zi ——— — Copy © 2005 vee A Ratianae ASAP) an Sia Fob bang ASCAP) 'Al Pps Amistad by Wotan Muse Pusha, te Intemational Copyright Sacured A Fights Rosatved 57i mp us @ = tion that she did = att ask LK cs from Camp tel, C= = foro aia She's wa mma Geter ee apes me BP! toe 5 - ce tooth = et petty wel Pe —_— ot = 2 —a rs 7 : Dn r = = = cc et ere 7 = fs alta e wait ing fr ome “Check me ou,” she said, “Tm = in toon = crete ways thought he said ‘hat shed be the cape now, jun ale. ——— a —t : a Dm F Ee — = ; = S o— v t — ¥ cme called the One soy fur Now Wd kk met ye me i on, stout hee tud make ke free = eek SB when we 58é D F © = . — _—— t va eerie she don't wanna ad - mit where he is from, And bell 0, ‘she Knows. what the truh__ is, “omuse she found her in the Lit - de League park, — inthe Baw Fe? t—_ = Le a = a 2nd & Sed times, W/ Bass Fig 22 ies) 2 br F e a = —S K cs she wast nun, mon, run. Shes a says © and she knows who her fiends are So ug outs, it was cold, damp and dark, and —— o F x é ¥ = punk she don't no ove m8 fick . don't 0 Saas it will mo one ‘knew why she wake up think se 5 ee oe 7 2 +8 * or cr —— = e- ae 5 =: = South By bsnl kee on + ty omake ber mun far . way. ff cm hy) mee heat home, sow ee = — —! = = s 2 59Chorus Ww Bas Fig. h Ph al fae =. ja a SS SS a aa sae me + ew SS ee ee S366 eS eS Sa mon 3 : a aes . ca : eae Tet Nees #9 i = ae SS tine SS ree, tne oo a te Te fom te ogme = yee tem glk Dipped lat Gag 1 wi bbe omy ee eye tw «5 5 a - 5 ie —— a 7 t ¥ ¥ i cout in the cit. --y where the «© sun bums slow, 0 ovo at first light, the ver = y first night, things have @® S = = = =F —| = = ep ? —s ee eee te 2.Na my eee ee ae ee———S Se ae 7 : oS ———— = aay ae ee The wag ATTN ay ite, Tn, Ee ME vec ee = ——— = ce = = ere ear het mot oe ee F G touched, un = leashed, ‘hack up, you don’t want it, Stick him for his cash, his bad, Pa e ze a 6Bhd. oe. w/ Vow. Fig. ie : oe — ? =| eae te ta ee ee ern be = = 3 — 6 c 6 : : : f at 5 == a ———¥ ? Sg ee ee Tn SS — ae * = SSS Se ——— re = +—}-# 3 * . 7 $ ——— —— eo = T =< = a a a ne ea ee SSS 5 SS ea = ——— a . . C Ta =e ten pt otha hE ¢ r *ROOTS RADICALS Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Yene ‘ant 1 =160 Inti, Basal oct? meas) 2uluna,w Ban 3 Ges) cs 8s — se eae a ee eee s —_ {Took the Six - ty bus out of down town Campbell, Ben Za - ra - di - © was plyy- int; Des- mon Dek - ker was sing iv onthe cx Fs cs 4 SSS ee ee == a - he we mn bee He was wah i’ for me Well For =) = three bus = we climb up the il : FS ee = = = 6 SS SS : athe punk ck = er and the moon stomp = ets a Noth - in” in = com - ing tthe weg = gem - ming, «and we os Bs cs = ———— a4 === 6 f = ss = f cut onthe cor.- erm where they'e spar - ing for change. — i ea from uw - lov = ing homes — Tai, Howe Conypgnte 1095 | Want To Go Where Te Acton Is Music EM) igs Aarne eral Copy 1+ 1 nen Muse Pug nes cuted Al Fights Rosesnd Bass Fig.2 ——— ta = + + if S = — Fs gor SS SS EE o ———$ = Some - thing stuck me fin = ny when we. rin out of ton - cy Rude in Cur ol was amin = i skint i, My Gs Fs cs = SS ee —_ 2 ——— — —= —— Where do you go mow when you're oon = yf teen? ‘blur - ty vi sion saw noth - ing wrong. — ™ © : — as § Pre Choras Bb F a a - ings 4 - eer Spr mi-sio exe = extn and the bleeds in me, (on) FJ is = = f {= ——« = = + 3 =Chorus cs fs Gs er =e ==- a 5 —_—i — re ¥ — ‘And it goes, sive ‘em the boot, the rook, the. m= i = cal, ment ——— ————— eae sy — sas Li Se SS ss : aes ae ae Sete Give ‘em the boot; Give “em the boot, O. omy sere - olBridge - eo ee SS = e Yeah, yeah, yeah, yeah, yeah, yeah, yeah. — FE 3 > & cf 3 oe z 3 + ieee oa oe: i yeah.— yeah, yeah. . - ee Saale - 3 3 2 5 a 5 i E : i ene s a ie é a ee —_ cae. Get el ae ee 3 —— SpBas tet 5 os is cs ———— ee fee ee == a f aa of downtown Camp-bell, Bon Za - nat ~t0, he was on there. He wan wait- in? for me. well, os Fs * Ses = SSS all the pink rockers and the moon stomp-en are oat onthe cor er, whee they're was. wf Basstig 2 és Bs ffs - te fee & fae ie £ tt g - spar-ring for change. And the ra = di - © was pliy- in’, Des-mon Dek-ker was singin? on the s Bs cs wf Bas Fie. eo te = Sees For- ty - tee bus awe climb wp, the Rude gid Car- ol was FS Gs co Sia ae SS gio 2 SSS SS © = ’ win = 1 = ski ih Bie Mie Ney ok eee Coda ee ww Bas Ft os os rs os & fps 2 2 gle | = = ? = Give ‘em the boot, the og, the rnd - 1 - eas Give ‘em the boot you know Tm a rad - i eal Give “em. the boot, the Fs os oo os a A= = SS _ = | = © St * roots, he regs omy sere a = . a — = = at z = a = 67SIDE KICK Words and Music by Tim Armstrong and Matt Freeman, ‘AS CSYAD GS AS/E csyeb GyD ASIC CHA Go BS —— - SS =: a ee : é mae AS cs Gs Gbs FS ———" SS SS. 3 @ “hed 7a! dream 1 wet Te Vig i> Im ee ide kick) 0 tbe ee ie E eee naeaeeee : 2 +4 1 AS cs Gs cbs FS fp eee ——— = Copyright© 1908 Rancid Muse (ASCAP) A Rights Aanisioea by Ween Muse Pubishing, In. 2 Imerational Copyright Secured Al Fighs RosowvedIst 2ndsimes, wi as Fig $d tine, W/ Bass Fig. (st 3 meas) roente as cs os Ghs FS As cs fe Lae fee = [SS SS er : = —_— 3 Fong ime nto (tad 5 dam Towne ig = an He de = BRK tom os ahs ts ¢ e er SSS se = os os 1-Down in Oak = an oft of Wen Grd, “ee Uatbo eae bat” et a Banded bad = inn” : 2 = a om F 6 os : = re >: : 4 é = SS 5 Sin Jo = oggh oe tt tome ea Ws ace we akep when you oa ee Z = : = —— fe ee ——— —+ = 2 c © —————— : - 2 — A good ple wea po ep fk a Nigh hind cha vee pe — eessdsdeweseeeee + + = “ re eelF os ee f = cs = —- a = © — Help your fel = dow mama good thing todo Can't thaveypeo ~ ple v= i for foe Call the cops. See we wert eee eoeefe a y = = z mF + 4 a3 3 a Bea fad of) me, md the = Mosk = teem, to See ee ie 2 Gi SSS a a © = a f I aot boy's @ time bomb, Black cout, white shoes, black fat, Cad = i = ss cs [Dit oo wo ote = = = = — o—6 —— D at GB aes See Black coat, white 8 ac. Yeah, the boy's atime bomb, et eee te, See E ‘A as on = re —————— I= See ee 78WHITE KNUCKLE RIDE Words and Music by Tim Armstrong Intro Fast Rock J= 146 Dooubestime fect oan | | Dr F = = a Fis NC. cs 18718 — 17164 69 eo ete See up oe =a 6 eee 46 16 15 $6454913-16-15-19-—_19-16-15-19 61513 13-16-15. 6 4 16 16 5 8 a Copyright © 2006 | Went To Go vmore-The Aton Is Muse (2M) "Al Pigs Admire by Wen Muse Pubtaning, In Intmatonal Copmgm ecwes‘Al Highs Fesesed 76verse as bs [Ae 4 — : ? white knck == dei Her guns thal they're us ~ ing = : SS ———— == a = Bs ae oo “Bas plays, st ime only. Es os as pbs ee ee =e E ———— Se =| blood steps will hive, = ty this. one. be ~ yond. ther skin The Ther’s ml sy - sion mwas go ig on arg t nd as Fg 1 ————SS SS cpa 3 3 7ES @ AS bs ae ee a un = cer = teinsty its mead, bu tke ying 1 Crosed out the place where my su is shin - ing. W's the SS eee ne ec eeee a a a — ie a Es os as bs # - _—_ i 2 ; z paclinaellwot cr wkces weaellae night be - ine uns ta 1 fet, not the one who's be + hind ‘em —————_ lew we ee 2 60 © 2 ete se [e555 5 5 5 6 ee knuck « le DS. al Code FRs J D jee White wok = te White mock =e 2.Well, . 7 % === bercrespecepe ces) le TD = eS = 4 4 eee tee ae ° At oo 3 3338 78poll ost = 2 ae. — : = ride White kick - te.Axiom David Courtney Detroit Django Fall Back Down Journey to the End of the East Bay Life Won’t Wait Maxwell Murder Old Friend Radio Havana Red Hot Moon Roots Radicals Side Kick Time Bomb White Knuckle Ride CJ cuerry vane LSet Pepe tetera)