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Fmakram Compare and Contrast Final Draft
Fmakram Compare and Contrast Final Draft
Fmakram Compare and Contrast Final Draft
Farah Makram
Professor Clark
ENGW 1111
25 March 2021
A female role unlike any other, self-reliant and courageous. A Disney princess that has
allowed a female role to take on the responsibility of a warrior as well as a daughter. Released on
June 19, 1998, Mulan is an animated musical drama film directed by Tony Bancroft and Barry
Cook (“Mulan (1998)”). The film received positive criticism as Mulan became the first Asian
Princess. The film has received several nominations for Oscars and Golden Globes awards and
has received several Annie Awards (IMDb 1998 Awards). Journalist Todd McCarthy also points
out, “Mulan’ reps a full turn of the circle from age-old Disney classics as Snow White and the
Seven Dwarfs, Cinderella and Sleeping Beauty, in which passive heroines were rescued by
blandly noble princes.” (McCarthy). Mulan is based on the Chinese folk tale Ballad of Mulan.
Originating in the Northern Wei period, a young girl takes her father’s place in the army. The
folk tale was created in response to women receiving greater independence (Mark). While the
1998 film brought forth one of the strongest female characters, Disney’s primary audience was
younger viewers. On the other hand, the Disney remake Mulan (2020) ‘s intended audience is
thirteen years and older as the movie ratings is PG-13. Mulan (2020) was released on March 9,
2020 and was directed by Niki Caro (“Mulan (2020)”). The live- action remake was released 22
years after the original Mulan (1998) was released. The remake has received several Oscar and
BAFTA award nomination and has revied The People’s Choice Award for Favorite Action
Movie (IMDb 2020 Awards). Although remakes are expected to provide of a sense of nostalgia,
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the director’s creative vision caused changes. A journalist from the New York Vulture, Alison
Willmore states, “Mulan doesn’t sing “Reflection” anymore. In fact, no one sings in the new
live-action remake… has more going on in terms of creative vision and getting beyond the lure
of nostalgia” (Willmore). The stylistic changes in the live- action remake have directly reflected
Although Mulan is the first warrior princess, Mulan’s character development in the
original, Mulan (1998), represents a stereotype of a weak female character. Mulan’s skills are
only exposed after she was told to leave. Mulan is falling behind her fellow soldiers as
Commander Li Shang tells Mulan, “Pack up, go home, you're through.” (Bancroft and Cook)
The idea that Mulan was not born to be a skillful warrior is implemented in the amount of
struggles she faced when compared to the other soldiers. Furthermore, the scene that the
Commander decides to throw her out of the army, Mulan is seen laying on the floor while the
commander tower in front. This scene portrays Mulan as an inferior character because of her lack
of strength. The weak female stereotype that has been given to Mulan, is also portrayed at the
end of the movie. As Mulan warns the army they are in danger, Commander Li Shang tells
Mulan to leave for a second time, “You don't belong here, Mulan. Go home.” This is after
Mulan’s identity was revealed. The commander chose not to believe Mulan because of her
gender. It was unacceptable for a commander to listen to a female solider as Mulan was deemed
untrustworthy. Overall, Mulan’s character was portrayed as weak and untrustworthy when
Contrastingly, in Mulan (2020), the stylistic changes made by the directors toward
Mulan’s character development was drastically different. In the remake, Mulan is portrayed as an
equal with the male soldiers, until she exceeds their skill. At the start of the movie all the soldiers
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struggled equally. Mulan also struggled but quickly built skill and hid her skill to eliminate
exposure. A fellow solider, Yoson An, credits Mulan by saying, “I can't believe all this time
you've been keeping your skill a secret.” (Caro). He states this after Mulan beats him in a stick
battle. Mulan skillfully used her speed and strength to beat her opponent during practice. Not
only does Mulan keep up with rest of the male soldiers, but she is also being recognized for her
skill. Mulan holds strength and proficiency as a female character. She has broken the weak
female stereotype that resides in the original animated film. The audience is allowed to look up
to a female character that was not developed as weak, in contrast as strong and resilient.
Furthermore, as Mulan is apologizing to her father at the end of the movie for stealing his sword
an armor her father apologizes to her. He states, “And it is I should apologize. My foolish pride
drove you away. One warrior knows another. You were always there... yet I see you for the first
time.” For an elder to humble himself and apologize to his daughter, Mulan’s father shows an
immense amount of respect to Mulan. He also recognizes her as a warrior. This is unlike the
original where Mulan’s father only mentions his gratitude of having her as a daughter.
Costuming also adds to Mulan’s warrior projection at the end of the movie. In the remake she
comes back to her village in her solider uniform. This is unlike the original movie as she is seen
coming back in a traditional gown. In the remake, Mulan has embodied the role of warrior in
Ethics is a major component in both the original and the remake. In Mulan (1998) there is
a distinct focus on becoming “a man” through strength and discipline. Commander Li Shang is
seen telling his solider, “Mister, I'll make a man out of you.” (Bancroft and Cook). This focus
remains evident throughout the movie as the soldiers struggled to live up to the idea of being a
man. The clear message of this virtue in the original allows the audience to assume that to
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become a skillful solider you must become a man. Strength and discipline are what is asked of
the soldiers during training. As Commander Shang holds two weights, he explains to the
soldiers, “This represents discipline. And this represents strength.” Although Mulan has strength
and discipline the ethics of the film does not allow her to be seen as skillful solider. She simple
cannot be a man because of her gender no matter how skillful she is.
In Mulan (2020), on the other hand, the ethics or virtues include being loyal, brave, true,
and having devotion to family. These are qualities that both genders can possess throughout the
film. During training the commander is seen teaching the solider the virtues, he states “Draw
sword! - Loyal. - Loyal! - Brave. - Brave! - True. - True! Return swords!” (Caro). Mulan works
through each of these virtues throughout the movie until she possesses them all. Unlike the
original, her gender does not get into the way of being seen as skillful solider. There is an
army, she works on becoming true to her identity. A fellow solider gives her credit to this by
reminding the commander “She risked everything by revealing her true identity. She's braver
than any man here.” The shift in virtues, introduces qualities that are deeper than the ones in
Mulan (1998), as they require deep character development to achieve. Overall, the ethics in the
remake creates a whole rounded Mulan character while the ethics in the original asks of aspects
The themes gender and ethics are evident in both films Mulan (1998) and the remake
Mulan (2020). The remake however possesses changes that correct stereotypes in the original
and add a deeper meaning to the storyline. Mulan’s character has been developed as strong and
resilient as she is seen as a skillful warrior. The increase of importance on a number of virtues
allows the remake to have a deeper message for its viewers. As the first warrior Disney Princess,
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Mulan holds a great deal of importance in how a female role should be portrayed. A future
prediction includes the production of Mulan 2, it is plausible that Disney will produce a sequel to
the live action remake. In Addition, as other Disney princess are being produced, female
Works Cited
Bancroft, Tony and Cook, Barry, directors. Mulan (1998). Walt Disney Pictures, 1998.
Mark, Joshua J. “Mulan: The Legend Through History.” Ancient History Encyclopedia, Ancient
through-history/.
McCarthy, Todd. "Film Reviews: 'Mulan' Blazes New Femme Territory." Variety (Archive:
ref_=tt_ov_st_sm.
ref_=tt_ov_st_sm.
Willmore, Alison. “Mulan Is a Dour Drag of a Movie (But a Fascinating Cultural Object).”
yifei-donnie-yen-gong-li.html.