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Creative Writing Modules
Creative Writing Modules
Taking off from the premise of the “word,” immerse yourself in a constructed reality of a
world without words. What would it be like? What form of communication would arise? Write a
paragraph on this imagined situation and compare your answers with those of your classmates.
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1. You may be gone but certain smells you had on you are still present today-your mother's
carefully selected fabric softener that made your shirt smell of lavender, freshly laundered
and then pressed. The damp earth after a heavy rain, that mix of acacia tree leaves and
wet grass, the dreamy scent of possibility. Your skin alive, and though hard to describe,
pheromones that when breathed, made one mad with desires.
2. Odours in general, like tastes, are due to mixture: for anything which is uncompounded
has no smell, just as it has no taste: wherefore simple substances have no smell, such as
water air and fire: on the other hand earth is the only elementary substance which has a
smell, or at least it has one to a greater extent than the others, because it is of a more
composite character than they. – Excerpt from "Concerning Odours" by Theophrastus
Discussion Questions
3. Which of the excerpts would you say is literary? What are the characteristics of this text
that make it creative?
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4. In your own words, come up with one to sentences describing the sense of smell.
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5. What rhetorical mode (e.g., definition, description, or narration) is most commonly used
when asked to define or describe an abstract concept? Share your sentence/s with a group
of five to seven students and talk about the different approaches you used.
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6. Google the word “smell” and look for at least three other texts on this subject. What can
you classify under literary, academic, scientific, or journalistic? Provide at least three
examples.
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7. Aside from words, what other ways can you use to describe the sense of smell?
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Write one (1) paragraph about a smell or smells that reminds you of something from the past. It
can be about a perfume or a food. Make your output as creative as you can.
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Activity 1: We have all encountered days where we really cannot get the inspiration or drive to
write, especially if it is a requirement we do not enjoy. List the top ten reasons why you do not
find writing enjoyable and compare them with one another.
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Follow-Up Questions:
1. How can you overcome these hindrances?
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2. Why are some people paralyzed with fear when it comes to writing?
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Excerpts from Virginia Woolf’s diary and observe her own struggles while writing To the
Lighthouse:
One thing in considering my state of mind now, seems to me beyond dispute; that I have, at last,
bored down into my oil well, and can’t scribble fast enough to bring it all to the surface. I have
now at least 6 stories welling up in me, and feel, at last, that I can coin all my thoughts into
words. Not but what an infinite number of problems remain; but I have never felt this rush and
urgency before… Now suppose I might become one of the interesting – I will not say great—but
interesting novelists? Oddly, for all my vanity, I have not until now had much faith in my novels,
or thought them my own expression.
Th e truth is that writing is the profound pleasure and being read the superficial.
I have made a very quick and flourishing attack on To the Lighthouse, all the same – 22 pages
straight off in less than a fortnight. I am still crawling and easily enfeebled, but if I could once
get up steam again, I believe I could spin it off with infinite relish. Think what a labour the first
pages of Dalloway were! Each word distilled by a relentless clutch on my brain.
Discussion Questions:
1. How did Woolf view the act of writing? What was her attitude toward working on her
novel?
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3. What is the tone of this piece? What do you notice about its sentence construction and
syntax?
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Activity 2: Choose a topic below and write a personal experience about it.
Title _____________________________
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Lesson 3 Language
Reading Activity 1
Home-Coming
Léonie Adams - 1899-1988
Discussion Questions:
1. Identify the poem’s adjectives such as “quiet” and “leaf-brown”. What happens to the
poem if you delete the adjectives from the poem? How do these contribute to the
images used by the poet?
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2. Now, look for the verbs. Examine what verbs already provide an image. Would you
say these are precise and appropriate? How do you say so?
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3. Rewrite a stanza of the poem using current or contemporary diction. What happens to
the poem? Is the effect still the same? What happens to the meaning or content of the
poem?
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Reading Activity 1
Preludes
BY T. S. ELIOT
Six o’clock.
Discussion Questions:
1. Imagine the scene Eliot describes. Which details most vividly capture your attention?
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3. What words contribute to the attitude of the speaker toward his subject?
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5. What do you make of the poem’s conclusion? Does the speakers’ tone change from
what it was in the beginning?
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Using all the things that you have learned from this semester, write a 4-stanza poem by choosing
one of the prompts to inspire you:
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