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Teoreticheskaya Fonetika
Teoreticheskaya Fonetika
Teoreticheskaya Fonetika
The formation of the concept takes place in the brain of a speaker-psychological. The message formed
within the brain is transmitted along the nervous system to the speech organs. Therefore, we may say that
the human brain controls the behaviour of the articulating organs which effects in producing a particular
pattern of speech sounds-physiological. The movements of the speech apparatus disturb the air stream thus
producing sound waves-physical or acoustic. Further, any communication requires a listener, as well as a
speaker. So the last stages are the reception of the sound waves by the listener's hearing physiological
apparatus, the transmission of the spoken message through the nervous system to the brain and the linguistic
interpretation of the information conveyed. The sound phenomena have different aspects:
(a) the articulatory aspect; studies sound waves.
(b) the acoustic aspect; The human ear transforms mechanical vibrations of the air into nervous and
transmits them to brain.
(c) the auditory (perceptive) aspect; Phonemes, syllables, stress, and intonation are linguistic phenomena.
6. British and American pronunciation models. Most distinctive features of BBC English and Network
English.
Nowadays two main types of English are spoken in the English-speaking world: British English and
American English.
In the first edition of English Pronouncing Dictionary (1917), Daniel Jones defined the type of pronunciation
recorded as "Public School Pronunciation" (PSP). He had by 1926, however, abandoned the term PSP in
favour of "Received Pronunciation" (RP). The type of speech he had in mind was not restricted to London
and the Home Counties, however being characteristic by the nineteenth century of upper-class speech
throughout the country. A more broadly-based and accessible model accent for British English is
represented in the 15th (1997) and the 16th (2003) editions – ВВС English. This is the pronunciation of
professional speakers employed by the BBC as newsreaders and announcers. One finds differences between
such speakers - they have their own personal characteristics, and an increasing number of broadcasters with
Scottish, Welsh and Irish accents are employed.
Network English, in its most colourless form, can be described as a relatively homogeneous dialect that
reflects the ongoing development of progressive American dialects. This "dialect" itself contains some
variant forms. The variants involve vowels before [r], possible differences in words like cot and caught and
some vowels before [l]. It is fully rhotic. These differences largely pass unnoticed by the audiences for
Network English, and are also reflective of age differences. What are thought to be the more progressive
(used by educated, socially mobile, and younger speakers) variants are considered as first variants. J.C.
Wells prefers the term General American. This is what is spoken by the majority of Americans, namely
those who do not have a noticeable eastern or southern accent.
1. Normal – a standard pronunciation adopted by native speakers as the right and proper way of speaking. It
comprises the variants of pronunciation which reflect the main tendencies, excising in the language. It is the
pronunciation used by the educated people. It is recorded in pronunciation dictionaries as the best, taught at
schools, on the radio. So its official.
2. RP – is based on the southern way of pronunciation but it has developed new features. They have given it
non regional character. It means there is no area in Great Britain to which it native. It spoken in all the
regions. Only few people speak it.
3. The Northern regional type. It has features that are common for all northern English dialects. The vowel
[a] is more open and retracted back
4. Scottish type – [r] is not only in the end (sister) but also in the middle (burn). All the vowels are short.
5. Cockney – London dialect. It has been used for many centuries. Nasalized vowels (like in French). Slang
language. [G] is always pronounced (morninG).
9. Phoneme as many-sided dialectic unity of language. Types of allophones. Distinctive and irrelevant
features of the phoneme.
The phoneme is the smallest linguistically relevant unit of the sound structure of the given language which
serves to distinguish one word from another in the language.
* Firstly, the phoneme is a functional unit. The opposition of phonemes in the same phonetic environment
differentiates the meaning of morphemes and words: e.g. bath-path, light-like., ban-man. Sometimes the
opposition of phonemes serves to distinguish the meaning of the whole phrases: He was heard badly - He
was hurt badly. Thus we may say that the phoneme can fulfill the distinctive function.
* Secondly, the phoneme is material, real and objective. That means it is realized in speech in the form of
speech sounds, its allophones. The phonemes constitute the material form of morphemes, so this function
may be called constitutive function.
* Thirdly, the phoneme performs the recognitive function, because the use of the right allophones and other
phonetic units facilitates normal recognition for the hearers.
A phoneme is a single "unit" of sound that has meaning in any language. There are 44 phonemes in English
(in the standard British model), each one representing a different sound a person can make. Since there are
only 26 letters in the alphabet, sometimes letter combinations need to be used to make a phoneme. A letter
can also represent different phonemes. Here is a good example: chef = /ʃef/ choir = /kwaɪə/ cheese = /tʃi:z/
Nasal plosion
When a plosive is followed by the syllabic [m] or [n] it has no release of its own, the nasal plosion is
produced (garden, kitten, mitten, happen, shipmate).
Lateral plosion
When a plosive is followed by [l] the closure produced for the plosive is released together with the sound [l]
(little, cattle, please, candle).
Aspiration
The noise voiceless consonants [p, t, k] are pronounced with aspiration. It is an additional noise created at
the moment of moving from a consonant to a vowel. The strongest aspiration is produced before a stressed
long vowel or before a diphthong [pi:z, paund, ti:]. It is weaker before a short vowel or before unstressed
vowel [pit, ka:pit]. Aspiration is absent when [p, t, k] are preceded by [s] or followed by a consonant [spi:k,
pli:z, trein, stei, skoti∫].
Elision. 1.The initial [w,k,g] may be dropped (write, know, gnat)
2.The medial [t] or [d] are dropped in a cluster of three consonants (listen, soften, Wednesday). In the
clusters [st], [ft], [ʃt], [nd], [ld], [zd], [ðd], [vd] in final position when followed by a word with an initial
consonant are often reduced in rapid speech (last time, mashed potatoes, next day, old man).
Word final clusters of plosives or affricates + [t] or [d] [pt, kt, tʃt, bd, gd, dʒ] may lose the final alveolar
plosive when the following word begins with a consonant (kept quiet, lagged behind).
The alveolar [t] of the negative –n’t is often reduced before a consonant (you mustn’t do it)
When [t] or [d] occur between two other plosives they are never heard (locked gate, strict teacher)
3. The final [b] is dropped in the cluster [mb] (lamb, dumb)
Intonation describes how the voice rises and falls in speech. The three main patterns of intonation
Failing Intonation. Falling intonation describes how the voice falls on the final stressed syllable of a phrase
or a group of words. A falling intonation is very common in wh-questions: Where is the nearest
supermarket? What time does the film finish?
We also use falling intonation when we say something with sure or when we want to be very clear about
something: I think we are completely lost.
Rising Intonation. Rising intonation describes how the voice rises at the end of a sentence. Rising intonation
is common in yes-no questions: Is it the new shop? Are you ok?
Fall-rise intonation. Fall-rise intonation describes how the voice falls and then rises. We use fall-rise
intonation at the end of statements when we want to say that we are not sure, or when we may have more to
add: It was raining every day in the first week. (but things improved after that). We use fall-rise intonation
with questions, especially when we request information or invite somebody to do or to have something. The
intonation pattern makes the questions sound more polite: Is this your camera? Would you like another
coffee?