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Text Set
Text Set
Text Set
As a Set
All of these texts supplement each other in various ways and are open to being used for only a
few minutes at a time. They can also be used as a resource individually. This set all focuses on
the aspect of performing and composing music (whether written or improvised). Before class,
students could come in and look at a chart from the Fake Book, transcribe some riffs in
MuseScore, reference a music theory lesson by Andrew Huang, then teach themselves using
strategies from the Klickstein book. These texts are very user friendly and can be mixed based
on the interests of the students.
Possible Objectives
Content Based Objective - After reviewing texts in the provided text sets, students will create a
short composition for their instrument on MuseScore and share it with the class.
Literacy Based Objective - After reviewing texts in the provided text sets, students will perform
a selection from the “Ultimate Fake Book” and demonstrate understanding by playing correct
chords and singing correct lyrics.
The Musician's Way: A Guide to Practice, Performance, and Wellness by Gerald Klickstein
(Print Resource)
The most important part of a musician’s study is developing a practice routine and
self-assessment skills. This book covers ways to do this in a happy and healthy manner. The text
set benefits from this book’s contribution to performance study and how to combat performance
anxiety specifically. Although this is a heavier read than I would typically include in a text set, it
is a great introduction to advanced performance techniques that I may not be able to cover in
class. However, I do intend to supplement my teaching with material in that book. If I know a
student is beginning to read this text, I’ll also be asking follow up questions to help them digest
the material.
The Ultimate Fake Book - 5th Edition published by Hal Leonard (Print Resource)
This is perhaps the most famous material that I have listed on the my resource guide. A
Fake Book is a collection of popular jazz tunes that only contain the lyrics, form, and chord
progressions for each tune. This is popular for gig musicians who might have to play a song
they have never heard of, “faking” their way through it. Curious music students will soak this
book up, as it gives them so much creative freedom. In addition to jazz music, I could use a few
of these charts as examples in the concert band setting, which will show them the process before
they take on this challenge themselves.