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How Are Gothic Themes Shown in British Literature?
How Are Gothic Themes Shown in British Literature?
How Are Gothic Themes Shown in British Literature?
Mrs Gatfield
12 February 2021
At the start of the 1600s, British literature was in it’s Neoclassical Era. Most of the
writings were satires and parodies, such as Swift and Pope’s writing. This was shown up until
1785. British literature then entered the Romantic era. This was a huge shift in writing style and
themes. Most of them focused on nature and the common man, individual experiences, and an
embrace of melancholy. But one type of writing that no one expected to rise up was Goth. Gothic
literature was very new to everyone, and most people didn’t understand it. But what drew them
into it? Most gothic literature was very violet and unsettling to most people, but somehow, they
enjoyed that. Many authors were able to put gothic elements into mainstream Victorian fiction.
This leads to the question “How are gothic themes shown in British literature?” There were
many different ways that authors were able to incorporate gothic ideas and views into their work.
This was shown through the use of mystery and fear, supernatural and inexplicable events, and
One of the most well-known books from the Romantic era is Frankenstein. This book
digs deep into the physiological hardships and ideas that come with rejection and identity. The
author, Mary Shelly, was able to incorporate gothic themes that enhanced and pushed the ideas
she wanted through these unsettling and intense views. Throughout the novel the monster is
constantly being rejected and harassed. No one accepted him for who he was because he was
different from them. He was shown in very intense and dark settings and situations. Victor was
also seen in situations like this. Victor is a very different character in this book. He is shown to
be very selfish and lazy. For instance, he told the monster he would make him a “mate” but
didn’t. He is also a very arrogant person, and Mary Shelly was able to bring gothic concepts to
show this. At one point of the book, Victor has a turning point:
“In this mood of mind I betook myself to the mathematics and the branches of study
consideration.. [this change seemed to be] the immediate suggestion of the guardian angel
of my life... but it was ineffectual. Destiny was too potent, and her immutable laws had
Victor decides to turn from the “mysterious” and “uncertain” ideas that natural philosophy
brings, and decides to instead pursue “secure” and “stable” worlds of math. He turned away to
break from his ‘gothic’ status and identity. But, Victor still blames his downfall on a supernatural
force, even though he is a man of math and science, where accountability and truth are the
fundamentals of his art. There weren't many gothic elements shown in this passage, but this
passage is from the beginning of the book, and is how Mary Shelly first introduced goth into the
novel. It is shown through the use of dark identity and the unsettling ideas that Victor has.
Gothic elements were also shown in Frankenstein through mystery and fear. Victor is
trying to build a monster out of dead bodies, so it’s already an unsettling situation. In one part of
tremendous secrets of the human frame. In a solitary chamber, or rather cell, at the top of
the house, and separated from all the other apartments by a gallery and staircase, I kept
This is a very gothic scene. Victor is committing some very taboo acts, trespassing being number
one. And the way he describes shows us just how intense and wrong what he’s doing is. The way
he describes his workshop is also very important. This is where we get a very good glance at
who Victor is and what he aspires to be. He tells us his workshop is separate. This is indicating
isolation. Victor is alone and likes it that way. He also talks about how his workshop, and its
position at the top of a staircase mimics the ascension to the heavens. This can show us that he is
trying to mimic a supernatural being or God. He wants to have unlimited power and act as if he
is God. This is also a way that gothic ideas were shown in Frankenstein, the use of a supernatural
power.
Another piece of British literature that was able to incorporate gothic elements was The
Rime of the Ancient Mariner. This book is about an old mariner who kills an albatross. This leads
to him having many unfortunate events and horrible things happen to him. This book has many
gothic elements such as: the strange weather, death and in-life death, and the albatross being
represented as a bird of good men. Many people acclaim that this book is one of the original
gothic literature works because of the supernatural and horrific events that happen in it. One of
the most dominating gothic elements in this book is the supernatural quality. This is shown many
times, mostly during the mariner’s voyage. The mariner has many supernatural events happen to
him during his voyage and he describes them very thoroughly.
“Still as a slave before his lord, The ocean hath no blast; His great bright eye most
silently Up to the moon is cast – If he may know which way to go; For she guides him
smooth or grim. See, brother, see! how graciously She looketh down on him.” (Coleridge
94-95)
This quote is in the middle of a conversation between the two voices. One of the voices is the
moon. It’s not clear who the moon is, but is classified as a female. The second voice is
explaining how the ocean doesn’t have free will. These supernatural beings, and ideas help to
bring in goth to the story. It’s not a very ‘dark’ goth, but it is still very intense and descriptive.
Most people wonder how gothic literature became so popular since it was so different.
People didn’t understand how it appealed to so many people. It was misunderstood and strange,
“Since its inception in the mid eighteenth century, Gothic fiction has been critically
contested, misunderstood and maligned. Although they were originally consumed by the
same, largely middle-class, audience that read novels, Gothic novels were especially
(Davison 2)
The middle class was the majority of the people reading gothic literature, and that’s because it
appealed to them. The authors specifically brought these gothic ideas into their writing, and were
able to target their audiences. They brought in new ways of writing and themes that would
appeal to this new audience. It’s just like popular trends now. Anyone that is trying to sell a
product or promote an idea, has to follow popular demand and what people want. Otherwise, it
“The term ‘Gothic’ emerged during the eighteenth century as a critical concept in more
than one snse. Most straightforwardly, it was a term of critical abuse in contemporary
reviews perturbed by the rise and rapid spread of a new species of fiction that refused
neoclassical realists and didactic aesthetic rules. The Gothic genre-or modern romance as
it was often called- was regularly attacked: its subject matter, its form, themes, modes of
representation and its perceived effects on readers, were seen as a ‘flood’, a ‘deluge’, an
ever-encroaching sea eroding the rocks of good taste and decorum and leaving only a
pernicious and depraved appetite for adventurers, thrills and sensations in its
wake.”(Botting 1)
Goth was an uprising that pushed social norms. It was able to break all the rules of past writing,
and incorporate these new ideas that the people wanted to hear. The more that authors wrote it,
the more the people wanted it. That’s why it was able to uprise so fast. And the authors were able
to keep adding these new, darker themes; such as mystery, fear, and supernatural.
Overall, the gothic uprising was a very contradicting idea for a lot of people. It happened
so fast due to the new concepts and want for it the readers had. Authors were able to incorporate
gothic elements into their writing through the use of mystery and fear, supernatural, and the dark
setting they wrote in. These ideas drew the reader in, in an unsettling way. The early stages of
gothic writing is what was able to form what it is now, and how we view it today.
Citations
%2Bliterature&ots=5ZMQ7I_9Er&sig=VzKSQO7yuTVb78EK5ICtTyuqn5Y#v=onepage
&q=gothic%20british%20literature&f=false
Davison, C. (2016). Gothic literature 1764-1824. Retrieved February 15, 2021, from
https://books.google.com/books?
hl=en&lr=&id=OkeuBwAAQBAJ&oi=fnd&pg=PR6&dq=gothic%2Bbritish
%2Bliterature&ots=T0fvQShoyO&sig=rMkN1m6mbirWYZd1rwHc7Va8SgM#v=onepag
e&q&f=false
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