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Return To Me Script (New Format)
Return To Me Script (New Format)
Return to Me
Act 1
Ensemble freeze
Far, far away from their home during verses.
Judah was conquered, the people enslaved
Jerusalem’s temple is gone.
(Lights fade- All ensemble exit and head to back of house for
parade scene)
Scene 1
(Lights up SL as Yael comes running over to Zechi’s house Diana and Berkiah are
yelling excitedly Zechi is up on rooftop) in their home
Zechi: Really? That is what you see? All the colors and
Magicians? (Laughing)…you are such a girl!
(Yael pushes Z and they start giggling and head down from the roof
top? While Babylon people are enticing others at the market
place. As Zechi and Yael head back home. They encounter a
gambler who begins to entice Zechi, handing him dice and
encouraging him to roll them.)
4
Yael: Oh Zechi!
(Yael takes the dice and gives them back to the gambler and pulls
Zeki in a different direction)
You are so naïve. You better stick close to me,
I will protect you.
(Other enticements along the way as they come up the aisles in the
audience. Parthia is among them; Yael runs to see what Parthia has
and Zeki pulls her back and shakes his head no. This is a back and
forth of Yael and Zechi pulling each other out of the harm’s way.
Having fun along the way. They finally end up at home and they
Parade ensemble
stand in respective doorways.)
exits the house
back, winding
Zechi: It is nearly time for Sabbath we had better get through the
ready. Are you joining us tonight? audience.
Yael: And you mine! (smiling and they both enter their own
homes).
Scene 2
(In Iddo’s & Dinah’s courtyard. Lights up on Dinah preparing to take
the Sabbath meal to Mattaniah’s family. Dinah carries a pot over to
Mattaniah’s home. Lights down CS. Lights up on SL. Dinah calls to
Yael and Yael opens the door - farther inside are Miriam lying down
and Parthia is next to her conducting a ritual.)
5
(Awkward silence from Dinah - Yael enters with cups of water and
passes them around.)
Iddo: What did I just say? Of course, it does! Do you Almost yelling with
think He would dwell among us here, alongside controlled rage at the
attitude of his sons.
these pagan idols and pagan temples?
(the brothers look at each other, not understanding the anger Iddo is
exhibiting. Hoshea elbows Berekiah and nods toward Iddo)
Iddo: Bah! You won’t need to run a business when Iddo brings anger back
into check and grows
we return to Jerusalem! YOU were born to excited trying to ignite
be priests, We were born to be priests and excitement in Berekiah.
priests we will be! Just like all our fathers
before us!
(*Lights are lowered to change to night and Iddo steps outside the
house - watching and waiting for Dinah to return whistling the
chorus to family business and randomly talking to God as the rest of
the men leave through USC. Women clean off table and exits USC
with all dishes. Iddo goes inside home. Dinah enters SL, enters
home taking off her headscarf. She is excited but tired. Iddo greets
her with a hug.)
Scene 3
Narrator: Now you have met the four main people of our
story. Four people I love dearly! You can’t help but enjoy
Yael, she is so full of life and energy. She has practically
raised herself since her mother has been ill her whole life.
And then there is Zechariah, who even at this young age,
is deeply aware of God’s workings in the world. Iddo,
whose life as he knew it was destroyed at a very young
age. He lived through the destruction of Jerusalem and the
temple and made the grueling journey on foot as a child to
the pagan city of Babylon. But now you hear him
embracing the journey home. And then we have
our precious Dinah. She marries Iddo because of his great
faith. Her life is full. Two sons and daughters-in-law and
many grandchildren already. She thrives in this little
Jewish community as a midwife and is somewhat unaware
of the Babylonian influences all around her. Why would
she want to go to Jerusalem? Babylon is predictable and
safe! But, soon all of their lives will be turned upside
down. I often wonder, would I have left the
“comforts” of Babylon and gone on this epic journey?
(Kids are playing CS. Zechi sneaks away from the prayers and goes
to play with the children in the street. Berekiah comes in SR
passing in front of the assembly hall looking for Zechariah. Friendly
nodding at the men who are scattering after their prayers, heading
off stage at different exits. Berekiah finds Zechi among the children
playing and goes to him. Meanwhile Iddo is putting things up after
prayers and getting ready to leave, he begins to search for Zechi
around the middle of Berekiah’s first verse.)
Song Business
(Berekiah realizing that Zechi is gone, finds him with Iddo takes his
hand to walk away back towards the marketplace carts)
Scene 4
Zechi: Safta, I learned so much today about our
15
Miriam: I should be
(looks at Mattaniah, then back to Dinah)
teaching Yael things... She must learn our ways.
Promise me you’ll teach her, Dinah! And find a
worthy husband...Promise
me!
(Yael is crying, laying on her mother Pathia pulls her up and guides
her out to the courtyard. There is a moment of silence on stage as
Dinah covers Miriam with a sheet, reaches to comforts Matteniah,
then steps to the window it is at this time we see the exchange of
Yael and Parthia)
Dinah:
(Dinah speaks through the courtyard window)
You need to leave here right now! You have no
business making promises you can’t keep!
(Dinah Exits house through USL back door)
(Chorus)
If she’ll live with me
I’ll give her rest
Me and the stars
We’ll do the rest
Master and apprentice
Forever will be
Yael just has to believe
In the stars and me
Scene 5
(Drums sounding) Announcement read from the assembly house over
the yeshiva school. Many Jewish men there too. Women and children
are drawn in by the sound of the drums)
Zechi: Sure.
Yael: Zechi you are the best! (Yael gives Zechi a hug) My
best friend! Come on, we need to head home.
22
(Lights down)
Scene 6
Lights up on Narrator
Narrator: So, what do you think about Yael now? She has
experienced such tragedy. Her grief is quite powerful and
has led her on a path, which will lead to certain
destruction. And what about Zechariah? What a decision
for a twelve-year-old to make. When God speaks to him,
will he be able to hear God’s voice? He is listening. Even
Iddo and Dinah are not sharing the same journey now.
Yes, there is a great tearing coming in Dinah’s life. But
trust me…God is not done with any of these people yet.
Zechariah has spent much time in prayer over his decision
to stay or leave. As we return to our story Zechariah is
sharing the reading from the holy scrolls with the whole
assembly for the first time. A true coming of age moment
in this young man’s life…
(Zechi climbs the steps with his prayer shawl on at the assembly
hall and looks out over the people. Spotlight on Zechi)
Scene 7
Rooster crows.
Dinah combing out her hair. Iddo pulled on his wrap talking with
Dinah.)
(In the street, donkey carts going all different directions, children
running around with moms chasing them. Different people can say
things like.)
Child #1: I have never been outside the city gates! What
will we see Abba?”
Scene 8
(Lights up on CS the rest of the characters and the sun is starting to
set, and mains are gathered around a campfire.)
Yael: Okay, don’t say “I told you so” but I’m actually
kind of liking this journey. I can see so many
more stars.
Zechi: I knew you would! And you will get use to our
new life in Jerusalem too.
Yael: Just to let you know, I will never get used to all
this grit in my clothes from the sandstorms and
camels spitting on me every chance they get!
27
Zechi: Don’t say gods, Yael. There’s only one God. You
need to forget all that pagan stuff
from Babylon. Anyway, why do you want to
know the future so badly?
29
(show the travelers looking up - use the projector to show what
Jerusalem looked like - a wasteland. What they saw were piles of
rocks and rubble, overgrown with weeds, no signs of life)
(everyone joins Joel and Mattaniah who are putting on their cloaks
and several men from the camp, including Prince Sheshbazzar and
Prince Zerubbabel move SR to meet the large group of Samaritans.)
Ensemble:
We’re sons of Abraham and we’ve come from afar
We’re here to stay
Take back our land
The city here, Jerusalem, ours to command
All Samaritans:
Take your caravans and leave and don’t come back!
Samaritan leader:
We will fight to make our land empty of Jews (Spoken)
Samaritans Ensemble:
(Chanting above line as they exit SR)
33
Scene 10
Narrator: Have you ever had life change in a way that you
knew the world would never be the same? Oh I have been
there and done that. Remember how these people looked
with longing and anticipation toward Jerusalem? From
the highest high to the lowest low..the emotional, mental,
physical, and spiritual journey of your world gone awry is
shattering. I am quite confident that every one of the
42,000 asked the question, “What have I done?” as they
gazed over the ruins and desolation of Jerusalem. Over
the next six months they will struggle to establish a new
normal. Some will become bitter and resentful, others will
be so stubborn that they will damage all their
relationships, and a few will assimilate into the culture of
the Samaritans. How will anyone find joy in this difficult
journey?
(2 chord progressions)
35
(2 chord progressions)
(begin walking toward the spring and Samaritan women block them)
(chorus)
It’s a really long walk to the spring
The Samaritans, they bring rocks to fling
They always block our way
Tell us to stay away
Yep, you’re in Jerusalem now.
Scene 11
(chorus)
Ensemble: And we’re building the temple
Building the temple
Building the temple for our God.
We work hard every day
Bass Man: Except for Saturday!
36
(chorus)
Ensemble: And we’re building the temple
Building the temple
Building the temple for our God.
We work hard every day
Bass Man: Except for Saturday!
(Lights up on a tent with table and storage boxes, and all men are
gathered around)
(Iddo looking towards the mount rubbing his beard in deep thought)
Iddo: This can’t be right. How could the temple
Mount has trees growing on it? I don’t
remember any trees.
Joel: (Opening the maps and rolling them out on the table)
Nearly fifty years have passed since the temple
was destroyed. That’s plenty of time for
saplings to sprout and grow into trees.
(opening bundles sent from King Cyrus and unpacking them. Zechi
holds up a large head covering and overlarge priest gown)
Joel: You will look like a true Priest my little one! But
today I believe you are in over your head!
(as he takes the robe and folds it back properly. All laugh)
Iddo: And finally,(he opens a box and pulls out the shofar.)
(Mattaniah leaves temple mount and heads down to main stage area)
Zechi: Can I hold it? (Iddo Hands the Shofar with great care)
(All lights up-everyone but Iddo leaves the temple mount. Mattaniah
has already left the temple mount and is nearing the camp. Iddo
yells this over the banister from the temple mount.)
Dinah: Are you sure it’s safe for her to go near the
Samaritans, Mattaniah? The pagans often
choose wives as young as Yael!
Scene 12
Yael: Sure. (handing Leyla the ball of yarn) Hi! I’m Yael by
the way.
(Mattaniah walks towards yael and motions for her time to go)
(lights up SR on Temple)
(chorus)
Ensemble: And we’re building the temple
Building the temple
Building the temple for our God.
We work hard every day
Scene 14:
(Dinah, Yael, and a couple of other women walking with their water
jars down to the spring. Two armed guards accompany them, and
Shoshanna is hurrying to catch up to Dinah)
Shoshanna: Dinah, wait! (she catches up and they hug) I’ve
missed you so much!
Dinah: Same thing Iddo tells me! But one day they will
see we too have good ideas and…..
(Suddenly they hear many voices and a ruckus. Looking ahead, they
see a mob of veiled Samaritan village women blocking the path to
the spring.)
Yael: Why don’t the guards push them out of the way?
(As the men got closer, the Samaritan women started pelting the
Jewish woman with small rocks.)
(A huge rock hits her in the side of her head and many more stones
are thrown at her by the women. Shoshanna topples to the ground.
the Samaritan women move back towards the city Dinah and the
other Jewish woman rush to Shoshanna)
Dinah looked forward to her time with Joel and after some
time Joel made an acknowledgment to Dinah she couldn’t
have anticipated. A crossroad in the path that a young
woman she was once so sure of.
Dinah: I am serious!
(Iddo Gasps loudly Joel and Dinah look up and see Iddo watching
and hearing them. Iddo leaves the roof top and exits behind CS
behind his house. Dinah pulls from Joels embrace)
(Dinah leaves Joel to enter her home and search rooftop, home for
Iddo. Exits back of her home CS. Lights up on Iddo at the assembly
area SR. Praying and pacing)
Narrator: Iddo spent the rest of the day and all night in
prayer, trying to figure out what to do next. He couldn’t
believe that she loved someone else. The law said that
Dinah and Joel should both be stoned to death for
committing adultery, but Iddo couldn’t kill Dinah...he
loved her. If he forced her to stay, she would hate him
even more than she already did. He would have to let her
go back to Babylon. All of a sudden, Iddo begins to
understand. God wanted his love, a relationship with him.
Not just obedience to the law. No one could keep all 613
of the Torah’s laws perfectly. No one! Even a priest like
Iddo. Iddo had tried and tried but never measured up.
Scene 15
(Yael comes running through the back of the audience house, out of
breath, stopping in front of the audience to take a breath. Walking
out of breath she enters Iddo’s house, Dinah is inside preparing
food)
(We can still see movement in the shadowy area of the bed. Baby
crying)
Numari: (Numari takes the child from Dinah.) Give her to me;
I’ll take care of her now. (Numari walks outside and
out of sight)
Numari: Zabad, the father, saw this child, saw that she
was a girl and that she had a crooked foot, he
refused her. But even if he hadn’t, that baby
was too weak to survive.
54
Numari: You will see the stars will not be wrong about
this. She will die.
(Lights follow Dinah as she walks swiftly away with Yael behind
her. lights down on Numari)
Dinah: Yes. But God has rescued her through us, she
will live, and the Almighty says we are to call
her... Hodaya. It means “God be praised”.
courtyard)
Dinah: (Dinah nods and gives her the baby. Yael walks to the
back of the house. Dinah follows Iddo into the
courtyard) Can you ever forgive me?
Iddo: What?
(A few days later. Zechi and Yael are in the courtyard and Yael is
taking care of Hodaya.)
Scene 16
SONG - Country-Western
Governor Rehum:
Artaxerxes noble king
We think there’s something you should know
These Jews they’ve been busy
Jerusalem has really grown
(chorus)
You won’t get no more taxes
Your treasury is dwindling
We just think that you should know this
And put a stop to their building.
Zerubbabel:
You see that Rehum said nothing in his letter about
the Holy Temple, the true reason King Cyrus
commissioned us to return. This will make it very
difficult for them to find the original proclamation in
61
Artaxerxes:
Greetings to all my loyal subjects
I did some searching and must say
I think you’re right about these people
Revolt has always been their way
(chorus)
We need to collect those taxes
Persia needs the money don’t you see
See that you enforce this decree
And bring their construction to its knees.
(There is an immediate reaction as the song ends - the people all cry
“NO!”)
Crowed ad libs.
Iddo: You and I are among the few who believe that.
END ACT 1
64
ACT 2
Return to Me - Act 2
Scene 1
Scene 2
(Lights up on the home of Iddo and Dinah. The home is more
complete now with plaster, a sturdy roof and steps to the top. Iddo
is on the roof. Dinah and Hodaya are in the courtyard, and Yael is
finishing up her chores in the home. Hodaya enters home and see
Yael)
Yael: I wish... but it’s too far to walk, little one. You
would be exhausted before we were
halfway there.
Scene 3
(Lights down on Iddo’s house. Spotlight follows Yael to Leyla’s
house in Samaritan village. Leyla is propped up in bed; her
grandmother, Numari, is preparing a drink for her. She beams
when she sees Yael.) Yael walks to Leyla’s beside and
sits next to her. Leyla sits
smiling giddily holding back the
Leyla: Yael! I have wonderful news! Come and have information)
a seat!
Leyla: I’m betrothed! Can you believe it! I’m going to Yael stands and walks to
be married! Eeek! another area of room and
(Leyla shrieks in excitement and Yael’s smile fades as she is fiddles with something,
shocked) becoming distant in her
Abba made all the arrangements this very own world as she begins
asking her questions in a
morning and settled on my dowry, so it’s official! dreamy state, not really
wanting an answer from
(Yael asks each question on the heel of the next, while Leyla Leyla but more speaking
pretends to start to answer but can’t) her own thoughts
Leyla: Wait!
68
Yael: So, you don’t mind that your father chose him
for you?
Rafi leans up
Rafi: I don’t understand why a beautiful young against wall looking at Yael.
woman like you is not betrothed yet
Rafi: She wants you to read her stars and tell her
which god to petition.
(Yael continues dreamily and happily into her courtyard and into the home. She helps Dinah
set out baskets of bread as her father arrives and everyone sits to eat - Iddo, Dinah,
Mattaniah, Yael, Hodaya, Zechi)
Yael: But…
Scene 5 -
(Lights up on Iddo’s home)
Dinah and Iddo’s are talking at breakfast and Zechi walks in to join
them.
Dinah: If Yael doesn’t get what she wants she will run
away with him. Mark my words I know
her Iddo! She’s always had too much freedom
to do whatever she wants. She’s fearless and
high spirited that one!
(lights down)mi
(lights up on Narrator, in Mattaniah’s home)
Scene 6
Defiantly, Yael runs up to Rafi’s village out through the
audience and then back as the scene has changed. The elders of the
city are present as are the women who know Yael for her sorcery.
She strides past the elders as they look back at her in
astonishment, shaking their heads at her impertinence. Women
from the village begin surrounding her, asking her for help with
their fortunes, making it hard for her to move - they all have little
gifts in their hands offering them to her - a bag of grain, a bouquet
of lavender, a pomegranate, etc.
(they follow her all the way to Rafi’s house as if worshiping her.
Rafi sees her coming and strides over to her angrily and grabs her
arm, hurting Yael)
Scene 7
Lively music is playing as people gather for Yael’s wedding to Zechi,
in Iddo’s courtyard, the mood is festive and happy for everyone, but
Yael is merely going through the motions. Once everyone is present
and in position, the Wedding Song is sung by the chorus girls - have
flower crowns and ribbons as they sing and circle around the
couple. Others will be bringing a new robe for Zechi and a veil for
Yael as we transition immediately into the next scene. Women all
do choreography for The Wedding Song this time.
(As soon as the song has ended, there is a joyous sound of everyone
celebrating, congratulating the couple, as ensemble exit stage.
Dinah hugs Yael, Iddo kisses her on each cheek, Mattaniah hugs
Zechi and gradually everyone disappears from the scene Zechi and
Yael are alone in the courtyard)
Yael: (looking defiant but sad at the same time)I just can’t
help it. I love Rafi so much!
Zechi: I know you do, but I’m afraid your life with the
Samaritans would have become a miserable
prison. You can hate me if you want, but I
would do it all again if it meant rescuing you
from a terrible, undeserving life. But...I also love
you too much to make you stay in a marriage
you don’t want. If you want to leave, I won’t
stop you.
Zechi: Yes, of course. I’m sorry. Take all the time you
need. Yael, you know…we’re not married until
you decide that we are. (Yael turns to leave) Do you
want me to go with you?
Yael: Rafi! (she runs to him and throws her arms around
him - he doesn’t return her embrace)
Rafi: Where is your new husband?
Zechi: Rafi, wait! Let Yael go, it’s me who you want to
hurt. (pausing) Listen to me. Yael loves you.
Think about this. You can’t kill someone who
loves you! Me! Kill me instead.
(Suddenly, Iddo bursts into the courtyard and breaks a heavy water
jar over Rafi’s head. He staggers. Zechi grabs Yael away, as Rafi
turns towards Iddo, attacking him. Zechi pushes Yael out of the
way and attacks Rafi from behind. The three men struggle with the
knife.
The lights go down and we hear shouts and a long curling scream)
Yael: No!
Scene 8
(Spotlight up on narrator)
Narrator: Three long days passed, three days before Iddo
was well enough to sit up a little in bed. Rafi had stabbed
him in the stomach before Iddo was able to kill him. The
Samaritans came and took Rafi’s body back to the village
and every member of the Jewish village worried that there
might be vengeance, but none ever came. Even Rafi’s own
people could see how insane it was for Rafi to attempt to
murder innocent people.
thing Zechi?
(Zechi walks into the night as Yael goes into the house and exits.
He kneels, spotlights, and prays.)
Scene 9
(The Temple: Zechi and Iddo are preparing their clothing for
working in the temple area. They are constantly wiping sweat from
their faces, etc. -very hot. People fill the temple preparing for
worship service, the congregation performs prayers and such in
complete silence. We see Zechi praying. We can see how hot and
dry it is - everyone is uncomfortable, etc.)
Voice of God: The seed will grow well, the vine will yield
its fruit, the ground will produce its crops, and
the heavens will drop their dew. I will give all these things
as an inheritance to the remnant of this people. As you
have been an object of cursing among the nations, O
Judah and Israel, so will I save you, and you will be a
blessing. Do not be afraid but let
your hands be strong. (Zechariah 8:12-13)
Haggai: Haggai
(several priests start arguing against the idea, but most of the
people are siding with Haggai - arguments grow louder and louder)
Song -Return to Me
When the world is too hard to please
When contentment is too hard to find
When the narrow way is an uphill climb
It’s time to return to me.
(Chorus)
Return to me
And I’ll never leave you
Return to me
A best friend I’ll be
In joy or in pain
In loss or in gain
In whatever this life puts you through
Return to me
And I’ll return to you
(Bridge)
Any road that you choose to travel
I’ll be there each step that you take
I will give you hope for tomorrow
I will give you strength for the day
Scene 10
(we see lots of activity at the temple site - young boys are pulling
weeds, cleaning up the area, Iddo is directing everyone, carts of
rocks and timbers are being brought in.)
(One by one, all of the men begin telling the secretary their names
with many shouting their names - the secretary is flustered and
frustrated and starts nervously dropping his parchments and quills
- the soldiers all go to help him - it is a comical scene)
Tattenai frustrated holds
up his hands
100
Tattenai: (angered) I’ll
have you know I am the great
Tattenai, Governor of…
pauses talking, moving in different directions but seeing that he is
surrounded by all directions,
(states shakily)
I’ll be sending a report to King Darius
immediately.
(recomposing some bravery sticks out chest and lifts nose towards
the sky, trying not to look like he is accepting defeat )
In the meantime, all construction must halt
until you receive official authorization.
Scene 12
I know who I
then lowering it with the following line)
DO look like, and I want to know the truth.
Yael: None of
(getting a little upset over the questions)
this matter. Besides, why are you so
concerned about who you look like all of a
sudden?
(Dinah, Iddo and Zechi enter the room, hearing the last part of the
conversation.)
Iddo: The Holy One loves all people, not just the sons
of Abraham.
Scene 13
(the following scene will use projector and hear the voice of God)
(Night in Zechi’s home. He wakes up and puts on his outer robe and
sandals, walking into the courtyard. Here he sees a man, dressed in
white, and walks towards him. Here we will use sound effects of
horses galloping and neighing, leaves rustling, and wind with green
or yellow lighting. Create a projection of many still pictures of
these images from Zechi and have them flipping one after another
quickly to represent the vision.
(Zechi sinks to the ground overcome with emotion, closing his eyes.
Lights shift again. When he opens his eyes the screen changes to
the High Priest dressed in his robes)
(Here we see an image of Christ on the screen - all lights are off
except Jesus on the screen and we hear horses and chariots and
wind fading away- then spotlight back on Zechi, lying on the ground
and everyone else is gone - regular spotlights. Enter Iddo, coming to
shake Zechi’s shoulder, waking him up.)
Yael: Zechariah...What?...How?
Scene 14
(They walk down from the building site and see men coming toward
the city.)
Iddo: I’ve been fearing this day. And it’s not a good
sign that the governor himself is
bringing the news. If the Persian king ruled
against us, Tattenai probably came in person
to gloat. Almighty One, remove my fear and
keep my knees strong. ...Ah look, Tattenai is
not with them. Lord be praised!
(Several other men and Prince Zerubbabel walk out to meet the
governor as they take center stage. Tattenai is NOT in the group
arriving, but his secretary. Position flags/banners behind the
secretary.)
(Iddo grabs Zechi’s arm, so proud of him. Another great cheer goes
up among the men, and they all exit the scene as Iddo, and Zechi
walk to their home. Wedding song plays as Hodaya marries. Little
girls run through with ribbons. Veil is placed around Hodaya.
Narrator does epilogue during the Wedding song).
Epilogue
(Three years have passed, and the temple is finished)
Narrator: The temple was finished! Can you believe it?
19 long years of waiting, but once they decided, it only
took them 3 years to build it! This story was such a long
time ago, now! Tell me, do you see that you also have been
rescued by the Almighty One? That daily He molds and
shapes your life. And more importantly, He desperately
seeks to dwell among His people. No matter who you are,
where you have come from, or what you have done, He is
your God if you accept Him! I certainly did! I might be a
Samaritan and have a limp, but this is my family. I’m so
glad you could stay and hear my story...your story...our
story, because this is who God i.s. (Older Hodaya pulls out
her cane and limps over to her family as everyone takes his place)
(Shofar blows)
(We see the Levite priests take their places along with the High
Priest resplendent in his ephod, breastplate, and robe. Prince
Zerubbabel arrives with a procession, banners, and announced by a
fanfare of shofars.)
(to the audience - begins - and after first line, the entire cast speaks
the blessing to the audience)
Curtain call