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Additional Assessment Materials Summer 2021: Pearson Edexcel GCSE in Music Source Set 1: Area of Study 3 Question Paper
Additional Assessment Materials Summer 2021: Pearson Edexcel GCSE in Music Source Set 1: Area of Study 3 Question Paper
Additional Assessment Materials Summer 2021: Pearson Edexcel GCSE in Music Source Set 1: Area of Study 3 Question Paper
Summer 2021
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Context
Additional Assessment Materials are being produced for GCSE, AS and A levels (with the
exception of Art and Design).
The Additional Assessment materials presented in this booklet are an optional part of
the range of evidence you may use when deciding on a candidate’s grade.
2021 Additional Assessment Materials have been drawn from previous examination
materials, namely past papers.
Additional Assessment Materials have come from past papers both published (those
materials available publicly) and unpublished (those currently under padlock to our
centres) presented in a different format to allow you to adapt them to use with your
candidates.
Purpose
Each set of questions has been split by Area of Study. They have been compiled from all
available past paper and specimen material
The purpose of these Additional Assessment Materials is to provide a bank of questions
that can be used to assess learners in summer 2021, according to which areas of content
have been delivered throughout the duration of the course.
When selecting which questions to assess, a balance between Section A (short-answer)
and Section B (essay) questions encouraged to most closely mirror live-assessment
Section A
Some questions must be answered with a cross in the box. If you change your
mind about answer, put a line through the box and then mark your answer with a
cross
(b) State two purposes of the fanfare at the start of the extract.
(2)
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(c) Describe why this extract provides a suitable beginning to a film entitled ‘A New
Hope’.
(1)
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(d) Give two musical ways in which John Williams has achieved a march-like feel in this
music. You should refer to two of the following: rhythm, tempo, instrumentation.
(2)
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(d) Describe the dynamics and tempo towards the end of the extract.
(2)
Dynamics
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Tempo
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J Williams: Main title/rebel blockade runner (from the soundtrack to Star Wars
Episode IV: A New Hope)
(a) Name one percussion instrument heard at the start of the extract.
(1)
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(b) Put a cross in the correct box to show whether each statement is true or false.
(3)
(c) Identify the playing technique used by the harp at the end of the opening melody.
(1)
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(d) Describe how the composer establishes an exciting and heroic atmosphere in this
extract. You should refer to dynamics, harmony and rhythm.
(3)
Dynamics
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Harmony
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Rhythm
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John Williams: Star Wars: Episode IV A New Hope
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(b) Name one accompanying instrument that plays at the start of the extract.
(1)
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(d) There is a long crescendo followed by the entry of the timpani and gong.
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Tempo
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(e) Identify the harmonic device heard at the end of the extract.
(1)
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J Williams: Main title/rebel blockade runner (from the soundtrack to Star Wars
Episode IV: A New Hope)
4 You will hear two extracts, A & B. You will hear each of them three times in the
following order: AB, AB, AB.
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Extract A Extract B
Metre
Explain how the composer uses harmony and tempo to establish a battle-like
atmosphere.
(2)
Harmony
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Tempo
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S Schwartz: Defying Gravity (from the album of the cast recording of Wicked)
(1)
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A 2/2
B 3/2
C 6/8
D 12/8
(c) Near the start of the extract Elphaba sings ‘And if I’m flying solo’ and ‘at least I’m
flying free’.
(i) Identify one similarity and one difference in the melody of these two phrases.
(2)
Similarity
.............................................................................
Difference
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(ii) Identify one similarity and one difference in the rhythm of these two phrases.
(2)
Similarity
.............................................................................
Difference
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(d) Name one instrument that plays the quaver accompaniment in the chorus.
(1)
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Give three ways in which he does this by referring to the accompaniment, tempo
and dynamics.
(3)
Accompaniment
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Tempo
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Dynamics
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.
S Schwartz: Defying Gravity (from the album of the cast recording of Wicked)
(a) Name the instrumental playing technique heard in the timpani at the start of the
extract.
(1)
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(b) Identify the rhythm played by the keyboards and brass which accompanies the
spoken dialogue. Put a cross in the correct box.
(1)
(c) Name two instruments that accompany the voice at ‘You can still be with the wizard’
(2)
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(d) At the start of the verse Elphaba sings ‘Something has changed within me’
(2)
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.
............................................................................
Give three ways he does this, referring to accompaniment, harmony and rhythm.
(3)
Accompaniment
.............................................................................
Harmony
.............................................................................
Rhythm
.............................................................................
‘Defying Gravity’ from Wicked (1.20-2.40)
4 Listen to the following extract which will be played three times.
(a) (i) The first two phrases are ‘something has changed within me’ and ‘something is not
the same’.
Identify two differences and two similarities between the melody and rhythm of these
two phrases.
(4)
Differences
.............................................................................
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Similarities
.............................................................................
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(ii) Which two of the following chords alternate in the opening phrases of the extract?
A I
B II
C III
D IV
E V
(b) Name two instruments that play the accompaniment in the first half of the extract
up to ‘close my eyes and leap’.
(2)
.............................................................................
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‘Defying Gravity’ from Wicked
You will hear both extracts three times in the following order: AB, AB, AB.
.............................................................................
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(c) Identify two similarities and three differences between extracts A and B.
Similarities
(2)
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Differences
(3)
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(d) This musical number is the finale to Act 1.
Gives two ways in which Schwartz generates a dramatic musical climax at the end
of extract B.
(3)
.............................................................................
............................................................................
(a) Describe the accompanying chords in the opening two bars.
(1)
.............................................................................
You should refer to any two of the following: choice of instruments, rhythm, and
tempo.
(2)
.............................................................................
(d) Above the vocal line you have been given chord indications. Some chords have been
omitted.
Fill in the missing chords below.
(3)
12 13 14 15 16
F Gm7
(f) In this song the character has been abandoned by his girlfriend.
.............................................................................
Section B
Write your answer in the space provided.
You will hear extracts from two instrumental pieces: one familiar and one
unfamiliar
The familiar extract, Extract A: J Williams: Main Title/Rebel Blockade Runner (from
Star Wars Episode IV; A New Hope)
The unfamiliar extract, Extract B: E Morricone: Love Theme (from Cinema
Paradiso)
You will both extracts three times in the following order: familiar unfamiliar,
familiar unfamiliar, familiar unfamiliar.
9. Star Wars is a bold, epic space adventure. Cinema Paradiso is a sad nostalgic story of
unrequited love.
Evaluate how effectively J Williams and E Morricone use orchestration and tonality to
capture these different atmospheres in these two extracts
The skeleton scores are provided in the Source Booklet.
You should use your knowledge of musical elements, contexts, and language in your
response.
(12)
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