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Gyalwa Chagtri IV, Va
Gyalwa Chagtri IV, Va
GYALWA CHAGTRI
CHAPTER IV: GOMIRI
CHAPTER V: CHYODTRI
TEACHINGS BY
Wyl ie transl i teration by Geshe Gelek Jinpa and Dmi try Ermakov
Contents
Prel i m i n ary Comments ................................... . ......... . .......................................... 5
Sutra ........................................................................................................... 11
Dzogchen ................................................................................................... 12
Gomtri ............................................................................................................... 13
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23 - 27 August
111 .1 .1 . H ow visions come externally . . .. ........... . .... . ...... . ...... . ... . ... . ...... . . . . . 21
. . ..
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Chagtri 2009
IV. 2 . 2 . Thogalwa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
IV.2.3. Rimgyipa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Chyodtri ............................................................................................................ 57
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23 - 27 Augusl
I. 2. How to i n tegrate Nature with the six senses .. . .. ... . .......... . .... .. . . ... . . . . . . . 65
.. . ..
I. 2. 2 . Ear Consciousness . . . . . . . . . . . . . . . . . . . . . .
. . . .. .. . .. . . . .. .. . ...... ... . .. .
. . . ... . . . . . . . . . . . 68
. . . . .
l.2. 7. How to use the obj ects of senses . . . . . . .. . .. .. ......... . . .. .... .. . . ... . . ...
.. . ...... . . 69
. .
Chagtri 2009
23'd August
Preliminary Comments
First of a l l , once aga i n I wou l d l i k e to welcome all the S angha members to the
Teachings. B e fore I open the text I wanted to tal k a l i ttle b i t about why we are
gathering here and what the purpose is.
worst thing to think. You should thi n k that suffering is a sickness, like toothache
or something.
have many enemies and they must watch them and they worry about losing their
property. So rich people have a lot of suffering and poor people have no
experience of how m any d i fficu lties and s u fferings the rich have; they think the
rich are the happiest people. That is what they thi n k but it is not true.
Neither do the rich people rea lize how much su fferi ng the poor have -
they have another sufferi ng, a d i fferent type of s u fferi ng. Poor people suffer
because they are only thinking of their living conditions - whether they will find
shel ter or not. They suffer heat and cold. Whatever happens brings them pai n fu l
suffering. They a r e always longing, they want t o h a v e so m a n y things but noth i n g
can h appen ; it is always l i k e this. They a r e c o l d a n d h u ngry, sickn ess comes, b u t
whatever happens, they always have t o k e e p going o n . That is the suffering of
poo r people.
Rich people are al ways wary of meeting with their enemies or robbers or
that their thi ngs will be destroyed ; there are many things they are always
watching about, and they have more suffering.
Another type of suffering is that all people worry about their loved ones
and their relationsh ips. They are al ways worried they will b e separated from
those they are connected with. They a re always longing, watc h i ng, suffering.
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as your enemy for ever. S i m i larly, relatives are not always loving ones - they can
very easily turn back to enemies, you see ! That is very clear. Even your child can
grow up and become your enemy. Or you r enemy can easily become your fri end.
Many thi ngs can be easi l y changed and that is all created by the perso n,
perso nally, according to you r condition and perception.
This is all clear evidence, you see, i t i s not n ecessary to foll ow th e
Teachings or Schools3 or this or that or something - this is visible. Thi n k about
these kinds of things properly, and then [ask yourself] : how can these sufferings
and m iseries be purified ? Nobody, I think, likes to su ffer miserably for a long
time, they will th i n k at least a l i ttle bit abou t how to purify their su fferi ngs and
miseries. I f you want to purify them, how can you find such medicin e ? How ca n
you purify them ? The way to do this is to look back to the thought. The real
creator is our own consci ousness; it doesn't come from anywhere external at al l.
Neither does i t come from othe r people, [it is] i n d i vidual . If you yourself can
easi ly control your own consciousn ess and mind then you will always be peacefu l
a n d h a p p y . That is real happiness. I f y o u a r e always fol lowing y o u r own
thoughts, then human th oughts are too much thi nking, they cha nge too easily.
They are not trustable; we always thin k many different things. Look at the
situati on yourself - it is not necessary to follow this or that o r something, it is not
necessary to receive any Teachings on this from [di fferent] Schools, divi n i ties or
someth ing [ l i k e that] ; none of that is n ecessary - you can see this di rectly.
Karmic traces
I said that suffering is created by ourselves. This is without any cause. We
ourselves are not forced, we happily create suffering. H ow do we create it? Who
is the creator? This is all e x p lained in a logical way. We have reasons. H ere is an
example. If you are writing on a blackboard, whateve r you use - white or red o r
any colour - whatever you paint, the blackboard will k e e p the figure there. In a
similar way, whatever we th i n k is like the chalk, the pai n t, and the blackboard i s
l i k e our o w n Basic Consciousness which w e call Alaya or t h e Kunzh i Nampar
Shepa. 4 That i s similar to the blackboard, or l i ke th e software i n the computer -
the mother board or whatever you call it; I am not very sure. Anyhow, what you
keep there is the fi gures you have d rawn. You keep them there as long as
possible. H ow is this? Instead of painting on a blackboard, it is our own
consciousness. If we think something good then immed iately this trace is kept i n
Kunzhi, t h e Basic Consciousness. There a re two ways : firstly, y o u o n l y think, and
that is written on the blackboard. You don't act but your thou ghts are written on
the blackboard; it is similar. Secondly, someti mes you both th i n k and act, and
that is another way. Both modes leave traces on the blackboard: both thinking
and acti ng, and just thinking without acti ng. Whatev e r you do, everyth ing is kept
i n our Kunzhi Namshe i n a similar way as d rawi ngs are kept on a blackboard.
The Kunzhi Namshe i s very rich - from u n l imited begin n ings u p u ntil now a l l
individual bei ngs h a v e k e p t so much ! T h i s is cal led karmic cause, or cause. This is
a kind of seed, and i f it meets any kind o f [supporting] secondary cause i t will
ripen, the result or frui t will come u p . That will be suffering or ha ppiness -
whatever you get is accordi ng to the cause.
Th is is not j ust speaking and empty words. There is evidence. You can
see this from dreams. Your body is lying i n the bed, as com fortably as you can,
but meanwhile you wake u p from deep sleep al though you are not completely
awake and between these two, consciousness is very bright and wakes u p . Th is
consciousness can see the seeds and whatever is 'painted' on the Alaya or Ku nzhi,
Basic Consci ousness. At that time whatever i t sees, whatever dreams you have,
whatever situations you have i n dreams, they are changed by your own cause ;
that is evidence. You are seeing you r own cause; it is nothing to do with anyth ing
external neither with somebody else doing something. I n modern times th ere are
too many changing with the practice of dreams or something; 5 that is different. It
is not a question of this k i n d o f teac h ing. These d reams we are talking about are
natural so you can see the dream and what the d ream shows you is your own
karmic cause - that is evidence. T h is karmic cause i s with you - whatever bad
things you have done are completely i n tegrated with the Basic Kunzhi
consciousness and after you die, this consciousness goes with you. It cannot be
left out, i t doesn't go away as air. It never wi l l . You can see. Th i n k of a small dog,
a puppy. Just after i t is born then i t searches for the breast. Nobody needs to
teach it, nobody needs to show it, the puppy remembers. From l i fe to l i fe - too
many times - but whenever you are born, you are saved and fed by the mother's
milk. You remember this, and this is evidence as to how powerfu l [karmic traces
are] . Sometimes people remember som eth ing [from their past lives] but that is not
very common. Anyhow, this evidence is very clear, yet most people say they don't
believe this. You can say that while your conditions and everyth i ng else are
perfect. You can say : 'this is right' or 'this is wrong', 'I do believe' or 'I don't
believe' - you can choose. But when that certa i n time [of death] comes, you have
no power, it is not possible to choose at all. You have to fol l ow your own cause.
You can think or say that it is easy to change something; when your condition is
OK you can say many thi ngs, but when the certain time comes you have no
choice, you have to follow cause. Even the Buddha cannot change this, you see. If
he could change i t or do someth i n g by force, then [he woul d because] he
p romised a long tim e before saying: 'I will lead all sentient beings out o f
sufferings and m i series' . Y e t B u d d h a achieved Buddhahood a l o n g time ago a n d
we are sti ll outside, y o u see, b e h i n d . B u d d h a can not do this. We c a n o n l y follow
his advice and obey, and then slowly, slowly we can purify all the seeds. We need
to purify th e seeds . It is not enough j ust to purify whatever temporary suffe ring
and miseries you have visi b l y ; you may be able to purify these for a l i ttle while or
someth i ng, but i t is only for rel ative things. I t is n e i ther durable nor rrustable.
Three Paths
How to purify these karmic cause or the traces on the board which we call
Kunzhi Namsh e ? A lot of causes are kept there and there are two ways to puri fy
the m .
F i rst of a l l , fol low t h e Teac h i n gs a n d try t o confess i n t h e common way.
That is one way to purify these seeds. We should think that whatever has been
made by ourselves is the cause o f suffering, and w e feel sorry for this and promise
not to do i t aga i n i n the future. This is one method, confession. It can look as
though the blackboard has been briefly cleaned u p .
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Chagtri 2009
The deeper way is to realize how [these su ffering] have been created by
ourselves. That is real thi n k ing. Self-grasping or Ignorance is the real source and
root, the creator o f the causes of su fferi ngs and m iseries. We have three methods
for doing this. I have a l ready tal ked about the ways of S utra, Tantra and
Dzogchen qu i te often for years and years. These three methods are all d i ffe rent
and go deeper, and deeper, and deeper.
Sutra
Accord ing to the popular way of Surra, how does Ignorance grasp and t h i n k ? It is
important to realize this ou rselves. How ca n we recogn i ze Ignorance i n d ividuall y ?
Whatever we s e e , th i n k or d o , we always thi nk t h a t the objects e x i s t eternally,
stably, and are trustable. I f that were true - i f for exa mple you see a flower i n
front o f you, the eye sense mere l y sees i t ; but the next, the mental consciousness,
decides, and so [we believe] it exists as we see it. That i s Ignorance, deciding and
th i n k i n g that this fl ower exists as you see i t permanently. Fi rst of all you need to
recogn ize Ignorance and then the second thing i t is to challenge i t. If th is
perception or Ign orance were tru e then this fl ower should always be there. You
wou ldn't be able to change i t, you wou ldn't be able to move it to any other p l ace.
Where you see it, what you see - i ts shape, colour, size, everyth ing - would
al ways have to be there i f this consciousn ess or perception were tru e. But that is
not true, i t doesn't exist [in that way] at a l l , it can even change from the morning
to the a fternoon time, yet our thinking sti l l doesn't change. We always thi n k and
just forcefully keep [our idea that] i t is eternal, that i t exists as we see it. W e don't
recognize that we are deluded by this perception. That perception is our own
consciousness - i t doesn't come from any other place. That is the real creator. I t
creates that everyth ing i s as we s e e i t , that everyth ing exists there. So t h e n that
makes desires, plans - we m ake long-term plans for years and years, we plan and
do thi ngs but never th i n k we w i l l go away and go to the churchyard ; we never
think about that. We are always planning and thinking, always. That is the
situation, but i t is not necessary to tal k about it; it is plain to see, but
unfortunately we don't trust what we see. Usua l l y I say it is like a monkey
stealing. 6
6When a mo nkey steal s, he covers h is eyes with one hand and steals with the other, thus he kids
himself about what he is do ing.
23 - 27 Augusl
Dzogchen
Now I will start to fo llow the text, but this is still connected with purification,
with how to purify the seeds of suffering and miseries which are i n the Alaya or
Kunzh i . I said there are three methods: Surra, Tan tra and Dzogchen, and we are
following the Dzogchen Way to purify all the seeds of suffering and m iseries. You
have to th i n k what we are doing. I will follow the text and explain, so then you
can hear and you can know, and then try to practise. Otherwise it is just like
going to a museum . You can see many things a nd look at them but when you
come out - you get nothing. Don't do this!
[From] Gyalwa Chagtri we already h ave covered the Preliminary
Practices, and the second chapter Ngozhi7 which is mainly about how to
i n troduce the Natural State, how to p ractise, everything. But then the third
chapter is Zhi Rangngo Tradpa Cherthong Tawai Tri. 8 That means ex plain i ng i n
detail and commenting o n t h e B a s e o f the Natural State ; I covered th at before,
last year. Now, afte r you h ave realized the Natural S tate and what it is, there
comes the next chapter on how to practise, how to develop, how to i n tegrate. We
have reached this chapter - i t will tell you how to do this, how to develop and
mainta i n your practice, meditation, everythi ng. I t also tells you what th e pu rpose
of meditation is - it is not only for relaxing and hav i n g a nice time, staying q u i et
somewhere! That is not what meditation means. It is necessary to thi n k that you
are p u ri fying [you r karmic traces] , that this is a kind o f antidote to the seeds of
suffering and misery; you always have to t h i n k about why we are doing this. That
is why i t is necessary to k n ow what th e Natu ral State is. Otherwise if you just
qui etly meditate i t takes ti me. Not all meditation is the antidote to Ignorance or
to the seeds of karmic causes. If you fo llow th is Teach i ng, i f you try to know the
Natural State cl early and try to practise p roperly, then to the same extent as you
become fam i l i a r and stable with th is you can p u ri fy and reduce the powe r of the
seeds of karmic cause. You are not able to purify them at once, but slowly, slowly.
It depends o n your own p rogress in the p ractice of meditation. Don't think that
any k i nd of meditation is something to do with Dzogche n ; it is not that way .
Gomtri
This is the Teaching of the cultivation of the Clear Light Meditation9
Prostrati ons to the di rectl y appearing S e l f-Awareness which leads sentient beings,
the All-Pervasive D harmakaya!
9Tib. L a m nyams su J e n pa'i ' o d g s a l sgom pa'i khrid, also known as Tib. s G o m khrid. Page 200
of Tibetan text.
10
Tib. byang chub.
11
Tib. rig pa rkyang ded .
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This person must have received and practised the Pre l i m i nary Practices,
been introduced to the Natural S tate and how to practise. All these must have
been done fi rst, before this chapter.
1.2. Place
Such a person has to search, find and choose a p l ace to practise and meditate. It
should be a quiet place where there are fewer distu rbances and they should
practise with the Accum ulation of Virtues and Merits. For this kind of place you
can choose :
an island i n a lake;
or the forest;
or a rocky mounta i n .
Whe rever you h ave fou n d a suitable place, i t s h o u l d be a l i tt l e h i g h e r t h a n the
normal places [around] as this can be helpful for sun gazing; it is convenient for
the practice of Thoga l . 12 The direction should be as already mentioned before,
but here [it says] j u st choose a convenient place.
That is as regards the place. Then you have to have an assista nt - one or two, not
more.
1.3. Body
Until your meditation is qu ite fam i l ia r to you and stable, you must have solitude
and try and practise by you rself. I f your meditation is perfect, familiar and stable
then you can i ntegrate with other activities, but until then you m ust try to keep
alone. You r food, clothing and so on shou l d be simple and l i m i ted. You should
not telephone too much or cal l or email too much. I t says h ere Dre/thag Chad, 13
'cut off all connections' - business. Meanwhile you have to stop busi n ess. You
yourse l f may be stay ing in solitude but still doing such thi ngs - don't do this!
Solitude is solitude and you have to p ractise properly. Tshamdam 14 - you have to
take strict sol i tude, keep in strict retreat.
That is as regards the body.
12
Tib. thod rgal
1.i
.
1.4. Speech
As regards the speech , don't tal k or say a lot; even i f you don't recite many
mantras etc, stop doing anything until your meditation is stable enough.
1.5. Facilities
All facilities l i ke food and clothes should be i n a s i m p l e way, and this should be
perfect, t ry to keep. 15 When you practise i n retreat, at that time you should not
carry out too many activ ities there; stop them.
1.6. Methods
There are so many different methods of Teachings for different pu rposes, fo r
developing th i s or that - many thi ngs are said in the text, but the importan t t h i n g
is to always try t o check your o w n Natural State and k e e p on, whether y o u are
standing, sitting, sleeping - any time, try to i n tegrate with th is. That is very, very
important. Then the u ncovered Awareness [of] Great Clear Light [can manifest] .
That is very, very i mportant. [Practise] with this i n tensively. Always try to be
fam i l i ar with th is and stab le. That is the i m portant thing to do.
Sometimes, for purification [of your meditation] exhale strongly o nce or
twice. 1 6 This can also be helpful, but don't disturb others too much, keep quiet,
just say : ' S h h h ' or someth i n g, [hiss] l i k e a cat fighti ng. Besides th ere you have to
practise in the night - try to practise with the dark, and also try to i n tegrate your
dreams with the meditation o f the Natural State. Don't use any other acti v i ties or
meth ods at a l l .
The w a y t o practise i n soli tude at that time is first of a l l you h ave t o have
a fu lly qualifi ed Master who has taught you and introduced you to this Natu re,
this Teachi ng. Then on your side, you m ust be li sten i n g and learn i ng and try to
in tegrate with this. Until you can be sure your own u nderstanding of Nature is
clear accordi n g to the text and what the Master says - these three should be i n
agreement - y o u a r e not ready t o practise by yourself.
When you go to a pl ace of soli tude and practise, don't pretend to be
tired or this or that or somethi ng; be determined to practise and don't waste
time, not even a few m i n utes. Don't stop for ti redn ess and laziness.
Whether you go for years, months, days, don't [fix the length of your
retreat] by time, but only by your own experience, by when you [achieve] stabi l ity
[in the Natu ral State] . When you r practice is stable, pe rfect and fam iliar to you,
you will have experiences. Meanwhile, whatever circumstances change, even i f
t h i s takes a l o n g t i m e because it is n o t easy for y o u r practice t o develop, y o u sti ll
have to be determi ned to p ractise conti n uously. Don't stop between your practice
sessions or retreat times. Don't let yourself go under disturbances. At that time,
only p racti se this single practice of the Natural State without any disturbances.
Do this kind of thing first.
When you have perfected all these methods, th en p ractise regu larly and
by this practice externally you will have visions and i n ternally your own
experience will appear continuously according to your practice.
Whatever has been taught thus far is supported by a quotati on taken from the
Twenty-One Nails: 17
'In a happy place of solitude, the person who fears the sufferings of death
and birth and who has firstly recognized their own Basic Nature and
knows it clearly with their own validated knowledge, such a person is a
qualified practitioner.'
'Whoever works according to his own wishes doesn't feel it as hard; he can
do everything successfully.'
19
I.e. attachment.
20
Tib. gtor ma .
21
Tib. gcod .
22
Tib gsur.
23
.
I.e. Tsalung. See Dru Gyalwa Yungdrung, Gya!wa Chaglri, Teaching hy Yongdzin fop011
Tenzin Namduk Rinpoche, Shente11 /Jargye Li11g 26
, - 31 August 2007, Transcribed and edited by
Carol and Dmitry Ermakovi .
23 - 27 August
These are the five points which can distu rb the View.
24'11 August
Now I w i l l go on with the text conti nuously. The third one deals with the
disturbances for meditation. These disturbances are all condensed into three
points:
Disru rbances for th e View;
Disru rbances for the Medi tation ;
Distu rbances for Activ i ti es.
We have reached the section on Activities.16
i) Self-di stu rbances mean that when you meditate, you have not ach ieved the real,
seri ous perfect sign yet sti l l you pretend, you show clairvoyance or di ffe rent types
of magic.
iii) Another disturbance is laziness. First of all you are i nterested and take things
seriously; you learn, study and practise, but then after a while you stop doing this
seriously although you are sti l l pretending to work at meditation or somethi ng,
but you are integrated with lazi ness.
iv) Another thi n g is when you want to practise seriously but are sometimes
lacking the right methods. Yet still you are determined to do this. I n th is way, you
can [get] distu rbances through [wrong] breathing or posture, you can fee l
26
The meditation section is missing. Rinpoche said: 'Th e meditation section is within Chyodpa
(Tib. spyod pa), i t is mainly Chyodpa . ' He also said that in th i s case he i s not going through all
the d ivi sions and points of the text but only teaches what he considers to be useful for those
present.
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23 - 27 August
unhappy or something. If you carry on [ i n this wrong way] then it can cause
di stu rbances for the channels and breathi ng, which can go i n the wrong way. 2 7
Th is can either bring sickness or i t can cause disturbances like madness; it is q u i te
seri ous, you see. Som etimes the air goes the wrong way in the channels and you
hear di ffe re nt sounds, or words. Those are not a good way; it is the wrong way.
That means that you have been practising with too m uch stress, too intensively.
That is not a good way. We have a lready mentioned everything many times
before, so you must thi n k what is the best th i n g to practi se, to p ractise for a
longer time to make [your meditation] fami l iar and stable. That is the only way.
You don't need to stress [you rsel f] too much o r [do practice i n a] too i ntense
manner.
Don't let [yourse l f] follow those disturbances which are created by the
practitioner themselves.
That is the parable, but the meaning is that p ract1t10n ers must always do
something to practise seriously, and besides there you have to learn what the best
ways are to develop m ethods and p rotecti on. Protection can mean several thi ngs:
protection for your body, protection from spirits [who may cause obstacles for]
developing [your] medi tati on. Fi rst of all you have to learn these thi ngs properly,
then secondly, when i t is necessary, you have to be able to handle [the situation]
and practi se. Those are the methods to protect your activities and to devel op.
27 Rinpoche refers to the practise of Tsalung here. I f one does i t without receiving prec ise
instructions i t will bring the described consequences.
28
Tib. gSungs rabs.
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Chagtri 2009
III. Now we have reached the third o n e : how the visions develop and arise
through meditation.
This secti on explains both h ow the visions come externally and i n ternally, what
the practitioner's experience is l i ke. These are explained, but they are not shown
- they cannot be show n !
To show how visions develop, it is like catching a golden fish; the way to
catcf1 it is in the darkness.
To show the clear mirror, you will see space, clear space.
Remembering-consciousness is like a spear which fixes on the
target of the View of Light. Then you will see the seeds of the Buddha
forms like stars shining in space.
29 Ti b sGron ma.
-10 Tib. Zhang zhung snyan rgyud .
- 21-
23 - 27 Augusl
- 22 -
Chagtri 2009
room but this clarity doesn't come from anywhere externally or any normal
material thing - nothing. It only comes from your own practice. That is the first
step.
The second step is that i n the dark room you will have a n experience like
[seeing] fi re fl ies and m i rages. Someti m es i t will b e storming inside; i n your own
experience storms or wi nds w i l l com e. Someti m es everyth i ng will go com pl etely
as the sky. You won't see anything and that makes you frightened. Noth i n g exists
except a p u re, clean sky. [These are signs that you are beg i n n i n g to control th e
elements of your body.] Yo u r materi a l body is formed of the five elements and
you are able to try and i n tegrate each of them with Natu re. This is the sign that
form the begi n n i n g - everything is equally conn ected with Nature, but still, you
m ay [temporarily] be slightly more connected with earth, air, fi re, water, or wind
[element] , and from ti me to ti me, one after the other, you w i l l have signs. This is
only the begi n n ing. This is not only for a Dzogchen practitioner - i t comes as a
sign that you are control l i n g your own mind. Normal Tantra practitioners can
have these [experiences] when they practise with Tummo or Tsalung. 33 That is
the first step, the fi rst sign.
After this, meditate and practise continuously and you will have visions
like nets, and rays. There won't be much colour, only black and white. There w i l l
n o t be many forms, only li nes goi ng up or dow n . There may be many d i fferent
shapes. As you p ractise more a n d more, then the visions develop i n to the forms of
trees or flowers o r something l i k e th is. Then if you practise sti l l more then these
figures o r visions all change i n to one colour, the n two colours, three colours.
Many form s can appear, like fl owers or m o untai n s or many other thi ngs, but
there won't be any D i v i n ities or mandalas or any special shapes. You stil l have to
practise more and m o re. Then these visions are k i n d of condensed and make a
white Thigle. 34 It is a v e ry shi n i ng Thigle, a small one the size of a m ustard seed.
Then as you practise and develop m ore, i t becom es bigger and bigger. Then one
colour comes, two colours come. It i s someth i ng like th is. Everyth i ng depends on
the practiti oner's p ractice, o n how far you have practised. Depending on how far
you have p ractised, the visions wil l develop.
we see is independent [from us, an object] , we are the watcher. We look in this
way . Object and subject come from there ; that is the start. Then this perception
fol lows th e vision-side as someth i ng separate without looking back to where the
source is, to how this started or something. It does n ' t look back to the sou rce, it
only foll ows th e vision-side more and more strongly, then i t is l i k e water tu n i n g
t o i c e . Th i s goes on and on, and the n t h a t m a k e s col ours and many oth er thi ngs
form - red, blue, yellow, white and so on. Then there is substance - pure and
i mpure - many di fferent ty pes are made. The pure part is the body, the i m p u re
part is the external phenomenal existe nce. These are all created. The real creator
is our own perception which m akes everyth i n g from there; it fol l ows the object,
the visions, and everything leads on from there. That goes on and creates the
whole thi ng, our l i fe up to n ow.
When did i t start? I f you do research work and try to go back to the
source you won't fi nd a n yth ing at all ; there i s no l i m i tation as to when it began or
someth ing. I f you find some skeletons or something [like doing archaeology], it
won 't help - it is much more than this. It i s not possible to find the beginning. S o
g o o n i n th is State, i n this way.
From the beginning the meaning is that you look back, you return to the
source, and th en i f you fi nd the absolute source, then all phenomena o f existence
are related [with it, they] return b ack to the sou rce. This sou rce is just the same as
what we are tal k i n g about when we talk about how Thogal visions start, how
delusion, visions and all phenomena of existence come. Both of these have the
same source. If you p ractise the source m ore and more wi thout following the
vision -side then you wi l l h ave found the rea l , abso l ute truth, the fi nal source.
That makes for developing [the visions and real izati o n that] everything is as
Empty Form. That means that nothing special is created externally. I f you find
the real source, that is the Natu ral State. Don't follow the v isions. Just keep o n
and on i n the source, t h e n you will achi eve Buddhahood.
the objects, the vision-side, then more and more is created by ourselves. Nobody
created anything else. Individually the person created the i r i n d i v idual l i fe and
th e i r i n dividual phenomenal existe nce. There is no-one who created som eth ing
general on the object-side. 41 That is not possi b l e ; you can see clearly what the
objects are, that they are all personal . Sometimes we say they are good or bad.
For example, two people can see one pizza. O n e man th i n ks i t tastes good, very
good, but the other one thinks it's not good at all. It is hard for them both to
agree, b ut they can make themselves agree n ice and pol itely, although in real i ty it
is not easy for them to agree. That is why we have so many problems, generall y .
The bi ggest i s nations; nobody agrees w i t h e a c h other, t h a t i s why we create
things i ndividually accord ing to our i n d ividual wishes. We cannot agree. If
someone i s nice and pol ite th ey may agree, but that is just agreeing politely ; it
doesn't accord with that person's wishes, but he sti ll agrees nice and politely.
Thar way the republic can work, you see ! Otherwise, i n dividually i f you go along
with your own wish then everyth i ng is created by the i ndividual perso n . For
example, our father can make a house, an d that is his property, h e created i t. But
then he passes away, and h e doesn't take the house with him. S o then later on i t is
his son who owns this property , so at that time everyone says the house i s the
son's property ; no-one says it belongs to the dead man. They say i t belongs to the
person who is alive, they say it is his property. So eve ryth i n g is created by
ou rselves. The creator is consciousness. Consciou sness appears from Nature
spontaneously. I f you don't follow the visions but j ust remain i n Nature itself,
then the visions cannot do anything. It is like catching the heart; if you catch or
hold someone's h eart then they a re dead, you see. I f y o u control the heart then
that person is not alive any longer. Nowadays they can d o some transplants or
someth ing but nothi ng is mentioned about that i n the text. That is a d i fferent
situati on. Anyhow, this i s the real one. The personal [visions] coming from
consci ousness a n d Nature are all u n i ted, compl etely u nited, the same thing. So
the proof is the practice of Thogal visions. The visions develop m ore and more,
and so for the p ractitioner, his visions of normal phenomenal exi stence i ncluding
his body, everything is slowly, slowly integrated with his vision. This is because
they have the same root. The p ractitioner has rea l i zed that they have the same
root, so then he p ractises and i t comes i nto Nature.
41 I . e . there is not some creator god and, in terms of the absolute tmth, there i s no such thing as
the external universe; everything is created by the minds of sentient beings.
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Chagtri 2009
Pure, Nature-visions;
Relative or i m p u re v i sions.
1 1 1 . 1 . 1 . 7 . 1 . I m pure visions
I sai d that visions appear from Nature as soun ds, rays and lights. Originally these
are all pure visions, but i f you follow them, whatever you create together with
your perception and fol low crea tes good vi rtues, o r sins and m iseries, but
everyth i n g is i m p u re. Why ? Because i t i s created by consciousness together with
fol lowing the visions. Whateve r is created - good thi ngs like Refu ge, Bodhichitta,
compassion, or bad things - they are all impure vision because they are created by
perception and consciousness.
1 1 1 . 1 . 1. 7 . 2 . Pure visions
Pure vision means i t ts not created. The visions just appear n atural l y . For
example, when you practise with Thogal visions, from the begi n n ing you see
threads which are wh i te or black, and these appear spontaneously. Depe n d i ng on
how far you have p ractised with the Natural State, visions come, and they are all
pure, the real Nature visions. Why? Because they are not created by perception or
conscio usness at all. They develop more and more from the p ractice o f the
Natural State. These visions are pure visions. They develop more and more
according to how much you practise with the Natural S tate. As you become more
and more stable and familiar with the Natural State all the visions are converted
and develop. Then mandalas and Divin ities come [as vi sions) - peaceful, wrathful,
whatever - everythi n g comes spontan eously as visions from Natu re. But these
Divin ities appear spontaneously; otherwise, Ta ntra practitioners can also see
peaceful or wrathful Divinities - many thi ngs can appear - but these are not the
same at all. When you are practising Dzogchen and the visions develop and come
as Divini ties, they a re all connected with the Natural State without any p ractice of
visualization or using any mantras - nothing special, they only appear
sponta neously from practising the Natural State with Thogal. These forms all
look s i m i lar - peaceful ones, wrathful ones, they can all come - but when the
Tantra practi tioners p ractise, i t all comes from thei r own i m agination, wh atever
[activiti es] they need to do, the visions come by the power of [imagi n ati o n ] .
These two l o o k similar; i f you don ' t distinguish but thi n k t h a t they a r e always t h e
s a m e [ y o u are m istaken] as t h e y can not be t h e s a m e , t h e y a r e v e r y much d i fferent.
Chagtri 2009
[On the first stage], in his vision there are n o forms o f D i v i n i ti es but rather many
Thigles, rays and l i ghts - many thi ngs can come. This is the begi n n i n g of th e
Divin ities appeari ng in the v isions.
I nside, this p ractiti oner's experience is still not very deep. It is like the sun
shining between clouds - sometimes it i s clear, sometimes not very clear. His
p ractice is beginning. There are three stages :
We say Thungo m 4 7 making sessions;
Nganggom48 - being able to integrate with Nature spontaneously [without
sessions] ;
Longgom 4 9 - perfect, deep meditati o n which comes spontaneously.
There are these three stages i n meditation.
and more. In this case you have [visions otl half of the D i v i nities' bodies or just
heads or hands - you can see many parts of the body but they are not perfectly
fo rmed as [com pl ete] Divin ities. I t is the same with the mandalas - you see a half,
a quarter or something. These are visions if you don't check anything, but if you
think of checking somethi ng, then they disappear because these are noth ing to do
with consciousness or perception. Sometimes if you are interested to look or try
to see something, they disappear, nothing. If on the other hand you j u st keep on
in Nature without th i n ki ng, you will have visions. Sometimes even i f you are not
concentrating with med itati on these visions are still there ; you can see them.
Also, at the ti me of the fi rst stage, the rays and lights fall l i ke water
fa l l i ng down a steep gorge, cascading down steep rocks; they fall down very fast.
That sh ows that you r meditation i s not stabl e.
Secondly, it is the same th i ng, the visions all go very quickly; you just see
them and they pass.
When you are more familiar with this meditation and the visions, then
you will have five different stages of visions and signs which come. First of
all are the developing visions; at that time they are like mercury which
scatters and comes together.
The rays of Awareness are called 'the line of silver silk '. This is like water
falling quickly in a steep gorge.
sz
Tib. mched pa.
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Chagtri 2009
or not doesn't depend on Teach ings, religion or anyth i ng; this is real and it can
be checked d i rectly i n a logical way. You have to check this before you check the
visions.
The whole of phenomenal existence - everything - i s as a vision. But as I
have al ready mentioned, there are two k i n ds of vision . One is Nature-vision a n d
another is relative v i s i o n .
1 1 1 . 3 . 1 . 1 Ve ry s u btle I g n o ra nce
Relative vision m eans that it is created. When one person has died - this is not
the abso lute begi n n i ng [but i t is the begi n ning of one l i fetime] - after the time of
death they are in Nature, only Nature without any visions. All the visions are
l iberated back to Nature for a while. Then, as I have al ready said, i t depends. We
have three di fferent [understan dings] : S utra, Tantra and Dzogchen . For S u rra
followers, accord ing to the Sutra Teachi ngs, it says that this state is only
unconsciousness, nothing else. Afte r the materi al body and consciousness a re
di sconnected, [there is a state] without any visions, noth i ng, no special
consciousness at all; everything is liberated back to Nature. I n Surra, they don't
recogn ize anyth i n g else, they see this as u nconsci ousness. As for Tantra and
Dzogchen, these are a l i ttle bit s i m i lar. Meanwhile, a v e ry advanced p ractiti oner
has a Presence similar to that of his meditation ti me, so he goes on, and that first
stage a fter the disconnection of the material body is called Bonnyid Bardo. He
doesn't feel anything else, he even does n ' t feel death o r something, h e j ust goes
on meditating conti n uously. That is the condition of a real , advanced
practitioner. As for someone who is not such a n advanced p racti tioner, soon -
how long this circumstance l ast depends on the person, there are no time l i m i ts -
sounds, rays and ligh ts appear spontaneously. These are the three obj ects. At the
same time, the subject appears - a very subtle consci ousness. Th ese two - the
subtle consciousness and the three objects - are like looking i nt o a m i rror. You
can see the visions and this consciousness p e rceives the three objects. H ow does it
perceive them ? I t percei ves them as though something were there. These visions
are not separate ; [this consciousness] j u st thi nks, and perceives some object. It i s
s i m i l a r t o the w a y w e s e e t h i ngs - w e contin uously s e e thi ngs because we always
fol low this state. The sy ste m is that there is this very subtle consciousness which
perceives objects and th i n k s : 'There is someth i n g ! ' -it can only th i n k 'there'. We
follow this conti nuously without stoppi ng, and that is called very subtl e
Ignorance. It is not the absolute begi n n i ng. This is not the compl ete begi n n i n g,
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23 - 27 Augusl
but when we are m this 'unconscious' state [just after death] , we are kind of
inside Nature but nothing is visible, it looks as though we are conti n u i n g to exist
in NamreH but there is noth i n g visible. However, it has potential ; the potential ity
is kept there, and the refore i t is not the begi n n i ng. 54 When it appears, the system
is always the same - whatever we see, everything is separated i nto object and
subj ect, so that m eans we are fol l owing this state, Ign orance, from the begi n n i ng.
As long as we fol low this consciousness and perception, it becomes rougher and
rougher. We see more, we j udge more - good things, bad thi ngs, eve rything is
created from this seed. That is called Ignorance. That is how perception perceives
objects from the begi n n i n g. We conti nuously follow in that way. Whatever comes
i n that way, we fol low, and then everything which exists, the whole of
phenomenal exi stence - good, bad, everyth i n g - is relative vision .
1 1 1 .3 . 1 .2 . Empty Form
The pu rpose of talking about these relative th i ngs, is . . . in the case of S utra,
eve ryth i ng i s projected, there fore all phenomena of existence are as illusion. You
can use the examp l e o f wate r and reflections. Whatever refl ecti ons or movements
come in water, they are all wet. In a similar way, good thoughts, bad thoughts,
visions, they all come from Nature. Namre is u nspeakable, unthinkable. This is
the source. Everythi n g com es from there i nto there and is related to this. Noth ing
is separate, nothing i s far from th is Nature. Therefore, everything is what we call
Empty Form or illusion. How is everything as i l lusio n ? If you thi n k or check in a
clever way you can look back to your own condition of thinki ng, and realize that
nobody could do anything i ntentionally, and you yourself cannot do anything
special with this15 - everything/thought appears spontaneously. When you know
that clearly - don't pretend you don't know - don't pretend there is something
added, someth i n g solid which comes from somewhere. Everyth i n g comes from
yourse l f, to your own Nature and is liberated back to Nature. That is very clea r.
That is what we call Empty Form in this School, in the Dzogchen way ; that is
illusion - we don't need to p roject anything [as they do according to Sutra] .
Everything [is] as Em pty Form, as waves i n water or as reflections. The pu rpose
of knowing this is that if you realize this, it is not necessary to specially [charge o r
create] hardship [for yourse l f] , t o s h o w anger, desire or any emotions. I t is n o t
necessary. All of t h e m natural ly c o m e i nto E m p ty Form a n d you don't n e e d t o
check w h ether t h i s is t r u e or not, whether you b e l i e v e it or not; everything i s
comi ng, going, comi ng, goi ng, everythi n g is like waves i n water. We see this, w e
know t h i s , but we p retend n o t t o k now, we don 't c h e c k t h i s k i n d of situation -
we check some other k i n ds of things.
OK. That is about relative visions. The purpose of knowing this is so that
we try not to grow emotions too much, we try to 'push them down' a little bit by
th i n king about things in a l ogical way, by thi n k i ng about the situation of visions,
of Empty Form. [When we know things are] E m p ty Form, then this stops o r
reduces emotions a l i ttl e ; we d o n ' t let them c o m e too strongl y .
single, sometimes they j o i n together, sometimes they are in groups - oh, there are
many thi ngs ! Then slowly, slowly as you become more and more familiar with
meditation, one or two col ours develop, more and more. The shapes become
rou n d . Then half mandalas or half or quarter statues or something appear - these
change.
How each piece develops, how you h ave controlled your eleme nts or
substances, how stable you are - you can see everythin g fro m your own practice
experience. The forms themselves are not v e ry i m portant; the most importan t
t h i n g is t h a t t h a t the visions show h o w far y o u r meditation i s developing. F i rst of
all the visions are l i k e water fal l i ng fro m a deep gorge . Secondly, they are like
water flowing i n a river. Thirdly they are like water in a n ocean, quite stable, but
not com pletely. The fourth ti m e is like deep water which is not shaken [by the
wind] . That shows you how far you r meditation has developed, how stable it is.
This Second Stage i s not [determi ned] according to the visions, but [by] how
stable and clear [your m e d i tation is] . That shows you how far you have
developed, and that is the S econd Stage of how your visions extend, Chedpa.
It is easi e r for the p racti tioner to control [his mi nd] and stay [in
meditation] . During the First S tage it is not easy to sta y very long; by the Second
Stage it i s easi er to stay in m edi tati o n .
'During the Second Stage the visions increase. They appear as clearly as
the sun or moon shining. Awareness is formed as wheels and in different
styles, such as tents of lights and Thigles. All these appear. '
'The Second Stage of visions is that, inside, your own experience is like a
river flowing. '
That is the m easure of your own experience, of how far your stabil ity and
meditati o n have developed.
The First S tage is like riding a horse and Second Stage of vision is l i ke
walking. That means that the visions are faster or sl ower, like th is - the second
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Chagtri 2009
time is much slower. Also, the practi tioner's feeli ng is that he is able to stay [in
the Natural S ta te] for longer than before. B efore his meditation was very easy to
break, very easi ly di sturbed, but at the time of th e Second Stage i t i s m o re stable.
When his visions have devel oped as far as the S econd Stage, his feeling is that h e
does not g o after t h e objects of phenome nal existence, i ncluding h i s l i festyle, v e ry
strongly or eagerl y. Before I said that a l l phenomena of existence are as i l l usion,
as Empty Form. How does this practitioner know this ? The only way h e knows i s
that w h i l e he is i n meditation with t h e Natural S tate, he c a n stil l see, hear, taste,
touch and so on, but he doesn't follow the objects . He j ust sees them and doesn't
j u dge them - good things or bad thi ngs, whatever comes, let them come without
any stopping or following. We call this person someone who knows i l l usion.
How does h e know? He h as real ized th at the Natural State is completely beyond
thoughts a n d percepti on, so he has only experience o f the Natu ral S tate. Usual ly
when w e speak about the Natural S tate we tal k of Empti ness, but th i s is
incomparab l e with any other kind of emptiness. This has potentiality , it i s Self
Aware Self - that is very special. Only the D zogchen system and School can
explai n this. The rest of the Schools cannot explain this. Usual l y Emptiness is
empty , it is not aware. In this case, it i s Emptiness but still it i s aware. How i s it
aware ? I t is aware itsel f. It is not easy to u n derstand how Empti ness can be aware
except [if you fol l ow) the Dzogchen View. We give the exam ple of lighti ng up a
lamp. If you light up a lamp there is no need to add any other l ight or clarity to
the lamp, it is clear by i tself. So we speak about E mptiness but it is not
comparable to any other Empti ness, n ot at a l l . It is rather d i fficult to say : 'Th is i s
Dzogchen ' or 'That i s Dzogchen ' ; i t i s a v e r y special School, trad ition or View.
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23 - 27 August
v1S1on is developing more and more strongly and that converts or i n tegrates
normal l i fe .
Th is practi tioner c a n s e e normal v i s i o n s and conditions but h e doesn 't
care. I n particular, he has special visi ons, more pure visions of lights and Thigles.
At fi rst they were small bur now they are developing, becoming bigge r and with
more colo urs. Sometimes all five colours come pe rfectly but most of the ti me
there are two or three colours. They form mandalas o r any different kind o f
visions. These shapes c a n be an u p p e r or l owe r [part of a Yidam or mandala] ; or
l i ke nets - many k inds of t h ings can come, i t i s not possible to explain every th i ng.
There may be mandalas or paradises, he can see many th i ngs i n h is visions but
they are not perfect - sometimes only half [the figure] or only a few colours, or a
seed syllable, or h a l f of a D iv i n i ty , th e top or the body - many thi ngs can come
but they are sti ll not pe rfect. That is why we say his ex peri ence has come u p to
the third [leve l ] .
He c a n h a v e all ki nds of visions, b u t n o n e of th em a r e comp letely stabl e ;
they shake and move - sometimes u p o r down or someth i ng. D i fferent forms
come, they shake, sometimes seed syllables come - many di fferent thi ngs can
change.
Here i s another qu otati on taken for the text The Lamp:
'After this, as for the extending of visions, mandalas and the five
Sambhogakaya forms can come, but these are not yet perfect. '
58 Tib. du ma ro gcig.
23 - 27 August
59I.e. Thogal visions of Yidam cycles are i n numerable compared to the number of Tantric
Yidam cycles.
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Chagtri 2009
In this stage, we are talking about mand alas, Yidams, Dakinis, forms of
Divinities, and these all come spontaneously as visions from the Natural S tate.
The practi tioner n ever expected [to see anyth i n g] nor did he practise i n any
particular way - h e didn't wors h i p [the Yi dams] nor did he recite man tras; he
didn't do anyth ing special, he just practised with the Natural State i n a si ngle way
from the begi n n i ng together with the Thogal methods he added. These visions
come spontaneously from Nature i nto Nature and are liberated back to Nature.
This is pure vision and pure Yidam .
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23 - 27 August
'In tf1is stage the visions are perfect. All the mandalas and cycles of
Divinities are perfected. Whatever visions come, everything is very stable,
not moving or falling. '
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Chagtri 2009
26'11 August
When the p ract1t1oner has practised conti nually with Thogal and Trekcho
together, the visions show h ow far h e has developed. When you reach the Fourth
Stage, the visions and everything are perfect. Not a l l the practitioners have the
same visions; i t depends on each person . Some people have more v i sions, some
people have fewer, but whatever v i sions come, everythi n g is pe rfect i n terms of
colours, styles - everyth ing is perfect. This is the Fourth S tage .
defilements, obsc u rations and emotions, everything has been pu rified from the
seed so then i t comes to real, final Nature.
Why do all the visions wan e ? I t shows how they are created. From the
begi n n i ng they come from Empty Natu re i nto Natu re. Whatever visions com e,
they a re all Nature-form . That is why at th is fi nal stage everyth ing retu rns back to
Nature. It doesn 't mean that eve ryth i ng is exhausted [like in H inayana
real i zation] o r n i h ilism or something. I t says: everything appeared from Nature
into Nature and fi nally everyth ing reve rts back to Nature. This is the fi nal proof
which shows this.
All the sounds, rays and l i ghts come from Natu re i n to Nature and now
they come back to Nature . Everything is self-sounds, self-rays, self- v isions.
'All kinds of Buddhas, Bodhisattvas and Teachings are like a dream. If you
taste honey in a dream then in the dream you have this taste, but when
you wake up, there is no taste, it was only a dream. Everything was
perfect in your dream, but when you wake up, there is no taste, everything
has disappeared. '
'It is like a dumb man who has a dream. Whatever comes in his dream, he
cannot explain it. '
62
Tib. Lung drug.
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Chagtri 2009
k nowledge but no normal bei ngs have any experience. That is the example and
the meani ng.
All kinds o f visions - including w hatever the p ractitioner's own
consciousness was deeply connected with - wane at the same ti me. It is like waves
arising in water; they come from the water, surge up i n the water and fi nally
subside back into water [which remai ns] without ridges or waves. I n a similar
way, these [visions] come from Nature i n to Natu re and then this i s shown by
everythi ng, i n cluding whatever is connected with the p ractiti oner's body, speech
and m i n d . Everything wanes back to Nature. There are many parables, such as
clouds disappearing i n space, or waves fi nally disappearing back into water - this
is similar.
6� T i b . S h a r rdza.
66
Tib. sDe dge.
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Chagtri 2009
Nature i tself. We quite often talk about Empti n ess, but don't th i n k this is the
same [as ordinary emptiness] . We can explain n o rmal emptiness, we can
comprehend it by thoughts, but we are not able to think o f Nature. I t is not
empty, i t is neither this nor th at; it is not possible to explain i t clearly. But this
Nature is the fi nal goal. I n his side, th is State is the Dharmakaya. There is noth ing
visible but i t has not fallen i nto nihilism. It comes back to Nature, and Nature h as
potential; pure things are not wan i ng. 6 7 Usually when we talk about Nature we
explain that it is Emptiness, Clarity, U n i ficati on, Perfection, and everythi n g
comes t o t h e final [goal] but it is still there. I f the high Bodhisattvas or som eone
are ready to see the Yidams or whatever, then they are ready to appear from
there. The person has achieved the fi nal goal, but still, if someone wants to see
someth i n g or be connected i n some way then i t is ready to be seen and Teach ings
can come from h i m . Whatever comes from there is pure Sambhogakaya; he easily
shows and comes. Ni rmanakaya is also ready to be shown. It depends on th e
followers and what the circumstances are; if they are ready then everything can
manifest there for them . I t says that the qualifi ed fol l owers have devoti on and are
connected with this kind of person who has achieved Buddhahood and they can
see either Sambhogakaya or Nirmanakaya o r peaceful or wrathfu l or any kind of
Divinities; th ese are all ready to be shown. But the person who has achi eved
Buddhahood doesn 't show anything and noth ing can come without any reason .
On his side, Nan1 re, there is just D h armakaya. But i f it is necessary to show
someth ing for the fol l owers, then everyth i n g is ready and they can see or hear or
receive Teachi ngs. This comes spontaneously.
Tap i h ri tsa was out grazing the sheep on the mountain side near D a rog, 70 but then
he let them roam free and went carrying a load of firewood . H e saw Nangzher
Lod po,71 who was very famous i n those ti mes. He came up to him but didn't
prostrate to h i m , and this offended N angzher Lodpo and m ade him q u i te jealous,
you see, becau se he thought he was very famous and knowl edgeable i n that
country, so he asked this boy : 'Why don't you show respect to me? Why didn't
you prostrate or show some sal utati on ? ' The boy said : 'Well, the sun doesn't obey
or follow the sta rs. The emperor doesn't follow and obey small kings . ' So then
Nangzher Lodpo's pride was offended even more, you see, and he thought: 'This
small boy is teasing m e ! ' They discussed more and more, and a fte r some ti m e
Nangzher Lodpo started t o wonder: 'This doesn't seem t o be a normal person, h e
m u s t be someone speci a l . ' Meanwhile, as t h e y w e r e ta lki ng, the boy's boss h ad
noticed the sheep were scattered all over the hillsi de and the boy was not looking
after them properly. S o h e came u p and said: ' What are you doing here while all
th e ani mals are scattered all over the mountai n ? ! Why a ren't you looking afte r
the sheep ? ! ' Then Nangzher Lodpo had understood that this boy was not normal,
so he asked h i m :
'Who is your Teacher ? '
' Dharmakaya h a s no Teacher,' repl ied t h e boy.
'Why are you carrying firewood ? '
'Well, i t doesn 't m atter whatever I carry . '
So then t h e rich man also real ized t h i s boy w a s n o t ordinary, and Tapih ritsa
showed his real form and sai d :
' I am Tap i h r i tsa. I have come back t o teach you both . '
The rich m a n was already qualified t o b e a student and follow the Teach ings b u t
he w a s n o t a b l e to follow absolutely and be a Lineage Holder; he c o u l d not b e ,
but he could receive the Teachings, so Tapihritsa taught t h e m both at t h a t time. It
is si m i l ar, you see. They can show themselves any time, they have n ' t gone to
n i h i l i s m . First of all they took Rainbow Body and disappeared, became invisible,
but th at doesn 't mean they totally disappeared i n the normal way.
This person who has achi eved the fi nal goal is called Dharmakaya. He
sti l l has Wisdom and h i s Awareness does not stop, either - that is Dharmakaya.
This Awareness i s al ready perfected with the F i ve Wisdoms. Each Wisdom is the
70 Tib. Da rog.
71 Tib. sNang bzher Lod po.
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Quite often we think of Yidams or something but here you must thi n k of
the context. I am say ing that this kind of Yidam only comes to a Dzogchen
practitioner who has practised. What they have practised is Trekcho and Thogal .
Thogal means the practice we have al ready been mentioning for days and days,
using a dark room, space or sun light, body postures and b reath ing techni ques,
and concentrati ng with Nature; all the instructions are here in th is book. [If you
practise] according to this, visions appear. These visions are not only D i v i n ities -
sometim es animals like b i rds can appear, or trees - many things can appear, not
only mandalas or D i v i nities. Sometimes very ugly things can appear but they are
pure - th e form doesn 't matter. Everyth i ng comes from th e sam e Nature. Don't
always expect to see mandalas, D ivinities and so on. They are not always,
peacefu l , not always wrath fu l - many thi ngs can come. They appear because
Nature has potenti al so anyth i n g can come, but whatever comes fro m there can
be o f two qualities; you have to u nderstand that clearly. Fi rst of all there a re
Nature-visions and these are rea l , pure visions, the other is created. As I said, i n
the begin n i ng [in Bardo] i f y o u are n o t [rema i n i ng] i n Nature, visions come and
you fol l ow them. When you fol l ow the v i sions, they develop more and more,
more colours and forms arise, and following these leads you to another thing.
You are foll owing the vision-side so thi ngs are changi ng - good thi ngs, bad things
- everythi n g is created by consciousn ess, by perception, so these ki nds of thi ngs
are all i m pure vision. Th at is what I am tal king about. We are all fol lowi ng
i m p ure vision, all the time. Now you have to retu rn to the pure vision side, th e n
you c a n g o on t o Buddha hood.
Here the fi ve stages of visions I am talking about only refe rs to p u re
vision, not any vision. If we follow the visions then they are impure; they have
been leading us for m i llions and m i l lions of years since begi n n i n gl ess time, and it
is still not sure how long [we will continue to follow visions] . There are these two
aspects com ing from the same sou rce. So i f you go back to the sou rce and
practise, it converts all the i m pu re th i ngs so they are liberated back to Nature.
There is noth i ng else. Th erefore it says that i f you do this practice and follow
these i n structi ons properl y then during this l i feti m e you can ach i eve
Buddhahood; this Rainbow Body which we are tal king about h e re, that means
being able to achieve Buddhahood i n this l i fetime. B u t it is not enough j ust to
read and u nderstand what to do and what Nature is like; that is not enough. Just
reading and being able to understand through reading is not enough. Just
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23 - 27 Augusl
using rituals - not at all. If you compare this Yidam with the ones of Tantra
which are made throu gh visualization, they look sim ilar - the face or hands or
nine heads or many arms and so on - but the quality is com pletely di fferent. You
cannot compare them with each other. One is created by perception, the other
has noth ing to do with perception, it j ust appears purely. So don't th ink these are
s i m i l ar. Anyhow, when you see some Yidam corn i n g - I don't th i n k someth ing
will come spontaneously - there are different qualities. You have to know that.
1. Chigcharwa ; 75
2. Thogalwa; 76
3. Rimgyipa. 77
IV.2 . 1 . Chigcharwa
As for this person , suddenly when he hears Teachi ngs on searc h i ng for the mind,
Semstshol, 78 right from the begi n ning he sponta n eously realizes without much
di fficulty. He just hears or sees som ething or hears someone tal king [about this]
and h e spontaneously real izes Nature. This means that h e has al ready been
practising previously, this fa r. Chigcharwa means sudden understandi ng. It is
rare, but i t i s possi ble. I t means that i n previous l ives he h ad advanced i n practi ce.
IV. 2 . 2 . Th ogalwa
Sometimes the p ractitioner develops very i nteresti ng things l i ke visions or the
inner and outer p ractices but then someti mes this wanes or stops and nothing can
come, o r it is very hard for h i m to concentrate with meditati on or somethi ng. It
goes very high or v e ry low, like the weather, l i ke spring weather. This is what we
call Thogalwa. It doesn ' t mean Thogal visions; i t is a type of p ractiti oner, it refers
to h i s knowledge or experience ; it i s nothing to do with Trekcho and Thogal.
IV. 2 . 3 . Rimgyipa
The thi rd one, Rimgyipa is very popular. This pe rson is always learning fro m
ti m e to ti me, 79 learning to practise, readi ng and so o n . This is the normal way.
It is necessary for the Dzogchen Masters to recognize these types because there
are th ese three types of fol lowers and he m ust distinguish and teach according to
the followers. That is the only thi ng.
Then this chapter, the Teaching of the Meditation of Clear Light, is fin ished.
2711t August
Chyodtri
Developing the secondary causes which help to develop meditation and
the realization of the Natural State80
80
Tib . sPyod khrid. The full title i s : T i b . rKyen l a m d u slong b a rtsal sbyong spyod p a ' i khrid
bzhugs so.
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23 27 August
-
normal things such as eating, walking, dancing, many handicrafts etc. All of these
shou ld be integrated with the Natural S tate.
There are three meth ods as to how to in tegrate these with Nature.
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so during this time they don't stop but k i n d of concentrate i n Nature and do
prostrations or whatever v irtuous or negati ve actions they do - anything - they
try to do that. These [remaining in Nature and acti ng] don't distu rb each other
very easi ly, but sti l l you need to concentrate to keep i n the Natural State. That is
the second practitioner's method as to how to i ntegrate [activities with]
meditation or Nature.
81
Ti b. dran ' dzin.
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82
Tib. lta thog.
81
I . e. they try to remain in the Natural State.
84 On Three Contemplation of Tantra see, for example, Yongdzin Lopon Tenzin N amdak
Rinpoche, Namkha Tni/dzo: the Commentary 011 1he /'recious Oral transmission of the Great
perfection which is called the Treamry of Space, Shente11 Dargye Ling, 2 - 21A ugust 2005,
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23 - 27 August
1 . 1 .4. Lamkhyer
In this way, everything is Lamkhyer86 which means taking the path of p ractice. It
means that everythi ng is [integrated] into the Natural S tate without stopp ing,
[without disturbing] each other: no nstop meditation, nonstop activities. This
applies to a l l thoughts, a l l activiti es, everythi ng.
To concl ude, all the activities of body, speech and m i n d do not i nherently fo llow
visions. Try to [make sure that] everyth ing is i n fl uenced by the Natural State.
That is cal led i n fl u e nced by Sherab Tongpanyi d , 87 Empty Wisdom. Try to
Tmscr. & ed. Carol Ermakova and Dmitry Ermakov (B lou, Shenten Dargye Ling, 2006), Week fl,
1 0- 1 1
rtTib. sgom thog.
86
·
i ntegrate this with any kind of activities by whichever of the three methods you
are able to m aster.
'Going, walking, sitting, eating, drinking, lying - whatever you are doing,
we normally talk about Equipoise89 and ]ethob, 90 activities, dreams,
Bardo.
We can talk of many things but the i mportant thing is for you yoursel f to check
and try to i n tegrate all k i n ds of acti v i ties with awareness.
If you don 't practise or know how to integrate with Nature or Awareness,
then you are like a small creek or stream; when hot weather comes, the
water easily dries up. In a similar way, when you have perfect conditions,
at that time you can talk about views, meditation, virtues, this or that or
something; you can talk about wonderful things! But when certain things
arise, it is not easy to control activities by your meditation or view; it is
very hard. ·
So therefo re fi rst of all, you shoul d certa i n l y trust in Nature, Nature will never be
deluded. I t doesn't matte r which Teachi ngs you are fol lowi ng, th is Nature cannot
cha nge at all. First of all try to know this Nature p roperly, clearly and purely.
The n once you know it, try to practise. But practisi n g is not enough. You m ust try
to i n tegrate th i s practising w i th normal l i fe ; you m u st try to integrate these with
each other without any disturbances - doing, chanting, and meditati o n ; try to
integrate these. S o y o u r meditati o n doesn 't di stu rb your activities and your
activ i ties don't disturb your rea l i zati o n of Natu re. That is the second [level or
practitioner] . The best one is that whatever you do, everyth i n g comes from
Nature into Nature. You compl etely realize everything is as Empty Form . You
m ust do this. Otherwise you are say i n g or thinking you are able to con trol
90 Tib. rj es thob.
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activities, but when certa i n things come, it is not easy to control [them] or
i ntegrate.
These are the three methods of i ntegrati on or Lam khyer. Try to i n tegrate
these three - the activities o f body, speech and m i nd - with Nature. The purpose
of doing this is that wh atever we are doing with our body, speech and m i nd, they
are all i n fl uenced by thought or percepti o n . Perception is like chalk, and the
Kunzhi or Kunzhi Namshe, the Basic Consciousness - every being has this Basic
Consciousness and i t keeps whatever we do with our body speech o r mind as a
trace - it is like a blackboard. Then a l l activities of consciou sness, perception,
body, speech a n d mind are l i ke painting on the blackboard. Once they h ave been
done, they are kept l ike traces on a b lackboard . The trace or figure is l i ke what
we call karm ic cause. The Natural State means the Nature of a l l perception,
consciousness, activities - everyth ing - but i n particular we can see this through
our consciousnesses; if we look back at our consciousness i t disappears. This
d i sappearance is not created by anything - it d i sappears spontaneously.
Everybody knows this; some thought crops up, you think of i t for a little while
and then after a l i ttle while it d isappears by itself - we don 't always remember or
think of that thought, i t is not eternal, it doesn't a lways exist there. O nce i t has
disappeared, what happens i s an unspeakable state ; that is Natu re. If you rea lize
this Nature then the Basic Kunzhi itse l f also goes i nto that State. The Kunzhi or
Basic Consciousness is n ot eternal. Thus i f you real ize that all consciousness goes
to Nature, to the unspeakable State, then there is no base where karmic causes
can be kept. Thus karmic causes have to disappear. Why do they d isappear?
Because i t i s Nature, genera l l y i t is Nature and i n particular i t has n o background
where traces can be kept. Thus everything - the painter and the painting, the
Base, everything - is in E m p ty Form, so there is nothing at all to be kept. This is
the real p ractical [thing] I a m trying to explain, this is the Teach i ng. Otherwise
we can do someth i n g like p rayers or reading, reciting mantras - we can do many
thi ngs and they are all facing [towards] and atte mpting to purify [karmic traces] ,
but eve n though these a re good thi ngs you can see how directly they are ab l e to
do somethi ng. That means you m ustn ' t j ust know through read ing or speaking;
that i s not enough. Nor i s i t enough to just to think how it m i ght be, how i t could
wor k ; this is sti l l not en ough. So then you have to practise. But it is not enough
j ust to practise, because when some certain things come directly, you ca n ' t
control [ y o u r m i nd] . W h e n y o u a r e learn i n g t h i s , you n eed t o k e e p i t, y o u n e e d to
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learn it by heart; that means you train your m i n d . If your mind is i n tegrated with
this system, then after death when you are disconnected from your material body
and h ave to leave it beh i n d you, your mind never disappears at all. So at that
ti me, you keep what you have learnt with this · Nature and what you have
understood through this meditation. That is the purpose of what I am tal king
about repeatedly day after day. That is the p u rpose. [I am tal king] more and more
talking - maybe you are fed up of hearing this every day, but perhaps it can be
helpful . That is my idea.
1 . 2 . 1 . Eye consciousness
When you look at something, you see colours and forms but the eye
consciousness i tself only sees, it doesn't ju dge at all. Good things o r bad things,
beautifu l or ugly - it doesn't make much di fference, it merely sees everythi ng.
That is what the eye sense does. I f i t is i n fluenced by the mental consciousness
'behind' it, then that j udges good or bad, beautiful or ugly and m any other things.
It is very powerfu l ; we say that mental consciousn ess is like a householder, the
owner of the house, and the five senses are all like servants. They don't have
much powe r ; when the order comes, they have to obey and work. This i s the
same for all of the senses. The j u dgement of good or bad is done by the mental
consciousness. So usually we try to look back at our m e ntal consciousness - that
is the m a i n thing. Maybe now everybody has some experience of searching for
the m i n d . That doesn 't mean control ling the five senses, there is not much to be
done with them. The five senses a re very n ice, v e ry obedient, but the m e ntal
consciousness is very wrathful and powerfu l . Th erefore the text always mentions
how to control ou r mental consciousness which we call Yidkyi Nampar S hepa. It
may be better to l earn and follow - this Teaching is in Tibetan, only. OK, this is
the syste m . Once the eye sense has seen something, behind there i t is i n fl u enced
by the mental consciousn ess which ju dges as beautiful or ugly, big or smal l, good
or bad, longer or sh orter - everything is decided.
If you c u t down one bamboo stick y o u will see i t is hollow inside, s o you
don 't need to cut down all other bamboo sticks. Or if you cut down a
trunk [of a tree], you see it is solid so you don 't need to cut down all other
trunks to check.
In a similar way, if you realize someth ing visible - your body or a car or anyth i n g
e l s e - doesn't exist i n herently on the object s i d e , a n d i f y o u compl etely trust a n d
k n o w this, t h e n y o u ca n apply t h i s t o a l l othe r objects a n d k n o w that noth i n g
exists i n herently on t h e object s i d e ; t h e w h o l e of phenomenal existence is just the
same condition.
This i s how to check using forms and colours. I f, on the oth er hand, you
don't th i n k that these are E mpty Form but just real ize that mental consciousn ess
goes to Nature, then you don't need to wrestle with thi ngs, it is not necessary to
check all the five senses. Once you have realized Nature, Nature is called 'G reat
Clarity Emptiness'. W i th this all kinds of fo rms, colours and everyth i ng else is
seen but you n either follow nor j udge, and that means that everything is as
i l lusion. This practi tioner practi ses further and fu rth e r in that way without
changing anythi ng. I f he understands that all phenomena of existence are as
illusion then it is not necessary for the five emotions or the Five Poisonous
Consciousnesses to grow at a l l .
There is a quotation from t h e Prajnaparamita text w h i c h supports t h i s . I t
tells h o w t h e e y e sense is l iberated t o Nature :
'All forms are all as illusion. There is nothing which can be recognized
inherently, there is nothing much to do with them inherently. All colours
are clear and they are the objects of the senses. Whatever colours come
clearly, {they/ go back to Nature, to the Nature of Mind. '
I. 2 . 2. Ear Consciousness
It is similar for the ear consciousness. The objects are sounds, and when any k i n d
of sou nds c o m e t o t h e ear s e n s e - good melodies or not good sounds or any kinds
of instruments or the sounds of bei ngs, good th i ngs or bad th ings including the
sou nds of th e el ements such as fire, water, wi n d - [we should l iberate them using
one o f the three methods] .
1 . 2 . 3 . Nose Consciousness
This is si m i lar. The objects a re all smells - good ones, bad ones, whatever.
I n the same way :
for the fi rst practitioner they self-appear and sel f-liberate ;
for the second practitioner he d i rectly checks them and integrates them
i n to Nature ; -
and the last practi tioner rem e mbers Nature.
These are th e methods.
1 . 2 .4.Taste Consciousness
The objects are tastes, good ones or bad ones, and these are integrated by the
same th ree methods i n a s i m i lar way.
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There is a q uotati on from the Dronma Chapter as to how to in tegrate all the
objects of the senses :
'Self-Awareness Wisdom is the Base from which all tl1e six objects appear.
Whatever appears as visions, if you realize they are all as Empty Form
then that is called the appearance of visions of Nirmanakaya. '
'Don 't follow the five objects of the senses. If you follow the objects, don 't
distinguish between them - don 't follow mental consciousness, just leave
the senses alone. If you follow the senses with your mental consciousness,
don 't grasp at them, don 't follow then with selfishness. 93 If you grasp the
objects as inherently existing, don 't keep any Bagchag'. 94
what their situation is like. These objects are not coming from anywhere external
at all. Just look and think. They themselves don't exist inherently or
i n dependently at a l l . S o then what happens is that you just think back to the
sou rce ; there are no traces, noth ing to see and that is called Clear Naked Wisdom
Awareness. You h ave to keep in that State and trust it. Afte r you have rea l i zed
this Clear Naked Wisdom Awareness then don't add anyth i ng don't change
anythi ng, don't push anything [away] or reject anything - just leave them. Keep
on [in that S tate] . That is meditati o n .
T h e concl usion is that [ o n e should remain] in t h i s State, without
[perceiving anythi ng] as inh erently existi ng and without follow i n g the though ts,
Thamal 91 - that means ' [i n the] n o rmal way' . I f you are u n able to i n tegrate
everyth i ng accordi ng to the advanced p racti tioner's system, then sti l l try to
remember either the second or th i rd method. Try to do this, even if you are n ot
able to integrate activ i ti e s as advanced practi tion ers do. I f you are j ust able to
in tegrate Nature with activities and phenomenal existence then don't stop; don't
th i n k that is enough . Don't think that is enough ; you have to practise still more
with those activities and visions, they have to help. When they come, they rem i nd
you, they make you remember Nature. That is still not enough ; you have to be
able to integrate Nature and the visions which come as Empty Form . When some
objects appear they should sponta n eously remi n d you of th e Natural State [and]
you should not th i n k that the obj ects come [as] i n h erently [existi ng] . This is what
begi n n e rs should normal ly try to do.
All mistakes and omissions are the sole responsibility of the transcribers and editors