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Australian Generations? Memory, Oral History and Generational Identity in Postwar Australia
Australian Generations? Memory, Oral History and Generational Identity in Postwar Australia
To cite this article: Professor Alistair Thomson (2016) Australian Generations? Memory, Oral
History and Generational Identity in Postwar Australia, Australian Historical Studies, 47:1,
41-57, DOI: 10.1080/1031461X.2015.1120335
Article views: 45
Download by: [University of Sussex Library] Date: 04 April 2016, At: 07:19
Australian Generations? Memory, Oral History
and Generational Identity in Postwar Australia
ALISTAIR THOMSON
Australian media pundits and popular sociologists write blithely about generations such as
the Baby Boomers and Gen X, but what they are really writing about are birth cohorts who
share some common life experiences and attitudes but do not necessarily share a generational
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identity. Drawing upon oral history interviews conducted with 300 Australians, this article
argues that while a birth cohort may share historical reference points, it will not necessarily
be conscious of itself as a distinctive generation. Generations are forged by dramatic shared
experiences and emergent generational awareness in youth. Generational self-consciousness
is then fashioned and consolidated in memory by individuals who draw upon collective
representations of generational identity in making sense of their lives. This article argues that
in post-Second World War Australia there has, thus far, been only one such generation, the
so-called ‘60s generation’, and illuminates that argument though a life history case study
that also highlights the significance of gender and intergenerational relations.
Intergenerational report prepared by Baby Boomers who had the best deal
of any generation.
(Nicholas Reece, Melbourne Age, 5 March 2015)
Many ingredients make this gen Y cocktail of violence.
(Mark McCrindle, Melbourne Age, 5 February 2011)
IN AUSTRALIA TODAY media pundits and popular sociologists assert that a defining
feature of contemporary life is the coexistence of, and conflict between, gener-
ations; groups of people who are ‘born in the same era, shaped by the same
times and influenced by the same social markers—in other words [ … ] united
by age and life stage, conditions and technology, events and experiences’.1 For
example, Mark McCrindle’s 2009 book The ABC of XYZ identifies six Australian
generations: the Federation Generation (born 1901–24), Builders (1925–46),
For background on the Australian Generations Oral History Project and the articles in this issue please
see the free-to-access editorial in this issue, https://dx.doi.org/10.1080/1031461X.2016.1119778
For invaluable comments on drafts of this article, thanks to members of the Australian Generations
team, to our Melbourne Life Writers Group, to Monash research group colleagues, and to Janet Davey.
1
Mark McCrindle with Emily Wolfinger, The ABC of XYZ: Understanding the Global Generations
(Sydney: UNSW Press, 2009), 2–3.
41
42 Australian Historical Studies, 47, 2016
class conflict at the core of social relations.4 Memory studies theorist Wulf Kan-
steiner notes, however, that as a ‘master trope of the twentieth century’, gener-
ation ‘appears all the more natural and innocent because it has never been
involved in the kinds of withering, divisive battles’ that have characterised the
intellectual history of categories such as class, race and gender.5
Part of the problem, acknowledged by many theorists, is confusion and
overlap between three definitions of generation: as successive family generations;
as members of a birth cohort; or as a birth cohort with a self-conscious genera-
tional identity.6 My focus here is on birth cohorts, though we will see how the
generational identity of a birth cohort might be shaped by the intimate tensions
of family generations. Several Australian studies have examined birth cohorts
and identified how distinctive historical circumstances have forged divergent pol-
itical attitudes. For example, in their study of ‘ordinary people’s politics’, Judith
Brett and Anthony Moran explain that,
someone born in 1928 will have experienced the 1980s very differently
from someone born in 1968, both because of the different needs and inter-
ests of a sixty-year-old compared with a twenty-year-old, but also because
of the knowledge that had built from the sixty years through which they
had lived.7
2
For a recent review of sociological debates, see Jane Elliott, ‘Talkin’ “Bout My Generation”: Percep-
tions of Generational Belonging Among the 1958 Cohort’, Sociological Research Online 18, no. 4
(2013). www.socresonline.org.uk/18/4/13.html (accessed 27 April 2015).
3
Elliott, section 1.1, citing B. S. Turner, ‘Strategic Generations: Historical Change, Literary
Expression, and Generational Politics’, in Generational Consciousness, Narrative and Politics, eds June
Edmunds and Bryan S. Turner (Lanham: Rowman & Littlefield Publishers, 2002), 16.
4
McCrindle, 24. See also, N. Corsten, ‘The Time of Generations’, Time and Society 8, no. 2 (1999):
249–72.
5
Wulf Kansteiner, ‘Moral Pitfalls of Memory Studies: The Concept of Political Generations’, Memory
Studies 5, no. 2 (2012): 211. See also Wulf Kansteiner, ‘Generation and Memory: A Critique of the
Ethical and Ideological Implications of Generational Narration’, in Writing the History of Memory, eds
Stefan Berger and Bill Niven (London: Bloomsbury Academic, 2014), 111–34.
6
See Elliott, section 1.6; S. Biggs, ‘Thinking about Generations: Conceptual Positions and Policy
Implications’, Journal of Social Issues 63, no. 4 (2007): 695–711.
7
Judith Brett and Anthony Moran, Ordinary People’s Politics: Australians Talk about Life, Politics, and the
Future of Their Country (Melbourne: Pluto Press Australia, 2006), 8. See also Hugh Mackay, Gener-
ations: Baby Boomers, Their Parents and Their Children (Sydney: Pan Macmillan, 1997).
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 43
Studies like this begin to explain how and why birth cohorts might develop distinc-
tive attitudes, yet do not examine the historical factors that might forge a self-con-
scious and assertive generational identity for some birth cohorts but not others.
Historians, too, often deploy generation when they mean birth cohort, and ill-
defined usage leads to extravagant claims. For example, Strauss and Howe’s
book, Generations: The History of America’s Future, 1584 to 2069, tracks American
generations in fifteen- to twenty-year bands back to the Puritan founders and
argues for the centrality of generations in American history.8 European studies
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8
William Strauss and Neil Howe, Generations: The History of America’s Future, 1584 to 2069 (New York:
Quill, 1991). Strauss and Howe draw on ‘generational determinists’ like Spanish historian Julián
Mariás, author of Generations: A Historical Method (Alabama: University of Alabama Press, 1970).
9
Robert Wohl, The Generation of 1914 (Cambridge, MA: Harvard University Press, 1979), 222.
10
Karl Mannheim, ‘The Problem of Generations’, in Essays on the Sociology of Knowledge, ed. Paul Kecs-
kemeti (London: Routledge & Kegan Paul, 1952), 309 (originally published in Germany in 1927).
44 Australian Historical Studies, 47, 2016
formation of the 1960s generation in their 2002 book, Generations, Culture and
Society.11 The next section synthesises key points about generations which were
signalled by Mannheim and have been developed by later theorists.
First, a generation, as distinct from a birth cohort, is forged by the shared experi-
ence of profound and destabilising events. Mannheim wrote of the importance of
a ‘process of dynamic destabilisation’, and Edmunds and Turner explained that ‘a
generation can be defined in terms of a collective response to a traumatic event
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11
June Edmunds and Bryan S. Turner, Generations, Culture and Society (Buckingham: Open University
Press, 2002). See also Edmunds and Turner, Generational Consciousness, Narrative and Politics.
12
Edmunds and Turner, Generations, Culture and Society, 12; Mannheim, 319.
13
Howard Schuman and Jacqueline Scott, ‘Generations and Collective Memories’, American Sociologi-
cal Review 54, no. 3 (1989): 359–81.
14
Elliott, section 1.2; Turner, ‘Strategic Generations’, 13–14.
15
For debate about why youth constitutes a critical period for the formation of generations, see
Schuman and Scott, ‘Generations and Collective Memories’; Martin A. Conway, ‘The Inventory
of Experience: Memory and Identity’, in Collective Memory of Political Events: Social Psychological Per-
spectives, eds James Pennebaker, Dario Paez and Bernard Rimé (Mahwah, NJ: Psychology Press,
1997), 40; Howard Schuman, Robert F. Belli and Katherine Bischoping, ‘The Generational Basis
of Historical Knowledge’, in Pennebaker et al., 71–5.
16
Conway, 40–3.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 45
song, political rhetoric or oral tradition. Most studies also focus, like Wohl or
Edmunds and Turner, on a social elite who see themselves as the vanguard of
a new generation, and who have the cultural power to ensure their collective
self-definition takes hold in popular discourse.
With its usual emphasis on non-elite experience, oral history offers one way to
investigate generational formation across a wider social spectrum. Several fine
studies have used oral history to show if and how significant shared experiences
are forged into generational consciousness, and how such a consciousness is then
sustained—or not—in individual remembering and reinforced by collective rep-
resentations of a generation. Luisa Passerini’s Autobiography of a Generation
(1988) and Robert Gildea, James Mark and Anette Warring’s Europe 1968:
Voices of Revolt (2013) used interviews to document the European activist gener-
ation of 1968.18 In the United States Michael Frisch and others have explored
how a generational memory of ‘Hard Times’ in the Great Depression was sus-
tained through a complex interaction between remembered experience and cul-
tural representation.19
In Australia, too, it is quite clear from work such as Janet McCalman’s oral
histories of Melbournites who grew up between the wars, that the economic
Depression of the early 1930s had a profound effect on people who came of
age between the wars.20 I’ve written elsewhere about how the ‘Depression
17
Edmunds and Turner, Generations, Culture and Society, 11.
18
Luisa Passerini, Autobiography of a Generation: Italy, 1968, first published in Italy in 1988, translated
from Italian by Lisa Erdberg (Hanover: Wesleyan University Press, 1996); Robert Gildea, James
Mark and Anette Warring, Europe 1968: Voices of Revolt (Oxford: Oxford University Press, 2013).
See also Joseph Maslen, ‘Autobiographies of a Generation? Carolyn Steedman, Luisa Passerini
and the Memory of 1968’, Memory Studies 6, no. 1 (2013): 23–36.
19
Michael Frisch, ‘Oral History and Hard Times’, Oral History Review 7 (1979): 70–9. See also, Donald
J. Raleigh, Soviet Baby Boomers: An Oral History of Russia’s Cold War Generation (Oxford: Oxford Uni-
versity Press, 2012).
20
Janet McCalman, Journeyings: The Biography of a Middle-Class Generation 1920–1990 (Melbourne:
Melbourne University Press, 1993); Janet McCalman, Struggletown, Public and Private Life in
46 Australian Historical Studies, 47, 2016
generation’ looms large in the ‘Australia 1938’ oral history project interviews
conducted in the late 1970s and early 1980s with Australians born between the
late 1890s and 1930.21 The 1930s Depression is now almost beyond living
memory, and among our interviews for the Australian Generations Oral
History Project, conducted between 2011 and 2014, there are just a few with
people born in the 1920s who define themselves as part of that Depression gen-
eration. Our interviews are more revealing about postwar Australian birth
cohorts.
The Australian Generations project collected 1,221 hours of recordings
with 300 interviewees (about fifty born in each decade from the 1930s to
the 1980s, with a sprinkling born in the 1920s).22 The editorial of this issue
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of Australian Historical Studies explains in more detail the selection and creation
of these interviews, and concludes that although no oral history archive pro-
vides a fully representative sample (given only willing subjects are inter-
viewed), this collection does comprise a diverse range of Australian
experience—in terms of age, gender, social class, country of birth and ethni-
city, and region—and is large enough to support suggestive generalisations.
The final section of each life history interview focused on questions about gen-
eration, and the following conclusions are based on a review of this section of
the interviews.
One very strong impression from our interviews is that many people, of
certain age groups, just don’t identify themselves in generational terms at all.
Though they shared some memorable experiences, such as the music they
enjoyed in their youth, ‘generation’ is not a significant collective identity. This
lack of a generational identity is most obvious for those born between about
the late 1950s and the late 1970s, the people who might stereotypically be
labelled as late Baby Boomers or Generation X. For example, Ann Davie, born
in 1961, says that the generation questions towards the end of the interview
did not resonate with her because she does not see herself as part of a particular
generation. David Cooper, born in 1959, defines his own generation mostly by
comparison with that of his children, born in the 1980s, who do not have the
racism he grew up with in the 1960s. Bronwyn McLoughlin (born 1967), Suzie
Quartermain (born 1975) and Phoebe Parisia (born 1978) do not identify with
Generation X or Y and describe themselves as ‘between generations’ or a
Richmond, 1900–1965 (Melbourne: Melbourne University Press, 1984). See also Chilla Bulbeck,
Living Feminism: The Impact of the Women’s Movement on Three Generations of Australian Women (Cam-
bridge: Cambridge University Press, 1997).
21
Alistair Thomson, ‘Australian Generations? Transformative Events, Memory and Generational
Identity’, in Conflicted Pasts and National Identities: Narratives of War and Conflict, ed. Michael Boss
(Aarhus: Aarhus University Press, 2014), 55–68; Alistair Thomson, ‘Biography of an Archive: “Aus-
tralia 1938” and the Vexed Development of Australian Oral History’, Australian Historical Studies 45,
no. 3 (2014): 425–49.
22
On project methodology, see Alistair Thomson, ‘Innovation or Revolution in Digital Aural History:
An Australian Case Study’, Oral History Review (in press, 2016); and the article in this issue by Kevin
Bradley and Anisa Puri, ‘Creating an Oral History Archive: Digital Opportunities and Ethical Issues’,
Australian Historical Studies 47, no. 1 (2016), doi:10.1080/1031461X.2015.1122072.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 47
23
All subsequent interview references are from the Australian Generations collection at the National
Library of Australia (pseudonyms are used where interviews are not yet available for public access
or cannot be identified): Ann Davie, TRC 6300/44; David Cooper, TRC 6300/160; Bronwyn
McLoughlin, TRC 6300/47; Suzie Quartermain, TRC 6300/169; Phoebe Parisia, TRC 6300/101.
24
Elliott, Abstract.
25
Irene Schultz (pseudonym); Shannon Murphy (pseudonym); Clare Atkins, TRC 6300/123. Further
research might also highlight specific postwar generational identities for Aboriginal Australians and
for gay men and lesbians (see, for example, Donald Grey-Smith, TRC 6300/241).
26
Paul Potter (pseudonym); Leah Ashley, TRC 6300/79.
48 Australian Historical Studies, 47, 2016
contemporary television and internet images. The events had a potent but inchoate
impact at a formative age, and now contribute to an emerging sense that this was a
time when childhood certainties were pulled apart and they realised—perhaps at
the time but certainly over time—that their world would never again be the
same. In the 2010s these young adult interviewees are only just beginning to
narrate their life stories in generational terms, but perhaps in 2040 when they
look back and see how their own lives and attitudes, and the wider society, were
transformed by 9/11 and its aftermath—and as that event is consolidated in collec-
tive remembrance—they may think of themselves not as Gen X or Gen Y but rather
as the ‘9/11 Generation’ or perhaps the ‘internet generation’.27
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Across our 300 interviewees the only postwar age cohort which currently identifies
strongly in terms of a common generational identity is the early Baby Boomers, born
between the mid-1940s and the late 1950s. It is not the timing of their birth that sets
this group apart but rather their coming of age in the late 1960s and early 1970s.
More than any other postwar Australian birth cohort, this group was shaped by dra-
matic social and cultural changes in its formative years. In the late 1960s and early
1970s they recognised themselves—and were represented by others—as a distinc-
tive generation, and in hindsight that identity has been consolidated by deep-
rooted collective historical representations of the ‘60s generation’ (the 70s are
usually left off the generational label, though it’s clear the early 1970s, with the
reforms of a federal Labor government and the growth of second-wave feminism
and other activist movements, are also important years for this formative genera-
tional experience). For Sue Beeton (born in Melbourne in 1956) and Gwen
Waters (born in 1954 to a German-Australian family in South Australia) the
protest movements they watched on television as teenagers and then joined as
young adults were formative. While these identities were often forged in fraught
intergenerational relationships with parents who had grown up in a very different
era, they were also consolidated by the subsequent impressions of their own chil-
dren, born in the 1970s and 1980s. Thus Alyce Schlothauer (Sydney born in
1987) emphasises the 1970s counter-culture of her parents and all it stood for in
terms of politics, fashion, culture and change. She wishes she was part of a time
when it seemed that change was so real and anything was possible.28
This 60s generational identity has distinctive gender features; indeed amongst
our interviewees it seems to be more prevalent, and more potent, for women born
27
See Jonathon Zilber, TRC 6300/78, and Adam Farrow-Palmer, TRC 6300/136 (climate change may
also become a significant element of this generational identity). International studies have also
noted that ‘a “new” generation may be emerging as a result of 9/11’ and debated the impacts on
today’s young adults of globalisation and changed economic circumstances: Alan France and
Steven Roberts, ‘The Problem of Social Generations: A Critique of the New Emerging Orthodoxy
in Youth Studies’, Journal of Youth Studies 18, no. 2 (2015): 215–30.
28
Sue Beeton, TRC 6300/06; Gwen Waters, TRC 6300/152; Alyce Schlothauer, TRC 6300/174.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 49
in the 1940s and 1950s, for whom the transformations of the late 1960s and
1970s had a particular impact on their opportunities and trajectories as young
women and whose life story was often framed, at the time and over time, by fem-
inism. Women such as Veronica Schwartz (Brisbane born in 1939), Rosemary
Walker (Sydney born in 1941) and Josephine Sanaghan-Cross (Scottish born
in 1951 and brought up in ‘very rough’ northern Melbourne housing commission
estates) started conventional marriages in the 1960s, ended them thanks to no-
fault divorce in the 1970s, and used free university study for mature students
as a springboard into professional careers or greater freedom and travel. They
credit the legislative reforms of Gough Whitlam’s 1972–75 government for chan-
ging their lives, and they recognise how the most profound changes—by com-
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29
Veronica Schwartz, TRC 6300/161; Rosemary Walker (pseudonym); Josephine Sanaghan-Cross,
TRC 6300/131. On the distinctive patterns of women’s generational experience and identity, see
Bulbeck, 19–22; Katie Barclay, Rosalind Carr, Rose Elliot and Annmarie Hughes, ‘Introduction:
Gender and Generations: Women and Life Cycles’, Women’s History Review 20, no. 2 (2011): 175–88.
30
On ‘the horizon of possibilities’ see Alessandro Portelli, The Battle of Valle Giulia (Madison: Univer-
sity of Wisconsin Press, 1997), 276.
31
Janet Davey, interviewed by Cath McLennan in Drouin, Gippsland, Victoria on 7, 9 and 10 May
2012, TRC 6300/66. Many thanks to Janet Davey for her thoughtful and generous comments on
drafts of this article.
50 Australian Historical Studies, 47, 2016
generation. I also ‘listen in stereo’ for experiences that are muted beneath that
cultural script and which complicate the life story.32 Here I am indebted to the
interview Janet conducted with interviewer Cath McLennan. Both parties
probed beyond the surface story of Janet’s Expression of Interest and explored
the jagged edges of Janet’s story. Janet’s reflective insight continued as she
read this draft, corrected errors and added further explanation. In places we
deleted details that might upset others but whose absence did not invalidate
the conclusions. Anonymity was not an option, given I hoped readers would
listen to interview extracts, and this ‘sharing of authority’ (a much-debated prac-
tice within oral history scholarship) was necessary, and, on balance, enhanced the
conclusions.33
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32
Kathryn Anderson and Dana C. Jack, ‘Learning to Listen: Interview Techniques and Analysis’, in
Women’s Words: The Feminist Practice of Oral History, eds Sherna Berger Gluck and Daphne Patai
(London: Routledge, 1991), 11–26.
33
Alistair Thomson, ‘Moving Stories, Women’s Lives: Sharing Authority in Oral History’, Oral History
39, no. 2 (2011): 73–82
34
Davey interview, session 1, 00:14:11, at http://www.nla.gov.au/amad/nla.oh-vn6252057/0-793~
0-864. Note that this and other urls from the Davey interview refer to the segment of the interview
within which the quote is located. If you click on the link in the online version of this article you can
listen to that segment.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 51
in 1948), a home in the suburbs, a car and a caravan for school holidays. By the
mid-1960s Edward had worked his way up to an engineering and research job
with CSIRO. Edna was a tireless homemaker, determined to ‘keep up appear-
ances’ by sewing curtains, lampshades and ball gowns, as well as hosting
regular social events in the family home:
She just looked so gorgeous. I can remember her with her hair up in a
French roll and she looked so professional and so well-groomed … if
you’ve seen ‘Madmen’ … this was my childhood. There it was. Here’s the
mother all dressed up and she’s got the apron on, and all the bits and
pieces of the mod cons.35
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In other ways, the family was not so stereotypical. Edna now worked in retail
outside the home, and to get ahead she and Edward teamed up with his brothers
in a home renovation company. Both parents worked and played hard, and Edna
began to drink too much.
From the start, Janet’s emerging generational identity was forged through
conflict with her parents, and especially her mother, over different expectations
for young women.
I think in some ways I wasn’t particularly easy because I was a bit of a ques-
tioner. I’ve always been a thinker. And certainly when I got to adolescence I
was developing a set of parameters that didn’t fit in with the value system
that my mother had. She had to accept an awful lot of change dealing with
me … I rebelled a lot.36
Janet identifies starting secondary school in 1967 as the beginning of this rebel-
lion. Her aspirational parents did not trust the new high schools around Box
Hill and decided to send Janet to the same private girls’ school in Kew Edna
had wanted to attend as a child. Janet gravitated to the rebellious students,
perhaps because her home life was settled but dull, with her father often away
for work, her big sister in the workforce and Edna now at a full-time job in a
shoe boutique, ‘or maybe because of the times, that was in 1967 and things
were starting to change, and I was aware that there was change’.37
Appearance was the first and continuing flashpoint. Janet’s mother ‘was
always impeccably groomed and everything had to match’; ‘you never went any-
where without your coat, your hat and your gloves’. Janet was overweight and
buying clothes was difficult because most women’s shops didn’t stock big sizes
(except for the department store Myer, which was too conservative for Janet).
Edna was a skilled seamstress and created smart outfits that Janet refused to
wear; she would ‘sew me up a little “slack suit” that would have suited
35
Davey interview, session 1, 01:37:02, at http://www.nla.gov.au/amad/nla.oh-vn6252057/0-5822~
0-6010.
36
Davey interview, session 1, 01:10:46, at http://www.nla.gov.au/amad/nla.oh-vn6252057/0-4246~
0-4294.
37
Davey interview, session 1, 01:14:07; 01:15:16, at http://www.nla.gov.au/amad/nla.oh-
vn6252057/0-4516~0-4561; 01:17:22.
52 Australian Historical Studies, 47, 2016
someone who was fifty’. Janet’s refusal to curl her hair was another ‘source of
constant conflict [ … ] you went to bed in rollers and you curled your hair’. By
the time she was thirteen Janet was ‘insisting on wearing a red kilt with long
black socks and desert boots and a black sweater, so I was in my beatnik phase,
and she was horrified. Clothing was always an issue between us’. Janet recalls
that she was beginning to pick up new ideas from feminism and didn’t want to
engage in all the ‘rigmarole’ about women’s appearance and, to her mother’s
consternation, deliberately dressed casually. ‘I wasn’t willing to learn from my
mother because it was so conservative’.38 Mother and daughter tempestuously
negotiated the different kinds of femininities that were emerging and clashing
in the 1960s.39
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Edna worried that Janet’s fashion rebellion extended to sex and drugs, and
Janet led her along by ‘talking the talk’, though she was actually rather naïve
during her school years. Janet didn’t see a naked male body until her first
sexual encounter at nineteen. She knew about drugs because of media portrayals
of American psychedelic culture, and because one girl at school was allegedly
growing marijuana on the Kew campus in the early 1970s while others made
marijuana tea in the senior centre. But when Janet bought a microdot of LSD
in Year 11 she didn’t know what to do with it, carried it around on the back of
her school badge, and ended up selling it back to the dealer. It’s not surprising
that parents and teachers sometimes formed a misleading impression of brash
teenagers.40
Politics was another sticking point. Janet’s parents were supporters of the
conservative Liberal Party and Edna hoped that Janet would join the young Lib-
erals to meet a nice young man, but at school an inspirational teacher with a
strong social conscience taught Janet about socialism and communism. In
1970, she wanted to join the Vietnam Moratorium march in the city but her
father wouldn’t allow her to attend because of the threat of violence. Janet
didn’t feel she could disobey her parents and instead expressed her rebellion
through the black skivvy, desert boots and army jacket that had become her
uniform of choice.41 There were other political and cultural influences. In 1969
Janet’s sister Deanne married the man she had met at church when she was
sixteen. Deanne’s husband Graeme was a school teacher and book collector
and he encouraged Janet to read philosophical books that were not available in
her own home. Graeme also had a guitar, and aged about fifteen Janet taught
herself to play the guitar and began to strum and sing folk and protest music,
such as Barry McGuire’s American anthem ‘The Eve of Destruction’ (‘Violence
flarin’, bullets loadin’, You’re old enough to kill, but not for votin’’). At school
Janet won a singing scholarship and took classical singing in Year 12. Excellent
38
Davey interview, session 1, 01:16:56, 00:20:05; 01:16:56, 01:18:40 (listen at http://www.nla.gov.
au/amad/nla.oh-vn6252057/0-4562).
39
Bulbeck, 34–44.
40
Davey interview, session 3, 00:00:00; 00:05:11 (listen at http://www.nla.gov.au/amad/nla.oh-
vn6252057/2-0); session 1, 01:23:05.
41
Davey interview, session 3, 00:22:21, at http://www.nla.gov.au/amad/nla.oh-vn6252057/2-1341.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 53
42
Davey interview, session 1, 01:24:12 and 01:28:20 (listen at http://www.nla.gov.au/amad/nla.oh-
vn6252057/0-5300~0-5483); ‘The Eve of Destruction’ lyrics are at http://artists.letssingit.com/
barry-mcguire-lyrics-eve-of-destruction-s1m88lj#axzz3GqO1BUKE (accessed 21 October 2014).
54 Australian Historical Studies, 47, 2016
before marriage, ‘the pill changed everything and it was a period of enormous
upheaval, certainly in sexuality’. Janet enjoyed several relationships with men
without wanting or needing to be tied down by marriage.
I didn’t get married until I was thirty, so obviously I had a few [relationships
… ] Each different relationship seemed to take me into a different world,
and I was an explorer in my own sense. I had the freedom to explore. It
was wonderful to be able to move into different cultures and different
experiences.44
As Janet notes, ‘the pill changed everything’ and was a profound, gendered ingre-
dient of generational change. Janet was able to negotiate sexual relationships in
ways that marked a radical break from her mother’s generation.45
In 1980 Janet’s very mobile housemates inspired her to travel in Europe and
Asia for a year, with leave from the Education Department. Looking back, this
was a life turning point, a time of complete independence and increased self-con-
fidence. In Greece she discovered a love of the countryside, and back in Australia
she determined to move to the country and took up teaching work in rural Gipps-
land. She met her future husband, another teacher, in a pub in Drouin just after
she had decided to settle in the country town. Though Ashley didn’t believe in
marriage and Janet had been a ‘non-traditionalist’ all her life, they decided to
get married to make Edna happy, thus recognising and appeasing the costs felt
on both sides of intergenerational conflict. Indeed, though tensions between
mother and daughter (over appearance, politics and sex) are central in Janet’s
generational narrative, between the lines of Janet’s interview, triggered by
careful questions and reflective life review, is a more sympathetic counter-narra-
tive of a mother who was also a role model as a dynamic working woman. The
43
Davey, Expression of Interest; Davey interview, session 1, 00:13:13; session 5, 01:05:02; Davey
Expression of Interest; Davey interview, session 1, 00:58:22, at http://www.nla.gov.au/amad/
nla.oh-vn6252057/0-3502~0-3588.
44
Davey interview, session 2, 00:56:46; session 3, 00:40:48; session 2, 00:56:46, at http://www.nla.
gov.au/amad/nla.oh-vn6252057/1-3406~1-3469.
45
Katie Holmes and Sarah Pinto, ‘Gender and Sexuality’, in The Cambridge History of Australia, Volume
2, The Commonwealth of Australia, eds Alison Bashford and Stuart McIntyre (Melbourne: Cambridge
University Press, 2015), 324–5.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 55
Conclusions
Media pundits write blithely about the Builders, the Baby Boomers, Gen X and
Gen Y, but what they are really writing about are birth cohorts who share
some common life experiences and attitudes but do not necessarily share a gen-
erational identity. Our Australian Generations interviews suggest that although
the Baby Boomers may have been a demographically significant birth cohort
they do not share a single generational identity. The contrast between the
shared generational identity of those born from the mid-1940s to the late
1950s who came of age in the late 1960s and early 1970s, and the lack of genera-
tional identity among Australians born from about 1960 up until the late 1970s,
confirms that generations are not simply formed by a coincidence of birth. While
a birth cohort may share historical reference points, such as a common musical
46
Davey interview, session 2, 00:53:29; session 2, 01:04:28 (quote at http://www.nla.gov.au/amad/
nla.oh-vn6252057/1-3868~1-4020); session 3, 01:04:40; session 4, 00:00:00; session 5, 00:21:19.
56 Australian Historical Studies, 47, 2016
lation of a generational identity. Yet the example of Janet Davey also highlights
the significance of intimate family relations as a primary site of generational
tension and identification, and how a layering of successive and interconnected
generational experiences can reverberate through a family history, with
Edward and Edna’s life-shaping youth in the Depression of the 1930s moulding
attitudes and aspirations that would, in turn, be the touchstone for their adoles-
cent daughter’s rebellion. At the same time, the contrasting experience of Janet’s
older sister, born just six years earlier yet coming of age at a time when she was
more likely to accept the conservative expectations of her parents and the wider
society, highlights the difference effected by a short span of years and the impor-
tance of considering the influence of individual character and circumstances
alongside that of social context. The contrasting experience of the two sisters
also highlights how responses to established gender expectations may be one sig-
nificant element of generational conflict, and indeed that generational experience
is complicated by gender, as well as class and ethnicity.
The Janet Davey oral history also illustrates how generational identity is
fashioned and consolidated in memory by individuals who draw upon collective
representations of generational identity as one way of making sense of their lives.
The remembrance for Gough Whitlam at his passing in 2014, and the celebration
of ‘the Whitlam years’, is just the latest affirmation of a cultural memory that con-
tinues to consolidate the generational identity of Australians who came of age
with ‘It’s Time’ in the late 1960s and early 1970s.47 For Janet and others of her
age group, the ‘60s generation’ has become an important element of historical
consciousness. Indeed, the notion of generation is one of the key ways that
people mark historical time and explain their connection to historical periods
and forces. People use ‘generation’ as one way of understanding and articulating
historical change, both in their own lives and as their lives intersect with the lives
of others. Though, as we have seen with the late Baby Boomers who are not part
of that 60s generation, generational categories can be exclusive as well as inclus-
ive; not everyone recognises themselves as part of a generation. The pervasive
collective memory of the 60s generation impacts on the life stories of people
47
It’s Time’ was the slogan used for the Australian Labor Party election campaign in 1972.
Thomson: Memory, Oral History and Generational Identity in Postwar Australia 57
early 1970s are still centrally involved in struggles over the cultural and political
legacy of their youth, just as the experience and memory of the 1930s Depression
impacted on policy makers responsible for social reform in postwar Australia.48
Generations need to be taken seriously as a feature of Australian social and pol-
itical life, and as a concept for careful historical analysis, and that analysis cannot
be left to the clichéd, ahistorical stereotypes of media pundits.
48
See Frank Bongiorno, ‘Whitlam, the 1960s and the Program’, Inside Story, 16 December 2013, at
http://insidestory.org.au/whitlam-the-1960s-and-the-program (accessed 12 February 2015).