COMPLETE CHORD/SCALE COMPARATIVE CHART

Sergio Xcaer

MAJOR MODES
1. Cmaj7 Ionian (major I)
Notes of the scale: 1 2 3 4 5 6 7 / Chord tones: 1 3 5 7 / Extensions: 9 11 13
Formula: 1 3 5 7 / 9 13

2. C maj7+11 Lidian (major IV)

Notes of the scale: 1 2 3 +4 5 6 7 / Chord tones: 1 3 5 7 / Extensions: 9 +11 13
Formula :1 3 5 7 / 9 +11 13

3. Cmaj7 +5 Lydian Augmented (melodic minor III) Lydian #5

Notes of the scale: 1 2 3 +4 +5 6 7 / Chord tones: 1 3 +5 7 / Extensions: 9 +11 13
Formula: 1 3 +5 7 / 9 +11 13

4. Cmaj7 +5 Ionian Augmented (harmonic minor III)* Ionian #5

Notes of the scale: 1 2 3 4 +5 6 7 / Chord tones: 1 3 +5 7 / Extensions: 9 11 13
Formula: 1 3 +5 7 / 9 11 13

5. Cmaj7 +9 Lydian #2 (harmonic minor VI)

Notes of the scale: 1 +2 3 +4 5 6 7 / Chord tones: 1 3 5 7 / Extensions: +9 +11 13
Formula: 1 3 5 7 / +9 +11 13

6. Cmaj7(Ñ6) Ionian Ñ6 (Harmonic Major Scale I)

Notes of the scale: 1 2 3 4 5 Ñ6 7 / Chord tones: 1 3 5 7 / Extensions: 9 *11 Ñ13
Formula: 1 3 4 5 7 / 9 *11 Ñ13

Sergio Xcaer-2012
 COMPLETE CHORD/SCALE COMPARATIVE CHART
Sergio Xcaer

MINOR MODES

1. Cmin7 Dorian *Cmin9 C-11 Cmin6 (mayor II)

Notes of the scale: 1 2 Ñ3 4 5 6 Ñ7 / Chord tones: 1 Ñ3 5 Ñ7 / Extensions: 9 11 13
Formula: 1 Ñ3 5 Ñ7 / 9 11 13

2. Cmin7 Aeolian (mayor VI)

Notes of the scale: 1 2 Ñ3 4 5 Ñ6 Ñ7 / Chord tones: 1 Ñ3 5 Ñ7 / Extensions: 9 11 Ñ13
Formula: 1 Ñ3 5 Ñ7 / 9 11 Ñ13

3. Cmin maj7 Melodic minor scale (melodic minor I)

Notes of the scale: 1 2 Ñ3 4 5 6 7 / Chord tones: 1 Ñ3 5 7 / Extensions: 9 11 13
Formula: 1 Ñ3 5 7 / 9 11 13

4. Cmin7 Ñ6/9 Harmonic minor scale (harmonic minor I)

Notes of the scale: 1 2 Ñ3 4 5 Ñ6 Ñ7 / Chord tones: 1 Ñ3 5 Ñ7 / Extensions: 9 11 Ñ13
Formula: 1 Ñ3 5 7 / 9 11 Ñ13

5. Cmin7+11 Dorian #4 (harmonic minor IV)*

Notes of the scale: 1 2 Ñ3 +4 5 6 Ñ7 / Chord tones: 1 Ñ3 5 Ñ7 / Extensions: 9 +11 13
Formula: 1 Ñ3 5 6 Ñ7 / 9 +11 13

LOCRIAN MODES
1. Locrian 1 Cmin7(Ñ5) Ñ9 Locrian (major scale VII)
Notes of the scale: 1 Ñ2 Ñ3 4 Ñ5 Ñ6 Ñ7 /Chord tones: 1 Ñ3 Ñ5 Ñ7 / Extensions: Ñ9 11 Ñ13
Formula: 1 Ñ3 Ñ5 Ñ7 / Ñ9 11 Ñ13

2. Locrian 2 Cmin7(Ñ5) 9 Locrian nat 2 (melodic minor VI)

Notes of the scale: 1 2 Ñ3 4 Ñ5 Ñ6 Ñ7 / Chord tones: 1 Ñ3 Ñ5 Ñ7 / Extensions: 9 11 Ñ13
Formula: 1 Ñ3 Ñ5 Ñ7 / 9 11 Ñ13

3. Locrian 3 Cmin7(Ñ5) Ñ9 Locrian nat 6 (harmonic minor II)

Notes of the scale: 1 Ñ2 Ñ3 4 Ñ5 6 Ñ7 / Chord tones: 1 Ñ3 Ñ5 Ñ7 / Extensions: Ñ9 11 13
Formula: 1 Ñ3 Ñ5 Ñ7 / Ñ9 11 13

4. Cmin7(Ñ5) Locrian (Harmonic Major Scale II)

Notes of the scale: 1 2 Ñ3 4 Ñ5 Ñ6 Ñ7 / Chord tones: 1 Ñ3 Ñ5 Ñ7 / Extensions: 9 11 Ñ13
Formula: 1 Ñ3 5 7 / 9 *11 Ñ13

Sergio Xcaer-2012
 COMPLETE CHORD/SCALE COMPARATIVE CHART
Sergio Xcaer
DOMINANT MODES
1. C7, C7sus9 Mixolydian (mayor V)
Notes of the scale: 1 2 3 4 5 6 Ñ7 / Chord tones: 1 3 5 Ñ7 / Extensions: 9 11 13
Formula: 1 3 5 Ñ7 / 9 11 13

2. C7+11 Lydian Dominant (melodic minor IV) *Mixolidian #4

Notes of the scale: 1 2 3 +4 5 6 Ñ7 / Chord tones: 1 3 5 Ñ7 / Extensions: 9 +11 13
Formula: 1 3 5 Ñ7 / 9 +11 13

3. C7alt *Jazz Altered Scale (b9, #9, +11 Ñ13) (melodic minor VII)
Notes of the scale: 1 Ñ9 +9 3 +11 +5(Ñ6) Ñ7 / Chord tones: 1 3 +5 Ñ7 / Extensions: Ñ9 +9 +11 Ñ13
Formula: 1 3 +5 Ñ7 / Ñ9 +9 +11 Ñ13

4. C7sus9 C9(Ñ13) Mixolidian Ñ6 (melodic minor V) Mixolidian Ñ6

Notes of the scale: 1 2 3 4 5 Ñ6 Ñ7 / Chord tones: 1 3 5 Ñ7 / Extensions: 9 11 Ñ13
Formula: 1 3 5 Ñ7 / 9 11 Ñ13

5. C7Ñ9 +11 13 (Diminished Dominant) Diminished Half tone/Tone. C13(Ñ9)

Notes of the scale: 1 Ñ2 +2 3 +11 5 6 Ñ7 / Chord tones: 1 3 5 Ñ7 / Extensions: Ñ9 +9 +11 13
Formula: 1 3 5 Ñ7 / Ñ9 +9 +11 13

6. C7 +5 +11 Augmented Dominant (Whole tone scale). MIxolidian #4 #5

Notes of the scale: 1 2 3 +11 +5 Ñ7 / Chord tones: 1 3 +5 Ñ7 / Extensions: 9 +11 Ñ13 (+5)
Formula: 1 3 +5 Ñ7 / 9 +11 Ñ13 (+5)

7. C7susÑ9 (Ñ13) Phrygian Dominant (harmonic minor V) *Mixolidian Ñ2 Ñ6

Notes of the scale: 1 Ñ2 3 4 5 Ñ6 Ñ7 / Chord tones: 1 3 5 Ñ7 / Extensions: Ñ9 11 Ñ13
Formula: 1 3 5 Ñ7 / Ñ9 11 Ñ13

8. C7sus(Ñ9) *Phrygian (mayor III) *synthetic over dominant Dorian Ñ2 Ñ6

Notes of the scale: 1 Ñ2 Ñ3 4 5 Ñ6 Ñ7 / Chord tones: 1 Ñ3(4) 5 Ñ7 / Extensions: Ñ9 11 Ñ13
Formula: 1 Ñ3 5 Ñ7 / Ñ9 +9 11 Ñ13

9. C7sus(Ñ9) *Phrygian nat 6 (melodic minor II) *synthetic over dominant *Dorian Ñ2
Notes of the scale: 1 Ñ2 Ñ3 4 5 6 Ñ7 / Chord tones: 1 Ñ3(4) 5 Ñ7 / Extensions: Ñ9 +9 (11) 13
Formula: 1 Ñ3(4) 5 Ñ7 / Ñ9 +9 (11) 13

10. C7 (Ñ9) 11 13 Mixolidian Ñ2 (Harmonic Major Scale V)

Notes of the scale: 1 Ñ2 3 4 5 6 Ñ7 / Chord tones: 1 3 5 7 / Extensions: Ñ9 11 13
Formula: 1 3 5 Ñ7 / Ñ9 11 13

Sergio Xcaer-2012
 COMPLETE CHORD/SCALE COMPARATIVE CHART
Sergio Xcaer

11. C7 (Ñ9) 11 13 Mixolidian Ñ2 Ñ6 (Harmonic Major Scale III)

Notes of the scale: 1 Ñ2 #2 3 5 Ñ6 Ñ7 / Chord tones: 1 3 5 7 / Extensions: Ñ9 +9 Ñ13
Formula: 1 3 5 Ñ7 / Ñ9 +9 Ñ13

DIMINISHED MODES

1. C`7 maj7 (Diminished tone/half tone)

Notes of the scale: 1 2 Ñ3 Ñ4 Ñ5 Ñ6 6 7 / Chord tones: 1 Ñ3 Ñ5 ÑÑ7 / Extensions: 9 Ñ11 Ñ13 7
Formula: 1 Ñ3 Ñ5 ÑÑ7 / 9 Ñ11 Ñ13 7

2. C`7 Locrian Diminished (harmonic minor VII)

Notes of the scale: 1 Ñ2 Ñ3 Ñ4 Ñ5 Ñ6 ÑÑ7 / Chord tones: 1 Ñ3 Ñ5 ÑÑ7 / Extensions: Ñ9 Ñ11 Ñ13
Formula: 1 Ñ3 Ñ5 ÑÑ7 / Ñ9 Ñ11 Ñ13

OTHER SCALES

TRITONIC SCALE
Notes of the scale: 1 Ñ3 4 +5 6 Chord tones: 1 Ñ3 +5 6 / Extensions: +9 11 13
Formula: 1 Ñ3 +5 6 / +9 11 13

GYPSY SCALE
Notes of the scale: 1 Ñ2 3 4 5 Ñ6 7 / Chord tones: 1 3 5 7 / Extensions: Ñ9 11 Ñ13
Formula: 1 3 5 7 / Ñ9 11 Ñ13

BLUES SCALE
Notes of the scale: 1 Ñ3 3 4 Ñ5 5 Ñ7 7

Sergio Xcaer-2012