Passacaglia for percussion

  Moderato
      
Glockenspiel   

 
Xylophone                
  
           


   
Glock.                 

7


 
Xyl.            


           
   

 
Glock.   
                   
11

 
Xyl.         
                

 
Glock.                  
        
15 hocketting

    
   
Xyl.         
    
   Sempre mezzo fo

        
  
  

 sempre
 
piano

 
Glock.                              
   
20

   
   
Xyl.                           
           
   
Glock.                   

     
24 imitation/canon

 
              
Xyl.           
   





 
Glock.          
              
29

         
     
Xyl.                       
     

  Heterophony (a tune with a decorated version of itself)

Glock.                  

33

 
Xyl.                             


   


  
Glock.    
                      
37 melody and accompaniment

        
Xyl.               


         
     

        
Glock.    
                      
43

       
Xyl.           
  
         

2
  
Glock.                         
     
48

   

withinharmonic framework
Rhythmic augmentation of passacaglia

 
Xyl.           
         


 
Glock.  
                   
56

 
 
Xyl.    
     

  
   

      

 
Glock.                   
       
63 Doppio movemento


 
Xyl.               
    


         


 
Glock.                            
  
68

  
 
Xyl.          
                        

  Coda  
Glock.            
    
72

 
           
Xyl.       
 

        


   

3
    
Glock.        
 
    
 
77

   
Xyl.       
            

         
Glock.                  

82

        
 
Xyl.        





          

